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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 8 232 it is the complementary color RGB 128 247 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 8 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 8 232 shade: RGB 132 8 227, RGB 149 26 246, RGB 166 44 255, RGB 183 62 255 and RGB 200 80 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 8 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 8 232 shade: RGB 127 8 232, RGB 110 0 213, RGB 93 0 194, RGB 76 0 175 and RGB 59 0 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 8 232 shade: RGB 127 8 231, RGB 187 8 231, RGB 231 8 216, RGB 231 8 155 and RGB 231 8 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 8 232 shade: RGB 127 8 231, RGB 67 8 231 and RGB 8 8 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 8 232 shade matches the following richer shades: RGB 127 8 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 8 232 shade: RGB 127 8 231, RGB 126 28 212, RGB 124 47 193, RGB 123 67 173 and RGB 122 86 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 8 232 shade: RGB 8 12 231, RGB 64 8 231, RGB 124 8 231, RGB 183 8 231 and RGB 231 8 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 8 232 shade: RGB 83 6 152, RGB 105 7 191, RGB 127 8 231, RGB 147 34 247 and RGB 167 74 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 8 232 shade: RGB 127 8 232, RGB 231 8 72 and RGB 8 231 34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 8 232 shade: RGB 127 8 232, RGB 231 124 8 and RGB 8 231 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 8 232 shade: RGB 127 8 232, RGB 231 8 72, RGB 116 231 8 and RGB 8 231 168

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 8 232 shade: RGB 127 8 232, RGB 231 12 8, RGB 116 231 8 and RGB 8 228 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 97 / 0 / 9

HEX #7F08E8

RGB 127 8 232

HSL 271.88, 0.93%, 0.47%

LAB 38.75, 77.42, -83.9

 

Complementary color

CMYK 48 / 0 / 91 / 3

HEX #80F717

RGB 128 247 23

HSL 91.88, 0.93%, 0.53%

LAB 87.57, -64.62, 81.84

 

CMYK 42 / 96 / 0 / 11

HEX #8408E3

RGB 132 8 227

HSL 273.97, 0.93%, 0.46%

LAB 38.94, 76.86, -80.71

 

CMYK 39 / 89 / 0 / 4

HEX #951AF6

RGB 149 26 246

HSL 273.55, 0.92%, 0.53%

LAB 43.92, 79.87, -83.2

 

CMYK 35 / 83 / 0 / 0

HEX #A62CFF

RGB 166 44 255

HSL 274.69, 1%, 0.59%

LAB 48.42, 79.6, -80.76

 

CMYK 28 / 76 / 0 / 0

HEX #B73EFF

RGB 183 62 255

HSL 277.62, 1%, 0.62%

LAB 52.66, 76.57, -73.76

 

CMYK 22 / 69 / 0 / 0

HEX #C850FF

RGB 200 80 255

HSL 281.14, 1%, 0.66%

LAB 57.31, 72.97, -66.13

 

CMYK 45 / 97 / 0 / 9

HEX #7F08E8

RGB 127 8 232

HSL 271.88, 0.93%, 0.47%

LAB 38.75, 77.42, -83.9

 

CMYK 48 / 100 / 0 / 16

HEX #6E00D5

RGB 110 0 213

HSL 270.99, 1%, 0.42%

LAB 34.23, 72.95, -80.53

 

CMYK 52 / 100 / 0 / 24

HEX #5D00C2

RGB 93 0 194

HSL 268.76, 1%, 0.38%

LAB 29.97, 67.5, -76.56

 

CMYK 57 / 100 / 0 / 31

HEX #4C00AF

RGB 76 0 175

HSL 266.06, 1%, 0.34%

LAB 25.66, 62, -72.47

 

CMYK 62 / 100 / 0 / 39

HEX #3B009C

RGB 59 0 156

HSL 262.69, 1%, 0.31%

LAB 21.32, 56.46, -68.19

 

CMYK 45 / 97 / 0 / 9

HEX #7F08E7

RGB 127 8 231

HSL 272.02, 0.93%, 0.47%

LAB 38.65, 77.21, -83.5

 

CMYK 19 / 97 / 0 / 9

HEX #BB08E7

RGB 187 8 231

HSL 288.16, 0.93%, 0.47%

LAB 47.63, 84.11, -68.43

 

CMYK 0 / 97 / 6 / 9

HEX #E708D8

RGB 231 8 216

HSL 304.04, 0.93%, 0.47%

LAB 54.15, 88.56, -49.02

 

CMYK 0 / 97 / 33 / 9

HEX #E7089B

RGB 231 8 155

HSL 320.45, 0.93%, 0.47%

LAB 51.3, 81.32, -17.94

 

CMYK 0 / 97 / 59 / 9

HEX #E7085F

RGB 231 8 95

HSL 336.59, 0.93%, 0.47%

LAB 49.48, 76.5, 15.83

 

CMYK 45 / 97 / 0 / 9

HEX #7F08E7

RGB 127 8 231

HSL 272.02, 0.93%, 0.47%

LAB 38.65, 77.21, -83.5

 

CMYK 71 / 97 / 0 / 9

HEX #4308E7

RGB 67 8 231

HSL 255.87, 0.93%, 0.47%

LAB 32.12, 73.35, -94.52

 

CMYK 97 / 97 / 0 / 9

HEX #0808E7

RGB 8 8 231

HSL 240, 0.93%, 0.47%

LAB 29.4, 72.16, -99.13

 

CMYK 45 / 97 / 0 / 9

HEX #7F08E7

RGB 127 8 231

HSL 272.02, 0.93%, 0.47%

LAB 38.65, 77.21, -83.5

 

