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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128.1 108.8 194 it is the complementary color RGB 126.9 146.2 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128.1 108.8 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128.1 108.8 194 shade: RGB 133.1 108.8 189, RGB 150.1 126.8 208, RGB 167.1 144.8 227, RGB 184.1 162.8 246 and RGB 201.1 180.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128.1 108.8 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128.1 108.8 194 shade: RGB 128.1 108.8 194, RGB 111.1 90.8 175, RGB 94.1 72.8 156, RGB 77.1 54.8 137 and RGB 60.1 36.8 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128.1 108.8 194 shade: RGB 127 108 193, RGB 150 108 193, RGB 173 108 193, RGB 193 108 190 and RGB 193 108 167

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128.1 108.8 194 shade: RGB 127 108 193 and RGB 108 108 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128.1 108.8 194 shade matches the following richer shades: RGB 127 108 193, RGB 118 91 210, RGB 108 74 227 and RGB 99 57 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128.1 108.8 194 shade: RGB 127 108 193, RGB 136 125 176, RGB 146 141 159, RGB 155 158 143 and RGB 164 175 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128.1 108.8 194 shade: RGB 108 135 193, RGB 108 112 193, RGB 126 108 193, RGB 149 108 193 and RGB 172 108 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128.1 108.8 194 shade: RGB 85 64 154, RGB 102 78 181, RGB 127 108 193, RGB 152 137 205 and RGB 178 166 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128.1 108.8 194 shade: RGB 128.1 108.8 194, RGB 193 108 158 and RGB 123 193 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128.1 108.8 194 shade: RGB 128.1 108.8 194, RGB 193 126 108 and RGB 108 193 126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128.1 108.8 194 shade: RGB 128.1 108.8 194, RGB 193 108 158, RGB 175 193 108 and RGB 108 193 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128.1 108.8 194 shade: RGB 128.1 108.8 194, RGB 193 108 132, RGB 175 193 108 and RGB 108 193 169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 44 / 0 / 24

HEX #806CC2

RGB 128.1 108.8 194

HSL 253.59, 0.41%, 0.59%

LAB 51.14, 27.1, -42.08

 

Complementary color

CMYK 13 / 0 / 58 / 43

HEX #7E923D

RGB 126.9 146.2 61

HSL 73.59, 0.41%, 0.41%

LAB 57.52, -20.06, 42.02

 

CMYK 30 / 42 / 0 / 26

HEX #856CBD

RGB 133.1 108.8 189

HSL 258.18, 0.38%, 0.58%

LAB 51.34, 27.17, -38.85

 

CMYK 28 / 39 / 0 / 18

HEX #967ED0

RGB 150.1 126.8 208

HSL 257.22, 0.46%, 0.66%

LAB 58.2, 26.34, -38.78

 

CMYK 26 / 36 / 0 / 11

HEX #A790E3

RGB 167.1 144.8 227

HSL 256.28, 0.59%, 0.73%

LAB 64.93, 25.59, -38.74

 

CMYK 25 / 34 / 0 / 4

HEX #B8A2F6

RGB 184.1 162.8 246

HSL 255.36, 0.82%, 0.8%

LAB 71.54, 24.91, -38.74

 

CMYK 21 / 29 / 0 / 0

HEX #C9B4FF

RGB 201.1 180.8 255

HSL 256.42, 1%, 0.85%

LAB 77.65, 22.01, -34.02

 

CMYK 34 / 44 / 0 / 24

HEX #806CC2

RGB 128.1 108.8 194

HSL 253.59, 0.41%, 0.59%

LAB 51.14, 27.1, -42.08

 

CMYK 37 / 48 / 0 / 31

HEX #6F5AAF

RGB 111.1 90.8 175

HSL 254.47, 0.34%, 0.52%

LAB 44.13, 28.11, -42.25

 

CMYK 40 / 53 / 0 / 39

HEX #5E489C

RGB 94.1 72.8 156

HSL 255.36, 0.36%, 0.45%

LAB 36.97, 29.25, -42.47

 

CMYK 44 / 60 / 0 / 46

HEX #4D3689

RGB 77.1 54.8 137

HSL 256.28, 0.43%, 0.38%

LAB 29.67, 30.55, -42.7

 

