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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 184 224 it is the complementary color RGB 128 71 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 184 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 184 224 shade: RGB 132 184 219, RGB 149 202 238, RGB 166 220 255, RGB 183 238 255 and RGB 200 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 184 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 184 224 shade: RGB 127 184 224, RGB 110 166 205, RGB 93 148 186, RGB 76 130 167 and RGB 59 112 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 184 224 shade: RGB 128 184 224, RGB 128 158 224, RGB 128 132 224, RGB 149 128 224 and RGB 175 128 224

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 184 224 shade: RGB 128 184 224, RGB 128 158 224, RGB 128 132 224 and RGB 128 128 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 184 224 shade matches the following richer shades: RGB 128 184 224, RGB 115 187 237 and RGB 102 189 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 184 224 shade: RGB 128 184 224, RGB 141 182 211, RGB 153 180 199, RGB 166 178 186 and RGB 179 175 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 184 224 shade: RGB 128 224 211, RGB 128 211 224, RGB 128 186 224, RGB 128 160 224 and RGB 128 134 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 184 224 shade: RGB 61 148 208, RGB 95 166 216, RGB 128 184 224, RGB 161 203 232 and RGB 194 221 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 184 224 shade: RGB 127 184 224, RGB 186 128 224 and RGB 224 224 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 184 224 shade: RGB 127 184 224, RGB 224 128 186 and RGB 186 224 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 184 224 shade: RGB 127 184 224, RGB 186 128 224, RGB 224 166 128 and RGB 166 224 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 184 224 shade: RGB 127 184 224, RGB 215 128 224, RGB 224 166 128 and RGB 137 224 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 18 / 0 / 12

HEX #7FB8E0

RGB 127 184 224

HSL 204.74, 0.61%, 0.69%

LAB 72.35, -8.15, -25.85

 

Complementary color

CMYK 0 / 45 / 76 / 50

HEX #80471F

RGB 128 71 31

HSL 24.74, 0.61%, 0.31%

LAB 36.36, 20.93, 33.65

 

CMYK 40 / 16 / 0 / 14

HEX #84B8DB

RGB 132 184 219

HSL 204.14, 0.55%, 0.69%

LAB 72.43, -8.22, -22.97

 

CMYK 37 / 15 / 0 / 7

HEX #95CAEE

RGB 149 202 238

HSL 204.27, 0.72%, 0.76%

LAB 78.93, -8.4, -23.25

 

CMYK 35 / 14 / 0 / 0

HEX #A6DCFF

RGB 166 220 255

HSL 203.6, 1%, 0.83%

LAB 85.26, -9.05, -22.58

 

CMYK 28 / 7 / 0 / 0

HEX #B7EEFF

RGB 183 238 255

HSL 194.17, 1%, 0.86%

LAB 90.98, -13.59, -13.87

 

CMYK 22 / 0 / 0 / 0

HEX #C8FFFF

RGB 200 255 255

HSL 180, 1%, 0.89%

LAB 96.42, -17.18, -5.69

 

CMYK 43 / 18 / 0 / 12

HEX #7FB8E0

RGB 127 184 224

HSL 204.74, 0.61%, 0.69%

LAB 72.35, -8.15, -25.85

 

CMYK 46 / 19 / 0 / 20

HEX #6EA6CD

RGB 110 166 205

HSL 204.63, 0.49%, 0.62%

LAB 65.74, -7.86, -25.61

 

CMYK 50 / 20 / 0 / 27

HEX #5D94BA

RGB 93 148 186

HSL 204.52, 0.4%, 0.55%

LAB 59.02, -7.49, -25.37

 

CMYK 54 / 22 / 0 / 35

HEX #4C82A7

RGB 76 130 167

HSL 204.4, 0.37%, 0.48%

LAB 52.17, -7.01, -25.15

 

CMYK 60 / 24 / 0 / 42

HEX #3B7094

RGB 59 112 148

HSL 204.27, 0.43%, 0.41%

LAB 45.16, -6.38, -24.93

 

