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Color name
RGB 128.7 110.6 12

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128.7 110.6 12 it is the complementary color RGB 126.3 144.4 243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128.7 110.6 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128.7 110.6 12 shade: RGB 133.7 110.6 7, RGB 150.7 128.6 26, RGB 167.7 146.6 45, RGB 184.7 164.6 64 and RGB 201.7 182.6 83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128.7 110.6 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128.7 110.6 12 shade: RGB 128.7 110.6 12, RGB 111.7 92.6 0, RGB 94.7 74.6 0, RGB 77.7 56.6 0 and RGB 60.7 38.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128.7 110.6 12 shade: RGB 131 112 12, RGB 131 80 12, RGB 131 48 12, RGB 131 16 12 and RGB 131 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128.7 110.6 12 shade: RGB 131 112 12, RGB 117 131 12, RGB 85 131 12, RGB 53 131 12 and RGB 21 131 12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128.7 110.6 12 shade matches the following richer shades: RGB 131 112 12 and RGB 142 120 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128.7 110.6 12 shade: RGB 131 112 12, RGB 119 104 24, RGB 108 96 35, RGB 96 88 47 and RGB 84 80 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128.7 110.6 12 shade: RGB 131 48 12, RGB 131 79 12, RGB 131 111 12, RGB 119 131 12 and RGB 87 131 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128.7 110.6 12 shade: RGB 55 47 5, RGB 93 80 9, RGB 131 112 12, RGB 168 145 16 and RGB 206 177 19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128.7 110.6 12 shade: RGB 128.7 110.6 12, RGB 12 131 16 and RGB 63 12 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128.7 110.6 12 shade: RGB 128.7 110.6 12, RGB 12 131 111 and RGB 111 12 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128.7 110.6 12 shade: RGB 128.7 110.6 12, RGB 12 131 16, RGB 12 32 131 and RGB 131 12 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128.7 110.6 12 shade: RGB 128.7 110.6 12, RGB 12 131 52, RGB 12 32 131 and RGB 131 12 91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 91 / 50

HEX #806E0C

RGB 128.7 110.6 12

HSL 50.69, 0.83%, 0.28%

LAB 46.91, -2.69, 50.5

 

Complementary color

CMYK 48 / 41 / 0 / 5

HEX #7E90F3

RGB 126.3 144.4 243

HSL 230.69, 0.83%, 0.72%

LAB 62.51, 19.52, -51.6

 

CMYK 0 / 17 / 95 / 48

HEX #856E07

RGB 133.7 110.6 7

HSL 49.06, 0.9%, 0.28%

LAB 47.42, -0.4, 52.2

 

CMYK 0 / 15 / 83 / 41

HEX #96801A

RGB 150.7 128.6 26

HSL 49.37, 0.71%, 0.35%

LAB 54.26, -2.06, 53.69

 

CMYK 0 / 13 / 73 / 34

HEX #A7922D

RGB 167.7 146.6 45

HSL 49.68, 0.58%, 0.42%

LAB 60.98, -3.41, 53.75

 

CMYK 0 / 11 / 65 / 28

HEX #B8A440

RGB 184.7 164.6 64

HSL 50.01, 0.49%, 0.49%

LAB 67.59, -4.5, 53.08

 

CMYK 0 / 9 / 59 / 21

HEX #C9B653

RGB 201.7 182.6 83

HSL 50.35, 0.53%, 0.56%

LAB 74.09, -5.4, 52.09

 

CMYK 0 / 14 / 91 / 50

HEX #806E0C

RGB 128.7 110.6 12

HSL 50.69, 0.83%, 0.28%

LAB 46.91, -2.69, 50.5

 

CMYK 0 / 17 / 100 / 56

HEX #6F5C00

RGB 111.7 92.6 0

HSL 49.74, 1%, 0.22%

LAB 39.89, -0.81, 47.33

 

CMYK 0 / 21 / 100 / 63

HEX #5E4A00

RGB 94.7 74.6 0

HSL 47.27, 1%, 0.19%

LAB 32.69, 1.47, 41.39

 

CMYK 0 / 27 / 100 / 70

HEX #4D3800

RGB 77.7 56.6 0

HSL 43.71, 1%, 0.15%

LAB 25.24, 3.93, 34.55

 

