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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128.1 183 169 it is the complementary color RGB 126.9 72 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128.1 183 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128.1 183 169 shade: RGB 133.1 183 164, RGB 150.1 201 183, RGB 167.1 219 202, RGB 184.1 237 221 and RGB 201.1 255 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128.1 183 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128.1 183 169 shade: RGB 128.1 183 169, RGB 111.1 165 150, RGB 94.1 147 131, RGB 77.1 129 112 and RGB 60.1 111 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128.1 183 169 shade: RGB 127 183 169, RGB 127 183 154, RGB 127 183 139, RGB 131 183 127 and RGB 146 183 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128.1 183 169 shade: RGB 127 183 169, RGB 127 182 183, RGB 127 167 183, RGB 127 152 183 and RGB 127 137 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128.1 183 169 shade matches the following richer shades: RGB 127 183 169, RGB 111 199 177, RGB 95 215 184, RGB 79 231 192 and RGB 63 247 200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128.1 183 169 shade: RGB 127 183 169, RGB 143 167 161, RGB 159 151 153, RGB 175 135 145 and RGB 192 119 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128.1 183 169 shade: RGB 127 183 138, RGB 127 183 153, RGB 127 183 168, RGB 127 183 183 and RGB 127 168 183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128.1 183 169 shade: RGB 82 146 129, RGB 101 168 151, RGB 127 183 169, RGB 154 198 186 and RGB 180 213 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128.1 183 169 shade: RGB 128.1 183 169, RGB 127 131 183 and RGB 183 146 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128.1 183 169 shade: RGB 128.1 183 169, RGB 168 127 183 and RGB 183 168 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128.1 183 169 shade: RGB 128.1 183 169, RGB 127 131 183, RGB 183 127 142 and RGB 183 179 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128.1 183 169 shade: RGB 128.1 183 169, RGB 140 127 183, RGB 183 127 142 and RGB 170 183 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 8 / 28

HEX #80B7A9

RGB 128.1 183 169

HSL 164.7, 0.28%, 0.61%

LAB 70.41, -20.97, 1.37

 

Complementary color

CMYK 0 / 43 / 32 / 50

HEX #7E4856

RGB 126.9 72 86

HSL 344.7, 0.28%, 0.39%

LAB 37.5, 25.24, 1.93

 

CMYK 27 / 0 / 10 / 28

HEX #85B7A4

RGB 133.1 183 164

HSL 157.15, 0.26%, 0.62%

LAB 70.55, -20.51, 4.36

 

CMYK 25 / 0 / 9 / 21

HEX #96C9B7

RGB 150.1 201 183

HSL 158.78, 0.32%, 0.69%

LAB 77.09, -20.33, 3.61

 

CMYK 24 / 0 / 8 / 14

HEX #A7DBCA

RGB 167.1 219 202

HSL 160.35, 0.42%, 0.76%

LAB 83.52, -20.17, 2.91

 

CMYK 22 / 0 / 7 / 7

HEX #B8EDDD

RGB 184.1 237 221

HSL 161.85, 0.6%, 0.83%

LAB 89.86, -20.03, 2.23

 

CMYK 21 / 0 / 6 / 0

HEX #C9FFF0

RGB 201.1 255 240

HSL 163.3, 1%, 0.89%

LAB 96.1, -19.91, 1.58

 

CMYK 30 / 0 / 8 / 28

HEX #80B7A9

RGB 128.1 183 169

HSL 164.7, 0.28%, 0.61%

LAB 70.41, -20.97, 1.37

 

CMYK 33 / 0 / 9 / 35

HEX #6FA596

RGB 111.1 165 150

HSL 163.3, 0.23%, 0.54%

LAB 63.75, -21.16, 2.11

 

CMYK 36 / 0 / 11 / 42

HEX #5E9383

RGB 94.1 147 131

HSL 161.85, 0.22%, 0.47%

LAB 56.97, -21.37, 2.91

 

CMYK 40 / 0 / 13 / 49

HEX #4D8170

RGB 77.1 129 112

HSL 160.35, 0.25%, 0.4%

LAB 50.04, -21.59, 3.77

 

CMYK 46 / 0 / 16 / 56

HEX #3C6F5D

RGB 60.1 111 93

HSL 158.78, 0.3%, 0.34%

LAB 42.95, -21.8, 4.73

 

