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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124.9 128.2 153 it is the complementary color RGB 130.1 126.8 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124.9 128.2 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124.9 128.2 153 shade: RGB 129.9 128.2 148, RGB 146.9 146.2 167, RGB 163.9 164.2 186, RGB 180.9 182.2 205 and RGB 197.9 200.2 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124.9 128.2 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124.9 128.2 153 shade: RGB 124.9 128.2 153, RGB 107.9 110.2 134, RGB 90.9 92.2 115, RGB 73.9 74.2 96 and RGB 56.9 56.2 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124.9 128.2 153 shade: RGB 123 126 151, RGB 127 123 151, RGB 135 123 151, RGB 143 123 151 and RGB 150 123 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124.9 128.2 153 shade: RGB 123 126 151 and RGB 123 123 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124.9 128.2 153 shade matches the following richer shades: RGB 123 126 151, RGB 104 112 170, RGB 85 97 189, RGB 66 83 208 and RGB 47 68 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124.9 128.2 153 shade: RGB 123 126 151, RGB 142 141 132, RGB 161 155 113, RGB 180 170 94 and RGB 199 185 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124.9 128.2 153 shade: RGB 123 142 151, RGB 123 134 151, RGB 123 127 151, RGB 127 123 151 and RGB 134 123 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124.9 128.2 153 shade: RGB 84 87 108, RGB 103 106 131, RGB 123 126 151, RGB 146 149 169 and RGB 169 171 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124.9 128.2 153 shade: RGB 124.9 128.2 153, RGB 151 123 149 and RGB 138 151 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124.9 128.2 153 shade: RGB 124.9 128.2 153, RGB 151 123 127 and RGB 127 151 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124.9 128.2 153 shade: RGB 124.9 128.2 153, RGB 151 123 149, RGB 151 148 123 and RGB 123 151 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124.9 128.2 153 shade: RGB 124.9 128.2 153, RGB 151 123 141, RGB 151 148 123 and RGB 123 151 133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 16 / 0 / 40

HEX #7C8099

RGB 124.9 128.2 153

HSL 232.95, 0.12%, 0.54%

LAB 54.18, 4.21, -13.69

 

Complementary color

CMYK 0 / 3 / 22 / 49

HEX #827E66

RGB 130.1 126.8 102

HSL 52.95, 0.12%, 0.46%

LAB 52.77, -3.15, 13.96

 

CMYK 12 / 13 / 0 / 42

HEX #818094

RGB 129.9 128.2 148

HSL 245.15, 0.08%, 0.54%

LAB 54.41, 4.79, -10.39

 

CMYK 12 / 12 / 0 / 35

HEX #9292A7

RGB 146.9 146.2 167

HSL 242.02, 0.11%, 0.61%

LAB 61.31, 4.53, -10.81

 

CMYK 12 / 12 / 0 / 27

HEX #A3A4BA

RGB 163.9 164.2 186

HSL 239.19, 0.14%, 0.69%

LAB 68.06, 4.29, -11.23

 

CMYK 12 / 11 / 0 / 20

HEX #B4B6CD

RGB 180.9 182.2 205

HSL 236.76, 0.19%, 0.76%

LAB 74.67, 4.06, -11.65

 

CMYK 12 / 11 / 0 / 12

HEX #C5C8E0

RGB 197.9 200.2 224

HSL 234.71, 0.3%, 0.83%

LAB 81.17, 3.85, -12.06

 

CMYK 18 / 16 / 0 / 40

HEX #7C8099

RGB 124.9 128.2 153

HSL 232.95, 0.12%, 0.54%

LAB 54.18, 4.21, -13.69

 

CMYK 19 / 18 / 0 / 47

HEX #6B6E86

RGB 107.9 110.2 134

HSL 234.71, 0.11%, 0.47%

LAB 47.1, 4.5, -13.37

 

CMYK 21 / 20 / 0 / 55

HEX #5A5C73

RGB 90.9 92.2 115

HSL 236.76, 0.12%, 0.4%

LAB 39.83, 4.82, -13.06

 

CMYK 23 / 23 / 0 / 62

HEX #494A60

RGB 73.9 74.2 96

HSL 239.19, 0.13%, 0.33%

LAB 32.3, 5.2, -12.79

 

