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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124.1 147 82 it is the complementary color RGB 130.9 108 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124.1 147 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124.1 147 82 shade: RGB 129.1 147 77, RGB 146.1 165 96, RGB 163.1 183 115, RGB 180.1 201 134 and RGB 197.1 219 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124.1 147 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124.1 147 82 shade: RGB 124.1 147 82, RGB 107.1 129 63, RGB 90.1 111 44, RGB 73.1 93 25 and RGB 56.1 75 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124.1 147 82 shade: RGB 124 147 83, RGB 142 147 83, RGB 147 135 83, RGB 147 118 83 and RGB 147 100 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124.1 147 82 shade: RGB 124 147 83, RGB 107 147 83, RGB 90 147 83, RGB 83 147 93 and RGB 83 147 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124.1 147 82 shade matches the following richer shades: RGB 124 147 83, RGB 130 165 64, RGB 135 184 45, RGB 141 203 27 and RGB 146 221 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124.1 147 82 shade: RGB 124 147 83, RGB 119 128 101, RGB 113 110 120, RGB 108 91 138 and RGB 102 73 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124.1 147 82 shade: RGB 147 135 83, RGB 142 147 83, RGB 124 147 83, RGB 107 147 83 and RGB 90 147 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124.1 147 82 shade: RGB 80 94 53, RGB 102 120 68, RGB 124 147 83, RGB 145 169 102 and RGB 164 184 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124.1 147 82 shade: RGB 124.1 147 82, RGB 83 147 118 and RGB 144 83 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124.1 147 82 shade: RGB 124.1 147 82, RGB 83 124 147 and RGB 147 83 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124.1 147 82 shade: RGB 124.1 147 82, RGB 83 147 118, RGB 105 83 147 and RGB 147 83 112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124.1 147 82 shade: RGB 124.1 147 82, RGB 83 147 137, RGB 105 83 147 and RGB 147 83 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 44 / 42

HEX #7C9352

RGB 124.1 147 82

HSL 81.14, 0.28%, 0.45%

LAB 57.82, -19.39, 31.68

 

Complementary color

CMYK 24 / 38 / 0 / 32

HEX #826CAD

RGB 130.9 108 173

HSL 261.14, 0.28%, 0.55%

LAB 50.17, 22.95, -31.44

 

CMYK 12 / 0 / 48 / 42

HEX #81934D

RGB 129.1 147 77

HSL 75.34, 0.31%, 0.44%

LAB 58.11, -17.93, 34.75

 

CMYK 11 / 0 / 42 / 35

HEX #92A560

RGB 146.1 165 96

HSL 76.43, 0.28%, 0.51%

LAB 64.86, -18.1, 33.53

 

CMYK 11 / 0 / 37 / 28

HEX #A3B773

RGB 163.1 183 115

HSL 77.56, 0.32%, 0.58%

LAB 71.49, -18.2, 32.34

 

CMYK 10 / 0 / 33 / 21

HEX #B4C986

RGB 180.1 201 134

HSL 78.72, 0.38%, 0.66%

LAB 78, -18.27, 31.2

 

CMYK 10 / 0 / 30 / 14

HEX #C5DB99

RGB 197.1 219 153

HSL 79.91, 0.48%, 0.73%

LAB 84.4, -18.32, 30.11

 

CMYK 16 / 0 / 44 / 42

HEX #7C9352

RGB 124.1 147 82

HSL 81.14, 0.28%, 0.45%

LAB 57.82, -19.39, 31.68

 

CMYK 17 / 0 / 51 / 49

HEX #6B813F

RGB 107.1 129 63

HSL 79.91, 0.34%, 0.38%

LAB 50.91, -19.27, 32.92

 

CMYK 19 / 0 / 60 / 56

HEX #5A6F2C

RGB 90.1 111 44

HSL 78.72, 0.43%, 0.3%

LAB 43.84, -19.06, 34.1

 

CMYK 21 / 0 / 73 / 64

HEX #495D19

RGB 73.1 93 25

HSL 77.56, 0.58%, 0.23%

LAB 36.59, -18.66, 34.93

 

CMYK 25 / 0 / 92 / 71

HEX #384B06

RGB 56.1 75 6

HSL 76.43, 0.85%, 0.16%

LAB 29.13, -17.96, 34.73

 

