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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 220 214 it is the complementary color RGB 129 35 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 220 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 126 220 214: RGB 131 220 209, RGB 148 238 228, RGB 165 255 247, RGB 182 255 255 and RGB 199 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 220 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 126 220 214: RGB 126 220 214, RGB 109 202 195, RGB 92 184 176, RGB 75 166 157 and RGB 58 148 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 3 / 14

HEX #7EDCD6

RGB 126 220 214

HSL 176.17, 0.57%, 0.68%

LAB 82.1, -29.32, -5.79

 

Complementary color

CMYK 0 / 73 / 68 / 49

HEX #812329

RGB 129 35 41

HSL 356.17, 0.57%, 0.32%

LAB 29.49, 40.41, 19.88

 

CMYK 40 / 0 / 5 / 14

HEX #83DCD1

RGB 131 220 209

HSL 172.58, 0.56%, 0.69%

LAB 82.17, -29.28, -3

 

CMYK 38 / 0 / 4 / 7

HEX #94EEE4

RGB 148 238 228

HSL 173.33, 0.73%, 0.76%

LAB 88.47, -29.17, -3.68

 

CMYK 35 / 0 / 3 / 0

HEX #A5FFF7

RGB 165 255 247

HSL 174.67, 1%, 0.82%

LAB 94.41, -28.58, -4.72

 

CMYK 29 / 0 / 0 / 0

HEX #B6FFFF

RGB 182 255 255

HSL 180, 1%, 0.86%

LAB 95.45, -22.28, -7.23

 

CMYK 22 / 0 / 0 / 0

HEX #C7FFFF

RGB 199 255 255

HSL 180, 1%, 0.89%

LAB 96.36, -17.48, -5.78

 

CMYK 43 / 0 / 3 / 14

HEX #7EDCD6

RGB 126 220 214

HSL 176.17, 0.57%, 0.68%

LAB 82.1, -29.32, -5.79

 

CMYK 46 / 0 / 3 / 21

HEX #6DCAC3

RGB 109 202 195

HSL 175.48, 0.47%, 0.61%

LAB 75.72, -29.35, -5.11

 

CMYK 50 / 0 / 4 / 28

HEX #5CB8B0

RGB 92 184 176

HSL 174.78, 0.39%, 0.54%

LAB 69.25, -29.34, -4.37

 

CMYK 55 / 0 / 5 / 35

HEX #4BA69D

RGB 75 166 157

HSL 174.07, 0.38%, 0.47%

LAB 62.68, -29.26, -3.57

 

CMYK 61 / 0 / 7 / 42

HEX #3A948A

RGB 58 148 138

HSL 173.33, 0.44%, 0.4%

LAB 56, -29.07, -2.69

 

CMYK 43 / 0 / 3 / 14

HEX #7EDCD6

RGB 126 220 214

HSL 176.17, 0.57%, 0.68%

LAB 82.1, -29.32, -5.79

 

CMYK 42 / 4 / 0 / 14

HEX #7ED2DB

RGB 126 210 219

HSL 185.81, 0.56%, 0.68%

LAB 79.41, -23.19, -12.46

 

CMYK 42 / 11 / 0 / 14

HEX #7EC3DB

RGB 126 195 219

HSL 195.48, 0.56%, 0.68%

LAB 75.19, -15.56, -18.81

 

CMYK 42 / 18 / 0 / 14

HEX #7EB3DB

RGB 126 179 219

HSL 205.81, 0.56%, 0.68%

LAB 70.73, -7.07, -25.6

 

CMYK 42 / 25 / 0 / 14

HEX #7EA4DB

RGB 126 164 219

HSL 215.48, 0.56%, 0.68%

LAB 66.6, 1.22, -31.96

 

CMYK 43 / 0 / 3 / 14

HEX #7EDCD6

RGB 126 220 214

HSL 176.17, 0.57%, 0.68%

LAB 82.1, -29.32, -5.79

 

CMYK 44 / 0 / 0 / 94

HEX #091010

RGB 9 16 16

HSL 180, 0.28%, 0.05%

LAB 4.21, -2.11, -0.74

 

CMYK 43 / 0 / 3 / 74

HEX #264341

RGB 38 67 65

HSL 175.86, 0.28%, 0.21%

LAB 26.18, -11.44, -2.23

 

CMYK 42 / 0 / 3 / 54

HEX #447673

RGB 68 118 115

HSL 176.4, 0.27%, 0.36%

LAB 46.21, -17.61, -3.65

 

CMYK 43 / 0 / 3 / 34

HEX #61A9A4

RGB 97 169 164

HSL 175.83, 0.3%, 0.52%

LAB 64.64, -23.78, -4.5

 

CMYK 43 / 0 / 3 / 14

HEX #7EDCD6

RGB 126 220 214

HSL 176.17, 0.57%, 0.68%

LAB 82.1, -29.32, -5.79

 

CMYK 37 / 42 / 0 / 14

HEX #8B7EDB

RGB 139 126 219

HSL 248.39, 0.56%, 0.68%

LAB 57.58, 26.61, -46.01

 

CMYK 0 / 20 / 42 / 14

HEX #DBB07E

RGB 219 176 126

HSL 32.26, 0.56%, 0.68%

LAB 74.58, 9.12, 31.51

 

CMYK 43 / 0 / 3 / 14

HEX #7EDCD6

RGB 126 220 214

HSL 176.17, 0.57%, 0.68%

LAB 82.1, -29.32, -5.79

 

CMYK 3 / 42 / 0 / 14

HEX #D57EDB

RGB 213 126 219

HSL 296.13, 0.56%, 0.68%

LAB 65.11, 47.71, -33.68

 

CMYK 0 / 3 / 42 / 14

HEX #DBD57E

RGB 219 213 126

HSL 56.13, 0.56%, 0.68%

LAB 84.05, -10.15, 43.62

 

CMYK 43 / 0 / 3 / 14

HEX #7EDCD6

RGB 126 220 214

HSL 176.17, 0.57%, 0.68%

LAB 82.1, -29.32, -5.79

 

CMYK 37 / 42 / 0 / 14

HEX #8B7EDB

RGB 139 126 219

HSL 248.39, 0.56%, 0.68%

LAB 57.58, 26.61, -46.01

 

CMYK 0 / 42 / 39 / 14

HEX #DB7E85

RGB 219 126 133

HSL 355.48, 0.56%, 0.68%

LAB 63.07, 36.67, 12.02

 

CMYK 5 / 0 / 42 / 14

HEX #CFDB7E

RGB 207 219 126

HSL 67.74, 0.56%, 0.68%

LAB 84.71, -17.86, 44.25

 

CMYK 43 / 0 / 3 / 14

HEX #7EDCD6

RGB 126 220 214

HSL 176.17, 0.57%, 0.68%

LAB 82.1, -29.32, -5.79

 

CMYK 24 / 42 / 0 / 14

HEX #A77EDB

RGB 167 126 219

HSL 266.45, 0.56%, 0.68%

LAB 60.12, 34.29, -41.84

 

CMYK 0 / 42 / 39 / 14

HEX #DB7E85

RGB 219 126 133

HSL 355.48, 0.56%, 0.68%

LAB 63.07, 36.67, 12.02

 

CMYK 18 / 0 / 42 / 14

HEX #B3DB7E

RGB 179 219 126

HSL 85.81, 0.56%, 0.68%

LAB 82.78, -28.48, 41.42

 

Description

Color code: RGB 126 220 214 | qconv.com Color code: RGB 126 220 214 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 220 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 220 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 3 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 3% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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