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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 116 94 it is the complementary color RGB 130 139 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 116 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 116 94 shade: RGB 130 116 89, RGB 147 134 108, RGB 164 152 127, RGB 181 170 146 and RGB 198 188 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 116 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 116 94 shade: RGB 125 116 94, RGB 108 98 75, RGB 91 80 56, RGB 74 62 37 and RGB 57 44 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 116 94 shade: RGB 125 116 94, RGB 125 107 94, RGB 125 99 94 and RGB 125 94 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 116 94 shade: RGB 125 116 94, RGB 125 124 94, RGB 117 125 94, RGB 109 125 94 and RGB 100 125 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 116 94 shade matches the following richer shades: RGB 125 116 94, RGB 142 123 76, RGB 160 130 58, RGB 178 138 41 and RGB 195 145 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 116 94 shade: RGB 125 116 94, RGB 107 108 112, RGB 89 101 129, RGB 71 93 147 and RGB 54 86 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 116 94 shade: RGB 125 99 94, RGB 125 107 94, RGB 125 115 94, RGB 125 123 94 and RGB 117 125 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 116 94 shade: RGB 77 72 58, RGB 101 94 76, RGB 125 116 94, RGB 147 137 112 and RGB 165 157 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 116 94 shade: RGB 125 116 94, RGB 97 125 94 and RGB 103 94 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 116 94 shade: RGB 125 116 94, RGB 94 125 115 and RGB 115 94 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 116 94 shade: RGB 125 116 94, RGB 97 125 94, RGB 94 103 125 and RGB 121 94 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 116 94 shade: RGB 125 116 94, RGB 94 125 100, RGB 94 103 125 and RGB 125 94 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 25 / 51

HEX #7D745E

RGB 125 116 94

HSL 42.58, 0.14%, 0.43%

LAB 49.08, -0.34, 13.43

 

Complementary color

CMYK 19 / 14 / 0 / 37

HEX #828BA1

RGB 130 139 161

HSL 222.58, 0.14%, 0.57%

LAB 57.83, 1.57, -12.75

 

CMYK 0 / 11 / 32 / 49

HEX #827459

RGB 130 116 89

HSL 39.51, 0.19%, 0.43%

LAB 49.44, 1.02, 16.93

 

CMYK 0 / 9 / 27 / 42

HEX #93866C

RGB 147 134 108

HSL 40, 0.15%, 0.5%

LAB 56.42, 0.6, 15.8

 

CMYK 0 / 7 / 23 / 36

HEX #A4987F

RGB 164 152 127

HSL 40.54, 0.17%, 0.57%

LAB 63.24, 0.25, 14.76

 

CMYK 0 / 6 / 19 / 29

HEX #B5AA92

RGB 181 170 146

HSL 41.14, 0.19%, 0.64%

LAB 69.93, -0.05, 13.8

 

CMYK 0 / 5 / 17 / 22

HEX #C6BCA5

RGB 198 188 165

HSL 41.82, 0.22%, 0.71%

LAB 76.49, -0.32, 12.9

 

