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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 53 137 it is the complementary color RGB 129 202 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 53 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 126 53 137 shade: RGB 131 53 132, RGB 148 71 151, RGB 165 89 170, RGB 182 107 189 and RGB 199 125 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 53 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 126 53 137 shade: RGB 126 53 137, RGB 109 35 118, RGB 92 17 99, RGB 75 0 80 and RGB 58 0 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 126 53 137 shade: RGB 125 53 136, RGB 136 53 124, RGB 136 53 102, RGB 136 53 80 and RGB 136 53 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 126 53 137 shade: RGB 125 53 136, RGB 103 53 136, RGB 80 53 136, RGB 58 53 136 and RGB 53 53 136

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 126 53 137 shade matches the following richer shades: RGB 125 53 136, RGB 136 38 151, RGB 148 22 166 and RGB 159 7 182

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 126 53 137 shade: RGB 125 53 136, RGB 114 68 121, RGB 102 83 105, RGB 91 99 90 and RGB 80 114 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 126 53 137 shade: RGB 81 53 136, RGB 103 53 136, RGB 125 53 136, RGB 136 53 125 and RGB 136 53 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 126 53 137 shade: RGB 70 30 76, RGB 98 41 106, RGB 125 53 136, RGB 152 64 166 and RGB 174 83 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 126 53 137 shade: RGB 126 53 137, RGB 136 58 53 and RGB 53 136 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 126 53 137 shade: RGB 126 53 137, RGB 136 125 53 and RGB 53 136 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 126 53 137 shade: RGB 126 53 137, RGB 136 58 53, RGB 64 136 53 and RGB 53 130 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 126 53 137 shade: RGB 126 53 137, RGB 136 83 53, RGB 64 136 53 and RGB 53 105 136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 61 / 0 / 46

HEX #7E3589

RGB 126 53 137

HSL 292.14, 0.44%, 0.37%

LAB 35.57, 44.21, -32.9

 

Complementary color

CMYK 36 / 0 / 42 / 21

HEX #81CA76

RGB 129 202 118

HSL 112.14, 0.44%, 0.63%

LAB 74.96, -39.08, 34.88

 

CMYK 1 / 60 / 0 / 48

HEX #833584

RGB 131 53 132

HSL 299.24, 0.43%, 0.36%

LAB 36.06, 44.6, -29

 

CMYK 2 / 53 / 0 / 41

HEX #944797

RGB 148 71 151

HSL 297.75, 0.36%, 0.44%

LAB 42.82, 44.12, -29.79

 

CMYK 3 / 48 / 0 / 33

HEX #A559AA

RGB 165 89 170

HSL 296.3, 0.32%, 0.51%

LAB 49.55, 43.45, -30.37

 

CMYK 4 / 43 / 0 / 26

HEX #B66BBD

RGB 182 107 189

HSL 294.88, 0.38%, 0.58%

LAB 56.22, 42.71, -30.83

 

CMYK 4 / 40 / 0 / 18

HEX #C77DD0

RGB 199 125 208

HSL 293.49, 0.47%, 0.65%

LAB 62.81, 41.95, -31.21

 

CMYK 8 / 61 / 0 / 46

HEX #7E3589

RGB 126 53 137

HSL 292.14, 0.44%, 0.37%

LAB 35.57, 44.21, -32.9

 

CMYK 8 / 70 / 0 / 54

HEX #6D2376

RGB 109 35 118

HSL 293.49, 0.54%, 0.3%

LAB 28.8, 44.32, -31.94

 

CMYK 7 / 83 / 0 / 61

HEX #5C1163

RGB 92 17 99

HSL 294.88, 0.71%, 0.23%

LAB 22.22, 43.49, -30.34

 

CMYK 6 / 100 / 0 / 69

HEX #4B0050

RGB 75 0 80

HSL 296.25, 1%, 0.16%

LAB 15.88, 41.45, -27.96

 

CMYK 5 / 100 / 0 / 76

HEX #3A003D

RGB 58 0 61

HSL 297.05, 1%, 0.12%

LAB 10.82, 34.79, -22.99

 

CMYK 8 / 61 / 0 / 47

HEX #7D3588

RGB 125 53 136

HSL 292.05, 0.44%, 0.37%

LAB 35.37, 43.74, -32.62

 

