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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127.1 54.8 107 it is the complementary color RGB 127.9 200.2 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127.1 54.8 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127.1 54.8 107 shade: RGB 132.1 54.8 102, RGB 149.1 72.8 121, RGB 166.1 90.8 140, RGB 183.1 108.8 159 and RGB 200.1 126.8 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127.1 54.8 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127.1 54.8 107 shade: RGB 127.1 54.8 107, RGB 110.1 36.8 88, RGB 93.1 18.8 69, RGB 76.1 0.8 50 and RGB 59.1 0 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127.1 54.8 107 shade: RGB 129 55 108, RGB 129 55 88, RGB 129 55 68 and RGB 129 55 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127.1 54.8 107 shade: RGB 129 55 108, RGB 129 55 128, RGB 109 55 129, RGB 90 55 129 and RGB 70 55 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127.1 54.8 107 shade matches the following richer shades: RGB 129 55 108, RGB 143 40 115, RGB 158 25 121 and RGB 173 11 128

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127.1 54.8 107 shade: RGB 129 55 108, RGB 114 70 102, RGB 99 85 95, RGB 84 100 88 and RGB 69 114 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127.1 54.8 107 shade: RGB 109 55 129, RGB 129 55 129, RGB 129 55 109, RGB 129 55 89 and RGB 129 55 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127.1 54.8 107 shade: RGB 71 30 60, RGB 100 43 84, RGB 129 55 108, RGB 157 67 132 and RGB 182 84 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127.1 54.8 107 shade: RGB 127.1 54.8 107, RGB 129 89 55 and RGB 55 129 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127.1 54.8 107 shade: RGB 127.1 54.8 107, RGB 109 129 55 and RGB 55 109 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127.1 54.8 107 shade: RGB 127.1 54.8 107, RGB 129 89 55, RGB 55 129 75 and RGB 55 94 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127.1 54.8 107 shade: RGB 127.1 54.8 107, RGB 129 111 55, RGB 55 129 75 and RGB 55 72 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 16 / 50

HEX #7F366B

RGB 127.1 54.8 107

HSL 316.68, 0.4%, 0.36%

LAB 34.59, 38.08, -15.7

 

Complementary color

CMYK 36 / 0 / 26 / 21

HEX #7FC894

RGB 127.9 200.2 148

HSL 136.68, 0.4%, 0.64%

LAB 74.9, -33.66, 19.12

 

CMYK 0 / 59 / 23 / 48

HEX #843666

RGB 132.1 54.8 102

HSL 323.36, 0.41%, 0.37%

LAB 35.18, 38.91, -11.56

 

CMYK 0 / 51 / 19 / 42

HEX #954879

RGB 149.1 72.8 121

HSL 322.1, 0.34%, 0.44%

LAB 42.03, 38.25, -12.77

 

CMYK 0 / 45 / 16 / 35

HEX #A65A8C

RGB 166.1 90.8 140

HSL 320.8, 0.3%, 0.5%

LAB 48.83, 37.47, -13.72

 

CMYK 0 / 41 / 13 / 28

HEX #B76C9F

RGB 183.1 108.8 159

HSL 319.46, 0.34%, 0.57%

LAB 55.56, 36.67, -14.51

 

CMYK 0 / 37 / 11 / 22

HEX #C87EB2

RGB 200.1 126.8 178

HSL 318.09, 0.4%, 0.64%

LAB 62.2, 35.89, -15.2

 

CMYK 0 / 57 / 16 / 50

HEX #7F366B

RGB 127.1 54.8 107

HSL 316.68, 0.4%, 0.36%

LAB 34.59, 38.08, -15.7

 

CMYK 0 / 67 / 20 / 57

HEX #6E2458

RGB 110.1 36.8 88

HSL 318.09, 0.5%, 0.29%

LAB 27.67, 38.46, -14.32

 

CMYK 0 / 80 / 26 / 63

HEX #5D1245

RGB 93.1 18.8 69

HSL 319.46, 0.66%, 0.22%

LAB 20.91, 38.08, -12.24

 

CMYK 0 / 99 / 34 / 70

HEX #4C0032

RGB 76.1 0.8 50

HSL 320.8, 0.98%, 0.15%

LAB 14.33, 36.74, -9.25

 

