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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 191 158 it is the complementary color RGB 131 64 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 191 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124 191 158 shade: RGB 129 191 153, RGB 146 209 172, RGB 163 227 191, RGB 180 245 210 and RGB 197 255 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 191 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124 191 158 shade: RGB 124 191 158, RGB 107 173 139, RGB 90 155 120, RGB 73 137 101 and RGB 56 119 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124 191 158 shade: RGB 125 191 158, RGB 125 191 140, RGB 127 191 125, RGB 145 191 125 and RGB 162 191 125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124 191 158 shade: RGB 125 191 158, RGB 125 191 176, RGB 125 187 191, RGB 125 170 191 and RGB 125 152 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124 191 158 shade matches the following richer shades: RGB 125 191 158, RGB 109 206 158, RGB 93 222 159, RGB 78 238 159 and RGB 62 253 159

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124 191 158 shade: RGB 125 191 158, RGB 140 175 158, RGB 156 159 158, RGB 172 144 157 and RGB 187 128 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124 191 158 shade: RGB 127 191 125, RGB 125 191 140, RGB 125 191 158, RGB 125 191 175 and RGB 125 188 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124 191 158 shade: RGB 77 156 117, RGB 97 177 138, RGB 125 191 158, RGB 152 204 179 and RGB 180 218 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124 191 158 shade: RGB 124 191 158, RGB 125 144 191 and RGB 191 131 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124 191 158 shade: RGB 124 191 158, RGB 158 125 191 and RGB 191 158 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124 191 158 shade: RGB 124 191 158, RGB 125 144 191, RGB 191 125 158 and RGB 191 171 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124 191 158 shade: RGB 124 191 158, RGB 125 125 191, RGB 191 125 158 and RGB 191 191 125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 17 / 25

HEX #7CBF9E

RGB 124 191 158

HSL 150.45, 0.34%, 0.62%

LAB 72.24, -28.51, 9.98

 

Complementary color

CMYK 0 / 51 / 26 / 49

HEX #834061

RGB 131 64 97

HSL 330.45, 0.34%, 0.38%

LAB 36.66, 32.93, -6.18

 

CMYK 32 / 0 / 20 / 25

HEX #81BF99

RGB 129 191 153

HSL 143.23, 0.33%, 0.63%

LAB 72.38, -28, 12.93

 

CMYK 30 / 0 / 18 / 18

HEX #92D1AC

RGB 146 209 172

HSL 144.76, 0.41%, 0.7%

LAB 78.86, -27.75, 12.01

 

CMYK 28 / 0 / 16 / 11

HEX #A3E3BF

RGB 163 227 191

HSL 146.25, 0.53%, 0.76%

LAB 85.24, -27.52, 11.15

 

CMYK 27 / 0 / 14 / 4

HEX #B4F5D2

RGB 180 245 210

HSL 147.69, 0.76%, 0.83%

LAB 91.53, -27.3, 10.34

 

CMYK 23 / 0 / 10 / 0

HEX #C5FFE5

RGB 197 255 229

HSL 153.1, 1%, 0.89%

LAB 95.6, -23.29, 6.49

 

CMYK 35 / 0 / 17 / 25

HEX #7CBF9E

RGB 124 191 158

HSL 150.45, 0.34%, 0.62%

LAB 72.24, -28.51, 9.98

 

CMYK 38 / 0 / 20 / 32

HEX #6BAD8B

RGB 107 173 139

HSL 149.09, 0.29%, 0.55%

LAB 65.65, -28.77, 10.92

 

CMYK 42 / 0 / 23 / 39

HEX #5A9B78

RGB 90 155 120

HSL 147.69, 0.27%, 0.48%

LAB 58.95, -29.03, 11.94

 

CMYK 47 / 0 / 26 / 46

HEX #498965

RGB 73 137 101

HSL 146.25, 0.3%, 0.41%

LAB 52.12, -29.28, 13.06

 

CMYK 53 / 0 / 31 / 53

HEX #387752

RGB 56 119 82

HSL 144.76, 0.36%, 0.34%

LAB 45.14, -29.48, 14.3

 

CMYK 35 / 0 / 17 / 25

HEX #7DBF9E

RGB 125 191 158

HSL 150, 0.34%, 0.62%

LAB 72.29, -28.21, 10.06

 