CMYK 31 / 0 / 8 / 28

HEX #7FB7A9

RGB 127 183 169

HSL 165, 0.28%, 0.61%

LAB 70.35, -21.3, 1.27

 

CMYK 31 / 0 / 16 / 28

HEX #7FB79A

RGB 127 183 154

HSL 148.93, 0.28%, 0.61%

LAB 69.97, -24.49, 8.96

 

CMYK 31 / 0 / 24 / 28

HEX #7FB78B

RGB 127 183 139

HSL 132.86, 0.28%, 0.61%

LAB 69.64, -27.41, 16.66

 

CMYK 28 / 0 / 31 / 28

HEX #83B77F

RGB 131 183 127

HSL 115.71, 0.28%, 0.61%

LAB 69.63, -28.19, 23.15

 

CMYK 20 / 0 / 31 / 28

HEX #92B77F

RGB 146 183 127

HSL 99.64, 0.28%, 0.61%

LAB 70.53, -22.92, 24.52

 

CMYK 31 / 0 / 8 / 28

HEX #7FB7A9

RGB 127 183 169

HSL 165, 0.28%, 0.61%

LAB 70.35, -21.3, 1.27

 

CMYK 31 / 1 / 0 / 28

HEX #7FB6B7

RGB 127 182 183

HSL 181.07, 0.28%, 0.61%

LAB 70.45, -17.58, -6.27

 

CMYK 31 / 9 / 0 / 28

HEX #7FA7B7

RGB 127 167 183

HSL 197.14, 0.28%, 0.61%

LAB 66.19, -9.65, -12.62

 

CMYK 31 / 17 / 0 / 28

HEX #7F98B7

RGB 127 152 183

HSL 213.21, 0.28%, 0.61%

LAB 61.99, -1.38, -18.97

 

CMYK 31 / 25 / 0 / 28

HEX #7F89B7

RGB 127 137 183

HSL 229.29, 0.28%, 0.61%

LAB 57.87, 7.2, -25.28

 

CMYK 31 / 0 / 8 / 28

HEX #7FB7A9

RGB 127 183 169

HSL 165, 0.28%, 0.61%

LAB 70.35, -21.3, 1.27

 

CMYK 44 / 0 / 11 / 22

HEX #6FC7B1

RGB 111 199 177

HSL 165, 0.44%, 0.61%

LAB 74.45, -31.76, 2.78

 

CMYK 56 / 0 / 14 / 16

HEX #5FD7B8

RGB 95 215 184

HSL 164.5, 0.6%, 0.61%

LAB 78.75, -41.12, 5.17

 

CMYK 66 / 0 / 17 / 9

HEX #4FE7C0

RGB 79 231 192

HSL 164.61, 0.76%, 0.61%

LAB 83.24, -49.01, 7.34

 

CMYK 74 / 0 / 19 / 3

HEX #3FF7C8

RGB 63 247 200

HSL 164.67, 0.92%, 0.61%

LAB 87.85, -55.81, 9.72

 

CMYK 31 / 0 / 8 / 28

HEX #7FB7A9

RGB 127 183 169

HSL 165, 0.28%, 0.61%

LAB 70.35, -21.3, 1.27

 

CMYK 14 / 0 / 4 / 35

HEX #8FA7A1

RGB 143 167 161

HSL 165, 0.12%, 0.61%

LAB 66.56, -9.55, 0.29

 

CMYK 0 / 5 / 4 / 38

HEX #9F9799

RGB 159 151 153

HSL 345, 0.04%, 0.61%

LAB 63.18, 3.3, -0.01

 

CMYK 0 / 23 / 17 / 31

HEX #AF8791

RGB 175 135 145

HSL 345, 0.2%, 0.61%

LAB 60.33, 16.86, 0.55

 

CMYK 0 / 38 / 29 / 25

HEX #C07789

RGB 192 119 137

HSL 345.21, 0.37%, 0.61%

LAB 58.23, 30.92, 2.35

 

CMYK 31 / 0 / 25 / 28

HEX #7FB78A

RGB 127 183 138

HSL 131.79, 0.28%, 0.61%

LAB 69.62, -27.6, 17.18

 

CMYK 31 / 0 / 16 / 28

HEX #7FB799

RGB 127 183 153

HSL 147.86, 0.28%, 0.61%

LAB 69.95, -24.7, 9.47

 

CMYK 31 / 0 / 8 / 28

HEX #7FB7A8

RGB 127 183 168

HSL 163.93, 0.28%, 0.61%

LAB 70.32, -21.52, 1.78

 

