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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 110 71 it is the complementary color RGB 129 145 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 110 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 126 110 71 shade: RGB 131 110 66, RGB 148 128 85, RGB 165 146 104, RGB 182 164 123 and RGB 199 182 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 110 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 126 110 71 shade: RGB 126 110 71, RGB 109 92 52, RGB 92 74 33, RGB 75 56 14 and RGB 58 38 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 126 110 71 shade: RGB 127 111 72, RGB 127 96 72, RGB 127 81 72 and RGB 127 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 126 110 71 shade: RGB 127 111 72, RGB 127 126 72, RGB 113 127 72, RGB 98 127 72 and RGB 83 127 72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 126 110 71 shade matches the following richer shades: RGB 127 111 72, RGB 143 118 56, RGB 159 125 39, RGB 176 131 23 and RGB 192 138 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 126 110 71 shade: RGB 127 111 72, RGB 111 104 88, RGB 95 98 104, RGB 79 91 120 and RGB 63 84 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 126 110 71 shade: RGB 127 81 72, RGB 127 96 72, RGB 127 111 72, RGB 127 125 72 and RGB 114 127 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 126 110 71 shade: RGB 74 65 42, RGB 101 88 57, RGB 127 111 72, RGB 154 134 86 and RGB 173 154 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 126 110 71 shade: RGB 126 110 71, RGB 77 127 72 and RGB 88 72 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 126 110 71 shade: RGB 126 110 71, RGB 72 127 111 and RGB 111 72 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 126 110 71 shade: RGB 126 110 71, RGB 77 127 72, RGB 72 88 127 and RGB 122 72 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 126 110 71 shade: RGB 126 110 71, RGB 72 127 83, RGB 72 88 127 and RGB 127 72 116

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 44 / 51

HEX #7E6E47

RGB 126 110 71

HSL 42.55, 0.28%, 0.39%

LAB 47.03, 0.41, 24.04

 

Complementary color

CMYK 30 / 21 / 0 / 28

HEX #8191B8

RGB 129 145 184

HSL 222.55, 0.28%, 0.61%

LAB 60.23, 3.45, -22.21

 

CMYK 0 / 16 / 50 / 49

HEX #836E42

RGB 131 110 66

HSL 40.62, 0.33%, 0.39%

LAB 47.46, 2.09, 27.52

 

CMYK 0 / 14 / 43 / 42

HEX #948055

RGB 148 128 85

HSL 40.95, 0.27%, 0.46%

LAB 54.44, 1.38, 26.15

 

CMYK 0 / 12 / 37 / 35

HEX #A59268

RGB 165 146 104

HSL 41.31, 0.25%, 0.53%

LAB 61.27, 0.8, 24.88

 

CMYK 0 / 10 / 32 / 29

HEX #B6A47B

RGB 182 164 123

HSL 41.69, 0.29%, 0.6%

LAB 67.97, 0.32, 23.7

 

CMYK 0 / 9 / 29 / 22

HEX #C7B68E

RGB 199 182 142

HSL 42.11, 0.34%, 0.67%

LAB 74.54, -0.09, 22.6

 

CMYK 0 / 13 / 44 / 51

HEX #7E6E47

RGB 126 110 71

HSL 42.55, 0.28%, 0.39%

LAB 47.03, 0.41, 24.04

 

CMYK 0 / 16 / 52 / 57

HEX #6D5C34

RGB 109 92 52

HSL 42.11, 0.35%, 0.32%

LAB 39.84, 1.15, 25.45

 

CMYK 0 / 20 / 64 / 64

HEX #5C4A21

RGB 92 74 33

HSL 41.69, 0.47%, 0.25%

LAB 32.44, 2.14, 26.92

 

CMYK 0 / 25 / 81 / 71

HEX #4B380E

RGB 75 56 14

HSL 41.31, 0.69%, 0.17%

LAB 24.81, 3.54, 28.15

 

CMYK 0 / 34 / 100 / 77

HEX #3A2600

RGB 58 38 0

HSL 39.31, 1%, 0.11%

LAB 16.92, 5.56, 24.7

 

CMYK 0 / 13 / 43 / 50

HEX #7F6F48

RGB 127 111 72

HSL 42.55, 0.28%, 0.39%

LAB 47.43, 0.4, 24

 

