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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128.3 252.4 145 it is the complementary color RGB 126.7 2.6 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128.3 252.4 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128.3 252.4 145 shade: RGB 133.3 252.4 140, RGB 150.3 255 159, RGB 167.3 255 178, RGB 184.3 255 197 and RGB 201.3 255 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128.3 252.4 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128.3 252.4 145 shade: RGB 128.3 252.4 145, RGB 111.3 234.4 126, RGB 94.3 216.4 107, RGB 77.3 198.4 88 and RGB 60.3 180.4 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128.3 252.4 145 shade: RGB 130 252 147, RGB 147 252 130, RGB 180 252 130, RGB 213 252 130 and RGB 246 252 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128.3 252.4 145 shade: RGB 130 252 147, RGB 130 252 180, RGB 130 252 213, RGB 130 252 246 and RGB 130 226 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128.3 252.4 145 shade matches the following richer shades: RGB 130 252 147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128.3 252.4 145 shade: RGB 130 252 147, RGB 140 242 154, RGB 151 232 162, RGB 161 222 169 and RGB 171 211 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128.3 252.4 145 shade: RGB 179 252 130, RGB 146 252 130, RGB 130 252 146, RGB 130 252 179 and RGB 130 252 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128.3 252.4 145 shade: RGB 49 251 76, RGB 90 252 111, RGB 130 252 147, RGB 170 253 182 and RGB 211 254 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128.3 252.4 145 shade: RGB 128.3 252.4 145, RGB 130 212 252 and RGB 252 130 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128.3 252.4 145 shade: RGB 128.3 252.4 145, RGB 146 130 252 and RGB 252 146 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128.3 252.4 145 shade: RGB 128.3 252.4 145, RGB 130 212 252, RGB 252 130 236 and RGB 252 171 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128.3 252.4 145 shade: RGB 128.3 252.4 145, RGB 130 175 252, RGB 252 130 236 and RGB 252 208 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 43 / 1

HEX #80FC91

RGB 128.3 252.4 145

HSL 128.07, 0.96%, 0.75%

LAB 90.1, -56.44, 40.93

 

Complementary color

CMYK 0 / 98 / 13 / 50

HEX #7E026E

RGB 126.7 2.6 110

HSL 308.07, 0.96%, 0.25%

LAB 28.57, 55.56, -27

 

CMYK 47 / 0 / 45 / 1

HEX #85FC8C

RGB 133.3 252.4 140

HSL 123.38, 0.96%, 0.76%

LAB 90.22, -55.86, 43.54

 

CMYK 41 / 0 / 38 / 0

HEX #96FF9F

RGB 150.3 255 159

HSL 124.99, 1%, 0.79%

LAB 91.92, -49.42, 36.59

 

CMYK 34 / 0 / 30 / 0

HEX #A7FFB2

RGB 167.3 255 178

HSL 127.32, 1%, 0.83%

LAB 93.01, -41.43, 28.68

 

CMYK 28 / 0 / 23 / 0

HEX #B8FFC5

RGB 184.3 255 197

HSL 130.78, 1%, 0.86%

LAB 94.22, -33.04, 20.84

 

CMYK 21 / 0 / 15 / 0

HEX #C9FFD8

RGB 201.3 255 216

HSL 136.42, 1%, 0.89%

LAB 95.55, -24.36, 13.14

 

CMYK 49 / 0 / 43 / 1

HEX #80FC91

RGB 128.3 252.4 145

HSL 128.07, 0.96%, 0.75%

LAB 90.1, -56.44, 40.93

 

CMYK 53 / 0 / 46 / 8

HEX #6FEA7E

RGB 111.3 234.4 126

HSL 127.16, 0.75%, 0.68%

LAB 83.95, -56.47, 42.22

 

CMYK 56 / 0 / 51 / 15

HEX #5ED86B

RGB 94.3 216.4 107

HSL 126.24, 0.61%, 0.61%

LAB 77.74, -56.37, 43.54

 

CMYK 61 / 0 / 56 / 22

HEX #4DC658

RGB 77.3 198.4 88

HSL 125.3, 0.52%, 0.54%

LAB 71.46, -56.08, 44.86

 