CMYK 49 / 69 / 0 / 54

HEX #3C2476

RGB 60.1 36.8 118

HSL 257.22, 0.52%, 0.3%

LAB 22.24, 31.96, -42.86

 

CMYK 34 / 44 / 0 / 24

HEX #7F6CC1

RGB 127 108 193

HSL 253.41, 0.41%, 0.59%

LAB 50.79, 27, -42.06

 

CMYK 22 / 44 / 0 / 24

HEX #966CC1

RGB 150 108 193

HSL 269.65, 0.41%, 0.59%

LAB 53.01, 33.49, -38.4

 

CMYK 10 / 44 / 0 / 24

HEX #AD6CC1

RGB 173 108 193

HSL 285.88, 0.41%, 0.59%

LAB 55.54, 40.26, -34.26

 

CMYK 0 / 44 / 2 / 24

HEX #C16CBE

RGB 193 108 190

HSL 302.12, 0.41%, 0.59%

LAB 57.83, 45.7, -28.8

 

CMYK 0 / 44 / 13 / 24

HEX #C16CA7

RGB 193 108 167

HSL 318.35, 0.41%, 0.59%

LAB 56.93, 41.72, -16.95

 

CMYK 34 / 44 / 0 / 24

HEX #7F6CC1

RGB 127 108 193

HSL 253.41, 0.41%, 0.59%

LAB 50.79, 27, -42.06

 

CMYK 44 / 44 / 0 / 24

HEX #6C6CC1

RGB 108 108 193

HSL 240, 0.41%, 0.59%

LAB 49.21, 22.03, -44.67

 

CMYK 34 / 44 / 0 / 24

HEX #7F6CC1

RGB 127 108 193

HSL 253.41, 0.41%, 0.59%

LAB 50.79, 27, -42.06

 

CMYK 44 / 57 / 0 / 18

HEX #765BD2

RGB 118 91 210

HSL 253.61, 0.57%, 0.59%

LAB 46.96, 39.51, -57.98

 

CMYK 52 / 67 / 0 / 11

HEX #6C4AE3

RGB 108 74 227

HSL 253.33, 0.73%, 0.59%

LAB 43.7, 51.97, -73

 

CMYK 59 / 77 / 0 / 4

HEX #6339F4

RGB 99 57 244

HSL 253.48, 0.89%, 0.59%

LAB 41.39, 63.92, -86.44

 

CMYK 34 / 44 / 0 / 24

HEX #7F6CC1

RGB 127 108 193

HSL 253.41, 0.41%, 0.59%

LAB 50.79, 27, -42.06

 

CMYK 23 / 29 / 0 / 31

HEX #887DB0

RGB 136 125 176

HSL 252.94, 0.24%, 0.59%

LAB 55.11, 15.23, -25.47

 

CMYK 8 / 11 / 0 / 38

HEX #928D9F

RGB 146 141 159

HSL 256.67, 0.09%, 0.59%

LAB 59.58, 5.46, -8.85

 

CMYK 2 / 0 / 9 / 38

HEX #9B9E8F

RGB 155 158 143

HSL 72, 0.07%, 0.59%

LAB 64.49, -3.86, 7.46

 

CMYK 6 / 0 / 28 / 31

HEX #A4AF7E

RGB 164 175 126

HSL 73.47, 0.23%, 0.59%

LAB 69.51, -12.24, 23.9

 

CMYK 44 / 30 / 0 / 24

HEX #6C87C1

RGB 108 135 193

HSL 220.94, 0.41%, 0.59%

LAB 56.45, 5.8, -33.26

 

CMYK 44 / 42 / 0 / 24

HEX #6C70C1

RGB 108 112 193

HSL 237.18, 0.41%, 0.59%

LAB 50.25, 19.59, -43.02

 

CMYK 35 / 44 / 0 / 24

HEX #7E6CC1

RGB 126 108 193

HSL 252.71, 0.41%, 0.59%

LAB 50.7, 26.73, -42.21

 

CMYK 23 / 44 / 0 / 24

HEX #956CC1

RGB 149 108 193

HSL 268.94, 0.41%, 0.59%

LAB 52.91, 33.2, -38.57

 