CMYK 0 / 24 / 43 / 50

HEX #7F6048

RGB 127 96 72

HSL 26.18, 0.28%, 0.39%

LAB 43.28, 9.2, 18.57

 

CMYK 0 / 36 / 43 / 50

HEX #7F5148

RGB 127 81 72

HSL 9.82, 0.28%, 0.39%

LAB 39.35, 18.13, 13.27

 

CMYK 0 / 43 / 43 / 50

HEX #7F4848

RGB 127 72 72

HSL 0, 0.28%, 0.39%

LAB 37.14, 23.43, 10.22

 

CMYK 0 / 13 / 43 / 50

HEX #7F6F48

RGB 127 111 72

HSL 42.55, 0.28%, 0.39%

LAB 47.43, 0.4, 24

 

CMYK 0 / 1 / 43 / 50

HEX #7F7E48

RGB 127 126 72

HSL 58.91, 0.28%, 0.39%

LAB 51.73, -8.11, 29.47

 

CMYK 11 / 0 / 43 / 50

HEX #717F48

RGB 113 127 72

HSL 75.27, 0.28%, 0.39%

LAB 50.87, -14.66, 28.15

 

CMYK 23 / 0 / 43 / 50

HEX #627F48

RGB 98 127 72

HSL 91.64, 0.28%, 0.39%

LAB 49.79, -20.81, 26.55

 

CMYK 35 / 0 / 43 / 50

HEX #537F48

RGB 83 127 72

HSL 108, 0.28%, 0.39%

LAB 48.87, -26.51, 25.18

 

CMYK 0 / 13 / 43 / 50

HEX #7F6F48

RGB 127 111 72

HSL 42.55, 0.28%, 0.39%

LAB 47.43, 0.4, 24

 

CMYK 0 / 17 / 61 / 44

HEX #8F7638

RGB 143 118 56

HSL 42.76, 0.44%, 0.39%

LAB 50.78, 2.01, 37.18

 

CMYK 0 / 21 / 75 / 38

HEX #9F7D27

RGB 159 125 39

HSL 43, 0.61%, 0.39%

LAB 54.22, 4.3, 49.25

 

CMYK 0 / 26 / 87 / 31

HEX #B08317

RGB 176 131 23

HSL 42.35, 0.77%, 0.39%

LAB 57.58, 8.14, 58.46

 

CMYK 0 / 28 / 96 / 25

HEX #C08A07

RGB 192 138 7

HSL 42.49, 0.93%, 0.39%

LAB 61.13, 11.21, 65.15

 

CMYK 0 / 13 / 43 / 50

HEX #7F6F48

RGB 127 111 72

HSL 42.55, 0.28%, 0.39%

LAB 47.43, 0.4, 24

 

CMYK 0 / 6 / 21 / 56

HEX #6F6858

RGB 111 104 88

HSL 41.74, 0.12%, 0.39%

LAB 44.21, -0.16, 10.01

 

CMYK 9 / 6 / 0 / 59

HEX #5F6268

RGB 95 98 104

HSL 220, 0.05%, 0.39%

LAB 41.48, 0.15, -3.81

 

CMYK 34 / 24 / 0 / 53

HEX #4F5B78

RGB 79 91 120

HSL 222.44, 0.21%, 0.39%

LAB 38.73, 2.92, -17.9

 

CMYK 54 / 38 / 0 / 47

HEX #3F5488

RGB 63 84 136

HSL 222.74, 0.37%, 0.39%

LAB 36.32, 7.86, -31.53

 

CMYK 0 / 36 / 43 / 50

HEX #7F5148

RGB 127 81 72

HSL 9.82, 0.28%, 0.39%

LAB 39.35, 18.13, 13.27

 

CMYK 0 / 24 / 43 / 50

HEX #7F6048

RGB 127 96 72

HSL 26.18, 0.28%, 0.39%

LAB 43.28, 9.2, 18.57

 

CMYK 0 / 13 / 43 / 50

HEX #7F6F48

RGB 127 111 72

HSL 42.55, 0.28%, 0.39%

LAB 47.43, 0.4, 24

 

CMYK 0 / 2 / 43 / 50

HEX #7F7D48

RGB 127 125 72

HSL 57.82, 0.28%, 0.39%

LAB 51.44, -7.55, 29.1

 

