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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124.5 147 151 it is the complementary color RGB 130.5 108 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124.5 147 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124.5 147 151 shade: RGB 129.5 147 146, RGB 146.5 165 165, RGB 163.5 183 184, RGB 180.5 201 203 and RGB 197.5 219 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124.5 147 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124.5 147 151 shade: RGB 124.5 147 151, RGB 107.5 129 132, RGB 90.5 111 113, RGB 73.5 93 94 and RGB 56.5 75 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124.5 147 151 shade: RGB 125 147 151, RGB 125 140 151, RGB 125 133 151, RGB 125 126 151 and RGB 131 125 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124.5 147 151 shade: RGB 125 147 151, RGB 125 140 151, RGB 125 133 151, RGB 125 126 151 and RGB 125 125 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124.5 147 151 shade matches the following richer shades: RGB 125 147 151, RGB 106 160 170, RGB 87 173 189, RGB 68 186 208 and RGB 49 200 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124.5 147 151 shade: RGB 125 147 151, RGB 144 133 132, RGB 163 120 113, RGB 182 107 94 and RGB 201 94 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124.5 147 151 shade: RGB 125 151 141, RGB 125 151 148, RGB 125 147 151, RGB 125 140 151 and RGB 125 133 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124.5 147 151 shade: RGB 86 104 107, RGB 104 126 130, RGB 125 147 151, RGB 148 166 169 and RGB 171 185 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124.5 147 151 shade: RGB 124.5 147 151, RGB 134 125 151 and RGB 151 144 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124.5 147 151 shade: RGB 124.5 147 151, RGB 151 125 147 and RGB 147 151 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124.5 147 151 shade: RGB 124.5 147 151, RGB 134 125 151, RGB 151 129 125 and RGB 142 151 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124.5 147 151 shade: RGB 124.5 147 151, RGB 142 125 151, RGB 151 129 125 and RGB 134 151 125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 3 / 0 / 41

HEX #7C9397

RGB 124.5 147 151

HSL 189.06, 0.11%, 0.54%

LAB 59.36, -7.05, -4.79

 

Complementary color

CMYK 0 / 17 / 20 / 49

HEX #826C68

RGB 130.5 108 104

HSL 9.06, 0.11%, 0.46%

LAB 47.64, 8.21, 5.56

 

CMYK 12 / 0 / 1 / 42

HEX #819392

RGB 129.5 147 146

HSL 176.57, 0.07%, 0.54%

LAB 59.57, -6.44, -1.6

 

CMYK 11 / 0 / 0 / 35

HEX #92A5A5

RGB 146.5 165 165

HSL 180, 0.09%, 0.61%

LAB 66.35, -6.45, -2.21

 

CMYK 11 / 1 / 0 / 28

HEX #A3B7B8

RGB 163.5 183 184

HSL 182.93, 0.13%, 0.68%

LAB 73, -6.48, -2.79

 

CMYK 11 / 1 / 0 / 20

HEX #B4C9CB

RGB 180.5 201 203

HSL 185.33, 0.18%, 0.75%

LAB 79.53, -6.51, -3.36

 

CMYK 11 / 1 / 0 / 13

HEX #C5DBDE

RGB 197.5 219 222

HSL 187.35, 0.27%, 0.82%

LAB 85.94, -6.54, -3.92

 

CMYK 18 / 3 / 0 / 41

HEX #7C9397

RGB 124.5 147 151

HSL 189.06, 0.11%, 0.54%

LAB 59.36, -7.05, -4.79

 

CMYK 19 / 2 / 0 / 48

HEX #6B8184

RGB 107.5 129 132

HSL 187.35, 0.1%, 0.47%

LAB 52.42, -7.06, -4.23

 

CMYK 20 / 2 / 0 / 56

HEX #5A6F71

RGB 90.5 111 113

HSL 185.33, 0.11%, 0.4%

LAB 45.3, -7.09, -3.64

 

CMYK 22 / 1 / 0 / 63

HEX #495D5E

RGB 73.5 93 94

HSL 182.93, 0.12%, 0.33%

LAB 37.97, -7.13, -3.03

 

CMYK 25 / 0 / 0 / 71

HEX #384B4B

RGB 56.5 75 75

HSL 180, 0.14%, 0.26%

LAB 30.39, -7.2, -2.38

 

