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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 131 97 it is the complementary color RGB 131 124 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 131 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124 131 97 shade: RGB 129 131 92, RGB 146 149 111, RGB 163 167 130, RGB 180 185 149 and RGB 197 203 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 131 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124 131 97 shade: RGB 124 131 97, RGB 107 113 78, RGB 90 95 59, RGB 73 77 40 and RGB 56 59 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124 131 97 shade: RGB 124 131 97, RGB 131 129 97, RGB 131 120 97, RGB 131 111 97 and RGB 131 101 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124 131 97 shade: RGB 124 131 97, RGB 115 131 97, RGB 106 131 97, RGB 97 131 98 and RGB 97 131 107

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124 131 97 shade matches the following richer shades: RGB 124 131 97, RGB 135 150 78, RGB 146 169 60, RGB 157 187 41 and RGB 168 206 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124 131 97 shade: RGB 124 131 97, RGB 113 113 116, RGB 103 94 134, RGB 92 76 153 and RGB 81 57 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124 131 97 shade: RGB 131 120 97, RGB 131 129 97, RGB 125 131 97, RGB 115 131 97 and RGB 106 131 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124 131 97 shade: RGB 79 84 62, RGB 102 108 80, RGB 124 131 97, RGB 145 153 117 and RGB 164 170 141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124 131 97 shade: RGB 124 131 97, RGB 97 131 111 and RGB 125 97 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124 131 97 shade: RGB 124 131 97, RGB 97 125 131 and RGB 131 97 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124 131 97 shade: RGB 124 131 97, RGB 97 131 111, RGB 104 97 131 and RGB 131 97 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124 131 97 shade: RGB 124 131 97, RGB 97 131 121, RGB 104 97 131 and RGB 131 97 107

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 26 / 49

HEX #7C8361

RGB 124 131 97

HSL 72.35, 0.15%, 0.45%

LAB 53.36, -8.77, 17.56

 

Complementary color

CMYK 17 / 22 / 0 / 38

HEX #837C9E

RGB 131 124 158

HSL 252.35, 0.15%, 0.55%

LAB 53.72, 9.89, -17.24

 

CMYK 2 / 0 / 30 / 49

HEX #81835C

RGB 129 131 92

HSL 63.08, 0.17%, 0.44%

LAB 53.68, -7.46, 20.9

 

CMYK 2 / 0 / 26 / 42

HEX #92956F

RGB 146 149 111

HSL 64.74, 0.15%, 0.51%

LAB 60.56, -7.66, 19.76

 

CMYK 2 / 0 / 22 / 35

HEX #A3A782

RGB 163 167 130

HSL 66.49, 0.17%, 0.58%

LAB 67.3, -7.82, 18.71

 

CMYK 3 / 0 / 19 / 27

HEX #B4B995

RGB 180 185 149

HSL 68.33, 0.2%, 0.65%

LAB 73.91, -7.95, 17.72

 

CMYK 3 / 0 / 17 / 20

HEX #C5CBA8

RGB 197 203 168

HSL 70.29, 0.25%, 0.73%

LAB 80.41, -8.07, 16.79

 

CMYK 5 / 0 / 26 / 49

HEX #7C8361

RGB 124 131 97

HSL 72.35, 0.15%, 0.45%

LAB 53.36, -8.77, 17.56

 

CMYK 5 / 0 / 31 / 56

HEX #6B714E

RGB 107 113 78

HSL 70.29, 0.18%, 0.37%

LAB 46.29, -8.64, 18.72

 

CMYK 5 / 0 / 38 / 63

HEX #5A5F3B

RGB 90 95 59

HSL 68.33, 0.23%, 0.3%

LAB 39.03, -8.46, 19.97

 

CMYK 5 / 0 / 48 / 70

HEX #494D28

RGB 73 77 40

HSL 66.49, 0.32%, 0.23%

LAB 31.53, -8.18, 21.33

 

CMYK 5 / 0 / 64 / 77

HEX #383B15

RGB 56 59 21

HSL 64.74, 0.48%, 0.16%

LAB 23.75, -7.71, 22.7

 

CMYK 5 / 0 / 26 / 49

HEX #7C8361

RGB 124 131 97

HSL 72.35, 0.15%, 0.45%

LAB 53.36, -8.77, 17.56

 

