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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128.1 108.8 23 it is the complementary color RGB 126.9 146.2 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128.1 108.8 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128.1 108.8 23 shade: RGB 133.1 108.8 18, RGB 150.1 126.8 37, RGB 167.1 144.8 56, RGB 184.1 162.8 75 and RGB 201.1 180.8 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128.1 108.8 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128.1 108.8 23 shade: RGB 128.1 108.8 23, RGB 111.1 90.8 4, RGB 94.1 72.8 0, RGB 77.1 54.8 0 and RGB 60.1 36.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128.1 108.8 23 shade: RGB 130 110 23, RGB 130 81 23, RGB 130 53 23, RGB 130 24 23 and RGB 130 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128.1 108.8 23 shade: RGB 130 110 23, RGB 121 130 23, RGB 92 130 23, RGB 63 130 23 and RGB 34 130 23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128.1 108.8 23 shade matches the following richer shades: RGB 130 110 23 and RGB 142 118 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128.1 108.8 23 shade: RGB 130 110 23, RGB 118 103 35, RGB 105 95 48, RGB 93 87 60 and RGB 81 79 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128.1 108.8 23 shade: RGB 130 52 23, RGB 130 80 23, RGB 130 109 23, RGB 123 130 23 and RGB 94 130 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128.1 108.8 23 shade: RGB 60 51 11, RGB 95 81 17, RGB 130 110 23, RGB 165 140 29 and RGB 200 170 35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128.1 108.8 23 shade: RGB 128.1 108.8 23, RGB 23 130 23 and RGB 66 23 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128.1 108.8 23 shade: RGB 128.1 108.8 23, RGB 23 130 109 and RGB 109 23 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128.1 108.8 23 shade: RGB 128.1 108.8 23, RGB 23 130 23, RGB 23 44 130 and RGB 130 23 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128.1 108.8 23 shade: RGB 128.1 108.8 23, RGB 23 130 55, RGB 23 44 130 and RGB 130 23 98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 82 / 50

HEX #806C17

RGB 128.1 108.8 23

HSL 48.98, 0.7%, 0.3%

LAB 46.38, -1.61, 46.83

 

Complementary color

CMYK 45 / 37 / 0 / 9

HEX #7E92E8

RGB 126.9 146.2 232

HSL 228.98, 0.7%, 0.7%

LAB 62.47, 15.37, -45.6

 

CMYK 0 / 18 / 86 / 48

HEX #856C12

RGB 133.1 108.8 18

HSL 47.33, 0.76%, 0.3%

LAB 46.89, 0.6, 49.08

 

CMYK 0 / 16 / 75 / 41

HEX #967E25

RGB 150.1 126.8 37

HSL 47.64, 0.6%, 0.37%

LAB 53.77, -0.89, 49.3

 

CMYK 0 / 13 / 66 / 34

HEX #A79038

RGB 167.1 144.8 56

HSL 47.96, 0.5%, 0.44%

LAB 60.52, -2.08, 48.61

 

CMYK 0 / 12 / 59 / 28

HEX #B8A24B

RGB 184.1 162.8 75

HSL 48.29, 0.43%, 0.51%

LAB 67.15, -3.05, 47.56

 

CMYK 0 / 10 / 53 / 21

HEX #C9B45E

RGB 201.1 180.8 94

HSL 48.63, 0.5%, 0.58%

LAB 73.68, -3.85, 46.37

 

CMYK 0 / 15 / 82 / 50

HEX #806C17

RGB 128.1 108.8 23

HSL 48.98, 0.7%, 0.3%

LAB 46.38, -1.61, 46.83

 

CMYK 0 / 18 / 96 / 56

HEX #6F5A04

RGB 111.1 90.8 4

HSL 48.63, 0.93%, 0.23%

LAB 39.31, 0.06, 45.74

 

CMYK 0 / 23 / 100 / 63

HEX #5E4800

RGB 94.1 72.8 0

HSL 46.42, 1%, 0.18%

LAB 32.09, 2.27, 40.94

 

CMYK 0 / 29 / 100 / 70

HEX #4D3600

RGB 77.1 54.8 0

HSL 42.65, 1%, 0.15%

LAB 24.62, 4.77, 33.93

 