CMYK 16 / 0 / 44 / 42

HEX #7C9353

RGB 124 147 83

HSL 81.56, 0.28%, 0.45%

LAB 57.82, -19.3, 31.16

 

CMYK 3 / 0 / 44 / 42

HEX #8E9353

RGB 142 147 83

HSL 64.69, 0.28%, 0.45%

LAB 59.2, -11.88, 33.18

 

CMYK 0 / 8 / 44 / 42

HEX #938753

RGB 147 135 83

HSL 48.75, 0.28%, 0.45%

LAB 56.24, -3.2, 29.55

 

CMYK 0 / 20 / 44 / 42

HEX #937653

RGB 147 118 83

HSL 32.81, 0.28%, 0.45%

LAB 51.59, 6.41, 23.55

 

CMYK 0 / 32 / 44 / 42

HEX #936453

RGB 147 100 83

HSL 15.94, 0.28%, 0.45%

LAB 46.9, 16.82, 17.3

 

CMYK 16 / 0 / 44 / 42

HEX #7C9353

RGB 124 147 83

HSL 81.56, 0.28%, 0.45%

LAB 57.82, -19.3, 31.16

 

CMYK 27 / 0 / 44 / 42

HEX #6B9353

RGB 107 147 83

HSL 97.5, 0.28%, 0.45%

LAB 56.7, -25.92, 29.5

 

CMYK 39 / 0 / 44 / 42

HEX #5A9353

RGB 90 147 83

HSL 113.44, 0.28%, 0.45%

LAB 55.75, -31.99, 28.09

 

CMYK 44 / 0 / 37 / 42

HEX #53935D

RGB 83 147 93

HSL 129.38, 0.28%, 0.45%

LAB 55.58, -32.59, 22.35

 

CMYK 44 / 0 / 25 / 42

HEX #53936E

RGB 83 147 110

HSL 145.31, 0.28%, 0.45%

LAB 55.92, -29.31, 13.29

 

CMYK 16 / 0 / 44 / 42

HEX #7C9353

RGB 124 147 83

HSL 81.56, 0.28%, 0.45%

LAB 57.82, -19.3, 31.16

 

CMYK 21 / 0 / 61 / 35

HEX #82A540

RGB 130 165 64

HSL 80.79, 0.44%, 0.45%

LAB 63.36, -27.88, 47.24

 

CMYK 27 / 0 / 76 / 28

HEX #87B82D

RGB 135 184 45

HSL 81.15, 0.61%, 0.45%

LAB 69.2, -36.11, 60.83

 

CMYK 31 / 0 / 87 / 20

HEX #8DCB1B

RGB 141 203 27

HSL 81.14, 0.77%, 0.45%

LAB 75.11, -42.94, 71.03

 

CMYK 34 / 0 / 96 / 13

HEX #92DD08

RGB 146 221 8

HSL 81.13, 0.93%, 0.45%

LAB 80.65, -49.05, 78.23

 

CMYK 16 / 0 / 44 / 42

HEX #7C9353

RGB 124 147 83

HSL 81.56, 0.28%, 0.45%

LAB 57.82, -19.3, 31.16

 

CMYK 7 / 0 / 21 / 50

HEX #778065

RGB 119 128 101

HSL 80, 0.12%, 0.45%

LAB 52.17, -8.46, 13.57

 

CMYK 6 / 8 / 0 / 53

HEX #716E78

RGB 113 110 120

HSL 258, 0.04%, 0.45%

LAB 47, 3.24, -5.13

 

CMYK 22 / 34 / 0 / 46

HEX #6C5B8A

RGB 108 91 138

HSL 261.7, 0.21%, 0.45%

LAB 42.01, 17.21, -23.58

 

CMYK 35 / 54 / 0 / 38

HEX #66499D

RGB 102 73 157

HSL 260.71, 0.37%, 0.45%

LAB 37.89, 31.46, -41.57

 

CMYK 0 / 8 / 44 / 42

HEX #938753

RGB 147 135 83

HSL 48.75, 0.28%, 0.45%

LAB 56.24, -3.2, 29.55

 

CMYK 3 / 0 / 44 / 42

HEX #8E9353

RGB 142 147 83

HSL 64.69, 0.28%, 0.45%

LAB 59.2, -11.88, 33.18

 

CMYK 16 / 0 / 44 / 42

HEX #7C9353

RGB 124 147 83

HSL 81.56, 0.28%, 0.45%

LAB 57.82, -19.3, 31.16

 

