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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123.1 108.8 175 it is the complementary color RGB 131.9 146.2 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123.1 108.8 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123.1 108.8 175 shade: RGB 128.1 108.8 170, RGB 145.1 126.8 189, RGB 162.1 144.8 208, RGB 179.1 162.8 227 and RGB 196.1 180.8 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123.1 108.8 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123.1 108.8 175 shade: RGB 123.1 108.8 175, RGB 106.1 90.8 156, RGB 89.1 72.8 137, RGB 72.1 54.8 118 and RGB 55.1 36.8 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123.1 108.8 175 shade: RGB 124 110 175, RGB 141 110 175, RGB 159 110 175, RGB 175 110 173 and RGB 175 110 156

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123.1 108.8 175 shade: RGB 124 110 175 and RGB 110 110 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123.1 108.8 175 shade matches the following richer shades: RGB 124 110 175, RGB 114 92 193, RGB 103 73 211, RGB 93 55 229 and RGB 83 37 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123.1 108.8 175 shade: RGB 124 110 175, RGB 134 128 157, RGB 144 146 139, RGB 155 164 120 and RGB 165 182 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123.1 108.8 175 shade: RGB 110 131 175, RGB 110 114 175, RGB 123 110 175, RGB 140 110 175 and RGB 157 110 175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123.1 108.8 175 shade: RGB 84 72 130, RGB 102 86 157, RGB 124 110 175, RGB 148 136 189 and RGB 172 163 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123.1 108.8 175 shade: RGB 123.1 108.8 175, RGB 175 110 149 and RGB 123 175 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123.1 108.8 175 shade: RGB 123.1 108.8 175, RGB 175 123 110 and RGB 110 175 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123.1 108.8 175 shade: RGB 123.1 108.8 175, RGB 175 110 149, RGB 162 175 110 and RGB 110 175 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123.1 108.8 175 shade: RGB 123.1 108.8 175, RGB 175 110 129, RGB 162 175 110 and RGB 110 175 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 38 / 0 / 31

HEX #7B6CAF

RGB 123.1 108.8 175

HSL 252.96, 0.29%, 0.56%

LAB 49.75, 20.63, -33.32

 

Complementary color

CMYK 10 / 0 / 45 / 43

HEX #839250

RGB 131.9 146.2 80

HSL 72.96, 0.29%, 0.44%

LAB 58.13, -16.01, 33.25

 

CMYK 25 / 36 / 0 / 33

HEX #806CAA

RGB 128.1 108.8 170

HSL 258.92, 0.26%, 0.55%

LAB 49.97, 20.86, -30.02

 

CMYK 23 / 33 / 0 / 26

HEX #917EBD

RGB 145.1 126.8 189

HSL 257.65, 0.32%, 0.62%

LAB 56.91, 20.18, -30.06

 

CMYK 22 / 30 / 0 / 18

HEX #A290D0

RGB 162.1 144.8 208

HSL 256.42, 0.4%, 0.69%

LAB 63.7, 19.56, -30.13

 

CMYK 21 / 28 / 0 / 11

HEX #B3A2E3

RGB 179.1 162.8 227

HSL 255.23, 0.53%, 0.76%

LAB 70.36, 19, -30.24

 

CMYK 20 / 27 / 0 / 4

HEX #C4B4F6

RGB 196.1 180.8 246

HSL 254.08, 0.78%, 0.84%

LAB 76.9, 18.5, -30.37

 

CMYK 30 / 38 / 0 / 31

HEX #7B6CAF

RGB 123.1 108.8 175

HSL 252.96, 0.29%, 0.56%

LAB 49.75, 20.63, -33.32

 

CMYK 32 / 42 / 0 / 39

HEX #6A5A9C

RGB 106.1 90.8 156

HSL 254.08, 0.26%, 0.48%

LAB 42.64, 21.47, -33.4

 