CMYK 0 / 61 / 9 / 47

HEX #88357C

RGB 136 53 124

HSL 308.67, 0.44%, 0.37%

LAB 36.43, 44.58, -23.39

 

CMYK 0 / 61 / 25 / 47

HEX #883566

RGB 136 53 102

HSL 324.58, 0.44%, 0.37%

LAB 35.48, 41.06, -11.04

 

CMYK 0 / 61 / 41 / 47

HEX #883550

RGB 136 53 80

HSL 340.48, 0.44%, 0.37%

LAB 34.72, 38.16, 1.89

 

CMYK 0 / 61 / 58 / 47

HEX #883539

RGB 136 53 57

HSL 357.11, 0.44%, 0.37%

LAB 34.14, 35.85, 15.85

 

CMYK 8 / 61 / 0 / 47

HEX #7D3588

RGB 125 53 136

HSL 292.05, 0.44%, 0.37%

LAB 35.37, 43.74, -32.62

 

CMYK 24 / 61 / 0 / 47

HEX #673588

RGB 103 53 136

HSL 276.14, 0.44%, 0.37%

LAB 32.27, 37.85, -37.73

 

CMYK 41 / 61 / 0 / 47

HEX #503588

RGB 80 53 136

HSL 259.52, 0.44%, 0.37%

LAB 29.49, 32.05, -42.36

 

CMYK 57 / 61 / 0 / 47

HEX #3A3588

RGB 58 53 136

HSL 243.61, 0.44%, 0.37%

LAB 27.36, 27.19, -45.9

 

CMYK 61 / 61 / 0 / 47

HEX #353588

RGB 53 53 136

HSL 240, 0.44%, 0.37%

LAB 26.96, 26.23, -46.56

 

CMYK 8 / 61 / 0 / 47

HEX #7D3588

RGB 125 53 136

HSL 292.05, 0.44%, 0.37%

LAB 35.37, 43.74, -32.62

 

CMYK 10 / 75 / 0 / 41

HEX #882697

RGB 136 38 151

HSL 292.04, 0.6%, 0.37%

LAB 35.7, 55.68, -41.17

 

CMYK 11 / 87 / 0 / 35

HEX #9416A6

RGB 148 22 166

HSL 292.5, 0.77%, 0.37%

LAB 37.16, 65.18, -47.8

 

CMYK 13 / 96 / 0 / 29

HEX #9F07B6

RGB 159 7 182

HSL 292.11, 0.93%, 0.37%

LAB 39.41, 71.91, -53.61

 

CMYK 8 / 61 / 0 / 47

HEX #7D3588

RGB 125 53 136

HSL 292.05, 0.44%, 0.37%

LAB 35.37, 43.74, -32.62

 

CMYK 6 / 44 / 0 / 53

HEX #724479

RGB 114 68 121

HSL 292.08, 0.28%, 0.37%

LAB 36.16, 29.15, -22.2

 

CMYK 3 / 21 / 0 / 59

HEX #665369

RGB 102 83 105

HSL 291.82, 0.12%, 0.37%

LAB 37.9, 12.24, -9.71

 

CMYK 8 / 0 / 9 / 61

HEX #5B635A

RGB 91 99 90

HSL 113.33, 0.05%, 0.37%

LAB 41.03, -5, 4.05

 

CMYK 30 / 0 / 34 / 55

HEX #50724B

RGB 80 114 75

HSL 112.31, 0.21%, 0.37%

LAB 44.59, -20.51, 17.83

 

CMYK 40 / 61 / 0 / 47

HEX #513588

RGB 81 53 136

HSL 260.24, 0.44%, 0.37%

LAB 29.6, 32.29, -42.17

 

CMYK 24 / 61 / 0 / 47

HEX #673588

RGB 103 53 136

HSL 276.14, 0.44%, 0.37%

LAB 32.27, 37.85, -37.73

 

CMYK 8 / 61 / 0 / 47

HEX #7D3588

RGB 125 53 136

HSL 292.05, 0.44%, 0.37%

LAB 35.37, 43.74, -32.62

 