CMYK 27 / 0 / 44 / 42

HEX #6B9353

RGB 107 147 83

HSL 97.5, 0.28%, 0.45%

LAB 56.7, -25.92, 29.5

 

CMYK 39 / 0 / 44 / 42

HEX #5A9353

RGB 90 147 83

HSL 113.44, 0.28%, 0.45%

LAB 55.75, -31.99, 28.09

 

CMYK 15 / 0 / 44 / 63

HEX #505E35

RGB 80 94 53

HSL 80.49, 0.28%, 0.29%

LAB 37.78, -13.13, 21.72

 

CMYK 15 / 0 / 43 / 53

HEX #667844

RGB 102 120 68

HSL 80.77, 0.28%, 0.37%

LAB 47.85, -16.02, 26.35

 

CMYK 16 / 0 / 44 / 42

HEX #7C9353

RGB 124 147 83

HSL 81.56, 0.28%, 0.45%

LAB 57.82, -19.3, 31.16

 

CMYK 14 / 0 / 40 / 34

HEX #91A966

RGB 145 169 102

HSL 81.49, 0.28%, 0.53%

LAB 66.02, -19.82, 31.85

 

CMYK 11 / 0 / 30 / 28

HEX #A4B880

RGB 164 184 128

HSL 81.43, 0.28%, 0.61%

LAB 72.05, -16.6, 26.24

 

CMYK 16 / 0 / 44 / 42

HEX #7C9352

RGB 124.1 147 82

HSL 81.14, 0.28%, 0.45%

LAB 57.82, -19.39, 31.68

 

CMYK 44 / 0 / 20 / 42

HEX #539376

RGB 83 147 118

HSL 152.81, 0.28%, 0.45%

LAB 56.1, -27.58, 9.01

 

CMYK 2 / 44 / 0 / 42

HEX #905393

RGB 144 83 147

HSL 297.19, 0.28%, 0.45%

LAB 44.55, 35.71, -24.73

 

CMYK 16 / 0 / 44 / 42

HEX #7C9352

RGB 124.1 147 82

HSL 81.14, 0.28%, 0.45%

LAB 57.82, -19.39, 31.68

 

CMYK 44 / 16 / 0 / 42

HEX #537C93

RGB 83 124 147

HSL 201.56, 0.28%, 0.45%

LAB 49.93, -7.87, -16.9

 

CMYK 0 / 44 / 16 / 42

HEX #93537C

RGB 147 83 124

HSL 321.56, 0.28%, 0.45%

LAB 44.01, 32.48, -11.63

 

CMYK 16 / 0 / 44 / 42

HEX #7C9352

RGB 124.1 147 82

HSL 81.14, 0.28%, 0.45%

LAB 57.82, -19.39, 31.68

 

CMYK 44 / 0 / 20 / 42

HEX #539376

RGB 83 147 118

HSL 152.81, 0.28%, 0.45%

LAB 56.1, -27.58, 9.01

 

CMYK 29 / 44 / 0 / 42

HEX #695393

RGB 105 83 147

HSL 260.63, 0.28%, 0.45%

LAB 40.08, 23.52, -32.05

 

CMYK 0 / 44 / 24 / 42

HEX #935370

RGB 147 83 112

HSL 332.81, 0.28%, 0.45%

LAB 43.59, 30.53, -4.94

 

CMYK 16 / 0 / 44 / 42

HEX #7C9352

RGB 124.1 147 82

HSL 81.14, 0.28%, 0.45%

LAB 57.82, -19.39, 31.68

 

CMYK 44 / 0 / 7 / 42

HEX #539389

RGB 83 147 137

HSL 170.63, 0.28%, 0.45%

LAB 56.6, -23.07, -1.13

 

CMYK 29 / 44 / 0 / 42

HEX #695393

RGB 105 83 147

HSL 260.63, 0.28%, 0.45%

LAB 40.08, 23.52, -32.05

 

CMYK 0 / 44 / 37 / 42

HEX #93535C

RGB 147 83 92

HSL 351.56, 0.28%, 0.45%

LAB 43.01, 27.69, 6.47

 

Description

Color code: RGB 124.1 147 82 | qconv.com Color code: RGB 124.1 147 82 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124.1 red, 147 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124.1 147 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 44 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 44% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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