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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124.1 72.8 205 it is the complementary color RGB 130.9 182.2 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124.1 72.8 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124.1 72.8 205 shade: RGB 129.1 72.8 200, RGB 146.1 90.8 219, RGB 163.1 108.8 238, RGB 180.1 126.8 255 and RGB 197.1 144.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124.1 72.8 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124.1 72.8 205 shade: RGB 124.1 72.8 205, RGB 107.1 54.8 186, RGB 90.1 36.8 167, RGB 73.1 18.8 148 and RGB 56.1 0.8 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124.1 72.8 205 shade: RGB 123 71 205, RGB 159 71 205, RGB 195 71 205, RGB 205 71 178 and RGB 205 71 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124.1 72.8 205 shade: RGB 123 71 205, RGB 87 71 205 and RGB 71 71 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124.1 72.8 205 shade matches the following richer shades: RGB 123 71 205, RGB 118 52 224 and RGB 114 33 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124.1 72.8 205 shade: RGB 123 71 205, RGB 127 90 186, RGB 131 109 167, RGB 135 128 148 and RGB 140 147 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124.1 72.8 205 shade: RGB 71 91 205, RGB 86 71 205, RGB 122 71 205, RGB 158 71 205 and RGB 193 71 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124.1 72.8 205 shade: RGB 84 41 151, RGB 102 50 184, RGB 123 71 205, RGB 146 103 213 and RGB 169 136 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124.1 72.8 205 shade: RGB 124.1 72.8 205, RGB 205 71 127 and RGB 73 205 71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124.1 72.8 205 shade: RGB 124.1 72.8 205, RGB 205 122 71 and RGB 71 205 122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124.1 72.8 205 shade: RGB 124.1 72.8 205, RGB 205 71 127, RGB 153 205 71 and RGB 71 205 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124.1 72.8 205 shade: RGB 124.1 72.8 205, RGB 205 71 86, RGB 153 205 71 and RGB 71 205 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 64 / 0 / 20

HEX #7C48CD

RGB 124.1 72.8 205

HSL 263.28, 0.57%, 0.54%

LAB 43.42, 49.56, -60.8

 

Complementary color

CMYK 28 / 0 / 73 / 29

HEX #82B632

RGB 130.9 182.2 50

HSL 83.28, 0.57%, 0.46%

LAB 68.45, -36.59, 58.29

 

CMYK 35 / 64 / 0 / 22

HEX #8148C8

RGB 129.1 72.8 200

HSL 266.56, 0.54%, 0.53%

LAB 43.63, 49.33, -57.54

 

CMYK 33 / 59 / 0 / 14

HEX #925ADB

RGB 146.1 90.8 219

HSL 265.88, 0.64%, 0.61%

LAB 50.31, 48.36, -57.56

 

CMYK 31 / 54 / 0 / 7

HEX #A36CEE

RGB 163.1 108.8 238

HSL 265.22, 0.79%, 0.68%

LAB 56.94, 47.37, -57.51

 

CMYK 29 / 50 / 0 / 0

HEX #B47EFF

RGB 180.1 126.8 255

HSL 264.95, 1%, 0.75%

LAB 63.39, 45.91, -56.51

 

CMYK 23 / 43 / 0 / 0

HEX #C590FF

RGB 197.1 144.8 255

HSL 268.48, 1%, 0.78%

LAB 68.96, 40.6, -47.59

 

CMYK 39 / 64 / 0 / 20

HEX #7C48CD

RGB 124.1 72.8 205

HSL 263.28, 0.57%, 0.54%

LAB 43.42, 49.56, -60.8

 

CMYK 42 / 71 / 0 / 27

HEX #6B36BA

RGB 107.1 54.8 186

HSL 263.92, 0.54%, 0.47%

LAB 36.73, 50.5, -60.68

 

CMYK 46 / 78 / 0 / 35

HEX #5A24A7

RGB 90.1 36.8 167

HSL 264.56, 0.64%, 0.4%

LAB 30.11, 51.09, -60.25

 

CMYK 51 / 87 / 0 / 42

HEX #491294

RGB 73.1 18.8 148

HSL 265.22, 0.77%, 0.33%

LAB 23.73, 50.85, -59.22

 