CMYK 0 / 36 / 100 / 76

HEX #3C2600

RGB 60.7 38.6 0

HSL 38.15, 1%, 0.12%

LAB 17.5, 6.64, 25.49

 

CMYK 0 / 15 / 91 / 49

HEX #83700C

RGB 131 112 12

HSL 50.42, 0.83%, 0.28%

LAB 47.55, -2.39, 51.11

 

CMYK 0 / 39 / 91 / 49

HEX #83500C

RGB 131 80 12

HSL 34.29, 0.83%, 0.28%

LAB 38.88, 16.32, 44.21

 

CMYK 0 / 63 / 91 / 49

HEX #83300C

RGB 131 48 12

HSL 18.15, 0.83%, 0.28%

LAB 31.73, 34.06, 38.54

 

CMYK 0 / 88 / 91 / 49

HEX #83100C

RGB 131 16 12

HSL 2.02, 0.83%, 0.28%

LAB 27.36, 46.05, 35.02

 

CMYK 0 / 91 / 91 / 49

HEX #830C0C

RGB 131 12 12

HSL 0, 0.83%, 0.28%

LAB 27.06, 46.91, 34.76

 

CMYK 0 / 15 / 91 / 49

HEX #83700C

RGB 131 112 12

HSL 50.42, 0.83%, 0.28%

LAB 47.55, -2.39, 51.11

 

CMYK 11 / 0 / 91 / 49

HEX #75830C

RGB 117 131 12

HSL 67.06, 0.83%, 0.28%

LAB 51.88, -19.32, 54.07

 

CMYK 35 / 0 / 91 / 49

HEX #55830C

RGB 85 131 12

HSL 83.19, 0.83%, 0.28%

LAB 49.73, -32.97, 51.41

 

CMYK 60 / 0 / 91 / 49

HEX #35830C

RGB 53 131 12

HSL 99.33, 0.83%, 0.28%

LAB 48.28, -43.81, 49.6

 

CMYK 84 / 0 / 91 / 49

HEX #15830C

RGB 21 131 12

HSL 115.46, 0.83%, 0.28%

LAB 47.52, -50.26, 48.65

 

CMYK 0 / 15 / 91 / 49

HEX #83700C

RGB 131 112 12

HSL 50.42, 0.83%, 0.28%

LAB 47.55, -2.39, 51.11

 

CMYK 0 / 15 / 99 / 44

HEX #8E7801

RGB 142 120 1

HSL 50.64, 0.99%, 0.28%

LAB 50.9, -1.9, 56.39

 

CMYK 0 / 15 / 91 / 49

HEX #83700C

RGB 131 112 12

HSL 50.42, 0.83%, 0.28%

LAB 47.55, -2.39, 51.11

 

CMYK 0 / 13 / 80 / 53

HEX #776818

RGB 119 104 24

HSL 50.53, 0.66%, 0.28%

LAB 44.07, -3.16, 44.02

 

CMYK 0 / 11 / 68 / 58

HEX #6C6023

RGB 108 96 35

HSL 50.14, 0.51%, 0.28%

LAB 40.7, -3.17, 35.51

 

CMYK 0 / 8 / 51 / 62

HEX #60582F

RGB 96 88 47

HSL 50.2, 0.34%, 0.28%

LAB 37.25, -3.09, 24.82

 

CMYK 0 / 5 / 31 / 67

HEX #54503A

RGB 84 80 58

HSL 50.77, 0.18%, 0.28%

LAB 33.83, -2.37, 13.59

 

CMYK 0 / 63 / 91 / 49

HEX #83300C

RGB 131 48 12

HSL 18.15, 0.83%, 0.28%

LAB 31.73, 34.06, 38.54

 

CMYK 0 / 40 / 91 / 49

HEX #834F0C

RGB 131 79 12

HSL 33.78, 0.83%, 0.28%

LAB 38.63, 16.91, 44.01

 

CMYK 0 / 15 / 91 / 49

HEX #836F0C

RGB 131 111 12

HSL 49.92, 0.83%, 0.28%

LAB 47.26, -1.82, 50.88

 

CMYK 9 / 0 / 91 / 49

HEX #77830C

RGB 119 131 12

HSL 66.05, 0.83%, 0.28%

LAB 52.04, -18.42, 54.27

 