CMYK 31 / 0 / 0 / 28

HEX #7FB7B7

RGB 127 183 183

HSL 180, 0.28%, 0.61%

LAB 70.73, -18.1, -5.85

 

CMYK 31 / 8 / 0 / 28

HEX #7FA8B7

RGB 127 168 183

HSL 196.07, 0.28%, 0.61%

LAB 66.47, -10.19, -12.2

 

CMYK 44 / 0 / 12 / 43

HEX #529281

RGB 82 146 129

HSL 164.06, 0.28%, 0.45%

LAB 56.02, -24.81, 2.61

 

CMYK 40 / 0 / 10 / 34

HEX #65A897

RGB 101 168 151

HSL 164.78, 0.28%, 0.53%

LAB 64.17, -25.37, 2.09

 

CMYK 31 / 0 / 8 / 28

HEX #7FB7A9

RGB 127 183 169

HSL 165, 0.28%, 0.61%

LAB 70.35, -21.3, 1.27

 

CMYK 22 / 0 / 6 / 22

HEX #9AC6BA

RGB 154 198 186

HSL 163.64, 0.28%, 0.69%

LAB 76.56, -16.97, 1.25

 

CMYK 15 / 0 / 4 / 16

HEX #B4D5CC

RGB 180 213 204

HSL 163.64, 0.28%, 0.77%

LAB 82.73, -12.68, 0.78

 

CMYK 30 / 0 / 8 / 28

HEX #80B7A9

RGB 128.1 183 169

HSL 164.7, 0.28%, 0.61%

LAB 70.41, -20.97, 1.37

 

CMYK 31 / 28 / 0 / 28

HEX #7F83B7

RGB 127 131 183

HSL 235.71, 0.28%, 0.61%

LAB 56.25, 10.7, -27.78

 

CMYK 0 / 20 / 31 / 28

HEX #B7927F

RGB 183 146 127

HSL 20.36, 0.28%, 0.61%

LAB 63.47, 11.12, 15.35

 

CMYK 30 / 0 / 8 / 28

HEX #80B7A9

RGB 128.1 183 169

HSL 164.7, 0.28%, 0.61%

LAB 70.41, -20.97, 1.37

 

CMYK 8 / 31 / 0 / 28

HEX #A87FB7

RGB 168 127 183

HSL 283.93, 0.28%, 0.61%

LAB 58.9, 26.01, -23.38

 

CMYK 0 / 8 / 31 / 28

HEX #B7A87F

RGB 183 168 127

HSL 43.93, 0.28%, 0.61%

LAB 69.19, -0.92, 23.19

 

CMYK 30 / 0 / 8 / 28

HEX #80B7A9

RGB 128.1 183 169

HSL 164.7, 0.28%, 0.61%

LAB 70.41, -20.97, 1.37

 

CMYK 31 / 28 / 0 / 28

HEX #7F83B7

RGB 127 131 183

HSL 235.71, 0.28%, 0.61%

LAB 56.25, 10.7, -27.78

 

CMYK 0 / 31 / 22 / 28

HEX #B77F8E

RGB 183 127 142

HSL 343.93, 0.28%, 0.61%

LAB 59.16, 23.88, 0.68

 

CMYK 0 / 2 / 31 / 28

HEX #B7B37F

RGB 183 179 127

HSL 55.71, 0.28%, 0.61%

LAB 72.12, -6.77, 27.13

 

CMYK 30 / 0 / 8 / 28

HEX #80B7A9

RGB 128.1 183 169

HSL 164.7, 0.28%, 0.61%

LAB 70.41, -20.97, 1.37

 

CMYK 23 / 31 / 0 / 28

HEX #8C7FB7

RGB 140 127 183

HSL 253.93, 0.28%, 0.61%

LAB 56.26, 17.02, -27.68

 

CMYK 0 / 31 / 22 / 28

HEX #B77F8E

RGB 183 127 142

HSL 343.93, 0.28%, 0.61%

LAB 59.16, 23.88, 0.68

 

CMYK 7 / 0 / 31 / 28

HEX #AAB77F

RGB 170 183 127

HSL 73.93, 0.28%, 0.61%

LAB 72.19, -13.93, 27.04

 

Description

Color code: RGB 128.1 183 169 | qconv.com Color code: RGB 128.1 183 169 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128.1 red, 183 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128.1 183 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 8 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 8% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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