CMYK 57 / 99 / 0 / 49

HEX #380081

RGB 56.1 0.8 129

HSL 265.88, 0.99%, 0.25%

LAB 17.67, 49.51, -57.4

 

CMYK 40 / 65 / 0 / 20

HEX #7B47CD

RGB 123 71 205

HSL 263.28, 0.57%, 0.54%

LAB 42.95, 50.27, -61.56

 

CMYK 22 / 65 / 0 / 20

HEX #9F47CD

RGB 159 71 205

HSL 279.4, 0.57%, 0.54%

LAB 47.35, 57.94, -54.25

 

CMYK 5 / 65 / 0 / 20

HEX #C347CD

RGB 195 71 205

HSL 295.52, 0.57%, 0.54%

LAB 52.42, 66.12, -45.86

 

CMYK 0 / 65 / 13 / 20

HEX #CD47B2

RGB 205 71 178

HSL 312.09, 0.57%, 0.54%

LAB 52.62, 64.19, -29.83

 

CMYK 0 / 65 / 31 / 20

HEX #CD478E

RGB 205 71 142

HSL 328.21, 0.57%, 0.54%

LAB 51.2, 59.32, -10.78

 

CMYK 40 / 65 / 0 / 20

HEX #7B47CD

RGB 123 71 205

HSL 263.28, 0.57%, 0.54%

LAB 42.95, 50.27, -61.56

 

CMYK 58 / 65 / 0 / 20

HEX #5747CD

RGB 87 71 205

HSL 247.16, 0.57%, 0.54%

LAB 39.48, 43.69, -67.36

 

CMYK 65 / 65 / 0 / 20

HEX #4747CD

RGB 71 71 205

HSL 240, 0.57%, 0.54%

LAB 38.29, 41.31, -69.35

 

CMYK 40 / 65 / 0 / 20

HEX #7B47CD

RGB 123 71 205

HSL 263.28, 0.57%, 0.54%

LAB 42.95, 50.27, -61.56

 

CMYK 47 / 77 / 0 / 12

HEX #7634E0

RGB 118 52 224

HSL 263.02, 0.74%, 0.54%

LAB 40.72, 63.23, -76.14

 

CMYK 53 / 86 / 0 / 5

HEX #7221F3

RGB 114 33 243

HSL 263.14, 0.9%, 0.54%

LAB 39.81, 73.98, -88.43

 

CMYK 40 / 65 / 0 / 20

HEX #7B47CD

RGB 123 71 205

HSL 263.28, 0.57%, 0.54%

LAB 42.95, 50.27, -61.56

 

CMYK 32 / 52 / 0 / 27

HEX #7F5ABA

RGB 127 90 186

HSL 263.13, 0.41%, 0.54%

LAB 46.14, 35.74, -45.4

 

CMYK 22 / 35 / 0 / 35

HEX #836DA7

RGB 131 109 167

HSL 262.76, 0.25%, 0.54%

LAB 50.16, 20.91, -27.96

 

CMYK 9 / 14 / 0 / 42

HEX #878094

RGB 135 128 148

HSL 261, 0.09%, 0.54%

LAB 54.79, 6.7, -9.79

 

CMYK 5 / 0 / 12 / 42

HEX #8C9381

RGB 140 147 129

HSL 83.33, 0.08%, 0.54%

LAB 59.91, -5.96, 8.66

 

CMYK 65 / 56 / 0 / 20

HEX #475BCD

RGB 71 91 205

HSL 231.04, 0.57%, 0.54%

LAB 43.11, 28.91, -61.51

 

CMYK 58 / 65 / 0 / 20

HEX #5647CD

RGB 86 71 205

HSL 246.72, 0.57%, 0.54%

LAB 39.4, 43.53, -67.5

 

CMYK 40 / 65 / 0 / 20

HEX #7A47CD

RGB 122 71 205

HSL 262.84, 0.57%, 0.54%

LAB 42.84, 50.07, -61.74

 

CMYK 23 / 65 / 0 / 20

HEX #9E47CD

RGB 158 71 205

HSL 278.96, 0.57%, 0.54%

LAB 47.21, 57.72, -54.47

 