CMYK 10 / 0 / 43 / 50

HEX #727F48

RGB 114 127 72

HSL 74.18, 0.28%, 0.39%

LAB 50.95, -14.24, 28.26

 

CMYK 0 / 12 / 43 / 71

HEX #4A412A

RGB 74 65 42

HSL 43.13, 0.28%, 0.23%

LAB 27.86, -0.05, 15.46

RGB 74 65 42

CMYK 0 / 13 / 44 / 60

HEX #655839

RGB 101 88 57

HSL 42.27, 0.28%, 0.31%

LAB 37.92, 0.41, 19.92

RGB 101 88 57

CMYK 0 / 13 / 43 / 50

HEX #7F6F48

RGB 127 111 72

HSL 42.55, 0.28%, 0.39%

LAB 47.43, 0.4, 24

RGB 127 111 72

CMYK 0 / 13 / 44 / 40

HEX #9A8656

RGB 154 134 86

HSL 42.35, 0.28%, 0.47%

LAB 56.68, 0.7, 28.59

RGB 154 134 86

CMYK 0 / 11 / 37 / 32

HEX #AD9A6D

RGB 173 154 109

HSL 42.19, 0.28%, 0.55%

LAB 64.24, 0.33, 26.21

RGB 173 154 109

CMYK 0 / 13 / 44 / 51

HEX #7E6E47

RGB 126 110 71

HSL 42.55, 0.28%, 0.39%

LAB 47.03, 0.41, 24.04

 

CMYK 39 / 0 / 43 / 50

HEX #4D7F48

RGB 77 127 72

HSL 114.55, 0.28%, 0.39%

LAB 48.54, -28.63, 24.7

 

CMYK 31 / 43 / 0 / 50

HEX #58487F

RGB 88 72 127

HSL 257.45, 0.28%, 0.39%

LAB 34.48, 19.8, -28.76

 

CMYK 0 / 13 / 44 / 51

HEX #7E6E47

RGB 126 110 71

HSL 42.55, 0.28%, 0.39%

LAB 47.03, 0.41, 24.04

 

CMYK 43 / 0 / 13 / 50

HEX #487F6F

RGB 72 127 111

HSL 162.55, 0.28%, 0.39%

LAB 49.14, -22.28, 3.02

 

CMYK 13 / 43 / 0 / 50

HEX #6F487F

RGB 111 72 127

HSL 282.55, 0.28%, 0.39%

LAB 37.02, 27.13, -24.61

 

CMYK 0 / 13 / 44 / 51

HEX #7E6E47

RGB 126 110 71

HSL 42.55, 0.28%, 0.39%

LAB 47.03, 0.41, 24.04

 

CMYK 39 / 0 / 43 / 50

HEX #4D7F48

RGB 77 127 72

HSL 114.55, 0.28%, 0.39%

LAB 48.54, -28.63, 24.7

 

CMYK 43 / 31 / 0 / 50

HEX #48587F

RGB 72 88 127

HSL 222.55, 0.28%, 0.39%

LAB 37.64, 4.77, -23.9

 

CMYK 4 / 43 / 0 / 50

HEX #7A487F

RGB 122 72 127

HSL 294.55, 0.28%, 0.39%

LAB 38.38, 30.74, -22.37

 

CMYK 0 / 13 / 44 / 51

HEX #7E6E47

RGB 126 110 71

HSL 42.55, 0.28%, 0.39%

LAB 47.03, 0.41, 24.04

 

CMYK 43 / 0 / 35 / 50

HEX #487F53

RGB 72 127 83

HSL 132, 0.28%, 0.39%

LAB 48.49, -28.37, 18.39

 

CMYK 43 / 31 / 0 / 50

HEX #48587F

RGB 72 88 127

HSL 222.55, 0.28%, 0.39%

LAB 37.64, 4.77, -23.9

 

CMYK 0 / 43 / 9 / 50

HEX #7F4874

RGB 127 72 116

HSL 312, 0.28%, 0.39%

LAB 38.56, 30.26, -15.24

 

Description

Color code: RGB 126 110 71 | qconv.com Color code: RGB 126 110 71 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 110 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 110 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 44 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 44% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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