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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 194 214 it is the complementary color RGB 129 61 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 194 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 126 194 214 shade: RGB 131 194 209, RGB 148 212 228, RGB 165 230 247, RGB 182 248 255 and RGB 199 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 194 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 126 194 214 shade: RGB 126 194 214, RGB 109 176 195, RGB 92 158 176, RGB 75 140 157 and RGB 58 122 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 126 194 214 shade: RGB 127 194 214, RGB 127 171 214, RGB 127 147 214, RGB 130 127 214 and RGB 153 127 214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 126 194 214 shade: RGB 127 194 214, RGB 127 171 214, RGB 127 147 214 and RGB 127 127 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 126 194 214 shade matches the following richer shades: RGB 127 194 214, RGB 113 202 228 and RGB 99 209 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 126 194 214 shade: RGB 127 194 214, RGB 140 187 200, RGB 154 179 187, RGB 167 172 173 and RGB 181 165 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 126 194 214 shade: RGB 127 214 186, RGB 127 214 210, RGB 127 195 214, RGB 127 172 214 and RGB 127 148 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 126 194 214 shade: RGB 64 165 194, RGB 95 179 204, RGB 127 194 214, RGB 158 209 224 and RGB 189 224 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 126 194 214 shade: RGB 126 194 214, RGB 163 127 214 and RGB 214 198 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 126 194 214 shade: RGB 126 194 214, RGB 214 127 195 and RGB 195 214 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 126 194 214 shade: RGB 126 194 214, RGB 163 127 214, RGB 214 146 127 and RGB 178 214 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 126 194 214 shade: RGB 126 194 214, RGB 189 127 214, RGB 214 146 127 and RGB 151 214 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 9 / 0 / 16

HEX #7EC2D6

RGB 126 194 214

HSL 193.64, 0.52%, 0.67%

LAB 74.75, -16.35, -16.77

 

Complementary color

CMYK 0 / 53 / 68 / 49

HEX #813D29

RGB 129 61 41

HSL 13.64, 0.52%, 0.33%

LAB 34.32, 27.65, 25.78

 

CMYK 37 / 7 / 0 / 18

HEX #83C2D1

RGB 131 194 209

HSL 191.54, 0.46%, 0.67%

LAB 74.83, -16.33, -13.9

 

CMYK 35 / 7 / 0 / 11

HEX #94D4E4

RGB 148 212 228

HSL 192, 0.6%, 0.74%

LAB 81.28, -16.34, -14.35

 

CMYK 33 / 7 / 0 / 3

HEX #A5E6F7

RGB 165 230 247

HSL 192.44, 0.84%, 0.81%

LAB 87.63, -16.35, -14.79

 

CMYK 29 / 3 / 0 / 0

HEX #B6F8FF

RGB 182 248 255

HSL 185.75, 1%, 0.86%

LAB 93.58, -18.85, -10

 

CMYK 22 / 0 / 0 / 0

HEX #C7FFFF

RGB 199 255 255

HSL 180, 1%, 0.89%

LAB 96.36, -17.48, -5.78

 

CMYK 41 / 9 / 0 / 16

HEX #7EC2D6

RGB 126 194 214

HSL 193.64, 0.52%, 0.67%

LAB 74.75, -16.35, -16.77

 

CMYK 44 / 10 / 0 / 24

HEX #6DB0C3

RGB 109 176 195

HSL 193.26, 0.42%, 0.6%

LAB 68.2, -16.24, -16.34

 

CMYK 48 / 10 / 0 / 31

HEX #5C9EB0

RGB 92 158 176

HSL 192.86, 0.35%, 0.53%

LAB 61.54, -16.1, -15.89

 

CMYK 52 / 11 / 0 / 38

HEX #4B8C9D

RGB 75 140 157

HSL 192.44, 0.35%, 0.45%

LAB 54.75, -15.88, -15.43

 

CMYK 58 / 12 / 0 / 46

HEX #3A7A8A

RGB 58 122 138

HSL 192, 0.41%, 0.38%

LAB 47.82, -15.56, -14.93

 