CMYK 26 / 27 / 0 / 70

HEX #38384D

RGB 56.9 56.2 77

HSL 242.02, 0.16%, 0.26%

LAB 24.48, 5.65, -12.58

 

CMYK 19 / 17 / 0 / 41

HEX #7B7E97

RGB 123 126 151

HSL 233.57, 0.12%, 0.54%

LAB 53.35, 4.38, -13.8

 

CMYK 16 / 19 / 0 / 41

HEX #7F7B97

RGB 127 123 151

HSL 248.57, 0.12%, 0.54%

LAB 52.85, 7.5, -14.52

 

CMYK 11 / 19 / 0 / 41

HEX #877B97

RGB 135 123 151

HSL 265.71, 0.12%, 0.54%

LAB 53.55, 10.26, -13.4

 

CMYK 5 / 19 / 0 / 41

HEX #8F7B97

RGB 143 123 151

HSL 282.86, 0.12%, 0.54%

LAB 54.28, 13.08, -12.22

 

CMYK 1 / 19 / 0 / 41

HEX #967B97

RGB 150 123 151

HSL 297.86, 0.12%, 0.54%

LAB 54.95, 15.58, -11.14

 

CMYK 19 / 17 / 0 / 41

HEX #7B7E97

RGB 123 126 151

HSL 233.57, 0.12%, 0.54%

LAB 53.35, 4.38, -13.8

 

CMYK 19 / 19 / 0 / 41

HEX #7B7B97

RGB 123 123 151

HSL 240, 0.12%, 0.54%

LAB 52.52, 6.14, -15.05

 

CMYK 19 / 17 / 0 / 41

HEX #7B7E97

RGB 123 126 151

HSL 233.57, 0.12%, 0.54%

LAB 53.35, 4.38, -13.8

 

CMYK 39 / 34 / 0 / 33

HEX #6870AA

RGB 104 112 170

HSL 232.73, 0.28%, 0.54%

LAB 48.8, 11.79, -32

 

CMYK 55 / 49 / 0 / 26

HEX #5561BD

RGB 85 97 189

HSL 233.08, 0.44%, 0.54%

LAB 44.45, 22.27, -50.04

 

CMYK 68 / 60 / 0 / 18

HEX #4253D0

RGB 66 83 208

HSL 232.82, 0.6%, 0.54%

LAB 41.05, 34.26, -66.58

 

CMYK 79 / 70 / 0 / 11

HEX #2F44E3

RGB 47 68 227

HSL 233, 0.76%, 0.54%

LAB 38.35, 48.03, -81.94

 

CMYK 19 / 17 / 0 / 41

HEX #7B7E97

RGB 123 126 151

HSL 233.57, 0.12%, 0.54%

LAB 53.35, 4.38, -13.8

 

CMYK 0 / 1 / 7 / 44

HEX #8E8D84

RGB 142 141 132

HSL 54, 0.04%, 0.54%

LAB 58.48, -1.33, 4.92

 

CMYK 0 / 4 / 30 / 37

HEX #A19B71

RGB 161 155 113

HSL 52.5, 0.2%, 0.54%

LAB 63.52, -4.6, 22.86

 

CMYK 0 / 6 / 48 / 29

HEX #B4AA5E

RGB 180 170 94

HSL 53.02, 0.36%, 0.54%

LAB 68.94, -7, 40.23

 

CMYK 0 / 7 / 62 / 22

HEX #C7B94B

RGB 199 185 75

HSL 53.23, 0.53%, 0.54%

LAB 74.41, -8.35, 55.97

 

CMYK 19 / 6 / 0 / 41

HEX #7B8E97

RGB 123 142 151

HSL 199.29, 0.12%, 0.54%

LAB 57.84, -4.77, -7.06

 

CMYK 19 / 11 / 0 / 41

HEX #7B8697

RGB 123 134 151

HSL 216.43, 0.12%, 0.54%

LAB 55.58, -0.24, -10.44

 

CMYK 19 / 16 / 0 / 41

HEX #7B7F97

RGB 123 127 151

HSL 231.43, 0.12%, 0.54%

LAB 53.63, 3.8, -13.38

 

