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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123.3 252.4 174 it is the complementary color RGB 131.7 2.6 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123.3 252.4 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123.3 252.4 174 shade: RGB 128.3 252.4 169, RGB 145.3 255 188, RGB 162.3 255 207, RGB 179.3 255 226 and RGB 196.3 255 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123.3 252.4 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123.3 252.4 174 shade: RGB 123.3 252.4 174, RGB 106.3 234.4 155, RGB 89.3 216.4 136, RGB 72.3 198.4 117 and RGB 55.3 180.4 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123.3 252.4 174 shade: RGB 125 252 175, RGB 125 252 141, RGB 144 252 125, RGB 178 252 125 and RGB 212 252 125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123.3 252.4 174 shade: RGB 125 252 175, RGB 125 252 209, RGB 125 252 244, RGB 125 227 252 and RGB 125 192 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123.3 252.4 174 shade matches the following richer shades: RGB 125 252 175

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123.3 252.4 174 shade: RGB 125 252 175, RGB 136 242 177, RGB 147 231 180, RGB 157 220 182 and RGB 168 209 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123.3 252.4 174 shade: RGB 144 252 125, RGB 125 252 140, RGB 125 252 174, RGB 125 252 208 and RGB 125 252 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123.3 252.4 174 shade: RGB 44 251 125, RGB 85 252 150, RGB 125 252 175, RGB 165 253 200 and RGB 206 254 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123.3 252.4 174 shade: RGB 123.3 252.4 174, RGB 125 178 252 and RGB 252 125 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123.3 252.4 174 shade: RGB 123.3 252.4 174, RGB 174 125 252 and RGB 252 174 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123.3 252.4 174 shade: RGB 123.3 252.4 174, RGB 125 178 252, RGB 252 125 204 and RGB 252 199 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123.3 252.4 174 shade: RGB 123.3 252.4 174, RGB 125 140 252, RGB 252 125 204 and RGB 252 237 125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 31 / 1

HEX #7BFCAE

RGB 123.3 252.4 174

HSL 143.56, 0.96%, 0.74%

LAB 90.4, -52.87, 26.85

 

Complementary color

CMYK 0 / 98 / 38 / 48

HEX #830251

RGB 131.7 2.6 81

HSL 323.56, 0.96%, 0.26%

LAB 28.2, 53.02, -8.51

 

CMYK 49 / 0 / 33 / 1

HEX #80FCA9

RGB 128.3 252.4 169

HSL 139.68, 0.96%, 0.75%

LAB 90.48, -52.56, 29.52

 

CMYK 43 / 0 / 26 / 0

HEX #91FFBC

RGB 145.3 255 188

HSL 143.35, 1%, 0.78%

LAB 92.22, -45.89, 22.37

 

CMYK 36 / 0 / 19 / 0

HEX #A2FFCF

RGB 162.3 255 207

HSL 148.93, 1%, 0.82%

LAB 93.34, -37.68, 14.33

 

CMYK 30 / 0 / 11 / 0

HEX #B3FFE2

RGB 179.3 255 226

HSL 157.01, 1%, 0.85%

LAB 94.58, -29.13, 6.44

 

CMYK 23 / 0 / 4 / 0

HEX #C4FFF5

RGB 196.3 255 245

HSL 169.78, 1%, 0.88%

LAB 95.95, -20.33, -1.24

 

CMYK 51 / 0 / 31 / 1

HEX #7BFCAE

RGB 123.3 252.4 174

HSL 143.56, 0.96%, 0.74%

LAB 90.4, -52.87, 26.85

 

CMYK 55 / 0 / 34 / 8

HEX #6AEA9B

RGB 106.3 234.4 155

HSL 142.81, 0.76%, 0.67%

LAB 84.24, -52.94, 28.07

 

CMYK 59 / 0 / 37 / 15

HEX #59D888

RGB 89.3 216.4 136

HSL 142.05, 0.62%, 0.6%

LAB 78.01, -52.92, 29.38

 

CMYK 64 / 0 / 41 / 22

HEX #48C675

RGB 72.3 198.4 117

HSL 141.27, 0.53%, 0.53%

LAB 71.72, -52.74, 30.77

 