CMYK 41 / 9 / 0 / 16

HEX #7FC2D6

RGB 127 194 214

HSL 193.79, 0.51%, 0.67%

LAB 74.79, -16.09, -16.69

 

CMYK 41 / 20 / 0 / 16

HEX #7FABD6

RGB 127 171 214

HSL 209.66, 0.51%, 0.67%

LAB 68.38, -3.8, -26.45

 

CMYK 41 / 31 / 0 / 16

HEX #7F93D6

RGB 127 147 214

HSL 226.21, 0.51%, 0.67%

LAB 61.86, 9.78, -36.55

 

CMYK 39 / 41 / 0 / 16

HEX #827FD6

RGB 130 127 214

HSL 242.07, 0.51%, 0.67%

LAB 56.86, 22.3, -44.39

 

CMYK 29 / 41 / 0 / 16

HEX #997FD6

RGB 153 127 214

HSL 257.93, 0.51%, 0.67%

LAB 58.79, 28.55, -41.21

 

CMYK 41 / 9 / 0 / 16

HEX #7FC2D6

RGB 127 194 214

HSL 193.79, 0.51%, 0.67%

LAB 74.79, -16.09, -16.69

 

CMYK 41 / 20 / 0 / 16

HEX #7FABD6

RGB 127 171 214

HSL 209.66, 0.51%, 0.67%

LAB 68.38, -3.8, -26.45

 

CMYK 41 / 31 / 0 / 16

HEX #7F93D6

RGB 127 147 214

HSL 226.21, 0.51%, 0.67%

LAB 61.86, 9.78, -36.55

 

CMYK 41 / 41 / 0 / 16

HEX #7F7FD6

RGB 127 127 214

HSL 240, 0.51%, 0.67%

LAB 56.63, 21.52, -44.76

 

CMYK 41 / 9 / 0 / 16

HEX #7FC2D6

RGB 127 194 214

HSL 193.79, 0.51%, 0.67%

LAB 74.79, -16.09, -16.69

 

CMYK 50 / 11 / 0 / 11

HEX #71CAE4

RGB 113 202 228

HSL 193.57, 0.68%, 0.67%

LAB 76.89, -19.76, -21.14

 

CMYK 59 / 13 / 0 / 5

HEX #63D1F1

RGB 99 209 241

HSL 193.52, 0.84%, 0.67%

LAB 78.81, -22.41, -25.23

 

CMYK 41 / 9 / 0 / 16

HEX #7FC2D6

RGB 127 194 214

HSL 193.79, 0.51%, 0.67%

LAB 74.79, -16.09, -16.69

 

CMYK 30 / 7 / 0 / 22

HEX #8CBBC8

RGB 140 187 200

HSL 193, 0.35%, 0.67%

LAB 73.08, -12.39, -11.58

 

CMYK 18 / 4 / 0 / 27

HEX #9AB3BB

RGB 154 179 187

HSL 194.55, 0.2%, 0.67%

LAB 71.35, -6.82, -6.95

 

CMYK 3 / 1 / 0 / 32

HEX #A7ACAD

RGB 167 172 173

HSL 190, 0.04%, 0.67%

LAB 69.99, -1.56, -1.14

 

CMYK 0 / 9 / 12 / 29

HEX #B5A5A0

RGB 181 165 160

HSL 14.29, 0.12%, 0.67%

LAB 68.95, 4.93, 4.68

 

CMYK 41 / 0 / 13 / 16

HEX #7FD6BA

RGB 127 214 186

HSL 160.69, 0.51%, 0.67%

LAB 79.7, -32.68, 5.62

 

CMYK 41 / 0 / 2 / 16

HEX #7FD6D2

RGB 127 214 210

HSL 177.24, 0.51%, 0.67%

LAB 80.32, -27.14, -6.28

 

CMYK 41 / 9 / 0 / 16

HEX #7FC3D6

RGB 127 195 214

HSL 193.1, 0.51%, 0.67%

LAB 75.07, -16.61, -16.27

 

CMYK 41 / 20 / 0 / 16

HEX #7FACD6

RGB 127 172 214

HSL 208.97, 0.51%, 0.67%

LAB 68.66, -4.35, -26.03

 