CMYK 0 / 61 / 8 / 47

HEX #88357D

RGB 136 53 125

HSL 307.95, 0.44%, 0.37%

LAB 36.48, 44.75, -23.94

 

CMYK 0 / 61 / 24 / 47

HEX #883567

RGB 136 53 103

HSL 323.86, 0.44%, 0.37%

LAB 35.52, 41.21, -11.62

 

CMYK 8 / 61 / 0 / 70

HEX #461E4C

RGB 70 30 76

HSL 292.17, 0.43%, 0.21%

LAB 19.02, 27.12, -20.27

 

CMYK 8 / 61 / 0 / 58

HEX #62296A

RGB 98 41 106

HSL 292.62, 0.44%, 0.29%

LAB 27.36, 36.09, -26.66

 

CMYK 8 / 61 / 0 / 47

HEX #7D3588

RGB 125 53 136

HSL 292.05, 0.44%, 0.37%

LAB 35.37, 43.74, -32.62

 

CMYK 8 / 61 / 0 / 35

HEX #9840A6

RGB 152 64 166

HSL 291.76, 0.44%, 0.45%

LAB 42.91, 51.52, -38.58

 

CMYK 7 / 56 / 0 / 26

HEX #AE53BC

RGB 174 83 188

HSL 292, 0.44%, 0.53%

LAB 50.47, 52.5, -39.33

 

CMYK 8 / 61 / 0 / 46

HEX #7E3589

RGB 126 53 137

HSL 292.14, 0.44%, 0.37%

LAB 35.57, 44.21, -32.9

 

CMYK 0 / 57 / 61 / 47

HEX #883A35

RGB 136 58 53

HSL 3.61, 0.44%, 0.37%

LAB 35.04, 32.98, 19.56

 

CMYK 61 / 0 / 32 / 47

HEX #35885C

RGB 53 136 92

HSL 148.19, 0.44%, 0.37%

LAB 50.85, -35.89, 16.33

 

CMYK 8 / 61 / 0 / 46

HEX #7E3589

RGB 126 53 137

HSL 292.14, 0.44%, 0.37%

LAB 35.57, 44.21, -32.9

 

CMYK 0 / 8 / 61 / 47

HEX #887D35

RGB 136 125 53

HSL 52.05, 0.44%, 0.37%

LAB 52.02, -5.35, 39.9

 

CMYK 61 / 0 / 8 / 47

HEX #35887D

RGB 53 136 125

HSL 172.05, 0.44%, 0.37%

LAB 51.66, -27.75, -1.58

 

CMYK 8 / 61 / 0 / 46

HEX #7E3589

RGB 126 53 137

HSL 292.14, 0.44%, 0.37%

LAB 35.57, 44.21, -32.9

 

CMYK 0 / 57 / 61 / 47

HEX #883A35

RGB 136 58 53

HSL 3.61, 0.44%, 0.37%

LAB 35.04, 32.98, 19.56

 

CMYK 53 / 0 / 61 / 47

HEX #408835

RGB 64 136 53

HSL 112.05, 0.44%, 0.37%

LAB 50.63, -39.48, 37.05

 

CMYK 61 / 4 / 0 / 47

HEX #358288

RGB 53 130 136

HSL 184.34, 0.44%, 0.37%

LAB 50.1, -21.5, -10.33

 

CMYK 8 / 61 / 0 / 46

HEX #7E3589

RGB 126 53 137

HSL 292.14, 0.44%, 0.37%

LAB 35.57, 44.21, -32.9

 

CMYK 0 / 39 / 61 / 47

HEX #885335

RGB 136 83 53

HSL 21.69, 0.44%, 0.37%

LAB 40.7, 18.97, 26.67

 

CMYK 53 / 0 / 61 / 47

HEX #408835

RGB 64 136 53

HSL 112.05, 0.44%, 0.37%

LAB 50.63, -39.48, 37.05

 

CMYK 61 / 23 / 0 / 47

HEX #356988

RGB 53 105 136

HSL 202.41, 0.44%, 0.37%

LAB 42.21, -7.52, -22.35

 

Description

Color code: RGB 126 53 137 | qconv.com Color code: RGB 126 53 137 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 53 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 53 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 61 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 61% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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