CMYK 34 / 0 / 91 / 49

HEX #57830C

RGB 87 131 12

HSL 82.18, 0.83%, 0.28%

LAB 49.84, -32.18, 51.55

 

CMYK 0 / 15 / 91 / 78

HEX #372F05

RGB 55 47 5

HSL 50.4, 0.83%, 0.12%

LAB 19.46, -1.81, 25.58

 

CMYK 0 / 14 / 90 / 64

HEX #5D5009

RGB 93 80 9

HSL 50.71, 0.82%, 0.2%

LAB 34.16, -2.39, 39.32

 

CMYK 0 / 15 / 91 / 49

HEX #83700C

RGB 131 112 12

HSL 50.42, 0.83%, 0.28%

LAB 47.55, -2.39, 51.11

 

CMYK 0 / 14 / 90 / 34

HEX #A89110

RGB 168 145 16

HSL 50.92, 0.83%, 0.36%

LAB 60.44, -3.38, 62.02

 

CMYK 0 / 14 / 91 / 19

HEX #CEB113

RGB 206 177 19

HSL 50.7, 0.83%, 0.44%

LAB 72.64, -3.36, 72.51

 

CMYK 0 / 14 / 91 / 50

HEX #806E0C

RGB 128.7 110.6 12

HSL 50.69, 0.83%, 0.28%

LAB 46.91, -2.69, 50.5

 

CMYK 91 / 0 / 88 / 49

HEX #0C8310

RGB 12 131 16

HSL 122.02, 0.83%, 0.28%

LAB 47.43, -51.02, 47.61

 

CMYK 52 / 91 / 0 / 49

HEX #3F0C83

RGB 63 12 131

HSL 265.71, 0.83%, 0.28%

LAB 19.88, 47.48, -54.99

 

CMYK 0 / 14 / 91 / 50

HEX #806E0C

RGB 128.7 110.6 12

HSL 50.69, 0.83%, 0.28%

LAB 46.91, -2.69, 50.5

 

CMYK 91 / 0 / 15 / 49

HEX #0C836F

RGB 12 131 111

HSL 169.92, 0.83%, 0.28%

LAB 48.83, -34.78, 2.38

 

CMYK 15 / 91 / 0 / 49

HEX #6F0C83

RGB 111 12 131

HSL 289.92, 0.83%, 0.28%

LAB 27.52, 54.46, -42.19

 

CMYK 0 / 14 / 91 / 50

HEX #806E0C

RGB 128.7 110.6 12

HSL 50.69, 0.83%, 0.28%

LAB 46.91, -2.69, 50.5

 

CMYK 91 / 0 / 88 / 49

HEX #0C8310

RGB 12 131 16

HSL 122.02, 0.83%, 0.28%

LAB 47.43, -51.02, 47.61

 

CMYK 91 / 76 / 0 / 49

HEX #0C2083

RGB 12 32 131

HSL 229.92, 0.83%, 0.28%

LAB 19.01, 33.45, -56.55

 

CMYK 0 / 91 / 3 / 49

HEX #830C7F

RGB 131 12 127

HSL 302.02, 0.83%, 0.28%

LAB 30.93, 57.46, -34.01

 

CMYK 0 / 14 / 91 / 50

HEX #806E0C

RGB 128.7 110.6 12

HSL 50.69, 0.83%, 0.28%

LAB 46.91, -2.69, 50.5

 

CMYK 91 / 0 / 60 / 49

HEX #0C8334

RGB 12 131 52

HSL 140.17, 0.83%, 0.28%

LAB 47.7, -47.62, 33.82

 

CMYK 91 / 76 / 0 / 49

HEX #0C2083

RGB 12 32 131

HSL 229.92, 0.83%, 0.28%

LAB 19.01, 33.45, -56.55

 

CMYK 0 / 91 / 31 / 49

HEX #830C5B

RGB 131 12 91

HSL 320.17, 0.83%, 0.28%

LAB 29.01, 52.41, -13.89

 

Description

Color code: RGB 128.7 110.6 12 | qconv.com Color code: RGB 128.7 110.6 12 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128.7 red, 110.6 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128.7 110.6 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 91 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 91% 50% C M Y K

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