CMYK 0 / 2 / 26 / 49

HEX #838161

RGB 131 129 97

HSL 56.47, 0.15%, 0.45%

LAB 53.37, -4.79, 17.67

 

CMYK 0 / 8 / 26 / 49

HEX #837861

RGB 131 120 97

HSL 40.59, 0.15%, 0.45%

LAB 50.83, 0.32, 14.18

 

CMYK 0 / 15 / 26 / 49

HEX #836F61

RGB 131 111 97

HSL 24.71, 0.15%, 0.45%

LAB 48.33, 5.53, 10.71

 

CMYK 0 / 23 / 26 / 49

HEX #836561

RGB 131 101 97

HSL 7.06, 0.15%, 0.45%

LAB 45.63, 11.42, 6.89

 

CMYK 5 / 0 / 26 / 49

HEX #7C8361

RGB 124 131 97

HSL 72.35, 0.15%, 0.45%

LAB 53.36, -8.77, 17.56

 

CMYK 12 / 0 / 26 / 49

HEX #738361

RGB 115 131 97

HSL 88.24, 0.15%, 0.45%

LAB 52.66, -12.37, 16.49

 

CMYK 19 / 0 / 26 / 49

HEX #6A8361

RGB 106 131 97

HSL 104.12, 0.15%, 0.45%

LAB 52.02, -15.85, 15.5

 

CMYK 26 / 0 / 25 / 49

HEX #618362

RGB 97 131 98

HSL 121.76, 0.15%, 0.45%

LAB 51.45, -19.02, 14.05

 

CMYK 26 / 0 / 18 / 49

HEX #61836B

RGB 97 131 107

HSL 137.65, 0.15%, 0.45%

LAB 51.65, -17.26, 9.13

 

CMYK 5 / 0 / 26 / 49

HEX #7C8361

RGB 124 131 97

HSL 72.35, 0.15%, 0.45%

LAB 53.36, -8.77, 17.56

 

CMYK 10 / 0 / 48 / 41

HEX #87964E

RGB 135 150 78

HSL 72.5, 0.32%, 0.45%

LAB 59.45, -16.94, 35.97

 

CMYK 14 / 0 / 64 / 34

HEX #92A93C

RGB 146 169 60

HSL 72.66, 0.48%, 0.45%

LAB 65.6, -23.63, 51.74

 

CMYK 16 / 0 / 78 / 27

HEX #9DBB29

RGB 157 187 41

HSL 72.33, 0.64%, 0.45%

LAB 71.47, -28.9, 64.72

 

CMYK 18 / 0 / 89 / 19

HEX #A8CE17

RGB 168 206 23

HSL 72.46, 0.8%, 0.45%

LAB 77.6, -33.88, 74.49

 

CMYK 5 / 0 / 26 / 49

HEX #7C8361

RGB 124 131 97

HSL 72.35, 0.15%, 0.45%

LAB 53.36, -8.77, 17.56

 

CMYK 3 / 3 / 0 / 55

HEX #717174

RGB 113 113 116

HSL 240, 0.01%, 0.45%

LAB 47.73, 0.62, -1.66

 

CMYK 23 / 30 / 0 / 47

HEX #675E86

RGB 103 94 134

HSL 253.5, 0.18%, 0.45%

LAB 42.17, 12.69, -20.95

 

CMYK 40 / 50 / 0 / 40

HEX #5C4C99

RGB 92 76 153

HSL 252.47, 0.34%, 0.45%

LAB 37.38, 25.86, -40.03

 

CMYK 53 / 67 / 0 / 33

HEX #5139AB

RGB 81 57 171

HSL 252.63, 0.5%, 0.45%

LAB 33.17, 40.33, -57.69

 

CMYK 0 / 8 / 26 / 49

HEX #837861

RGB 131 120 97

HSL 40.59, 0.15%, 0.45%

LAB 50.83, 0.32, 14.18

 

CMYK 0 / 2 / 26 / 49

HEX #838161

RGB 131 129 97

HSL 56.47, 0.15%, 0.45%

LAB 53.37, -4.79, 17.67

 

CMYK 5 / 0 / 26 / 49

HEX #7D8361

RGB 125 131 97

HSL 70.59, 0.15%, 0.45%

LAB 53.44, -8.36, 17.69

 

