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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 171 37 it is the complementary color RGB 128 84 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 171 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 171 37 shade: RGB 132 171 32, RGB 149 189 51, RGB 166 207 70, RGB 183 225 89 and RGB 200 243 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 171 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 171 37 shade: RGB 127 171 37, RGB 110 153 18, RGB 93 135 0, RGB 76 117 0 and RGB 59 99 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 171 37 shade: RGB 127 171 37, RGB 163 171 37, RGB 171 143 37, RGB 171 107 37 and RGB 171 71 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 171 37 shade: RGB 127 171 37, RGB 91 171 37, RGB 55 171 37, RGB 37 171 56 and RGB 37 171 92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 171 37 shade matches the following richer shades: RGB 127 171 37, RGB 133 188 20 and RGB 139 205 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 171 37 shade: RGB 127 171 37, RGB 121 154 54, RGB 115 137 71, RGB 110 120 88 and RGB 104 103 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 171 37 shade: RGB 171 142 37, RGB 164 171 37, RGB 129 171 37, RGB 93 171 37 and RGB 57 171 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 171 37 shade: RGB 77 103 22, RGB 102 137 30, RGB 127 171 37, RGB 152 205 45 and RGB 169 215 75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 171 37 shade: RGB 127 171 37, RGB 37 171 106 and RGB 160 37 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 171 37 shade: RGB 127 171 37, RGB 37 129 171 and RGB 171 37 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 171 37 shade: RGB 127 171 37, RGB 37 171 106, RGB 80 37 171 and RGB 171 37 102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 171 37 shade: RGB 127 171 37, RGB 37 171 146, RGB 80 37 171 and RGB 171 37 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 78 / 33

HEX #7FAB25

RGB 127 171 37

HSL 79.7, 0.64%, 0.41%

LAB 64.78, -33.71, 59.07

 

Complementary color

CMYK 41 / 61 / 0 / 15

HEX #8054DA

RGB 128 84 218

HSL 259.7, 0.64%, 0.59%

LAB 46.96, 47.79, -62.49

 

CMYK 23 / 0 / 81 / 33

HEX #84AB20

RGB 132 171 32

HSL 76.83, 0.68%, 0.4%

LAB 65.07, -31.93, 60.93

 

CMYK 21 / 0 / 73 / 26

HEX #95BD33

RGB 149 189 51

HSL 77.39, 0.58%, 0.47%

LAB 71.57, -32.59, 61.38

 

CMYK 20 / 0 / 66 / 19

HEX #A6CF46

RGB 166 207 70

HSL 77.96, 0.59%, 0.54%

LAB 77.98, -33.08, 61.1

 

CMYK 19 / 0 / 60 / 12

HEX #B7E159

RGB 183 225 89

HSL 78.53, 0.69%, 0.62%

LAB 84.3, -33.44, 60.42

 

CMYK 18 / 0 / 56 / 5

HEX #C8F36C

RGB 200 243 108

HSL 79.11, 0.85%, 0.69%

LAB 90.53, -33.7, 59.52

 

CMYK 26 / 0 / 78 / 33

HEX #7FAB25

RGB 127 171 37

HSL 79.7, 0.64%, 0.41%

LAB 64.78, -33.71, 59.07

 

CMYK 28 / 0 / 88 / 40

HEX #6E9912

RGB 110 153 18

HSL 79.11, 0.79%, 0.34%

LAB 58.17, -32.94, 57.86

 

CMYK 31 / 0 / 100 / 47

HEX #5D8700

RGB 93 135 0

HSL 78.67, 1%, 0.26%

LAB 51.44, -31.92, 55.22

 

CMYK 35 / 0 / 100 / 54

HEX #4C7500

RGB 76 117 0

HSL 81.03, 1%, 0.23%

LAB 44.6, -30.47, 49.52

 

CMYK 40 / 0 / 100 / 61

HEX #3B6300

RGB 59 99 0

HSL 84.24, 1%, 0.19%

LAB 37.58, -28.96, 43.68

 

CMYK 26 / 0 / 78 / 33

HEX #7FAB25

RGB 127 171 37

HSL 79.7, 0.64%, 0.41%

LAB 64.78, -33.71, 59.07

 