CMYK 45 / 97 / 0 / 9

HEX #7F08E7

RGB 127 8 231

HSL 272.02, 0.93%, 0.47%

LAB 38.65, 77.21, -83.5

 

CMYK 41 / 87 / 0 / 17

HEX #7E1CD4

RGB 126 28 212

HSL 271.96, 0.77%, 0.47%

LAB 37.88, 69.57, -73.87

 

CMYK 36 / 76 / 0 / 24

HEX #7C2FC1

RGB 124 47 193

HSL 271.64, 0.61%, 0.47%

LAB 38.14, 58.74, -62.39

 

CMYK 29 / 61 / 0 / 32

HEX #7B43AD

RGB 123 67 173

HSL 271.7, 0.44%, 0.47%

LAB 39.99, 44.31, -47.63

 

CMYK 21 / 44 / 0 / 40

HEX #7A569A

RGB 122 86 154

HSL 271.76, 0.28%, 0.47%

LAB 42.95, 28.63, -31.61

 

CMYK 97 / 95 / 0 / 9

HEX #080CE7

RGB 8 12 231

HSL 238.92, 0.93%, 0.47%

LAB 29.62, 71.46, -98.75

 

CMYK 72 / 97 / 0 / 9

HEX #4008E7

RGB 64 8 231

HSL 255.07, 0.93%, 0.47%

LAB 31.88, 73.24, -94.92

 

CMYK 46 / 97 / 0 / 9

HEX #7C08E7

RGB 124 8 231

HSL 271.21, 0.93%, 0.47%

LAB 38.25, 76.94, -84.17

 

CMYK 21 / 97 / 0 / 9

HEX #B708E7

RGB 183 8 231

HSL 287.09, 0.93%, 0.47%

LAB 46.99, 83.57, -69.51

 

CMYK 0 / 97 / 5 / 9

HEX #E708DC

RGB 231 8 220

HSL 302.96, 0.93%, 0.47%

LAB 54.38, 89.11, -50.95

 

CMYK 45 / 96 / 0 / 40

HEX #530698

RGB 83 6 152

HSL 271.64, 0.92%, 0.31%

LAB 24.44, 56.1, -60.47

 

CMYK 45 / 96 / 0 / 25

HEX #6907BF

RGB 105 7 191

HSL 271.96, 0.93%, 0.39%

LAB 31.62, 66.78, -72.02

 

CMYK 45 / 97 / 0 / 9

HEX #7F08E7

RGB 127 8 231

HSL 272.02, 0.93%, 0.47%

LAB 38.65, 77.21, -83.5

 

CMYK 40 / 86 / 0 / 3

HEX #9322F7

RGB 147 34 247

HSL 271.83, 0.93%, 0.55%

LAB 44.32, 78.11, -83.11

 

CMYK 33 / 70 / 0 / 3

HEX #A74AF8

RGB 167 74 248

HSL 272.07, 0.93%, 0.63%

LAB 51.71, 67.63, -71.49

 

CMYK 45 / 97 / 0 / 9

HEX #7F08E8

RGB 127 8 232

HSL 271.88, 0.93%, 0.47%

LAB 38.75, 77.42, -83.9

 

CMYK 0 / 97 / 69 / 9

HEX #E70848

RGB 231 8 72

HSL 342.78, 0.93%, 0.47%

LAB 49.04, 75.31, 29.33

 

CMYK 97 / 0 / 85 / 9

HEX #08E722

RGB 8 231 34

HSL 127, 0.93%, 0.47%

LAB 80.36, -78.87, 72.85

 

CMYK 45 / 97 / 0 / 9

HEX #7F08E8

RGB 127 8 232

HSL 271.88, 0.93%, 0.47%

LAB 38.75, 77.42, -83.9

 

CMYK 0 / 46 / 97 / 9

HEX #E77C08

RGB 231 124 8

HSL 31.21, 0.93%, 0.47%

LAB 62.86, 35.42, 68.52

 

CMYK 97 / 0 / 46 / 9

HEX #08E77C

RGB 8 231 124

HSL 151.21, 0.93%, 0.47%

LAB 81.1, -69.58, 39.2

 

CMYK 45 / 97 / 0 / 9

HEX #7F08E8

RGB 127 8 232

HSL 271.88, 0.93%, 0.47%

LAB 38.75, 77.42, -83.9

 

CMYK 0 / 97 / 69 / 9

HEX #E70848

RGB 231 8 72

HSL 342.78, 0.93%, 0.47%

LAB 49.04, 75.31, 29.33

 

CMYK 50 / 0 / 97 / 9

HEX #74E708

RGB 116 231 8

HSL 90.94, 0.93%, 0.47%

LAB 82.32, -62.61, 78.99

 

CMYK 97 / 0 / 27 / 9

HEX #08E7A8

RGB 8 231 168

HSL 163.05, 0.93%, 0.47%

LAB 81.85, -60.88, 17.83

 

CMYK 45 / 97 / 0 / 9

HEX #7F08E8

RGB 127 8 232

HSL 271.88, 0.93%, 0.47%

LAB 38.75, 77.42, -83.9

 

CMYK 0 / 95 / 97 / 9

HEX #E70C08

RGB 231 12 8

HSL 1.08, 0.93%, 0.47%

LAB 48.6, 73.45, 60.27

 

CMYK 50 / 0 / 97 / 9

HEX #74E708

RGB 116 231 8

HSL 90.94, 0.93%, 0.47%

LAB 82.32, -62.61, 78.99

 

CMYK 97 / 1 / 0 / 9

HEX #08E4E7

RGB 8 228 231

HSL 180.81, 0.93%, 0.47%

LAB 82.54, -43.11, -14.4

 

Description

Color code: RGB 127 8 232 | qconv.com Color code: RGB 127 8 232 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 8 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 8 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 97 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 97% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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