CMYK 0 / 39 / 100 / 76

HEX #3C2400

RGB 60.1 36.8 0

HSL 36.74, 1%, 0.12%

LAB 16.87, 7.52, 24.7

 

CMYK 0 / 15 / 82 / 49

HEX #826E17

RGB 130 110 23

HSL 48.79, 0.7%, 0.3%

LAB 46.92, -1.39, 47.39

 

CMYK 0 / 38 / 82 / 49

HEX #825117

RGB 130 81 23

HSL 32.52, 0.7%, 0.3%

LAB 39.06, 15.61, 40.24

 

CMYK 0 / 59 / 82 / 49

HEX #823517

RGB 130 53 23

HSL 16.82, 0.7%, 0.3%

LAB 32.6, 31.45, 34.1

 

CMYK 0 / 82 / 82 / 49

HEX #821817

RGB 130 24 23

HSL 0.56, 0.7%, 0.3%

LAB 28.01, 43.86, 29.54

 

CMYK 0 / 82 / 82 / 49

HEX #821717

RGB 130 23 23

HSL 0, 0.7%, 0.3%

LAB 27.9, 44.17, 29.43

 

CMYK 0 / 15 / 82 / 49

HEX #826E17

RGB 130 110 23

HSL 48.79, 0.7%, 0.3%

LAB 46.92, -1.39, 47.39

 

CMYK 7 / 0 / 82 / 49

HEX #798217

RGB 121 130 23

HSL 65.05, 0.7%, 0.3%

LAB 51.94, -16.64, 51.53

 

CMYK 29 / 0 / 82 / 49

HEX #5C8217

RGB 92 130 23

HSL 81.31, 0.7%, 0.3%

LAB 49.86, -29.27, 48.88

 

CMYK 52 / 0 / 82 / 49

HEX #3F8217

RGB 63 130 23

HSL 97.57, 0.7%, 0.3%

LAB 48.37, -39.93, 46.96

 

CMYK 74 / 0 / 82 / 49

HEX #228217

RGB 34 130 23

HSL 113.83, 0.7%, 0.3%

LAB 47.45, -47.33, 45.77

 

CMYK 0 / 15 / 82 / 49

HEX #826E17

RGB 130 110 23

HSL 48.79, 0.7%, 0.3%

LAB 46.92, -1.39, 47.39

 

CMYK 0 / 17 / 92 / 44

HEX #8E760B

RGB 142 118 11

HSL 49.01, 0.86%, 0.3%

LAB 50.37, -0.59, 54.03

 

CMYK 0 / 15 / 82 / 49

HEX #826E17

RGB 130 110 23

HSL 48.79, 0.7%, 0.3%

LAB 46.92, -1.39, 47.39

 

CMYK 0 / 13 / 70 / 54

HEX #766723

RGB 118 103 35

HSL 49.16, 0.54%, 0.3%

LAB 43.76, -2.48, 39.06

 

CMYK 0 / 10 / 54 / 59

HEX #695F30

RGB 105 95 48

HSL 49.47, 0.37%, 0.3%

LAB 40.25, -2.91, 28.11

 

CMYK 0 / 6 / 35 / 64

HEX #5D573C

RGB 93 87 60

HSL 49.09, 0.22%, 0.3%

LAB 36.87, -2.24, 16.6

 

CMYK 0 / 2 / 11 / 68

HEX #514F48

RGB 81 79 72

HSL 46.67, 0.06%, 0.3%

LAB 33.58, -0.61, 4.42

 

CMYK 0 / 60 / 82 / 49

HEX #823417

RGB 130 52 23

HSL 16.26, 0.7%, 0.3%

LAB 32.4, 31.97, 33.91

 

CMYK 0 / 38 / 82 / 49

HEX #825017

RGB 130 80 23

HSL 31.96, 0.7%, 0.3%

LAB 38.8, 16.2, 40

 

CMYK 0 / 16 / 82 / 49

HEX #826D17

RGB 130 109 23

HSL 48.22, 0.7%, 0.3%

LAB 46.64, -0.82, 47.14

 

CMYK 5 / 0 / 82 / 49

HEX #7B8217

RGB 123 130 23

HSL 63.93, 0.7%, 0.3%

LAB 52.11, -15.73, 51.74

 