CMYK 6 / 65 / 0 / 20

HEX #C147CD

RGB 193 71 205

HSL 294.63, 0.57%, 0.54%

LAB 52.12, 65.66, -46.34

 

CMYK 44 / 73 / 0 / 41

HEX #542997

RGB 84 41 151

HSL 263.45, 0.57%, 0.38%

LAB 28.66, 43.84, -52.93

 

CMYK 45 / 73 / 0 / 28

HEX #6632B8

RGB 102 50 184

HSL 263.28, 0.57%, 0.46%

LAB 35.14, 51.41, -62.12

 

CMYK 40 / 65 / 0 / 20

HEX #7B47CD

RGB 123 71 205

HSL 263.28, 0.57%, 0.54%

LAB 42.95, 50.27, -61.56

 

CMYK 31 / 52 / 0 / 16

HEX #9267D5

RGB 146 103 213

HSL 263.45, 0.57%, 0.62%

LAB 52.53, 40.13, -50.61

 

CMYK 24 / 39 / 0 / 13

HEX #A988DE

RGB 169 136 222

HSL 263.02, 0.57%, 0.7%

LAB 62.77, 29.93, -39.33

 

CMYK 39 / 64 / 0 / 20

HEX #7C48CD

RGB 124.1 72.8 205

HSL 263.28, 0.57%, 0.54%

LAB 43.42, 49.56, -60.8

 

CMYK 0 / 65 / 38 / 20

HEX #CD477F

RGB 205 71 127

HSL 334.93, 0.57%, 0.54%

LAB 50.71, 57.6, -2.53

 

CMYK 64 / 0 / 65 / 20

HEX #49CD47

RGB 73 205 71

HSL 119.1, 0.57%, 0.54%

LAB 73.24, -61.27, 54.4

 

CMYK 39 / 64 / 0 / 20

HEX #7C48CD

RGB 124.1 72.8 205

HSL 263.28, 0.57%, 0.54%

LAB 43.42, 49.56, -60.8

 

CMYK 0 / 40 / 65 / 20

HEX #CD7A47

RGB 205 122 71

HSL 22.84, 0.57%, 0.54%

LAB 59.3, 27.82, 41.16

 

CMYK 65 / 0 / 40 / 20

HEX #47CD7A

RGB 71 205 122

HSL 142.84, 0.57%, 0.54%

LAB 73.81, -54.64, 30.93

 

CMYK 39 / 64 / 0 / 20

HEX #7C48CD

RGB 124.1 72.8 205

HSL 263.28, 0.57%, 0.54%

LAB 43.42, 49.56, -60.8

 

CMYK 0 / 65 / 38 / 20

HEX #CD477F

RGB 205 71 127

HSL 334.93, 0.57%, 0.54%

LAB 50.71, 57.6, -2.53

 

CMYK 25 / 0 / 65 / 20

HEX #99CD47

RGB 153 205 71

HSL 83.28, 0.57%, 0.54%

LAB 76.61, -37.07, 59.02

 

CMYK 65 / 0 / 27 / 20

HEX #47CD95

RGB 71 205 149

HSL 154.93, 0.57%, 0.54%

LAB 74.3, -49.34, 17.44

 

CMYK 39 / 64 / 0 / 20

HEX #7C48CD

RGB 124.1 72.8 205

HSL 263.28, 0.57%, 0.54%

LAB 43.42, 49.56, -60.8

 

CMYK 0 / 65 / 58 / 20

HEX #CD4756

RGB 205 71 86

HSL 353.28, 0.57%, 0.54%

LAB 49.69, 53.9, 20.75

 

CMYK 25 / 0 / 65 / 20

HEX #99CD47

RGB 153 205 71

HSL 83.28, 0.57%, 0.54%

LAB 76.61, -37.07, 59.02

 

CMYK 65 / 0 / 8 / 20

HEX #47CDBD

RGB 71 205 189

HSL 172.84, 0.57%, 0.54%

LAB 75.25, -39.73, -2.69

 

Description

Color code: RGB 124.1 72.8 205 | qconv.com Color code: RGB 124.1 72.8 205 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124.1 red, 72.8 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124.1 72.8 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 64 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 64% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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