CMYK 17 / 3 / 0 / 41

HEX #7D9397

RGB 125 147 151

HSL 189.23, 0.11%, 0.54%

LAB 59.4, -6.89, -4.73

 

CMYK 17 / 7 / 0 / 41

HEX #7D8C97

RGB 125 140 151

HSL 205.38, 0.11%, 0.54%

LAB 57.42, -2.98, -7.68

 

CMYK 17 / 12 / 0 / 41

HEX #7D8597

RGB 125 133 151

HSL 221.54, 0.11%, 0.54%

LAB 55.45, 1.01, -10.62

 

CMYK 17 / 17 / 0 / 41

HEX #7D7E97

RGB 125 126 151

HSL 237.69, 0.11%, 0.54%

LAB 53.51, 5.06, -13.54

 

CMYK 13 / 17 / 0 / 41

HEX #837D97

RGB 131 125 151

HSL 253.85, 0.11%, 0.54%

LAB 53.74, 7.7, -13.15

 

CMYK 17 / 3 / 0 / 41

HEX #7D9397

RGB 125 147 151

HSL 189.23, 0.11%, 0.54%

LAB 59.4, -6.89, -4.73

 

CMYK 17 / 7 / 0 / 41

HEX #7D8C97

RGB 125 140 151

HSL 205.38, 0.11%, 0.54%

LAB 57.42, -2.98, -7.68

 

CMYK 17 / 12 / 0 / 41

HEX #7D8597

RGB 125 133 151

HSL 221.54, 0.11%, 0.54%

LAB 55.45, 1.01, -10.62

 

CMYK 17 / 17 / 0 / 41

HEX #7D7E97

RGB 125 126 151

HSL 237.69, 0.11%, 0.54%

LAB 53.51, 5.06, -13.54

 

CMYK 17 / 17 / 0 / 41

HEX #7D7D97

RGB 125 125 151

HSL 240, 0.11%, 0.54%

LAB 53.23, 5.64, -13.95

 

CMYK 17 / 3 / 0 / 41

HEX #7D9397

RGB 125 147 151

HSL 189.23, 0.11%, 0.54%

LAB 59.4, -6.89, -4.73

 

CMYK 38 / 6 / 0 / 33

HEX #6AA0AA

RGB 106 160 170

HSL 189.38, 0.27%, 0.54%

LAB 62.6, -15.17, -10.85

 

CMYK 54 / 8 / 0 / 26

HEX #57ADBD

RGB 87 173 189

HSL 189.41, 0.44%, 0.54%

LAB 66.2, -21.4, -16.12

 

CMYK 67 / 11 / 0 / 18

HEX #44BAD0

RGB 68 186 208

HSL 189.43, 0.6%, 0.54%

LAB 70.11, -25.76, -20.73

 

CMYK 78 / 12 / 0 / 11

HEX #31C8E3

RGB 49 200 227

HSL 189.1, 0.76%, 0.54%

LAB 74.51, -29.1, -24.38

 

CMYK 17 / 3 / 0 / 41

HEX #7D9397

RGB 125 147 151

HSL 189.23, 0.11%, 0.54%

LAB 59.4, -6.89, -4.73

 

CMYK 0 / 8 / 8 / 44

HEX #908584

RGB 144 133 132

HSL 5, 0.05%, 0.54%

LAB 56.46, 3.95, 2.02

 

CMYK 0 / 26 / 31 / 36

HEX #A37871

RGB 163 120 113

HSL 8.4, 0.21%, 0.54%

LAB 54.46, 15.8, 10.43

 

CMYK 0 / 41 / 48 / 29

HEX #B66B5E

RGB 182 107 94

HSL 8.86, 0.38%, 0.54%

LAB 53.24, 28.47, 20.16

 

CMYK 0 / 53 / 63 / 21

HEX #C95E4B

RGB 201 94 75

HSL 9.05, 0.54%, 0.54%

LAB 52.87, 41.12, 31.15

 

CMYK 17 / 0 / 7 / 41

HEX #7D978D

RGB 125 151 141

HSL 156.92, 0.11%, 0.54%

LAB 60.26, -11.24, 2.22

 

CMYK 17 / 0 / 2 / 41

HEX #7D9794

RGB 125 151 148

HSL 173.08, 0.11%, 0.54%

LAB 60.45, -9.75, -1.47

 

CMYK 17 / 3 / 0 / 41

HEX #7D9397

RGB 125 147 151

HSL 189.23, 0.11%, 0.54%

LAB 59.4, -6.89, -4.73

 