CMYK 43 / 18 / 0 / 12

HEX #80B8E0

RGB 128 184 224

HSL 205, 0.61%, 0.69%

LAB 72.4, -7.9, -25.76

 

CMYK 43 / 29 / 0 / 12

HEX #809EE0

RGB 128 158 224

HSL 221.25, 0.61%, 0.69%

LAB 65.3, 6.53, -36.73

 

CMYK 43 / 41 / 0 / 12

HEX #8084E0

RGB 128 132 224

HSL 237.5, 0.61%, 0.69%

LAB 58.48, 21.67, -47.43

 

CMYK 33 / 43 / 0 / 12

HEX #9580E0

RGB 149 128 224

HSL 253.13, 0.61%, 0.69%

LAB 59.17, 29.43, -46.24

 

CMYK 22 / 43 / 0 / 12

HEX #AF80E0

RGB 175 128 224

HSL 269.38, 0.61%, 0.69%

LAB 61.6, 36.61, -42.25

 

CMYK 43 / 18 / 0 / 12

HEX #80B8E0

RGB 128 184 224

HSL 205, 0.61%, 0.69%

LAB 72.4, -7.9, -25.76

 

CMYK 43 / 29 / 0 / 12

HEX #809EE0

RGB 128 158 224

HSL 221.25, 0.61%, 0.69%

LAB 65.3, 6.53, -36.73

 

CMYK 43 / 41 / 0 / 12

HEX #8084E0

RGB 128 132 224

HSL 237.5, 0.61%, 0.69%

LAB 58.48, 21.67, -47.43

 

CMYK 43 / 43 / 0 / 12

HEX #8080E0

RGB 128 128 224

HSL 240, 0.61%, 0.69%

LAB 57.47, 24.03, -49.04

 

CMYK 43 / 18 / 0 / 12

HEX #80B8E0

RGB 128 184 224

HSL 205, 0.61%, 0.69%

LAB 72.4, -7.9, -25.76

 

CMYK 51 / 21 / 0 / 7

HEX #73BBED

RGB 115 187 237

HSL 204.59, 0.77%, 0.69%

LAB 73.09, -8.91, -31.81

 

CMYK 59 / 24 / 0 / 2

HEX #66BDFA

RGB 102 189 250

HSL 204.73, 0.94%, 0.69%

LAB 73.62, -8.73, -38.04

 

CMYK 43 / 18 / 0 / 12

HEX #80B8E0

RGB 128 184 224

HSL 205, 0.61%, 0.69%

LAB 72.4, -7.9, -25.76

 

CMYK 33 / 14 / 0 / 17

HEX #8DB6D3

RGB 141 182 211

HSL 204.86, 0.44%, 0.69%

LAB 72.11, -6.75, -19.05

 

CMYK 23 / 10 / 0 / 22

HEX #99B4C7

RGB 153 180 199

HSL 204.78, 0.29%, 0.69%

LAB 71.92, -5, -12.69

 

CMYK 11 / 4 / 0 / 27

HEX #A6B2BA

RGB 166 178 186

HSL 204, 0.13%, 0.69%

LAB 71.89, -2.55, -5.51

 

CMYK 0 / 2 / 3 / 30

HEX #B3AFAD

RGB 179 175 173

HSL 20, 0.04%, 0.69%

LAB 71.73, 1.06, 1.52

 

CMYK 43 / 0 / 6 / 12

HEX #80E0D3

RGB 128 224 211

HSL 171.88, 0.61%, 0.69%

LAB 83.23, -31.46, -2.52

 

CMYK 43 / 6 / 0 / 12

HEX #80D3E0

RGB 128 211 224

HSL 188.13, 0.61%, 0.69%

LAB 79.93, -21.93, -14.34

 

CMYK 43 / 17 / 0 / 12

HEX #80BAE0

RGB 128 186 224

HSL 203.75, 0.61%, 0.69%

LAB 72.95, -8.98, -24.92

 

CMYK 43 / 29 / 0 / 12

HEX #80A0E0

RGB 128 160 224

HSL 220, 0.61%, 0.69%

LAB 65.84, 5.39, -35.89

 

