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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123.1 198.8 202 it is the complementary color RGB 131.9 56.2 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123.1 198.8 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123.1 198.8 202 shade: RGB 128.1 198.8 197, RGB 145.1 216.8 216, RGB 162.1 234.8 235, RGB 179.1 252.8 254 and RGB 196.1 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123.1 198.8 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123.1 198.8 202 shade: RGB 123.1 198.8 202, RGB 106.1 180.8 183, RGB 89.1 162.8 164, RGB 72.1 144.8 145 and RGB 55.1 126.8 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123.1 198.8 202 shade: RGB 123 199 202, RGB 123 178 202, RGB 123 156 202, RGB 123 135 202 and RGB 133 123 202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123.1 198.8 202 shade: RGB 123 199 202, RGB 123 178 202, RGB 123 156 202, RGB 123 135 202 and RGB 123 123 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123.1 198.8 202 shade matches the following richer shades: RGB 123 199 202, RGB 108 213 217, RGB 94 226 232 and RGB 79 240 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123.1 198.8 202 shade: RGB 123 199 202, RGB 138 185 187, RGB 153 172 172, RGB 168 158 158 and RGB 183 144 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123.1 198.8 202 shade: RGB 123 202 163, RGB 123 202 184, RGB 123 200 202, RGB 123 178 202 and RGB 123 157 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123.1 198.8 202 shade: RGB 69 170 174, RGB 94 186 190, RGB 123 199 202, RGB 153 211 214 and RGB 182 224 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123.1 198.8 202 shade: RGB 123.1 198.8 202, RGB 142 123 202 and RGB 202 173 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123.1 198.8 202 shade: RGB 123.1 198.8 202, RGB 202 123 200 and RGB 200 202 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123.1 198.8 202 shade: RGB 123.1 198.8 202, RGB 142 123 202, RGB 202 126 123 and RGB 184 202 123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123.1 198.8 202 shade: RGB 123.1 198.8 202, RGB 165 123 202, RGB 202 126 123 and RGB 160 202 123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 2 / 0 / 21

HEX #7BC6CA

RGB 123.1 198.8 202

HSL 182.43, 0.43%, 0.64%

LAB 75.6, -22.58, -9

 

Complementary color

CMYK 0 / 57 / 60 / 48

HEX #833835

RGB 131.9 56.2 53

HSL 2.43, 0.43%, 0.36%

LAB 33.99, 32.31, 18.06

 

CMYK 36 / 0 / 1 / 22

HEX #80C6C5

RGB 128.1 198.8 197

HSL 178.47, 0.39%, 0.64%

LAB 75.69, -22.49, -6.14

 

CMYK 33 / 0 / 0 / 15

HEX #91D8D8

RGB 145.1 216.8 216

HSL 179.33, 0.48%, 0.71%

LAB 82.11, -22.4, -6.73

 

CMYK 31 / 0 / 0 / 8

HEX #A2EAEB

RGB 162.1 234.8 235

HSL 180.16, 0.65%, 0.78%

LAB 88.44, -22.31, -7.31

 

CMYK 29 / 0 / 0 / 0

HEX #B3FCFE

RGB 179.1 252.8 254

HSL 180.96, 0.97%, 0.85%

LAB 94.69, -22.22, -7.86

 

CMYK 23 / 0 / 0 / 0

HEX #C4FFFF

RGB 196.1 255 255

HSL 180, 1%, 0.88%

LAB 96.2, -18.32, -6.03

 

CMYK 39 / 2 / 0 / 21

HEX #7BC6CA

RGB 123.1 198.8 202

HSL 182.43, 0.43%, 0.64%

LAB 75.6, -22.58, -9

 

CMYK 42 / 1 / 0 / 28

HEX #6AB4B7

RGB 106.1 180.8 183

HSL 181.72, 0.35%, 0.57%

LAB 69.08, -22.6, -8.41

 

CMYK 46 / 1 / 0 / 36

HEX #59A2A4

RGB 89.1 162.8 164

HSL 180.96, 0.3%, 0.5%

LAB 62.45, -22.59, -7.78

 

CMYK 50 / 0 / 0 / 43

HEX #489091

RGB 72.1 144.8 145

HSL 180.16, 0.34%, 0.43%

LAB 55.7, -22.53, -7.1

 

CMYK 57 / 0 / 1 / 50

HEX #377E7E

RGB 55.1 126.8 126

HSL 179.33, 0.39%, 0.36%

LAB 48.82, -22.38, -6.35

 

