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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 191 162 it is the complementary color RGB 131 64 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 191 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124 191 162 shade: RGB 129 191 157, RGB 146 209 176, RGB 163 227 195, RGB 180 245 214 and RGB 197 255 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 191 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124 191 162 shade: RGB 124 191 162, RGB 107 173 143, RGB 90 155 124, RGB 73 137 105 and RGB 56 119 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124 191 162 shade: RGB 125 191 162, RGB 125 191 144, RGB 125 191 126, RGB 141 191 125 and RGB 158 191 125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124 191 162 shade: RGB 125 191 162, RGB 125 191 180, RGB 125 184 191, RGB 125 166 191 and RGB 125 148 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124 191 162 shade matches the following richer shades: RGB 125 191 162, RGB 109 206 164, RGB 93 222 166, RGB 78 238 168 and RGB 62 253 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124 191 162 shade: RGB 125 191 162, RGB 140 175 160, RGB 156 159 158, RGB 172 144 156 and RGB 187 128 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124 191 162 shade: RGB 125 191 127, RGB 125 191 144, RGB 125 191 162, RGB 125 191 180 and RGB 125 184 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124 191 162 shade: RGB 77 156 122, RGB 97 177 142, RGB 125 191 162, RGB 152 204 182 and RGB 180 218 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124 191 162 shade: RGB 124 191 162, RGB 125 140 191 and RGB 191 136 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124 191 162 shade: RGB 124 191 162, RGB 162 125 191 and RGB 191 162 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124 191 162 shade: RGB 124 191 162, RGB 125 140 191, RGB 191 125 153 and RGB 191 175 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124 191 162 shade: RGB 124 191 162, RGB 129 125 191, RGB 191 125 153 and RGB 186 191 125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 15 / 25

HEX #7CBFA2

RGB 124 191 162

HSL 154.03, 0.34%, 0.62%

LAB 72.33, -27.68, 7.94

 

Complementary color

CMYK 0 / 51 / 29 / 49

HEX #83405D

RGB 131 64 93

HSL 334.03, 0.34%, 0.38%

LAB 36.52, 32.34, -3.86

 

CMYK 32 / 0 / 18 / 25

HEX #81BF9D

RGB 129 191 157

HSL 147.1, 0.33%, 0.63%

LAB 72.47, -27.2, 10.89

 

CMYK 30 / 0 / 16 / 18

HEX #92D1B0

RGB 146 209 176

HSL 148.57, 0.41%, 0.7%

LAB 78.95, -26.96, 10.01

 

CMYK 28 / 0 / 14 / 11

HEX #A3E3C3

RGB 163 227 195

HSL 150, 0.53%, 0.76%

LAB 85.33, -26.74, 9.18

 

CMYK 27 / 0 / 13 / 4

HEX #B4F5D6

RGB 180 245 214

HSL 151.38, 0.76%, 0.83%

LAB 91.62, -26.54, 8.4

 

CMYK 23 / 0 / 9 / 0

HEX #C5FFE9

RGB 197 255 233

HSL 157.24, 1%, 0.89%

LAB 95.69, -22.52, 4.57

 

CMYK 35 / 0 / 15 / 25

HEX #7CBFA2

RGB 124 191 162

HSL 154.03, 0.34%, 0.62%

LAB 72.33, -27.68, 7.94

 

CMYK 38 / 0 / 17 / 32

HEX #6BAD8F

RGB 107 173 143

HSL 152.73, 0.29%, 0.55%

LAB 65.75, -27.92, 8.84

 

CMYK 42 / 0 / 20 / 39

HEX #5A9B7C

RGB 90 155 124

HSL 151.38, 0.27%, 0.48%

LAB 59.04, -28.17, 9.82

 

CMYK 47 / 0 / 23 / 46

HEX #498969

RGB 73 137 105

HSL 150, 0.3%, 0.41%

LAB 52.21, -28.41, 10.89

 

CMYK 53 / 0 / 28 / 53

HEX #387756

RGB 56 119 86

HSL 148.57, 0.36%, 0.34%

LAB 45.23, -28.61, 12.08

 

CMYK 35 / 0 / 15 / 25

HEX #7DBFA2

RGB 125 191 162

HSL 153.64, 0.34%, 0.62%

LAB 72.38, -27.38, 8.02

 