CMYK 35 / 0 / 27 / 25

HEX #7DBF8C

RGB 125 191 140

HSL 133.64, 0.34%, 0.62%

LAB 71.9, -31.7, 19.24

 

CMYK 34 / 0 / 35 / 25

HEX #7FBF7D

RGB 127 191 125

HSL 118.18, 0.34%, 0.62%

LAB 71.73, -33.65, 27

 

CMYK 24 / 0 / 35 / 25

HEX #91BF7D

RGB 145 191 125

HSL 101.82, 0.34%, 0.62%

LAB 72.73, -27.51, 28.52

 

CMYK 15 / 0 / 35 / 25

HEX #A2BF7D

RGB 162 191 125

HSL 86.36, 0.34%, 0.62%

LAB 73.82, -21.31, 30.15

 

CMYK 35 / 0 / 17 / 25

HEX #7DBF9E

RGB 125 191 158

HSL 150, 0.34%, 0.62%

LAB 72.29, -28.21, 10.06

 

CMYK 35 / 0 / 8 / 25

HEX #7DBFB0

RGB 125 191 176

HSL 166.36, 0.34%, 0.62%

LAB 72.73, -24.34, 0.9

 

CMYK 35 / 2 / 0 / 25

HEX #7DBBBF

RGB 125 187 191

HSL 183.64, 0.34%, 0.62%

LAB 72, -18.79, -8.36

 

CMYK 35 / 11 / 0 / 25

HEX #7DAABF

RGB 125 170 191

HSL 199.09, 0.34%, 0.62%

LAB 67.18, -9.85, -15.58

 

CMYK 35 / 20 / 0 / 25

HEX #7D98BF

RGB 125 152 191

HSL 215.45, 0.34%, 0.62%

LAB 62.15, 0.1, -23.24

 

CMYK 35 / 0 / 17 / 25

HEX #7DBF9E

RGB 125 191 158

HSL 150, 0.34%, 0.62%

LAB 72.29, -28.21, 10.06

 

CMYK 47 / 0 / 23 / 19

HEX #6DCE9E

RGB 109 206 158

HSL 150.31, 0.5%, 0.62%

LAB 75.98, -39.65, 15.17

 

CMYK 58 / 0 / 28 / 13

HEX #5DDE9F

RGB 93 222 159

HSL 150.7, 0.66%, 0.62%

LAB 80.22, -50.01, 20.46

 

CMYK 67 / 0 / 33 / 7

HEX #4EEE9F

RGB 78 238 159

HSL 150.38, 0.82%, 0.62%

LAB 84.62, -59.11, 26.42

 

CMYK 75 / 0 / 37 / 1

HEX #3EFD9F

RGB 62 253 159

HSL 150.47, 0.98%, 0.62%

LAB 88.82, -66.86, 32.01

 

CMYK 35 / 0 / 17 / 25

HEX #7DBF9E

RGB 125 191 158

HSL 150, 0.34%, 0.62%

LAB 72.29, -28.21, 10.06

 

CMYK 20 / 0 / 10 / 31

HEX #8CAF9E

RGB 140 175 158

HSL 150.86, 0.18%, 0.62%

LAB 68.54, -15.4, 4.8

 

CMYK 2 / 0 / 1 / 38

HEX #9C9F9E

RGB 156 159 158

HSL 160, 0.02%, 0.62%

LAB 65.23, -1.26, 0.14

 

CMYK 0 / 16 / 9 / 33

HEX #AC909D

RGB 172 144 157

HSL 332.14, 0.14%, 0.62%

LAB 62.64, 12.73, -2.93

 

CMYK 0 / 32 / 16 / 27

HEX #BB809D

RGB 187 128 157

HSL 330.51, 0.3%, 0.62%

LAB 60.28, 27.17, -6.24

 

CMYK 34 / 0 / 35 / 25

HEX #7FBF7D

RGB 127 191 125

HSL 118.18, 0.34%, 0.62%

LAB 71.73, -33.65, 27

 

CMYK 35 / 0 / 27 / 25

HEX #7DBF8C

RGB 125 191 140

HSL 133.64, 0.34%, 0.62%

LAB 71.9, -31.7, 19.24

 

CMYK 35 / 0 / 17 / 25

HEX #7DBF9E

RGB 125 191 158

HSL 150, 0.34%, 0.62%

LAB 72.29, -28.21, 10.06

 

