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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 149 232 it is the complementary color RGB 131 106 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 149 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124 149 232 shade: RGB 129 149 227, RGB 146 167 246, RGB 163 185 255, RGB 180 203 255 and RGB 197 221 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 149 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124 149 232 shade: RGB 124 149 232, RGB 107 131 213, RGB 90 113 194, RGB 73 95 175 and RGB 56 77 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124 149 232 shade: RGB 124 149 232, RGB 129 124 232, RGB 157 124 232, RGB 186 124 232 and RGB 215 124 232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124 149 232 shade: RGB 124 149 232 and RGB 124 124 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124 149 232 shade matches the following richer shades: RGB 124 149 232 and RGB 112 143 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124 149 232 shade: RGB 124 149 232, RGB 137 156 219, RGB 149 163 207, RGB 162 169 194 and RGB 174 176 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124 149 232 shade: RGB 124 207 232, RGB 124 178 232, RGB 124 149 232, RGB 128 124 232 and RGB 157 124 232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124 149 232 shade: RGB 54 92 219, RGB 89 121 225, RGB 124 149 232, RGB 160 178 238 and RGB 195 206 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124 149 232 shade: RGB 124 149 232, RGB 228 124 232 and RGB 192 232 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124 149 232 shade: RGB 124 149 232, RGB 232 124 149 and RGB 149 232 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124 149 232 shade: RGB 124 149 232, RGB 228 124 232, RGB 232 207 124 and RGB 128 232 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124 149 232 shade: RGB 124 149 232, RGB 232 124 203, RGB 232 207 124 and RGB 124 232 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 36 / 0 / 9

HEX #7C95E8

RGB 124 149 232

HSL 226.11, 0.7%, 0.7%

LAB 63.02, 13.04, -44.74

 

Complementary color

CMYK 0 / 19 / 82 / 49

HEX #836A17

RGB 131 106 23

HSL 46.11, 0.7%, 0.3%

LAB 45.9, 1.39, 46.52

 

CMYK 43 / 34 / 0 / 11

HEX #8195E3

RGB 129 149 227

HSL 227.76, 0.64%, 0.7%

LAB 63.1, 12.82, -41.82

 

CMYK 41 / 32 / 0 / 4

HEX #92A7F6

RGB 146 167 246

HSL 227.4, 0.85%, 0.77%

LAB 69.76, 12.13, -41.74

 

CMYK 36 / 27 / 0 / 0

HEX #A3B9FF

RGB 163 185 255

HSL 225.65, 1%, 0.82%

LAB 75.89, 8.91, -36.97

 

CMYK 29 / 20 / 0 / 0

HEX #B4CBFF

RGB 180 203 255

HSL 221.6, 1%, 0.85%

LAB 81.64, 3.79, -28.02

 

CMYK 23 / 13 / 0 / 0

HEX #C5DDFF

RGB 197 221 255

HSL 215.17, 1%, 0.89%

LAB 87.39, -0.8, -19.18

 

CMYK 47 / 36 / 0 / 9

HEX #7C95E8

RGB 124 149 232

HSL 226.11, 0.7%, 0.7%

LAB 63.02, 13.04, -44.74

 

CMYK 50 / 38 / 0 / 16

HEX #6B83D5

RGB 107 131 213

HSL 226.42, 0.56%, 0.63%

LAB 56.25, 13.94, -44.89

 

CMYK 54 / 42 / 0 / 24

HEX #5A71C2

RGB 90 113 194

HSL 226.73, 0.46%, 0.56%

LAB 49.35, 15.02, -45.09

 

CMYK 58 / 46 / 0 / 31

HEX #495FAF

RGB 73 95 175

HSL 227.06, 0.41%, 0.49%

LAB 42.3, 16.34, -45.34

 

CMYK 64 / 51 / 0 / 39

HEX #384D9C

RGB 56 77 156

HSL 227.4, 0.47%, 0.42%

LAB 35.1, 18.01, -45.64

 