CMYK 69 / 0 / 46 / 29

HEX #37B462

RGB 55.3 180.4 98

HSL 140.48, 0.53%, 0.46%

LAB 65.36, -52.32, 32.27

 

CMYK 50 / 0 / 31 / 1

HEX #7DFCAF

RGB 125 252 175

HSL 143.62, 0.95%, 0.74%

LAB 90.36, -52.12, 26.3

 

CMYK 50 / 0 / 44 / 1

HEX #7DFC8D

RGB 125 252 141

HSL 127.56, 0.95%, 0.74%

LAB 89.81, -57.72, 42.48

 

CMYK 43 / 0 / 50 / 1

HEX #90FC7D

RGB 144 252 125

HSL 111.02, 0.95%, 0.74%

LAB 90.34, -54.68, 50.87

 

CMYK 29 / 0 / 50 / 1

HEX #B2FC7D

RGB 178 252 125

HSL 94.96, 0.95%, 0.74%

LAB 91.94, -43.92, 53.19

 

CMYK 16 / 0 / 50 / 1

HEX #D4FC7D

RGB 212 252 125

HSL 78.9, 0.95%, 0.74%

LAB 93.93, -31.81, 56.05

 

CMYK 50 / 0 / 31 / 1

HEX #7DFCAF

RGB 125 252 175

HSL 143.62, 0.95%, 0.74%

LAB 90.36, -52.12, 26.3

 

CMYK 50 / 0 / 17 / 1

HEX #7DFCD1

RGB 125 252 209

HSL 159.69, 0.95%, 0.74%

LAB 91.05, -45.31, 9.83

 

CMYK 50 / 0 / 3 / 1

HEX #7DFCF4

RGB 125 252 244

HSL 176.22, 0.95%, 0.74%

LAB 91.91, -37.19, -7.03

 

CMYK 50 / 10 / 0 / 1

HEX #7DE3FC

RGB 125 227 252

HSL 191.81, 0.95%, 0.74%

LAB 85.16, -23.22, -21.33

 

CMYK 50 / 24 / 0 / 1

HEX #7DC0FC

RGB 125 192 252

HSL 208.35, 0.95%, 0.74%

LAB 75.51, -5.08, -36.12

 

CMYK 50 / 0 / 31 / 1

HEX #7DFCAF

RGB 125 252 175

HSL 143.62, 0.95%, 0.74%

LAB 90.36, -52.12, 26.3

 

CMYK 50 / 0 / 31 / 1

HEX #7DFCAF

RGB 125 252 175

HSL 143.62, 0.95%, 0.74%

LAB 90.36, -52.12, 26.3

 

CMYK 44 / 0 / 27 / 5

HEX #88F2B1

RGB 136 242 177

HSL 143.21, 0.8%, 0.74%

LAB 87.93, -44.76, 22.01

 

CMYK 36 / 0 / 22 / 9

HEX #93E7B4

RGB 147 231 180

HSL 143.57, 0.64%, 0.74%

LAB 85.33, -36.25, 16.91

 

CMYK 29 / 0 / 17 / 14

HEX #9DDCB6

RGB 157 220 182

HSL 143.81, 0.47%, 0.74%

LAB 82.77, -27.73, 12.33

 

CMYK 20 / 0 / 12 / 18

HEX #A8D1B8

RGB 168 209 184

HSL 143.41, 0.31%, 0.74%

LAB 80.4, -18.44, 7.97

 

CMYK 43 / 0 / 50 / 1

HEX #90FC7D

RGB 144 252 125

HSL 111.02, 0.95%, 0.74%

LAB 90.34, -54.68, 50.87

 

CMYK 50 / 0 / 44 / 1

HEX #7DFC8C

RGB 125 252 140

HSL 127.09, 0.95%, 0.74%

LAB 89.8, -57.86, 42.94

 

CMYK 50 / 0 / 31 / 1

HEX #7DFCAE

RGB 125 252 174

HSL 143.15, 0.95%, 0.74%

LAB 90.34, -52.3, 26.78

 

CMYK 50 / 0 / 17 / 1

HEX #7DFCD0

RGB 125 252 208

HSL 159.21, 0.95%, 0.74%

LAB 91.02, -45.53, 10.32

 