CMYK 5 / 0 / 78 / 33

HEX #A3AB25

RGB 163 171 37

HSL 63.58, 0.64%, 0.41%

LAB 67.31, -18.66, 62.32

 

CMYK 0 / 16 / 78 / 33

HEX #AB8F25

RGB 171 143 37

HSL 47.46, 0.64%, 0.41%

LAB 60.28, -0.31, 56.19

 

CMYK 0 / 37 / 78 / 33

HEX #AB6B25

RGB 171 107 37

HSL 31.34, 0.64%, 0.41%

LAB 51.04, 19.8, 47.5

 

CMYK 0 / 58 / 78 / 33

HEX #AB4725

RGB 171 71 37

HSL 15.22, 0.64%, 0.41%

LAB 43.21, 39.09, 39.76

 

CMYK 26 / 0 / 78 / 33

HEX #7FAB25

RGB 127 171 37

HSL 79.7, 0.64%, 0.41%

LAB 64.78, -33.71, 59.07

 

CMYK 47 / 0 / 78 / 33

HEX #5BAB25

RGB 91 171 37

HSL 95.82, 0.64%, 0.41%

LAB 62.91, -46.71, 56.65

 

CMYK 68 / 0 / 78 / 33

HEX #37AB25

RGB 55 171 37

HSL 111.94, 0.64%, 0.41%

LAB 61.72, -56.21, 55.09

 

CMYK 78 / 0 / 67 / 33

HEX #25AB38

RGB 37 171 56

HSL 128.51, 0.64%, 0.41%

LAB 61.49, -57.68, 47.62

 

CMYK 78 / 0 / 46 / 33

HEX #25AB5C

RGB 37 171 92

HSL 144.63, 0.64%, 0.41%

LAB 61.91, -52.67, 30.88

 

CMYK 26 / 0 / 78 / 33

HEX #7FAB25

RGB 127 171 37

HSL 79.7, 0.64%, 0.41%

LAB 64.78, -33.71, 59.07

 

CMYK 29 / 0 / 89 / 26

HEX #85BC14

RGB 133 188 20

HSL 79.64, 0.81%, 0.41%

LAB 70.18, -39.63, 68.04

 

CMYK 32 / 0 / 99 / 20

HEX #8BCD03

RGB 139 205 3

HSL 79.6, 0.97%, 0.41%

LAB 75.55, -44.99, 74.56

 

CMYK 26 / 0 / 78 / 33

HEX #7FAB25

RGB 127 171 37

HSL 79.7, 0.64%, 0.41%

LAB 64.78, -33.71, 59.07

 

CMYK 21 / 0 / 65 / 40

HEX #799A36

RGB 121 154 54

HSL 79.8, 0.48%, 0.41%

LAB 59.38, -27, 47.16

 

CMYK 16 / 0 / 48 / 46

HEX #738947

RGB 115 137 71

HSL 80, 0.32%, 0.41%

LAB 54.02, -19.24, 32.64

 

CMYK 8 / 0 / 27 / 53

HEX #6E7858

RGB 110 120 88

HSL 78.75, 0.15%, 0.41%

LAB 48.83, -9.77, 16.37

 

CMYK 1 / 2 / 0 / 59

HEX #686769

RGB 104 103 105

HSL 270, 0.01%, 0.41%

LAB 43.75, 0.81, -0.99

 

CMYK 0 / 17 / 78 / 33

HEX #AB8E25

RGB 171 142 37

HSL 47.01, 0.64%, 0.41%

LAB 60.01, 0.24, 55.94

 

CMYK 4 / 0 / 78 / 33

HEX #A4AB25

RGB 164 171 37

HSL 63.13, 0.64%, 0.41%

LAB 67.39, -18.23, 62.42

 

CMYK 25 / 0 / 78 / 33

HEX #81AB25

RGB 129 171 37

HSL 78.81, 0.64%, 0.41%

LAB 64.9, -32.91, 59.23

 

CMYK 46 / 0 / 78 / 33

HEX #5DAB25

RGB 93 171 37

HSL 94.93, 0.64%, 0.41%

LAB 63, -46.07, 56.76

 