CMYK 47 / 36 / 0 / 9

HEX #7C95E8

RGB 124 149 232

HSL 226.11, 0.7%, 0.7%

LAB 63.02, 13.04, -44.74

 

CMYK 44 / 47 / 0 / 9

HEX #817CE8

RGB 129 124 232

HSL 242.78, 0.7%, 0.7%

LAB 56.99, 28.93, -54.28

 

CMYK 32 / 47 / 0 / 9

HEX #9D7CE8

RGB 157 124 232

HSL 258.33, 0.7%, 0.7%

LAB 59.35, 35.89, -50.37

 

CMYK 20 / 47 / 0 / 9

HEX #BA7CE8

RGB 186 124 232

HSL 274.44, 0.7%, 0.7%

LAB 62.24, 43.68, -45.62

 

CMYK 7 / 47 / 0 / 9

HEX #D77CE8

RGB 215 124 232

HSL 290.56, 0.7%, 0.7%

LAB 65.51, 51.76, -40.26

 

CMYK 47 / 36 / 0 / 9

HEX #7C95E8

RGB 124 149 232

HSL 226.11, 0.7%, 0.7%

LAB 63.02, 13.04, -44.74

 

CMYK 47 / 47 / 0 / 9

HEX #7C7CE8

RGB 124 124 232

HSL 240, 0.7%, 0.7%

LAB 56.61, 27.78, -54.9

 

CMYK 47 / 36 / 0 / 9

HEX #7C95E8

RGB 124 149 232

HSL 226.11, 0.7%, 0.7%

LAB 63.02, 13.04, -44.74

 

CMYK 54 / 41 / 0 / 4

HEX #708FF4

RGB 112 143 244

HSL 225.91, 0.86%, 0.7%

LAB 61.33, 17.53, -54.08

 

CMYK 47 / 36 / 0 / 9

HEX #7C95E8

RGB 124 149 232

HSL 226.11, 0.7%, 0.7%

LAB 63.02, 13.04, -44.74

 

CMYK 37 / 29 / 0 / 14

HEX #899CDB

RGB 137 156 219

HSL 226.1, 0.53%, 0.7%

LAB 65.13, 8.66, -34.19

 

CMYK 28 / 21 / 0 / 19

HEX #95A3CF

RGB 149 163 207

HSL 225.52, 0.38%, 0.7%

LAB 67.34, 5.03, -24.06

 

CMYK 16 / 13 / 0 / 24

HEX #A2A9C2

RGB 162 169 194

HSL 226.88, 0.21%, 0.7%

LAB 69.44, 2.73, -13.61

 

CMYK 4 / 3 / 0 / 29

HEX #AEB0B6

RGB 174 176 182

HSL 225, 0.05%, 0.7%

LAB 71.84, 0.45, -3.31

 

CMYK 47 / 11 / 0 / 9

HEX #7CCFE8

RGB 124 207 232

HSL 193.89, 0.7%, 0.7%

LAB 78.89, -18.76, -20.21

 

CMYK 47 / 23 / 0 / 9

HEX #7CB2E8

RGB 124 178 232

HSL 210, 0.7%, 0.7%

LAB 70.84, -3.4, -32.53

 

CMYK 47 / 36 / 0 / 9

HEX #7C95E8

RGB 124 149 232

HSL 226.11, 0.7%, 0.7%

LAB 63.02, 13.04, -44.74

 

CMYK 45 / 47 / 0 / 9

HEX #807CE8

RGB 128 124 232

HSL 242.22, 0.7%, 0.7%

LAB 56.91, 28.7, -54.4

 

CMYK 32 / 47 / 0 / 9

HEX #9D7CE8

RGB 157 124 232

HSL 258.33, 0.7%, 0.7%

LAB 59.35, 35.89, -50.37

 