CMYK 11 / 44 / 0 / 24

HEX #AC6CC1

RGB 172 108 193

HSL 285.18, 0.41%, 0.59%

LAB 55.43, 39.97, -34.44

 

CMYK 45 / 58 / 0 / 40

HEX #55409A

RGB 85 64 154

HSL 254, 0.41%, 0.43%

LAB 33.84, 31.85, -46.35

 

CMYK 44 / 57 / 0 / 29

HEX #664EB5

RGB 102 78 181

HSL 253.98, 0.41%, 0.51%

LAB 40.59, 35.26, -51.5

 

CMYK 34 / 44 / 0 / 24

HEX #7F6CC1

RGB 127 108 193

HSL 253.41, 0.41%, 0.59%

LAB 50.79, 27, -42.06

 

CMYK 26 / 33 / 0 / 20

HEX #9889CD

RGB 152 137 205

HSL 253.24, 0.4%, 0.67%

LAB 60.76, 20.26, -33.08

 

CMYK 18 / 24 / 0 / 15

HEX #B2A6DA

RGB 178 166 218

HSL 253.85, 0.41%, 0.75%

LAB 70.73, 14.84, -24.74

 

CMYK 34 / 44 / 0 / 24

HEX #806CC2

RGB 128.1 108.8 194

HSL 253.59, 0.41%, 0.59%

LAB 51.14, 27.1, -42.08

 

CMYK 0 / 44 / 18 / 24

HEX #C16C9E

RGB 193 108 158

HSL 324.71, 0.41%, 0.59%

LAB 56.62, 40.28, -12.21

 

CMYK 36 / 0 / 44 / 24

HEX #7BC16C

RGB 123 193 108

HSL 109.41, 0.41%, 0.59%

LAB 71.85, -38.43, 35.92

 

CMYK 34 / 44 / 0 / 24

HEX #806CC2

RGB 128.1 108.8 194

HSL 253.59, 0.41%, 0.59%

LAB 51.14, 27.1, -42.08

 

CMYK 0 / 35 / 44 / 24

HEX #C17E6C

RGB 193 126 108

HSL 12.71, 0.41%, 0.59%

LAB 59.29, 23.89, 20.51

 

CMYK 44 / 0 / 35 / 24

HEX #6CC17E

RGB 108 193 126

HSL 132.71, 0.41%, 0.59%

LAB 71.44, -40.22, 25.93

 

CMYK 34 / 44 / 0 / 24

HEX #806CC2

RGB 128.1 108.8 194

HSL 253.59, 0.41%, 0.59%

LAB 51.14, 27.1, -42.08

 

CMYK 0 / 44 / 18 / 24

HEX #C16C9E

RGB 193 108 158

HSL 324.71, 0.41%, 0.59%

LAB 56.62, 40.28, -12.21

 

CMYK 9 / 0 / 44 / 24

HEX #AFC16C

RGB 175 193 108

HSL 72.71, 0.41%, 0.59%

LAB 75.04, -19.41, 40.61

 

CMYK 44 / 0 / 26 / 24

HEX #6CC18F

RGB 108 193 143

HSL 144.71, 0.41%, 0.59%

LAB 71.77, -37.07, 17.31

 

CMYK 34 / 44 / 0 / 24

HEX #806CC2

RGB 128.1 108.8 194

HSL 253.59, 0.41%, 0.59%

LAB 51.14, 27.1, -42.08

 

CMYK 0 / 44 / 32 / 24

HEX #C16C84

RGB 193 108 132

HSL 343.06, 0.41%, 0.59%

LAB 55.81, 36.54, 1.76

 

CMYK 9 / 0 / 44 / 24

HEX #AFC16C

RGB 175 193 108

HSL 72.71, 0.41%, 0.59%

LAB 75.04, -19.41, 40.61

 

CMYK 44 / 0 / 12 / 24

HEX #6CC1A9

RGB 108 193 169

HSL 163.06, 0.41%, 0.59%

LAB 72.36, -31.51, 4.08

 

Description

Color code: RGB 128.1 108.8 194 | qconv.com Color code: RGB 128.1 108.8 194 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128.1 red, 108.8 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128.1 108.8 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 44 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 44% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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