CMYK 35 / 0 / 25 / 25

HEX #7DBF90

RGB 125 191 144

HSL 137.27, 0.34%, 0.62%

LAB 71.98, -30.96, 17.2

 

CMYK 35 / 0 / 34 / 25

HEX #7DBF7E

RGB 125 191 126

HSL 120.91, 0.34%, 0.62%

LAB 71.64, -34.13, 26.34

 

CMYK 26 / 0 / 35 / 25

HEX #8DBF7D

RGB 141 191 125

HSL 105.45, 0.34%, 0.62%

LAB 72.5, -28.92, 28.16

 

CMYK 17 / 0 / 35 / 25

HEX #9EBF7D

RGB 158 191 125

HSL 90, 0.34%, 0.62%

LAB 73.55, -22.8, 29.75

 

CMYK 35 / 0 / 15 / 25

HEX #7DBFA2

RGB 125 191 162

HSL 153.64, 0.34%, 0.62%

LAB 72.38, -27.38, 8.02

 

CMYK 35 / 0 / 6 / 25

HEX #7DBFB4

RGB 125 191 180

HSL 170, 0.34%, 0.62%

LAB 72.84, -23.43, -1.12

 

CMYK 35 / 4 / 0 / 25

HEX #7DB8BF

RGB 125 184 191

HSL 186.36, 0.34%, 0.62%

LAB 71.15, -17.25, -9.63

 

CMYK 35 / 13 / 0 / 25

HEX #7DA6BF

RGB 125 166 191

HSL 202.73, 0.34%, 0.62%

LAB 66.05, -7.68, -17.29

 

CMYK 35 / 23 / 0 / 25

HEX #7D94BF

RGB 125 148 191

HSL 219.09, 0.34%, 0.62%

LAB 61.05, 2.37, -24.93

 

CMYK 35 / 0 / 15 / 25

HEX #7DBFA2

RGB 125 191 162

HSL 153.64, 0.34%, 0.62%

LAB 72.38, -27.38, 8.02

 

CMYK 47 / 0 / 20 / 19

HEX #6DCEA4

RGB 109 206 164

HSL 154.02, 0.5%, 0.62%

LAB 76.11, -38.4, 12.15

 

CMYK 58 / 0 / 25 / 13

HEX #5DDEA6

RGB 93 222 166

HSL 153.95, 0.66%, 0.62%

LAB 80.36, -48.57, 16.98

 

CMYK 67 / 0 / 29 / 7

HEX #4EEEA8

RGB 78 238 168

HSL 153.75, 0.82%, 0.62%

LAB 84.79, -57.31, 22.03

 

CMYK 75 / 0 / 33 / 1

HEX #3EFDAA

RGB 62 253 170

HSL 153.93, 0.98%, 0.62%

LAB 89.01, -64.75, 26.74

 

CMYK 35 / 0 / 15 / 25

HEX #7DBFA2

RGB 125 191 162

HSL 153.64, 0.34%, 0.62%

LAB 72.38, -27.38, 8.02

 

CMYK 20 / 0 / 9 / 31

HEX #8CAFA0

RGB 140 175 160

HSL 154.29, 0.18%, 0.62%

LAB 68.59, -15, 3.77

 

CMYK 2 / 0 / 1 / 38

HEX #9C9F9E

RGB 156 159 158

HSL 160, 0.02%, 0.62%

LAB 65.23, -1.26, 0.14

 

CMYK 0 / 16 / 9 / 33

HEX #AC909C

RGB 172 144 156

HSL 334.29, 0.14%, 0.62%

LAB 62.61, 12.55, -2.41

 

CMYK 0 / 32 / 18 / 27

HEX #BB809A

RGB 187 128 154

HSL 333.56, 0.3%, 0.62%

LAB 60.19, 26.68, -4.65

 

CMYK 35 / 0 / 34 / 25

HEX #7DBF7F

RGB 125 191 127

HSL 121.82, 0.34%, 0.62%

LAB 71.66, -33.97, 25.83

 

CMYK 35 / 0 / 25 / 25

HEX #7DBF90

RGB 125 191 144

HSL 137.27, 0.34%, 0.62%

LAB 71.98, -30.96, 17.2

 

CMYK 35 / 0 / 15 / 25

HEX #7DBFA2

RGB 125 191 162

HSL 153.64, 0.34%, 0.62%

LAB 72.38, -27.38, 8.02

 