CMYK 0 / 7 / 25 / 51

HEX #7D745E

RGB 125 116 94

HSL 42.58, 0.14%, 0.43%

LAB 49.08, -0.34, 13.43

RGB 125 116 94

CMYK 0 / 9 / 31 / 58

HEX #6C624B

RGB 108 98 75

HSL 41.82, 0.18%, 0.36%

LAB 41.89, 0.04, 14.56

RGB 108 98 75

CMYK 0 / 12 / 38 / 64

HEX #5B5038

RGB 91 80 56

HSL 41.14, 0.24%, 0.29%

LAB 34.49, 0.54, 15.83

RGB 91 80 56

CMYK 0 / 16 / 50 / 71

HEX #4A3E25

RGB 74 62 37

HSL 40.54, 0.33%, 0.22%

LAB 26.83, 1.22, 17.27

RGB 74 62 37

CMYK 0 / 23 / 68 / 78

HEX #392C12

RGB 57 44 18

HSL 40, 0.52%, 0.15%

LAB 18.86, 2.23, 18.88

RGB 57 44 18

CMYK 0 / 7 / 25 / 51

HEX #7D745E

RGB 125 116 94

HSL 42.58, 0.14%, 0.43%

LAB 49.08, -0.34, 13.43

RGB 125 116 94

CMYK 0 / 14 / 25 / 51

HEX #7D6B5E

RGB 125 107 94

HSL 25.16, 0.14%, 0.43%

LAB 46.56, 4.91, 9.91

RGB 125 107 94

CMYK 0 / 21 / 25 / 51

HEX #7D635E

RGB 125 99 94

HSL 9.68, 0.14%, 0.43%

LAB 44.36, 9.65, 6.82

RGB 125 99 94

CMYK 0 / 25 / 25 / 51

HEX #7D5E5E

RGB 125 94 94

HSL 0, 0.14%, 0.43%

LAB 43.02, 12.63, 4.9

RGB 125 94 94

CMYK 0 / 7 / 25 / 51

HEX #7D745E

RGB 125 116 94

HSL 42.58, 0.14%, 0.43%

LAB 49.08, -0.34, 13.43

RGB 125 116 94

CMYK 0 / 1 / 25 / 51

HEX #7D7C5E

RGB 125 124 94

HSL 58.06, 0.14%, 0.43%

LAB 51.36, -4.91, 16.57

RGB 125 124 94

CMYK 6 / 0 / 25 / 51

HEX #757D5E

RGB 117 125 94

HSL 75.48, 0.14%, 0.43%

LAB 50.99, -8.75, 15.95

RGB 117 125 94

CMYK 13 / 0 / 25 / 51

HEX #6D7D5E

RGB 109 125 94

HSL 90.97, 0.14%, 0.43%

LAB 50.37, -11.95, 14.99

RGB 109 125 94

CMYK 20 / 0 / 25 / 51

HEX #647D5E

RGB 100 125 94

HSL 108.39, 0.14%, 0.43%

LAB 49.72, -15.44, 14

RGB 100 125 94

CMYK 0 / 7 / 25 / 51

HEX #7D745E

RGB 125 116 94

HSL 42.58, 0.14%, 0.43%

LAB 49.08, -0.34, 13.43

RGB 125 116 94

CMYK 0 / 13 / 46 / 44

HEX #8E7B4C

RGB 142 123 76

HSL 42.73, 0.3%, 0.43%

LAB 52.33, 0.59, 28.32

RGB 142 123 76

CMYK 0 / 19 / 64 / 37

HEX #A0823A

RGB 160 130 58

HSL 42.35, 0.47%, 0.43%

LAB 55.83, 3.06, 42.37

RGB 160 130 58

CMYK 0 / 22 / 77 / 30

HEX #B28A29

RGB 178 138 41

HSL 42.48, 0.63%, 0.43%

LAB 59.71, 5.76, 54.44

RGB 178 138 41

CMYK 0 / 26 / 88 / 24

HEX #C39117

RGB 195 145 23

HSL 42.56, 0.79%, 0.43%

LAB 63.27, 8.97, 63.92

RGB 195 145 23

CMYK 0 / 7 / 25 / 51

HEX #7D745E

RGB 125 116 94

HSL 42.58, 0.14%, 0.43%

LAB 49.08, -0.34, 13.43

RGB 125 116 94

CMYK 4 / 4 / 0 / 56

HEX #6B6C70

RGB 107 108 112

HSL 228, 0.02%, 0.43%

LAB 45.66, 0.46, -2.37

RGB 107 108 112

CMYK 31 / 22 / 0 / 49

HEX #596581

RGB 89 101 129

HSL 222, 0.18%, 0.43%

LAB 42.79, 2.46, -17.08

RGB 89 101 129

CMYK 52 / 37 / 0 / 42

HEX #475D93

RGB 71 93 147

HSL 222.63, 0.35%, 0.43%

LAB 40.04, 7.74, -32.29

RGB 71 93 147

CMYK 67 / 48 / 0 / 35

HEX #3656A5

RGB 54 86 165

HSL 222.7, 0.51%, 0.43%

LAB 38.12, 15.02, -46.18

RGB 54 86 165

CMYK 0 / 21 / 25 / 51

HEX #7D635E

RGB 125 99 94

HSL 9.68, 0.14%, 0.43%

LAB 44.36, 9.65, 6.82

 

CMYK 0 / 14 / 25 / 51

HEX #7D6B5E

RGB 125 107 94

HSL 25.16, 0.14%, 0.43%

LAB 46.56, 4.91, 9.91

 

CMYK 0 / 8 / 25 / 51

HEX #7D735E

RGB 125 115 94

HSL 40.65, 0.14%, 0.43%

LAB 48.8, 0.24, 13.04

 

CMYK 0 / 2 / 25 / 51

HEX #7D7B5E

RGB 125 123 94

HSL 56.13, 0.14%, 0.43%

LAB 51.08, -4.34, 16.18

 