CMYK 67 / 0 / 62 / 29

HEX #3CB445

RGB 60.3 180.4 69

HSL 124.35, 0.5%, 0.47%

LAB 65.12, -55.49, 46.13

 

CMYK 48 / 0 / 42 / 1

HEX #82FC93

RGB 130 252 147

HSL 128.36, 0.95%, 0.75%

LAB 90.08, -55.55, 39.93

 

CMYK 42 / 0 / 48 / 1

HEX #93FC82

RGB 147 252 130

HSL 111.64, 0.95%, 0.75%

LAB 90.52, -53.18, 48.8

 

CMYK 29 / 0 / 48 / 1

HEX #B4FC82

RGB 180 252 130

HSL 95.41, 0.95%, 0.75%

LAB 92.1, -42.69, 51.1

 

CMYK 15 / 0 / 48 / 1

HEX #D5FC82

RGB 213 252 130

HSL 79.18, 0.95%, 0.75%

LAB 94.05, -30.95, 53.91

 

CMYK 2 / 0 / 48 / 1

HEX #F6FC82

RGB 246 252 130

HSL 62.95, 0.95%, 0.75%

LAB 96.34, -18.42, 57.21

 

CMYK 48 / 0 / 42 / 1

HEX #82FC93

RGB 130 252 147

HSL 128.36, 0.95%, 0.75%

LAB 90.08, -55.55, 39.93

 

CMYK 48 / 0 / 29 / 1

HEX #82FCB4

RGB 130 252 180

HSL 144.59, 0.95%, 0.75%

LAB 90.63, -49.99, 24.16

 

CMYK 48 / 0 / 15 / 1

HEX #82FCD5

RGB 130 252 213

HSL 160.82, 0.95%, 0.75%

LAB 91.31, -43.32, 8.17

 

CMYK 48 / 0 / 2 / 1

HEX #82FCF6

RGB 130 252 246

HSL 177.05, 0.95%, 0.75%

LAB 92.14, -35.66, -7.72

 

CMYK 48 / 10 / 0 / 1

HEX #82E2FC

RGB 130 226 252

HSL 192.79, 0.95%, 0.75%

LAB 85.08, -21.65, -21.43

 

CMYK 48 / 0 / 42 / 1

HEX #82FC93

RGB 130 252 147

HSL 128.36, 0.95%, 0.75%

LAB 90.08, -55.55, 39.93

 

CMYK 48 / 0 / 42 / 1

HEX #82FC93

RGB 130 252 147

HSL 128.36, 0.95%, 0.75%

LAB 90.08, -55.55, 39.93

 

CMYK 42 / 0 / 36 / 5

HEX #8CF29A

RGB 140 242 154

HSL 128.24, 0.8%, 0.75%

LAB 87.69, -47.64, 33.41

 

CMYK 35 / 0 / 30 / 9

HEX #97E8A2

RGB 151 232 162

HSL 128.15, 0.64%, 0.75%

LAB 85.45, -38.74, 26.43

 

CMYK 27 / 0 / 24 / 13

HEX #A1DEA9

RGB 161 222 169

HSL 127.87, 0.48%, 0.75%

LAB 83.28, -29.79, 19.9

 

CMYK 19 / 0 / 16 / 17

HEX #ABD3B1

RGB 171 211 177

HSL 129, 0.31%, 0.75%

LAB 80.97, -19.74, 12.54

 

CMYK 29 / 0 / 48 / 1

HEX #B3FC82

RGB 179 252 130

HSL 95.9, 0.95%, 0.75%

LAB 92.05, -43.03, 51.02

 

CMYK 42 / 0 / 48 / 1

HEX #92FC82

RGB 146 252 130

HSL 112.13, 0.95%, 0.75%

LAB 90.48, -53.48, 48.73

 

CMYK 48 / 0 / 42 / 1

HEX #82FC92

RGB 130 252 146

HSL 127.87, 0.95%, 0.75%

LAB 90.06, -55.7, 40.4

 

CMYK 48 / 0 / 29 / 1

HEX #82FCB3

RGB 130 252 179

HSL 144.1, 0.95%, 0.75%

LAB 90.61, -50.17, 24.64

 