CMYK 50 / 0 / 4 / 1

HEX #7DFCF2

RGB 125 252 242

HSL 175.28, 0.95%, 0.74%

LAB 91.86, -37.68, -6.08

 

CMYK 82 / 0 / 50 / 2

HEX #2CFB7D

RGB 44 251 125

HSL 143.48, 0.96%, 0.58%

LAB 87.49, -73.78, 46.8

 

CMYK 66 / 0 / 40 / 1

HEX #55FC96

RGB 85 252 150

HSL 143.35, 0.97%, 0.66%

LAB 88.81, -64.78, 36.55

 

CMYK 50 / 0 / 31 / 1

HEX #7DFCAF

RGB 125 252 175

HSL 143.62, 0.95%, 0.74%

LAB 90.36, -52.12, 26.3

 

CMYK 35 / 0 / 21 / 1

HEX #A5FDC8

RGB 165 253 200

HSL 143.86, 0.96%, 0.82%

LAB 92.76, -37.35, 17.12

 

CMYK 19 / 0 / 11 / 0

HEX #CEFEE1

RGB 206 254 225

HSL 143.75, 0.96%, 0.9%

LAB 95.76, -20.76, 8.85

 

CMYK 51 / 0 / 31 / 1

HEX #7BFCAE

RGB 123.3 252.4 174

HSL 143.56, 0.96%, 0.74%

LAB 90.4, -52.87, 26.85

 

CMYK 50 / 29 / 0 / 1

HEX #7DB2FC

RGB 125 178 252

HSL 214.96, 0.95%, 0.74%

LAB 71.71, 2.62, -42.03

 

CMYK 0 / 50 / 50 / 1

HEX #FC7D7F

RGB 252 125 127

HSL 359.06, 0.95%, 0.74%

LAB 67.2, 48.51, 21.81

 

CMYK 51 / 0 / 31 / 1

HEX #7BFCAE

RGB 123.3 252.4 174

HSL 143.56, 0.96%, 0.74%

LAB 90.4, -52.87, 26.85

 

CMYK 31 / 50 / 0 / 1

HEX #AE7DFC

RGB 174 125 252

HSL 263.15, 0.95%, 0.74%

LAB 62.25, 44.64, -56.73

 

CMYK 0 / 31 / 50 / 1

HEX #FCAE7D

RGB 252 174 125

HSL 23.15, 0.95%, 0.74%

LAB 77.55, 23.26, 36.55

 

CMYK 51 / 0 / 31 / 1

HEX #7BFCAE

RGB 123.3 252.4 174

HSL 143.56, 0.96%, 0.74%

LAB 90.4, -52.87, 26.85

 

CMYK 50 / 29 / 0 / 1

HEX #7DB2FC

RGB 125 178 252

HSL 214.96, 0.95%, 0.74%

LAB 71.71, 2.62, -42.03

 

CMYK 0 / 50 / 19 / 1

HEX #FC7DCC

RGB 252 125 204

HSL 322.68, 0.95%, 0.74%

LAB 69.27, 57.47, -18.5

 

CMYK 0 / 21 / 50 / 1

HEX #FCC77D

RGB 252 199 125

HSL 34.96, 0.95%, 0.74%

LAB 83.45, 10.18, 44.02

 

CMYK 51 / 0 / 31 / 1

HEX #7BFCAE

RGB 123.3 252.4 174

HSL 143.56, 0.96%, 0.74%

LAB 90.4, -52.87, 26.85

 

CMYK 50 / 44 / 0 / 1

HEX #7D8CFC

RGB 125 140 252

HSL 232.91, 0.95%, 0.74%

LAB 61.78, 24.51, -57.71

 

CMYK 0 / 50 / 19 / 1

HEX #FC7DCC

RGB 252 125 204

HSL 322.68, 0.95%, 0.74%

LAB 69.27, 57.47, -18.5

 

CMYK 0 / 6 / 50 / 1

HEX #FCED7D

RGB 252 237 125

HSL 52.91, 0.95%, 0.74%

LAB 92.9, -9.16, 55.53

 

Description

Color code: RGB 123.3 252.4 174 | qconv.com Color code: RGB 123.3 252.4 174 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123.3 red, 252.4 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123.3 252.4 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 31 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 31% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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