CMYK 39 / 1 / 0 / 21

HEX #7BC7CA

RGB 123 199 202

HSL 182.28, 0.43%, 0.64%

LAB 75.65, -22.7, -8.93

 

CMYK 39 / 12 / 0 / 21

HEX #7BB2CA

RGB 123 178 202

HSL 198.23, 0.43%, 0.64%

LAB 69.69, -11.85, -17.87

 

CMYK 39 / 23 / 0 / 21

HEX #7B9CCA

RGB 123 156 202

HSL 214.94, 0.43%, 0.64%

LAB 63.55, 0.23, -27.25

 

CMYK 39 / 33 / 0 / 21

HEX #7B87CA

RGB 123 135 202

HSL 230.89, 0.43%, 0.64%

LAB 57.85, 12.35, -36.1

 

CMYK 34 / 39 / 0 / 21

HEX #857BCA

RGB 133 123 202

HSL 247.59, 0.43%, 0.64%

LAB 55.5, 22.18, -39.73

 

CMYK 39 / 1 / 0 / 21

HEX #7BC7CA

RGB 123 199 202

HSL 182.28, 0.43%, 0.64%

LAB 75.65, -22.7, -8.93

 

CMYK 39 / 12 / 0 / 21

HEX #7BB2CA

RGB 123 178 202

HSL 198.23, 0.43%, 0.64%

LAB 69.69, -11.85, -17.87

 

CMYK 39 / 23 / 0 / 21

HEX #7B9CCA

RGB 123 156 202

HSL 214.94, 0.43%, 0.64%

LAB 63.55, 0.23, -27.25

 

CMYK 39 / 33 / 0 / 21

HEX #7B87CA

RGB 123 135 202

HSL 230.89, 0.43%, 0.64%

LAB 57.85, 12.35, -36.1

 

CMYK 39 / 39 / 0 / 21

HEX #7B7BCA

RGB 123 123 202

HSL 240, 0.43%, 0.64%

LAB 54.7, 19.46, -41.05

 

CMYK 39 / 1 / 0 / 21

HEX #7BC7CA

RGB 123 199 202

HSL 182.28, 0.43%, 0.64%

LAB 75.65, -22.7, -8.93

 

CMYK 50 / 2 / 0 / 15

HEX #6CD5D9

RGB 108 213 217

HSL 182.2, 0.59%, 0.64%

LAB 79.49, -29.25, -11.34

 

CMYK 59 / 3 / 0 / 9

HEX #5EE2E8

RGB 94 226 232

HSL 182.61, 0.75%, 0.64%

LAB 83.23, -34.08, -13.77

 

CMYK 68 / 3 / 0 / 3

HEX #4FF0F7

RGB 79 240 247

HSL 182.5, 0.91%, 0.64%

LAB 87.34, -38.66, -15.55

 

CMYK 39 / 1 / 0 / 21

HEX #7BC7CA

RGB 123 199 202

HSL 182.28, 0.43%, 0.64%

LAB 75.65, -22.7, -8.93

 

CMYK 26 / 1 / 0 / 27

HEX #8AB9BB

RGB 138 185 187

HSL 182.45, 0.26%, 0.64%

LAB 72.02, -14.97, -6.07

 

CMYK 11 / 0 / 0 / 33

HEX #99ACAC

RGB 153 172 172

HSL 180, 0.1%, 0.64%

LAB 68.94, -6.58, -2.25

 

CMYK 0 / 6 / 6 / 34

HEX #A89E9E

RGB 168 158 158

HSL 0, 0.05%, 0.64%

LAB 65.94, 3.64, 1.3

 

CMYK 0 / 21 / 22 / 28

HEX #B7908F

RGB 183 144 143

HSL 1.5, 0.22%, 0.64%

LAB 63.34, 14.54, 6.15

 

CMYK 39 / 0 / 19 / 21

HEX #7BCAA3

RGB 123 202 163

HSL 150.38, 0.43%, 0.64%

LAB 75.51, -33.02, 11.92

 

CMYK 39 / 0 / 9 / 21

HEX #7BCAB8

RGB 123 202 184

HSL 166.33, 0.43%, 0.64%

LAB 76.02, -28.47, 1.34

 

CMYK 39 / 1 / 0 / 21

HEX #7BC8CA

RGB 123 200 202

HSL 181.52, 0.43%, 0.64%

LAB 75.94, -23.2, -8.5

 