CMYK 48 / 0 / 16 / 1

HEX #82FCD4

RGB 130 252 212

HSL 160.33, 0.95%, 0.75%

LAB 91.29, -43.53, 8.66

 

CMYK 80 / 0 / 70 / 2

HEX #31FB4C

RGB 49 251 76

HSL 128.02, 0.96%, 0.59%

LAB 87.08, -79, 67.1

 

CMYK 64 / 0 / 56 / 1

HEX #5AFC6F

RGB 90 252 111

HSL 127.78, 0.96%, 0.67%

LAB 88.42, -69.56, 54.52

 

CMYK 48 / 0 / 42 / 1

HEX #82FC93

RGB 130 252 147

HSL 128.36, 0.95%, 0.75%

LAB 90.08, -55.55, 39.93

 

CMYK 33 / 0 / 28 / 1

HEX #AAFDB6

RGB 170 253 182

HSL 128.67, 0.95%, 0.83%

LAB 92.65, -39.06, 26.19

 

CMYK 17 / 0 / 15 / 0

HEX #D3FED9

RGB 211 254 217

HSL 128.37, 0.96%, 0.91%

LAB 95.89, -20.59, 13.18

 

CMYK 49 / 0 / 43 / 1

HEX #80FC91

RGB 128.3 252.4 145

HSL 128.07, 0.96%, 0.75%

LAB 90.1, -56.44, 40.93

 

CMYK 48 / 16 / 0 / 1

HEX #82D4FC

RGB 130 212 252

HSL 199.67, 0.95%, 0.75%

LAB 81.22, -14.54, -27.31

 

CMYK 0 / 48 / 35 / 1

HEX #FC82A3

RGB 252 130 163

HSL 343.77, 0.95%, 0.75%

LAB 68.97, 49.74, 4.04

 

CMYK 49 / 0 / 43 / 1

HEX #80FC91

RGB 128.3 252.4 145

HSL 128.07, 0.96%, 0.75%

LAB 90.1, -56.44, 40.93

 

CMYK 42 / 48 / 0 / 1

HEX #9282FC

RGB 146 130 252

HSL 247.87, 0.95%, 0.75%

LAB 60.87, 35.07, -59.07

 

CMYK 0 / 42 / 48 / 1

HEX #FC9282

RGB 252 146 130

HSL 7.87, 0.95%, 0.75%

LAB 71.46, 38.27, 25.89

 

CMYK 49 / 0 / 43 / 1

HEX #80FC91

RGB 128.3 252.4 145

HSL 128.07, 0.96%, 0.75%

LAB 90.1, -56.44, 40.93

 

CMYK 48 / 16 / 0 / 1

HEX #82D4FC

RGB 130 212 252

HSL 199.67, 0.95%, 0.75%

LAB 81.22, -14.54, -27.31

 

CMYK 0 / 48 / 6 / 1

HEX #FC82EC

RGB 252 130 236

HSL 307.87, 0.95%, 0.75%

LAB 71.36, 60.01, -33

 

CMYK 0 / 32 / 48 / 1

HEX #FCAB82

RGB 252 171 130

HSL 20.16, 0.95%, 0.75%

LAB 76.94, 25.28, 33.13

 

CMYK 49 / 0 / 43 / 1

HEX #80FC91

RGB 128.3 252.4 145

HSL 128.07, 0.96%, 0.75%

LAB 90.1, -56.44, 40.93

 

CMYK 48 / 31 / 0 / 1

HEX #82AFFC

RGB 130 175 252

HSL 217.87, 0.95%, 0.75%

LAB 71.17, 5.43, -42.85

 

CMYK 0 / 48 / 6 / 1

HEX #FC82EC

RGB 252 130 236

HSL 307.87, 0.95%, 0.75%

LAB 71.36, 60.01, -33

 

CMYK 0 / 17 / 48 / 1

HEX #FCD082

RGB 252 208 130

HSL 38.36, 0.95%, 0.75%

LAB 85.72, 5.96, 44.35

 

Description

Color code: RGB 128.3 252.4 145 | qconv.com Color code: RGB 128.3 252.4 145 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128.3 red, 252.4 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128.3 252.4 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 43 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 43% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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