CMYK 67 / 0 / 78 / 33

HEX #39AB25

RGB 57 171 37

HSL 111.04, 0.64%, 0.41%

LAB 61.77, -55.8, 55.15

 

CMYK 25 / 0 / 79 / 60

HEX #4D6716

RGB 77 103 22

HSL 79.26, 0.65%, 0.25%

LAB 40.14, -22.36, 39.78

 

CMYK 26 / 0 / 78 / 46

HEX #66891E

RGB 102 137 30

HSL 79.63, 0.64%, 0.33%

LAB 52.74, -28.16, 49.51

 

CMYK 26 / 0 / 78 / 33

HEX #7FAB25

RGB 127 171 37

HSL 79.7, 0.64%, 0.41%

LAB 64.78, -33.71, 59.07

 

CMYK 26 / 0 / 78 / 20

HEX #98CD2D

RGB 152 205 45

HSL 79.88, 0.64%, 0.49%

LAB 76.39, -38.99, 67.94

 

CMYK 21 / 0 / 65 / 16

HEX #A9D74B

RGB 169 215 75

HSL 79.71, 0.64%, 0.57%

LAB 80.48, -35.25, 61.8

 

CMYK 26 / 0 / 78 / 33

HEX #7FAB25

RGB 127 171 37

HSL 79.7, 0.64%, 0.41%

LAB 64.78, -33.71, 59.07

 

CMYK 78 / 0 / 38 / 33

HEX #25AB6A

RGB 37 171 106

HSL 150.9, 0.64%, 0.41%

LAB 62.13, -50.04, 23.76

 

CMYK 6 / 78 / 0 / 33

HEX #A025AB

RGB 160 37 171

HSL 295.07, 0.64%, 0.41%

LAB 40.8, 64.54, -44.85

 

CMYK 26 / 0 / 78 / 33

HEX #7FAB25

RGB 127 171 37

HSL 79.7, 0.64%, 0.41%

LAB 64.78, -33.71, 59.07

 

CMYK 78 / 25 / 0 / 33

HEX #2581AB

RGB 37 129 171

HSL 198.81, 0.64%, 0.41%

LAB 50.73, -11.75, -29.8

 

CMYK 0 / 78 / 25 / 33

HEX #AB2581

RGB 171 37 129

HSL 318.81, 0.64%, 0.41%

LAB 40.52, 60.65, -19.69

 

CMYK 26 / 0 / 78 / 33

HEX #7FAB25

RGB 127 171 37

HSL 79.7, 0.64%, 0.41%

LAB 64.78, -33.71, 59.07

 

CMYK 78 / 0 / 38 / 33

HEX #25AB6A

RGB 37 171 106

HSL 150.9, 0.64%, 0.41%

LAB 62.13, -50.04, 23.76

 

CMYK 53 / 78 / 0 / 33

HEX #5025AB

RGB 80 37 171

HSL 259.25, 0.64%, 0.41%

LAB 29.33, 50.6, -63.98

 

CMYK 0 / 78 / 40 / 33

HEX #AB2566

RGB 171 37 102

HSL 330.9, 0.64%, 0.41%

LAB 39.48, 57.53, -4.41

 

CMYK 26 / 0 / 78 / 33

HEX #7FAB25

RGB 127 171 37

HSL 79.7, 0.64%, 0.41%

LAB 64.78, -33.71, 59.07

 

CMYK 78 / 0 / 15 / 33

HEX #25AB92

RGB 37 171 146

HSL 168.81, 0.64%, 0.41%

LAB 63.01, -40.62, 2.95

 

CMYK 53 / 78 / 0 / 33

HEX #5025AB

RGB 80 37 171

HSL 259.25, 0.64%, 0.41%

LAB 29.33, 50.6, -63.98

 

CMYK 0 / 78 / 64 / 33

HEX #AB253E

RGB 171 37 62

HSL 348.81, 0.64%, 0.41%

LAB 38.43, 54.26, 19.53

 

Description

Color code: RGB 127 171 37 | qconv.com Color code: RGB 127 171 37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 171 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 171 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 78 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 78% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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