CMYK 39 / 12 / 0 / 21

HEX #7BB2CA

RGB 123 178 202

HSL 198.23, 0.43%, 0.64%

LAB 69.69, -11.85, -17.87

 

CMYK 39 / 22 / 0 / 21

HEX #7B9DCA

RGB 123 157 202

HSL 214.18, 0.43%, 0.64%

LAB 63.83, -0.33, -26.83

 

CMYK 60 / 2 / 0 / 32

HEX #45AAAE

RGB 69 170 174

HSL 182.29, 0.43%, 0.48%

LAB 64.22, -27.69, -10.82

 

CMYK 51 / 2 / 0 / 25

HEX #5EBABE

RGB 94 186 190

HSL 182.5, 0.42%, 0.56%

LAB 70.33, -26.19, -10.45

 

CMYK 39 / 1 / 0 / 21

HEX #7BC7CA

RGB 123 199 202

HSL 182.28, 0.43%, 0.64%

LAB 75.65, -22.7, -8.93

 

CMYK 29 / 1 / 0 / 16

HEX #99D3D6

RGB 153 211 214

HSL 182.95, 0.43%, 0.72%

LAB 80.86, -17.76, -7.48

 

CMYK 19 / 1 / 0 / 11

HEX #B6E0E2

RGB 182 224 226

HSL 182.73, 0.43%, 0.8%

LAB 86.38, -13.15, -5.5

 

CMYK 39 / 2 / 0 / 21

HEX #7BC6CA

RGB 123.1 198.8 202

HSL 182.43, 0.43%, 0.64%

LAB 75.6, -22.58, -9

 

CMYK 30 / 39 / 0 / 21

HEX #8E7BCA

RGB 142 123 202

HSL 254.43, 0.43%, 0.64%

LAB 56.27, 24.71, -38.47

 

CMYK 0 / 14 / 39 / 21

HEX #CAAD7B

RGB 202 173 123

HSL 37.97, 0.43%, 0.64%

LAB 72.14, 3.54, 29.59

 

CMYK 39 / 2 / 0 / 21

HEX #7BC6CA

RGB 123.1 198.8 202

HSL 182.43, 0.43%, 0.64%

LAB 75.6, -22.58, -9

 

CMYK 0 / 39 / 1 / 21

HEX #CA7BC8

RGB 202 123 200

HSL 301.52, 0.43%, 0.64%

LAB 62.42, 42.43, -27.3

 

CMYK 1 / 0 / 39 / 21

HEX #C8CA7B

RGB 200 202 123

HSL 61.52, 0.43%, 0.64%

LAB 79.59, -12.42, 39.18

 

CMYK 39 / 2 / 0 / 21

HEX #7BC6CA

RGB 123.1 198.8 202

HSL 182.43, 0.43%, 0.64%

LAB 75.6, -22.58, -9

 

CMYK 30 / 39 / 0 / 21

HEX #8E7BCA

RGB 142 123 202

HSL 254.43, 0.43%, 0.64%

LAB 56.27, 24.71, -38.47

 

CMYK 0 / 38 / 39 / 21

HEX #CA7E7B

RGB 202 126 123

HSL 2.28, 0.43%, 0.64%

LAB 60.7, 29.11, 14.08

 

CMYK 9 / 0 / 39 / 21

HEX #B8CA7B

RGB 184 202 123

HSL 73.67, 0.43%, 0.64%

LAB 78.38, -18.67, 37.4

 

CMYK 39 / 2 / 0 / 21

HEX #7BC6CA

RGB 123.1 198.8 202

HSL 182.43, 0.43%, 0.64%

LAB 75.6, -22.58, -9

 

CMYK 18 / 39 / 0 / 21

HEX #A57BCA

RGB 165 123 202

HSL 271.9, 0.43%, 0.64%

LAB 58.44, 31.47, -34.91

 

CMYK 0 / 38 / 39 / 21

HEX #CA7E7B

RGB 202 126 123

HSL 2.28, 0.43%, 0.64%

LAB 60.7, 29.11, 14.08

 

CMYK 21 / 0 / 39 / 21

HEX #A0CA7B

RGB 160 202 123

HSL 91.9, 0.43%, 0.64%

LAB 76.77, -27.7, 35

 

Description

Color code: RGB 123.1 198.8 202 | qconv.com Color code: RGB 123.1 198.8 202 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123.1 red, 198.8 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123.1 198.8 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 2 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 2% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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