CMYK 6 / 0 / 25 / 51

HEX #757D5E

RGB 117 125 94

HSL 75.48, 0.14%, 0.43%

LAB 50.99, -8.75, 15.95

 

CMYK 0 / 6 / 25 / 70

HEX #4D483A

RGB 77 72 58

HSL 44.21, 0.14%, 0.26%

LAB 30.68, -0.58, 9.17

 

CMYK 0 / 7 / 25 / 60

HEX #655E4C

RGB 101 94 76

HSL 43.2, 0.14%, 0.35%

LAB 40.07, -0.45, 11.35

 

CMYK 0 / 7 / 25 / 51

HEX #7D745E

RGB 125 116 94

HSL 42.58, 0.14%, 0.43%

LAB 49.08, -0.34, 13.43

RGB 125 116 94

CMYK 0 / 7 / 24 / 42

HEX #938970

RGB 147 137 112

HSL 42.86, 0.14%, 0.51%

LAB 57.33, -0.48, 14.78

RGB 147 137 112

CMYK 0 / 5 / 18 / 35

HEX #A59D88

RGB 165 157 136

HSL 43.45, 0.14%, 0.59%

LAB 64.88, -0.7, 12.04

RGB 165 157 136

CMYK 0 / 7 / 25 / 51

HEX #7D745E

RGB 125 116 94

HSL 42.58, 0.14%, 0.43%

LAB 49.08, -0.34, 13.43

RGB 125 116 94

CMYK 22 / 0 / 25 / 51

HEX #617D5E

RGB 97 125 94

HSL 114.19, 0.14%, 0.43%

LAB 49.52, -16.57, 13.69

RGB 97 125 94

CMYK 18 / 25 / 0 / 51

HEX #675E7D

RGB 103 94 125

HSL 257.42, 0.14%, 0.43%

LAB 41.8, 10.44, -16.06

RGB 103 94 125

CMYK 0 / 7 / 25 / 51

HEX #7D745E

RGB 125 116 94

HSL 42.58, 0.14%, 0.43%

LAB 49.08, -0.34, 13.43

RGB 125 116 94

CMYK 25 / 0 / 8 / 51

HEX #5E7D73

RGB 94 125 115

HSL 160.65, 0.14%, 0.43%

LAB 49.84, -13.32, 1.84

RGB 94 125 115

CMYK 8 / 25 / 0 / 51

HEX #735E7D

RGB 115 94 125

HSL 280.65, 0.14%, 0.43%

LAB 42.96, 14.7, -14.19

RGB 115 94 125

CMYK 0 / 7 / 25 / 51

HEX #7D745E

RGB 125 116 94

HSL 42.58, 0.14%, 0.43%

LAB 49.08, -0.34, 13.43

RGB 125 116 94

CMYK 22 / 0 / 25 / 51

HEX #617D5E

RGB 97 125 94

HSL 114.19, 0.14%, 0.43%

LAB 49.52, -16.57, 13.69

RGB 97 125 94

CMYK 25 / 18 / 0 / 51

HEX #5E677D

RGB 94 103 125

HSL 222.58, 0.14%, 0.43%

LAB 43.6, 1.84, -13.4

RGB 94 103 125

CMYK 3 / 25 / 0 / 51

HEX #795E7D

RGB 121 94 125

HSL 292.26, 0.14%, 0.43%

LAB 43.58, 16.88, -13.18

RGB 121 94 125

CMYK 0 / 7 / 25 / 51

HEX #7D745E

RGB 125 116 94

HSL 42.58, 0.14%, 0.43%

LAB 49.08, -0.34, 13.43

RGB 125 116 94

CMYK 25 / 0 / 20 / 51

HEX #5E7D64

RGB 94 125 100

HSL 131.61, 0.14%, 0.43%

LAB 49.46, -16.52, 10.08

RGB 94 125 100

CMYK 25 / 18 / 0 / 51

HEX #5E677D

RGB 94 103 125

HSL 222.58, 0.14%, 0.43%

LAB 43.6, 1.84, -13.4

RGB 94 103 125

CMYK 0 / 25 / 6 / 51

HEX #7D5E76

RGB 125 94 118

HSL 313.55, 0.14%, 0.43%

LAB 43.76, 16.93, -8.63

RGB 125 94 118

Description

Color code: RGB 125 116 94 | qconv.com Color code: RGB 125 116 94 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 116 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 116 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 25 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 25% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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