CMYK 17 / 7 / 0 / 41

HEX #7D8C97

RGB 125 140 151

HSL 205.38, 0.11%, 0.54%

LAB 57.42, -2.98, -7.68

 

CMYK 17 / 12 / 0 / 41

HEX #7D8597

RGB 125 133 151

HSL 221.54, 0.11%, 0.54%

LAB 55.45, 1.01, -10.62

 

CMYK 20 / 3 / 0 / 58

HEX #56686B

RGB 86 104 107

HSL 188.57, 0.11%, 0.38%

LAB 42.67, -6.02, -3.95

 

CMYK 20 / 3 / 0 / 49

HEX #687E82

RGB 104 126 130

HSL 189.23, 0.11%, 0.46%

LAB 51.24, -7.02, -4.83

 

CMYK 17 / 3 / 0 / 41

HEX #7D9397

RGB 125 147 151

HSL 189.23, 0.11%, 0.54%

LAB 59.4, -6.89, -4.73

 

CMYK 12 / 2 / 0 / 34

HEX #94A6A9

RGB 148 166 169

HSL 188.57, 0.11%, 0.62%

LAB 66.85, -5.65, -3.7

 

CMYK 9 / 1 / 0 / 27

HEX #ABB9BB

RGB 171 185 187

HSL 187.5, 0.11%, 0.7%

LAB 74.15, -4.42, -2.68

 

CMYK 18 / 3 / 0 / 41

HEX #7C9397

RGB 124.5 147 151

HSL 189.06, 0.11%, 0.54%

LAB 59.36, -7.05, -4.79

 

CMYK 11 / 17 / 0 / 41

HEX #867D97

RGB 134 125 151

HSL 260.77, 0.11%, 0.54%

LAB 54, 8.75, -12.73

 

CMYK 0 / 5 / 17 / 41

HEX #97907D

RGB 151 144 125

HSL 43.85, 0.11%, 0.54%

LAB 59.89, -0.75, 11.03

 

CMYK 18 / 3 / 0 / 41

HEX #7C9397

RGB 124.5 147 151

HSL 189.06, 0.11%, 0.54%

LAB 59.36, -7.05, -4.79

 

CMYK 0 / 17 / 3 / 41

HEX #977D93

RGB 151 125 147

HSL 309.23, 0.11%, 0.54%

LAB 55.43, 13.99, -8.09

 

CMYK 3 / 0 / 17 / 41

HEX #93977D

RGB 147 151 125

HSL 69.23, 0.11%, 0.54%

LAB 61.5, -6.16, 13.23

 

CMYK 18 / 3 / 0 / 41

HEX #7C9397

RGB 124.5 147 151

HSL 189.06, 0.11%, 0.54%

LAB 59.36, -7.05, -4.79

 

CMYK 11 / 17 / 0 / 41

HEX #867D97

RGB 134 125 151

HSL 260.77, 0.11%, 0.54%

LAB 54, 8.75, -12.73

 

CMYK 0 / 15 / 17 / 41

HEX #97817D

RGB 151 129 125

HSL 9.23, 0.11%, 0.54%

LAB 55.85, 7.72, 5.27

 

CMYK 6 / 0 / 17 / 41

HEX #8E977D

RGB 142 151 125

HSL 80.77, 0.11%, 0.54%

LAB 61.1, -8.08, 12.62

 

CMYK 18 / 3 / 0 / 41

HEX #7C9397

RGB 124.5 147 151

HSL 189.06, 0.11%, 0.54%

LAB 59.36, -7.05, -4.79

 

CMYK 6 / 17 / 0 / 41

HEX #8E7D97

RGB 142 125 151

HSL 279.23, 0.11%, 0.54%

LAB 54.71, 11.56, -11.58

 

CMYK 0 / 15 / 17 / 41

HEX #97817D

RGB 151 129 125

HSL 9.23, 0.11%, 0.54%

LAB 55.85, 7.72, 5.27

 

CMYK 11 / 0 / 17 / 41

HEX #86977D

RGB 134 151 125

HSL 99.23, 0.11%, 0.54%

LAB 60.5, -11.1, 11.69

 

Description

Color code: RGB 124.5 147 151 | qconv.com Color code: RGB 124.5 147 151 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124.5 red, 147 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124.5 147 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 3 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 3% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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