CMYK 0 / 100 / 48 / 77

HEX #3B001F

RGB 59.1 0 31

HSL 328.53, 1%, 0.12%

LAB 9.25, 30.48, -3.17

 

CMYK 0 / 57 / 16 / 49

HEX #81376C

RGB 129 55 108

HSL 317.03, 0.4%, 0.36%

LAB 34.97, 38.76, -15.72

 

CMYK 0 / 57 / 32 / 49

HEX #813758

RGB 129 55 88

HSL 333.24, 0.4%, 0.36%

LAB 34.2, 35.71, -4.15

 

CMYK 0 / 57 / 47 / 49

HEX #813744

RGB 129 55 68

HSL 349.46, 0.4%, 0.36%

LAB 33.6, 33.25, 7.86

 

CMYK 0 / 57 / 57 / 49

HEX #813737

RGB 129 55 55

HSL 0, 0.4%, 0.36%

LAB 33.3, 31.98, 15.79

 

CMYK 0 / 57 / 16 / 49

HEX #81376C

RGB 129 55 108

HSL 317.03, 0.4%, 0.36%

LAB 34.97, 38.76, -15.72

 

CMYK 0 / 57 / 1 / 49

HEX #813780

RGB 129 55 128

HSL 300.81, 0.4%, 0.36%

LAB 35.9, 42.31, -26.79

 

CMYK 16 / 57 / 0 / 49

HEX #6D3781

RGB 109 55 129

HSL 283.78, 0.4%, 0.36%

LAB 33.07, 36.77, -32.07

 

CMYK 30 / 57 / 0 / 49

HEX #5A3781

RGB 90 55 129

HSL 268.38, 0.4%, 0.36%

LAB 30.62, 31.46, -36.12

 

CMYK 46 / 57 / 0 / 49

HEX #463781

RGB 70 55 129

HSL 252.16, 0.4%, 0.36%

LAB 28.43, 26.27, -39.75

 

CMYK 0 / 57 / 16 / 49

HEX #81376C

RGB 129 55 108

HSL 317.03, 0.4%, 0.36%

LAB 34.97, 38.76, -15.72

 

CMYK 0 / 72 / 20 / 44

HEX #8F2873

RGB 143 40 115

HSL 316.31, 0.56%, 0.36%

LAB 35.19, 50.63, -19.6

 

CMYK 0 / 84 / 23 / 38

HEX #9E1979

RGB 158 25 121

HSL 316.69, 0.73%, 0.36%

LAB 36.64, 59.7, -20.9

 

CMYK 0 / 94 / 26 / 32

HEX #AD0B80

RGB 173 11 128

HSL 316.67, 0.88%, 0.36%

LAB 39.04, 66.22, -21.32

 

CMYK 0 / 57 / 16 / 49

HEX #81376C

RGB 129 55 108

HSL 317.03, 0.4%, 0.36%

LAB 34.97, 38.76, -15.72

 

CMYK 0 / 39 / 11 / 55

HEX #724666

RGB 114 70 102

HSL 316.36, 0.24%, 0.36%

LAB 35.82, 24.12, -10.83

 

CMYK 0 / 14 / 4 / 61

HEX #63555F

RGB 99 85 95

HSL 317.14, 0.08%, 0.36%

LAB 37.8, 7.71, -3.66

 

CMYK 16 / 0 / 12 / 61

HEX #546458

RGB 84 100 88

HSL 135, 0.09%, 0.36%

LAB 40.74, -8.73, 4.78

 

CMYK 39 / 0 / 28 / 55

HEX #457252

RGB 69 114 82

HSL 137.33, 0.25%, 0.36%

LAB 44.1, -23.06, 12.97

 

CMYK 16 / 57 / 0 / 49

HEX #6D3781

RGB 109 55 129

HSL 283.78, 0.4%, 0.36%

LAB 33.07, 36.77, -32.07

 

CMYK 0 / 57 / 0 / 49

HEX #813781

RGB 129 55 129

HSL 300, 0.4%, 0.36%

LAB 35.95, 42.5, -27.33

 

CMYK 0 / 57 / 16 / 49

HEX #81376D

RGB 129 55 109

HSL 316.22, 0.4%, 0.36%

LAB 35.01, 38.92, -16.29

 