CMYK 43 / 40 / 0 / 12

HEX #8086E0

RGB 128 134 224

HSL 236.25, 0.61%, 0.69%

LAB 58.99, 20.49, -46.63

 

CMYK 71 / 29 / 0 / 18

HEX #3D94D0

RGB 61 148 208

HSL 204.49, 0.61%, 0.53%

LAB 58.72, -6.48, -38.33

 

CMYK 56 / 23 / 0 / 15

HEX #5FA6D8

RGB 95 166 216

HSL 204.79, 0.61%, 0.61%

LAB 65.49, -7.98, -32.15

 

CMYK 43 / 18 / 0 / 12

HEX #80B8E0

RGB 128 184 224

HSL 205, 0.61%, 0.69%

LAB 72.4, -7.9, -25.76

 

CMYK 31 / 13 / 0 / 9

HEX #A1CBE8

RGB 161 203 232

HSL 204.51, 0.61%, 0.77%

LAB 79.68, -7.12, -18.83

 

CMYK 19 / 8 / 0 / 6

HEX #C2DDF0

RGB 194 221 240

HSL 204.78, 0.61%, 0.85%

LAB 86.74, -4.97, -12.27

 

CMYK 43 / 18 / 0 / 12

HEX #7FB8E0

RGB 127 184 224

HSL 204.74, 0.61%, 0.69%

LAB 72.35, -8.15, -25.85

 

CMYK 17 / 43 / 0 / 12

HEX #BA80E0

RGB 186 128 224

HSL 276.25, 0.61%, 0.69%

LAB 62.73, 39.75, -40.4

 

CMYK 0 / 0 / 43 / 12

HEX #E0E080

RGB 224 224 128

HSL 60, 0.61%, 0.69%

LAB 87.35, -13.49, 46.84

 

CMYK 43 / 18 / 0 / 12

HEX #7FB8E0

RGB 127 184 224

HSL 204.74, 0.61%, 0.69%

LAB 72.35, -8.15, -25.85

 

CMYK 0 / 43 / 17 / 12

HEX #E080BA

RGB 224 128 186

HSL 323.75, 0.61%, 0.69%

LAB 65.62, 44.49, -14.28

 

CMYK 17 / 0 / 43 / 12

HEX #BAE080

RGB 186 224 128

HSL 83.75, 0.61%, 0.69%

LAB 84.64, -28.03, 42.88

 

CMYK 43 / 18 / 0 / 12

HEX #7FB8E0

RGB 127 184 224

HSL 204.74, 0.61%, 0.69%

LAB 72.35, -8.15, -25.85

 

CMYK 17 / 43 / 0 / 12

HEX #BA80E0

RGB 186 128 224

HSL 276.25, 0.61%, 0.69%

LAB 62.73, 39.75, -40.4

 

CMYK 0 / 26 / 43 / 12

HEX #E0A680

RGB 224 166 128

HSL 23.75, 0.61%, 0.69%

LAB 72.68, 16.69, 28.02

 

CMYK 26 / 0 / 43 / 12

HEX #A6E080

RGB 166 224 128

HSL 96.25, 0.61%, 0.69%

LAB 83.43, -35.23, 41.09

 

CMYK 43 / 18 / 0 / 12

HEX #7FB8E0

RGB 127 184 224

HSL 204.74, 0.61%, 0.69%

LAB 72.35, -8.15, -25.85

 

CMYK 4 / 43 / 0 / 12

HEX #D780E0

RGB 215 128 224

HSL 294.38, 0.61%, 0.69%

LAB 65.96, 48.2, -35.12

 

CMYK 0 / 26 / 43 / 12

HEX #E0A680

RGB 224 166 128

HSL 23.75, 0.61%, 0.69%

LAB 72.68, 16.69, 28.02

 

CMYK 39 / 0 / 43 / 12

HEX #89E080

RGB 137 224 128

HSL 114.38, 0.61%, 0.69%

LAB 81.94, -44.77, 38.89

 

Description

Color code: RGB 127 184 224 | qconv.com Color code: RGB 127 184 224 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 184 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 184 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 18 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 18% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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