CMYK 75 / 58 / 0 / 14

HEX #365CDB

RGB 54 92 219

HSL 226.18, 0.7%, 0.54%

LAB 43.58, 31.01, -68.79

 

CMYK 60 / 46 / 0 / 12

HEX #5979E1

RGB 89 121 225

HSL 225.88, 0.69%, 0.62%

LAB 53.21, 20.12, -56.55

 

CMYK 47 / 36 / 0 / 9

HEX #7C95E8

RGB 124 149 232

HSL 226.11, 0.7%, 0.7%

LAB 63.02, 13.04, -44.74

 

CMYK 33 / 25 / 0 / 7

HEX #A0B2EE

RGB 160 178 238

HSL 226.15, 0.7%, 0.78%

LAB 73.21, 7.6, -31.95

 

CMYK 20 / 16 / 0 / 4

HEX #C3CEF4

RGB 195 206 244

HSL 226.53, 0.69%, 0.86%

LAB 83.06, 4.08, -19.91

 

CMYK 47 / 36 / 0 / 9

HEX #7C95E8

RGB 124 149 232

HSL 226.11, 0.7%, 0.7%

LAB 63.02, 13.04, -44.74

 

CMYK 2 / 47 / 0 / 9

HEX #E47CE8

RGB 228 124 232

HSL 297.78, 0.7%, 0.7%

LAB 67.08, 55.43, -37.68

 

CMYK 17 / 0 / 47 / 9

HEX #C0E87C

RGB 192 232 124

HSL 82.22, 0.7%, 0.7%

LAB 87.18, -30.03, 48.05

 

CMYK 47 / 36 / 0 / 9

HEX #7C95E8

RGB 124 149 232

HSL 226.11, 0.7%, 0.7%

LAB 63.02, 13.04, -44.74

 

CMYK 0 / 47 / 36 / 9

HEX #E87C95

RGB 232 124 149

HSL 346.11, 0.7%, 0.7%

LAB 64.76, 44.22, 5.54

 

CMYK 36 / 0 / 47 / 9

HEX #95E87C

RGB 149 232 124

HSL 106.11, 0.7%, 0.7%

LAB 84.77, -44.98, 44.54

 

CMYK 47 / 36 / 0 / 9

HEX #7C95E8

RGB 124 149 232

HSL 226.11, 0.7%, 0.7%

LAB 63.02, 13.04, -44.74

 

CMYK 2 / 47 / 0 / 9

HEX #E47CE8

RGB 228 124 232

HSL 297.78, 0.7%, 0.7%

LAB 67.08, 55.43, -37.68

 

CMYK 0 / 11 / 47 / 9

HEX #E8CF7C

RGB 232 207 124

HSL 46.11, 0.7%, 0.7%

LAB 83.57, -2.09, 44.25

 

CMYK 45 / 0 / 47 / 9

HEX #80E87C

RGB 128 232 124

HSL 117.78, 0.7%, 0.7%

LAB 83.84, -51.34, 43.17

 

CMYK 47 / 36 / 0 / 9

HEX #7C95E8

RGB 124 149 232

HSL 226.11, 0.7%, 0.7%

LAB 63.02, 13.04, -44.74

 

CMYK 0 / 47 / 13 / 9

HEX #E87CCB

RGB 232 124 203

HSL 316.11, 0.7%, 0.7%

LAB 66.43, 51.7, -22.5

 

CMYK 0 / 11 / 47 / 9

HEX #E8CF7C

RGB 232 207 124

HSL 46.11, 0.7%, 0.7%

LAB 83.57, -2.09, 44.25

 

CMYK 47 / 0 / 34 / 9

HEX #7CE899

RGB 124 232 153

HSL 136.11, 0.7%, 0.7%

LAB 84.12, -47.96, 29.04

 

Description

Color code: RGB 124 149 232 | qconv.com Color code: RGB 124 149 232 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 149 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 149 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 36 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 36% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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