CMYK 12 / 0 / 26 / 49

HEX #738361

RGB 115 131 97

HSL 88.24, 0.15%, 0.45%

LAB 52.66, -12.37, 16.49

 

CMYK 19 / 0 / 26 / 49

HEX #6A8361

RGB 106 131 97

HSL 104.12, 0.15%, 0.45%

LAB 52.02, -15.85, 15.5

 

CMYK 6 / 0 / 26 / 67

HEX #4F543E

RGB 79 84 62

HSL 73.64, 0.15%, 0.29%

LAB 34.7, -6.36, 12.23

 

CMYK 6 / 0 / 26 / 58

HEX #666C50

RGB 102 108 80

HSL 72.86, 0.15%, 0.37%

LAB 44.42, -7.58, 14.94

 

CMYK 5 / 0 / 26 / 49

HEX #7C8361

RGB 124 131 97

HSL 72.35, 0.15%, 0.45%

LAB 53.36, -8.77, 17.56

 

CMYK 5 / 0 / 24 / 40

HEX #919975

RGB 145 153 117

HSL 73.33, 0.15%, 0.53%

LAB 61.73, -9.31, 18

 

CMYK 4 / 0 / 17 / 33

HEX #A4AA8D

RGB 164 170 141

HSL 72.41, 0.15%, 0.61%

LAB 68.44, -7.3, 14.25

 

CMYK 5 / 0 / 26 / 49

HEX #7C8361

RGB 124 131 97

HSL 72.35, 0.15%, 0.45%

LAB 53.36, -8.77, 17.56

 

CMYK 26 / 0 / 15 / 49

HEX #61836F

RGB 97 131 111

HSL 144.71, 0.15%, 0.45%

LAB 51.75, -16.43, 6.95

 

CMYK 5 / 26 / 0 / 49

HEX #7D6183

RGB 125 97 131

HSL 289.41, 0.15%, 0.45%

LAB 45.01, 17.8, -14.6

 

CMYK 5 / 0 / 26 / 49

HEX #7C8361

RGB 124 131 97

HSL 72.35, 0.15%, 0.45%

LAB 53.36, -8.77, 17.56

 

CMYK 26 / 5 / 0 / 49

HEX #617D83

RGB 97 125 131

HSL 190.59, 0.15%, 0.45%

LAB 50.51, -8.54, -6.56

 

CMYK 0 / 26 / 5 / 49

HEX #83617D

RGB 131 97 125

HSL 310.59, 0.15%, 0.45%

LAB 45.44, 18.75, -10.28

 

CMYK 5 / 0 / 26 / 49

HEX #7C8361

RGB 124 131 97

HSL 72.35, 0.15%, 0.45%

LAB 53.36, -8.77, 17.56

 

CMYK 26 / 0 / 15 / 49

HEX #61836F

RGB 97 131 111

HSL 144.71, 0.15%, 0.45%

LAB 51.75, -16.43, 6.95

 

CMYK 21 / 26 / 0 / 49

HEX #686183

RGB 104 97 131

HSL 252.35, 0.15%, 0.45%

LAB 42.96, 10.42, -17.91

 

CMYK 0 / 26 / 10 / 49

HEX #836176

RGB 131 97 118

HSL 322.94, 0.15%, 0.45%

LAB 45.2, 17.41, -6.41

 

CMYK 5 / 0 / 26 / 49

HEX #7C8361

RGB 124 131 97

HSL 72.35, 0.15%, 0.45%

LAB 53.36, -8.77, 17.56

 

CMYK 26 / 0 / 8 / 49

HEX #618379

RGB 97 131 121

HSL 162.35, 0.15%, 0.45%

LAB 52.01, -14.24, 1.51

 

CMYK 21 / 26 / 0 / 49

HEX #686183

RGB 104 97 131

HSL 252.35, 0.15%, 0.45%

LAB 42.96, 10.42, -17.91

 

CMYK 0 / 26 / 18 / 49

HEX #83616B

RGB 131 97 107

HSL 342.35, 0.15%, 0.45%

LAB 44.85, 15.43, -0.26

 

Description

Color code: RGB 124 131 97 | qconv.com Color code: RGB 124 131 97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 131 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 131 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 26 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 26% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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