CMYK 41 / 31 / 0 / 16

HEX #7F94D6

RGB 127 148 214

HSL 225.52, 0.51%, 0.67%

LAB 62.12, 9.2, -36.14

 

CMYK 67 / 15 / 0 / 24

HEX #40A5C2

RGB 64 165 194

HSL 193.38, 0.52%, 0.51%

LAB 63.26, -19.96, -23.46

 

CMYK 53 / 12 / 0 / 20

HEX #5FB3CC

RGB 95 179 204

HSL 193.76, 0.52%, 0.59%

LAB 68.77, -18.52, -20.48

 

CMYK 41 / 9 / 0 / 16

HEX #7FC2D6

RGB 127 194 214

HSL 193.79, 0.51%, 0.67%

LAB 74.79, -16.09, -16.69

 

CMYK 29 / 7 / 0 / 12

HEX #9ED1E0

RGB 158 209 224

HSL 193.64, 0.52%, 0.75%

LAB 80.88, -13, -12.77

 

CMYK 19 / 4 / 0 / 8

HEX #BDE0EA

RGB 189 224 234

HSL 193.33, 0.52%, 0.83%

LAB 87.03, -9.32, -8.71

 

CMYK 41 / 9 / 0 / 16

HEX #7EC2D6

RGB 126 194 214

HSL 193.64, 0.52%, 0.67%

LAB 74.75, -16.35, -16.77

 

CMYK 24 / 41 / 0 / 16

HEX #A37FD6

RGB 163 127 214

HSL 264.83, 0.51%, 0.67%

LAB 59.73, 31.4, -39.68

 

CMYK 0 / 7 / 41 / 16

HEX #D6C67F

RGB 214 198 127

HSL 48.97, 0.51%, 0.67%

LAB 79.74, -4.36, 37.58

 

CMYK 41 / 9 / 0 / 16

HEX #7EC2D6

RGB 126 194 214

HSL 193.64, 0.52%, 0.67%

LAB 74.75, -16.35, -16.77

 

CMYK 0 / 41 / 9 / 16

HEX #D67FC3

RGB 214 127 195

HSL 313.1, 0.51%, 0.67%

LAB 64.5, 43.23, -21.17

 

CMYK 9 / 0 / 41 / 16

HEX #C3D67F

RGB 195 214 127

HSL 73.1, 0.51%, 0.67%

LAB 82.5, -19.92, 40.79

 

CMYK 41 / 9 / 0 / 16

HEX #7EC2D6

RGB 126 194 214

HSL 193.64, 0.52%, 0.67%

LAB 74.75, -16.35, -16.77

 

CMYK 24 / 41 / 0 / 16

HEX #A37FD6

RGB 163 127 214

HSL 264.83, 0.51%, 0.67%

LAB 59.73, 31.4, -39.68

 

CMYK 0 / 32 / 41 / 16

HEX #D6927F

RGB 214 146 127

HSL 13.1, 0.51%, 0.67%

LAB 66.81, 23.4, 20.48

 

CMYK 17 / 0 / 41 / 16

HEX #B2D67F

RGB 178 214 127

HSL 84.83, 0.51%, 0.67%

LAB 81.34, -26.34, 39.08

 

CMYK 41 / 9 / 0 / 16

HEX #7EC2D6

RGB 126 194 214

HSL 193.64, 0.52%, 0.67%

LAB 74.75, -16.35, -16.77

 

CMYK 12 / 41 / 0 / 16

HEX #BD7FD6

RGB 189 127 214

HSL 282.76, 0.51%, 0.67%

LAB 62.38, 39.05, -35.33

 

CMYK 0 / 32 / 41 / 16

HEX #D6927F

RGB 214 146 127

HSL 13.1, 0.51%, 0.67%

LAB 66.81, 23.4, 20.48

 

CMYK 29 / 0 / 41 / 16

HEX #97D67F

RGB 151 214 127

HSL 103.45, 0.51%, 0.67%

LAB 79.73, -35.95, 36.69

 

Description

Color code: RGB 126 194 214 | qconv.com Color code: RGB 126 194 214 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 194 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 194 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 9 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 9% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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