CMYK 16 / 19 / 0 / 41

HEX #7F7B97

RGB 127 123 151

HSL 248.57, 0.12%, 0.54%

LAB 52.85, 7.5, -14.52

 

CMYK 11 / 19 / 0 / 41

HEX #867B97

RGB 134 123 151

HSL 263.57, 0.12%, 0.54%

LAB 53.46, 9.91, -13.54

 

CMYK 22 / 19 / 0 / 58

HEX #54576C

RGB 84 87 108

HSL 232.5, 0.13%, 0.38%

LAB 37.45, 3.83, -12.41

 

CMYK 21 / 19 / 0 / 49

HEX #676A83

RGB 103 106 131

HSL 233.57, 0.12%, 0.46%

LAB 45.4, 4.6, -14.19

 

CMYK 19 / 17 / 0 / 41

HEX #7B7E97

RGB 123 126 151

HSL 233.57, 0.12%, 0.54%

LAB 53.35, 4.38, -13.8

 

CMYK 14 / 12 / 0 / 34

HEX #9295A9

RGB 146 149 169

HSL 232.17, 0.12%, 0.62%

LAB 62.06, 3.08, -10.83

 

CMYK 10 / 9 / 0 / 26

HEX #A9ABBC

RGB 169 171 188

HSL 233.68, 0.12%, 0.7%

LAB 70.31, 2.68, -8.93

 

CMYK 18 / 16 / 0 / 40

HEX #7C8099

RGB 124.9 128.2 153

HSL 232.95, 0.12%, 0.54%

LAB 54.18, 4.21, -13.69

 

CMYK 0 / 19 / 1 / 41

HEX #977B95

RGB 151 123 149

HSL 304.29, 0.12%, 0.54%

LAB 54.98, 15.54, -9.92

 

CMYK 9 / 0 / 19 / 41

HEX #8A977B

RGB 138 151 123

HSL 87.86, 0.12%, 0.54%

LAB 60.75, -9.94, 13.21

 

CMYK 18 / 16 / 0 / 40

HEX #7C8099

RGB 124.9 128.2 153

HSL 232.95, 0.12%, 0.54%

LAB 54.18, 4.21, -13.69

 

CMYK 0 / 19 / 16 / 41

HEX #977B7F

RGB 151 123 127

HSL 351.43, 0.12%, 0.54%

LAB 54.32, 11.5, 1.91

 

CMYK 16 / 0 / 19 / 41

HEX #7F977B

RGB 127 151 123

HSL 111.43, 0.12%, 0.54%

LAB 59.96, -14.05, 11.98

 

CMYK 18 / 16 / 0 / 40

HEX #7C8099

RGB 124.9 128.2 153

HSL 232.95, 0.12%, 0.54%

LAB 54.18, 4.21, -13.69

 

CMYK 0 / 19 / 1 / 41

HEX #977B95

RGB 151 123 149

HSL 304.29, 0.12%, 0.54%

LAB 54.98, 15.54, -9.92

 

CMYK 0 / 2 / 19 / 41

HEX #97947B

RGB 151 148 123

HSL 53.57, 0.12%, 0.54%

LAB 60.95, -3.28, 13.64

 

CMYK 19 / 0 / 17 / 41

HEX #7B977D

RGB 123 151 125

HSL 124.29, 0.12%, 0.54%

LAB 59.73, -15.13, 10.49

 

CMYK 18 / 16 / 0 / 40

HEX #7C8099

RGB 124.9 128.2 153

HSL 232.95, 0.12%, 0.54%

LAB 54.18, 4.21, -13.69

 

CMYK 0 / 19 / 7 / 41

HEX #977B8D

RGB 151 123 141

HSL 321.43, 0.12%, 0.54%

LAB 54.73, 14, -5.65

 

CMYK 0 / 2 / 19 / 41

HEX #97947B

RGB 151 148 123

HSL 53.57, 0.12%, 0.54%

LAB 60.95, -3.28, 13.64

 

CMYK 19 / 0 / 12 / 41

HEX #7B9785

RGB 123 151 133

HSL 141.43, 0.12%, 0.54%

LAB 59.92, -13.57, 6.24

 

Description

Color code: RGB 124.9 128.2 153 | qconv.com Color code: RGB 124.9 128.2 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124.9 red, 128.2 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124.9 128.2 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 16 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 16% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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