CMYK 35 / 0 / 8 / 25

HEX #7DBFAF

RGB 125 191 175

HSL 165.45, 0.34%, 0.62%

LAB 72.7, -24.56, 1.41

 

CMYK 35 / 2 / 0 / 25

HEX #7DBCBF

RGB 125 188 191

HSL 182.73, 0.34%, 0.62%

LAB 72.29, -19.31, -7.94

 

CMYK 51 / 0 / 25 / 39

HEX #4D9C75

RGB 77 156 117

HSL 150.38, 0.34%, 0.46%

LAB 58.64, -33.74, 13.11

 

CMYK 45 / 0 / 22 / 31

HEX #61B18A

RGB 97 177 138

HSL 150.75, 0.34%, 0.54%

LAB 66.38, -33.72, 12.44

 

CMYK 35 / 0 / 17 / 25

HEX #7DBF9E

RGB 125 191 158

HSL 150, 0.34%, 0.62%

LAB 72.29, -28.21, 10.06

 

CMYK 25 / 0 / 12 / 20

HEX #98CCB3

RGB 152 204 179

HSL 151.15, 0.34%, 0.7%

LAB 77.94, -22.05, 7

 

CMYK 17 / 0 / 9 / 15

HEX #B4DAC7

RGB 180 218 199

HSL 150, 0.34%, 0.78%

LAB 83.95, -16.19, 5.21

 

CMYK 35 / 0 / 17 / 25

HEX #7CBF9E

RGB 124 191 158

HSL 150.45, 0.34%, 0.62%

LAB 72.24, -28.51, 9.98

 

CMYK 35 / 25 / 0 / 25

HEX #7D90BF

RGB 125 144 191

HSL 222.73, 0.34%, 0.62%

LAB 59.95, 4.67, -26.62

 

CMYK 0 / 31 / 35 / 25

HEX #BF837D

RGB 191 131 125

HSL 5.45, 0.34%, 0.62%

LAB 60.6, 22.34, 12.6

 

CMYK 35 / 0 / 17 / 25

HEX #7CBF9E

RGB 124 191 158

HSL 150.45, 0.34%, 0.62%

LAB 72.24, -28.51, 9.98

 

CMYK 17 / 35 / 0 / 25

HEX #9E7DBF

RGB 158 125 191

HSL 270, 0.34%, 0.62%

LAB 57.75, 25.69, -29.8

 

CMYK 0 / 17 / 35 / 25

HEX #BF9E7D

RGB 191 158 125

HSL 30, 0.34%, 0.62%

LAB 67.29, 7.45, 21.83

 

CMYK 35 / 0 / 17 / 25

HEX #7CBF9E

RGB 124 191 158

HSL 150.45, 0.34%, 0.62%

LAB 72.24, -28.51, 9.98

 

CMYK 35 / 25 / 0 / 25

HEX #7D90BF

RGB 125 144 191

HSL 222.73, 0.34%, 0.62%

LAB 59.95, 4.67, -26.62

 

CMYK 0 / 35 / 17 / 25

HEX #BF7D9E

RGB 191 125 158

HSL 330, 0.34%, 0.62%

LAB 60.08, 30.42, -7.06

 

CMYK 0 / 10 / 35 / 25

HEX #BFAB7D

RGB 191 171 125

HSL 41.82, 0.34%, 0.62%

LAB 70.65, 0.41, 26.36

 

CMYK 35 / 0 / 17 / 25

HEX #7CBF9E

RGB 124 191 158

HSL 150.45, 0.34%, 0.62%

LAB 72.24, -28.51, 9.98

 

CMYK 35 / 35 / 0 / 25

HEX #7D7DBF

RGB 125 125 191

HSL 240, 0.34%, 0.62%

LAB 54.85, 15.78, -34.53

 

CMYK 0 / 35 / 17 / 25

HEX #BF7D9E

RGB 191 125 158

HSL 330, 0.34%, 0.62%

LAB 60.08, 30.42, -7.06

 

CMYK 0 / 0 / 35 / 25

HEX #BFBF7D

RGB 191 191 125

HSL 60, 0.34%, 0.62%

LAB 75.96, -10.11, 33.35

 

Description

Color code: RGB 124 191 158 | qconv.com Color code: RGB 124 191 158 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 191 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 191 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 17 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 17% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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