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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 167 235 it is the complementary color RGB 128 88 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 167 235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 127 167 235: RGB 132 167 230, RGB 149 185 249, RGB 166 203 255, RGB 183 221 255 and RGB 200 239 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 167 235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 127 167 235: RGB 127 167 235, RGB 110 149 216, RGB 93 131 197, RGB 76 113 178 and RGB 59 95 159

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 29 / 0 / 8

HEX #7FA7EB

RGB 127 167 235

HSL 217.78, 0.73%, 0.71%

LAB 68.13, 4.31, -38.37

 

Complementary color

CMYK 0 / 31 / 84 / 50

HEX #805814

RGB 128 88 20

HSL 37.78, 0.73%, 0.29%

LAB 40.6, 10.41, 42.75

 

CMYK 43 / 27 / 0 / 10

HEX #84A7E6

RGB 132 167 230

HSL 218.57, 0.66%, 0.71%

LAB 68.21, 4.13, -35.48

 

CMYK 40 / 26 / 0 / 2

HEX #95B9F9

RGB 149 185 249

HSL 218.4, 0.89%, 0.78%

LAB 74.78, 3.66, -35.53

 

CMYK 35 / 20 / 0 / 0

HEX #A6CBFF

RGB 166 203 255

HSL 215.06, 1%, 0.83%

LAB 80.76, -0.08, -29.44

 

CMYK 28 / 13 / 0 / 0

HEX #B7DDFF

RGB 183 221 255

HSL 208.33, 1%, 0.86%

LAB 86.5, -4.88, -20.6

 

CMYK 22 / 6 / 0 / 0

HEX #C8EFFF

RGB 200 239 255

HSL 197.45, 1%, 0.89%

LAB 92.23, -9.19, -11.89

 

CMYK 46 / 29 / 0 / 8

HEX #7FA7EB

RGB 127 167 235

HSL 217.78, 0.73%, 0.71%

LAB 68.13, 4.31, -38.37

 

CMYK 49 / 31 / 0 / 15

HEX #6E95D8

RGB 110 149 216

HSL 217.92, 0.58%, 0.64%

LAB 61.45, 4.96, -38.37

 

CMYK 53 / 34 / 0 / 23

HEX #5D83C5

RGB 93 131 197

HSL 218.08, 0.47%, 0.57%

LAB 54.65, 5.74, -38.42

 

CMYK 57 / 37 / 0 / 30

HEX #4C71B2

RGB 76 113 178

HSL 218.24, 0.4%, 0.5%

LAB 47.7, 6.7, -38.51

 

CMYK 63 / 40 / 0 / 38

HEX #3B5F9F

RGB 59 95 159

HSL 218.4, 0.46%, 0.43%

LAB 40.6, 7.93, -38.63

 

CMYK 46 / 29 / 0 / 8

HEX #7FA7EB

RGB 127 167 235

HSL 217.78, 0.73%, 0.71%

LAB 68.13, 4.31, -38.37

 

CMYK 46 / 36 / 0 / 8

HEX #7F96EB

RGB 127 150 235

HSL 227.22, 0.73%, 0.71%

LAB 63.61, 14.06, -45.45

 

CMYK 46 / 44 / 0 / 8

HEX #7F84EB

RGB 127 132 235

HSL 237.22, 0.73%, 0.71%

LAB 58.99, 24.62, -52.77

 

CMYK 41 / 46 / 0 / 8

HEX #8B7FEB

RGB 139 127 235

HSL 246.67, 0.73%, 0.71%

LAB 58.66, 30.42, -53.23

 

CMYK 33 / 46 / 0 / 8

HEX #9D7FEB

RGB 157 127 235

HSL 256.67, 0.73%, 0.71%

LAB 60.2, 34.95, -50.69

 

CMYK 46 / 29 / 0 / 8

HEX #7FA7EB

RGB 127 167 235

HSL 217.78, 0.73%, 0.71%

LAB 68.13, 4.31, -38.37

 

CMYK 45 / 29 / 0 / 88

HEX #11161F

RGB 17 22 31

HSL 218.57, 0.29%, 0.09%

LAB 7.15, 0.52, -7.03

 

CMYK 46 / 29 / 0 / 68

HEX #2C3A52

RGB 44 58 82

HSL 217.89, 0.3%, 0.25%

LAB 24.23, 1.6, -16.36

 

CMYK 46 / 29 / 0 / 48

HEX #485F85

RGB 72 95 133

HSL 217.38, 0.3%, 0.4%

LAB 40.01, 2.24, -23.88

 

CMYK 46 / 29 / 0 / 28

HEX #6383B8

RGB 99 131 184

HSL 217.41, 0.37%, 0.55%

LAB 54.39, 3.18, -31.38

 

CMYK 46 / 29 / 0 / 8

HEX #7FA7EB

RGB 127 167 235

HSL 217.78, 0.73%, 0.71%

LAB 68.13, 4.31, -38.37

 

CMYK 9 / 46 / 0 / 8

HEX #D77FEB

RGB 215 127 235

HSL 288.89, 0.73%, 0.71%

LAB 66.23, 50.81, -40.78

 

CMYK 10 / 0 / 46 / 8

HEX #D3EB7F

RGB 211 235 127

HSL 73.33, 0.73%, 0.71%

LAB 89.3, -24, 49.51

 

CMYK 46 / 29 / 0 / 8

HEX #7FA7EB

RGB 127 167 235

HSL 217.78, 0.73%, 0.71%

LAB 68.13, 4.31, -38.37

 

CMYK 0 / 46 / 29 / 8

HEX #EB7FA8

RGB 235 127 168

HSL 337.22, 0.73%, 0.71%

LAB 66.27, 46.1, -3

 

CMYK 29 / 0 / 46 / 8

HEX #A8EB7F

RGB 168 235 127

HSL 97.22, 0.73%, 0.71%

LAB 86.64, -39.63, 45.63

 

CMYK 46 / 29 / 0 / 8

HEX #7FA7EB

RGB 127 167 235

HSL 217.78, 0.73%, 0.71%

LAB 68.13, 4.31, -38.37

 

CMYK 9 / 46 / 0 / 8

HEX #D77FEB

RGB 215 127 235

HSL 288.89, 0.73%, 0.71%

LAB 66.23, 50.81, -40.78

 

CMYK 0 / 18 / 46 / 8

HEX #EBC17F

RGB 235 193 127

HSL 36.67, 0.73%, 0.71%

LAB 80.37, 6.67, 38.77

 

CMYK 38 / 0 / 46 / 8

HEX #92EB7F

RGB 146 235 127

HSL 109.44, 0.73%, 0.71%

LAB 85.53, -46.82, 44.01

 

CMYK 46 / 29 / 0 / 8

HEX #7FA7EB

RGB 127 167 235

HSL 217.78, 0.73%, 0.71%

LAB 68.13, 4.31, -38.37

 

CMYK 0 / 46 / 6 / 8

HEX #EB7FDE

RGB 235 127 222

HSL 307.22, 0.73%, 0.71%

LAB 68.11, 54.22, -30.49

 

CMYK 0 / 18 / 46 / 8

HEX #EBC17F

RGB 235 193 127

HSL 36.67, 0.73%, 0.71%

LAB 80.37, 6.67, 38.77

 

CMYK 46 / 0 / 41 / 8

HEX #7FEB8B

RGB 127 235 139

HSL 126.67, 0.73%, 0.71%

LAB 84.89, -50.68, 37.14

 

Description

Color code: RGB 127 167 235 | qconv.com Color code: RGB 127 167 235 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 167 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 167 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 29 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 29% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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