CMYK 35 / 0 / 6 / 25

HEX #7DBFB4

RGB 125 191 180

HSL 170, 0.34%, 0.62%

LAB 72.84, -23.43, -1.12

 

CMYK 35 / 4 / 0 / 25

HEX #7DB8BF

RGB 125 184 191

HSL 186.36, 0.34%, 0.62%

LAB 71.15, -17.25, -9.63

 

CMYK 51 / 0 / 22 / 39

HEX #4D9C7A

RGB 77 156 122

HSL 154.18, 0.34%, 0.46%

LAB 58.75, -32.64, 10.46

 

CMYK 45 / 0 / 20 / 31

HEX #61B18E

RGB 97 177 142

HSL 153.75, 0.34%, 0.54%

LAB 66.47, -32.86, 10.37

 

CMYK 35 / 0 / 15 / 25

HEX #7DBFA2

RGB 125 191 162

HSL 153.64, 0.34%, 0.62%

LAB 72.38, -27.38, 8.02

 

CMYK 25 / 0 / 11 / 20

HEX #98CCB6

RGB 152 204 182

HSL 154.62, 0.34%, 0.7%

LAB 78.02, -21.45, 5.5

 

CMYK 17 / 0 / 8 / 15

HEX #B4DAC9

RGB 180 218 201

HSL 153.16, 0.34%, 0.78%

LAB 84, -15.8, 4.22

 

CMYK 35 / 0 / 15 / 25

HEX #7CBFA2

RGB 124 191 162

HSL 154.03, 0.34%, 0.62%

LAB 72.33, -27.68, 7.94

 

CMYK 35 / 27 / 0 / 25

HEX #7D8CBF

RGB 125 140 191

HSL 226.36, 0.34%, 0.62%

LAB 58.86, 6.98, -28.3

 

CMYK 0 / 29 / 35 / 25

HEX #BF887D

RGB 191 136 125

HSL 10, 0.34%, 0.62%

LAB 61.8, 19.58, 14.28

 

CMYK 35 / 0 / 15 / 25

HEX #7CBFA2

RGB 124 191 162

HSL 154.03, 0.34%, 0.62%

LAB 72.33, -27.68, 7.94

 

CMYK 15 / 35 / 0 / 25

HEX #A27DBF

RGB 162 125 191

HSL 273.64, 0.34%, 0.62%

LAB 58.14, 26.94, -29.16

 

CMYK 0 / 15 / 35 / 25

HEX #BFA27D

RGB 191 162 125

HSL 33.64, 0.34%, 0.62%

LAB 68.31, 5.27, 23.22

 

CMYK 35 / 0 / 15 / 25

HEX #7CBFA2

RGB 124 191 162

HSL 154.03, 0.34%, 0.62%

LAB 72.33, -27.68, 7.94

 

CMYK 35 / 27 / 0 / 25

HEX #7D8CBF

RGB 125 140 191

HSL 226.36, 0.34%, 0.62%

LAB 58.86, 6.98, -28.3

 

CMYK 0 / 35 / 20 / 25

HEX #BF7D99

RGB 191 125 153

HSL 334.55, 0.34%, 0.62%

LAB 59.93, 29.63, -4.41

 

CMYK 0 / 8 / 35 / 25

HEX #BFAF7D

RGB 191 175 125

HSL 45.45, 0.34%, 0.62%

LAB 71.7, -1.72, 27.76

 

CMYK 35 / 0 / 15 / 25

HEX #7CBFA2

RGB 124 191 162

HSL 154.03, 0.34%, 0.62%

LAB 72.33, -27.68, 7.94

 

CMYK 32 / 35 / 0 / 25

HEX #817DBF

RGB 129 125 191

HSL 243.64, 0.34%, 0.62%

LAB 55.17, 16.93, -34.01

 

CMYK 0 / 35 / 20 / 25

HEX #BF7D99

RGB 191 125 153

HSL 334.55, 0.34%, 0.62%

LAB 59.93, 29.63, -4.41

 

CMYK 3 / 0 / 35 / 25

HEX #BABF7D

RGB 186 191 125

HSL 64.55, 0.34%, 0.62%

LAB 75.56, -12.08, 32.76

 

Description

Color code: RGB 124 191 162 | qconv.com Color code: RGB 124 191 162 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 191 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 191 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 15 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 15% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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