CMYK 0 / 57 / 31 / 49

HEX #813759

RGB 129 55 89

HSL 332.43, 0.4%, 0.36%

LAB 34.23, 35.85, -4.74

 

CMYK 0 / 57 / 46 / 49

HEX #813746

RGB 129 55 70

HSL 347.84, 0.4%, 0.36%

LAB 33.65, 33.47, 6.64

 

CMYK 0 / 58 / 15 / 72

HEX #471E3C

RGB 71 30 60

HSL 316.1, 0.41%, 0.2%

LAB 18.34, 24.12, -10.3

 

CMYK 0 / 57 / 16 / 61

HEX #642B54

RGB 100 43 84

HSL 316.84, 0.4%, 0.28%

LAB 26.95, 31.39, -12.94

 

CMYK 0 / 57 / 16 / 49

HEX #81376C

RGB 129 55 108

HSL 317.03, 0.4%, 0.36%

LAB 34.97, 38.76, -15.72

 

CMYK 0 / 57 / 16 / 38

HEX #9D4384

RGB 157 67 132

HSL 316.67, 0.4%, 0.44%

LAB 42.53, 45.47, -18.62

 

CMYK 0 / 54 / 15 / 29

HEX #B6549B

RGB 182 84 155

HSL 316.53, 0.4%, 0.52%

LAB 50.28, 48.5, -20.23

 

CMYK 0 / 57 / 16 / 50

HEX #7F366B

RGB 127.1 54.8 107

HSL 316.68, 0.4%, 0.36%

LAB 34.59, 38.08, -15.7

 

CMYK 0 / 31 / 57 / 49

HEX #815937

RGB 129 89 55

HSL 27.57, 0.4%, 0.36%

LAB 41.36, 12.46, 26.11

 

CMYK 57 / 0 / 8 / 49

HEX #378177

RGB 55 129 119

HSL 171.89, 0.4%, 0.36%

LAB 49.31, -25.51, -1.52

 

CMYK 0 / 57 / 16 / 50

HEX #7F366B

RGB 127.1 54.8 107

HSL 316.68, 0.4%, 0.36%

LAB 34.59, 38.08, -15.7

 

CMYK 16 / 0 / 57 / 49

HEX #6D8137

RGB 109 129 55

HSL 76.22, 0.4%, 0.36%

LAB 50.95, -19.31, 37.1

 

CMYK 57 / 16 / 0 / 49

HEX #376D81

RGB 55 109 129

HSL 196.22, 0.4%, 0.36%

LAB 43.26, -11.73, -16.52

 

CMYK 0 / 57 / 16 / 50

HEX #7F366B

RGB 127.1 54.8 107

HSL 316.68, 0.4%, 0.36%

LAB 34.59, 38.08, -15.7

 

CMYK 0 / 31 / 57 / 49

HEX #815937

RGB 129 89 55

HSL 27.57, 0.4%, 0.36%

LAB 41.36, 12.46, 26.11

 

CMYK 57 / 0 / 42 / 49

HEX #37814B

RGB 55 129 75

HSL 136.22, 0.4%, 0.36%

LAB 48.29, -35.7, 22.51

 

CMYK 57 / 27 / 0 / 49

HEX #375E81

RGB 55 94 129

HSL 208.38, 0.4%, 0.36%

LAB 38.56, -2.78, -23.78

 

CMYK 0 / 57 / 16 / 50

HEX #7F366B

RGB 127.1 54.8 107

HSL 316.68, 0.4%, 0.36%

LAB 34.59, 38.08, -15.7

 

CMYK 0 / 14 / 57 / 49

HEX #816F37

RGB 129 111 55

HSL 45.41, 0.4%, 0.36%

LAB 47.38, -0.45, 33.38

 

CMYK 57 / 0 / 42 / 49

HEX #37814B

RGB 55 129 75

HSL 136.22, 0.4%, 0.36%

LAB 48.29, -35.7, 22.51

 

CMYK 57 / 44 / 0 / 49

HEX #374881

RGB 55 72 129

HSL 226.22, 0.4%, 0.36%

LAB 31.88, 11.42, -34.29

 

Description

Color code: RGB 127.1 54.8 107 | qconv.com Color code: RGB 127.1 54.8 107 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127.1 red, 54.8 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127.1 54.8 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 16 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 16% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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