CMYK 28 / 0 / 82 / 49

HEX #5E8217

RGB 94 130 23

HSL 80.19, 0.7%, 0.3%

LAB 49.99, -28.45, 49.04

 

CMYK 0 / 15 / 82 / 76

HEX #3C330B

RGB 60 51 11

HSL 48.98, 0.69%, 0.14%

LAB 21.4, -1.34, 25.46

 

CMYK 0 / 15 / 82 / 63

HEX #5F5111

RGB 95 81 17

HSL 49.23, 0.7%, 0.22%

LAB 34.72, -1.68, 37.12

 

CMYK 0 / 15 / 82 / 49

HEX #826E17

RGB 130 110 23

HSL 48.79, 0.7%, 0.3%

LAB 46.92, -1.39, 47.39

 

CMYK 0 / 15 / 82 / 35

HEX #A58C1D

RGB 165 140 29

HSL 48.97, 0.7%, 0.38%

LAB 58.83, -1.68, 57.3

 

CMYK 0 / 15 / 83 / 22

HEX #C8AA23

RGB 200 170 35

HSL 49.09, 0.7%, 0.46%

LAB 70.28, -1.96, 66.76

 

CMYK 0 / 15 / 82 / 50

HEX #806C17

RGB 128.1 108.8 23

HSL 48.98, 0.7%, 0.3%

LAB 46.38, -1.61, 46.83

 

CMYK 82 / 0 / 82 / 49

HEX #178217

RGB 23 130 23

HSL 120, 0.7%, 0.3%

LAB 47.25, -49.11, 45.51

 

CMYK 49 / 82 / 0 / 49

HEX #421782

RGB 66 23 130

HSL 264.11, 0.7%, 0.3%

LAB 21.52, 43.62, -51.65

 

CMYK 0 / 15 / 82 / 50

HEX #806C17

RGB 128.1 108.8 23

HSL 48.98, 0.7%, 0.3%

LAB 46.38, -1.61, 46.83

 

CMYK 82 / 0 / 16 / 49

HEX #17826D

RGB 23 130 109

HSL 168.22, 0.7%, 0.3%

LAB 48.58, -33.97, 3.19

 

CMYK 16 / 82 / 0 / 49

HEX #6D1782

RGB 109 23 130

HSL 288.22, 0.7%, 0.3%

LAB 28.05, 51.12, -40.72

 

CMYK 0 / 15 / 82 / 50

HEX #806C17

RGB 128.1 108.8 23

HSL 48.98, 0.7%, 0.3%

LAB 46.38, -1.61, 46.83

 

CMYK 82 / 0 / 82 / 49

HEX #178217

RGB 23 130 23

HSL 120, 0.7%, 0.3%

LAB 47.25, -49.11, 45.51

 

CMYK 82 / 66 / 0 / 49

HEX #172C82

RGB 23 44 130

HSL 228.22, 0.7%, 0.3%

LAB 22.29, 25.8, -50.52

 

CMYK 0 / 82 / 0 / 49

HEX #821782

RGB 130 23 130

HSL 300, 0.7%, 0.3%

LAB 31.74, 55.37, -34.61

 

CMYK 0 / 15 / 82 / 50

HEX #806C17

RGB 128.1 108.8 23

HSL 48.98, 0.7%, 0.3%

LAB 46.38, -1.61, 46.83

 

CMYK 82 / 0 / 58 / 49

HEX #178237

RGB 23 130 55

HSL 137.94, 0.7%, 0.3%

LAB 47.52, -45.7, 32.13

 

CMYK 82 / 66 / 0 / 49

HEX #172C82

RGB 23 44 130

HSL 228.22, 0.7%, 0.3%

LAB 22.29, 25.8, -50.52

 

CMYK 0 / 82 / 25 / 49

HEX #821762

RGB 130 23 98

HSL 317.94, 0.7%, 0.3%

LAB 30.01, 50.52, -16.94

 

Description

Color code: RGB 128.1 108.8 23 | qconv.com Color code: RGB 128.1 108.8 23 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128.1 red, 108.8 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128.1 108.8 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 82 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 82% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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