CMYK 35 / 47 / 0 / 46

HEX #594889

RGB 89.1 72.8 137

HSL 255.23, 0.31%, 0.41%

LAB 35.35, 22.44, -33.54

 

CMYK 39 / 54 / 0 / 54

HEX #483676

RGB 72.1 54.8 118

HSL 256.42, 0.37%, 0.34%

LAB 27.85, 23.58, -33.74

 

CMYK 44 / 63 / 0 / 61

HEX #372463

RGB 55.1 36.8 99

HSL 257.65, 0.46%, 0.27%

LAB 20.15, 24.91, -33.96

 

CMYK 29 / 37 / 0 / 31

HEX #7C6EAF

RGB 124 110 175

HSL 252.92, 0.29%, 0.56%

LAB 50.14, 20.18, -32.7

 

CMYK 19 / 37 / 0 / 31

HEX #8D6EAF

RGB 141 110 175

HSL 268.62, 0.29%, 0.56%

LAB 51.73, 25.37, -30.09

 

CMYK 9 / 37 / 0 / 31

HEX #9F6EAF

RGB 159 110 175

HSL 285.23, 0.29%, 0.56%

LAB 53.62, 31.07, -27.01

 

CMYK 0 / 37 / 1 / 31

HEX #AF6EAD

RGB 175 110 173

HSL 301.85, 0.29%, 0.56%

LAB 55.36, 35.83, -23.02

 

CMYK 0 / 37 / 11 / 31

HEX #AF6E9C

RGB 175 110 156

HSL 317.54, 0.29%, 0.56%

LAB 54.73, 32.74, -14.12

 

CMYK 29 / 37 / 0 / 31

HEX #7C6EAF

RGB 124 110 175

HSL 252.92, 0.29%, 0.56%

LAB 50.14, 20.18, -32.7

 

CMYK 37 / 37 / 0 / 31

HEX #6E6EAF

RGB 110 110 175

HSL 240, 0.29%, 0.56%

LAB 48.96, 16.12, -34.63

 

CMYK 29 / 37 / 0 / 31

HEX #7C6EAF

RGB 124 110 175

HSL 252.92, 0.29%, 0.56%

LAB 50.14, 20.18, -32.7

 

CMYK 41 / 52 / 0 / 24

HEX #725CC1

RGB 114 92 193

HSL 253.07, 0.45%, 0.56%

LAB 45.75, 33.18, -50.16

 

CMYK 51 / 65 / 0 / 17

HEX #6749D3

RGB 103 73 211

HSL 253.04, 0.61%, 0.56%

LAB 41.77, 47.06, -67.03

 

CMYK 59 / 76 / 0 / 10

HEX #5D37E5

RGB 93 55 229

HSL 253.1, 0.77%, 0.56%

LAB 39.1, 60.01, -81.74

 

CMYK 66 / 85 / 0 / 3

HEX #5325F7

RGB 83 37 247

HSL 253.14, 0.93%, 0.56%

LAB 37.62, 71.23, -94.4

 

CMYK 29 / 37 / 0 / 31

HEX #7C6EAF

RGB 124 110 175

HSL 252.92, 0.29%, 0.56%

LAB 50.14, 20.18, -32.7

 

CMYK 15 / 18 / 0 / 38

HEX #86809D

RGB 134 128 157

HSL 252.41, 0.13%, 0.56%

LAB 55.01, 8.34, -14.68

 

CMYK 1 / 0 / 5 / 43

HEX #90928B

RGB 144 146 139

HSL 77.14, 0.03%, 0.56%

LAB 60.2, -2.07, 3.44

 

CMYK 5 / 0 / 27 / 36

HEX #9BA478

RGB 155 164 120

HSL 72.27, 0.19%, 0.56%

LAB 65.65, -10.82, 21.82

 

CMYK 9 / 0 / 44 / 29

HEX #A5B666

RGB 165 182 102

HSL 72.75, 0.35%, 0.56%

LAB 71.16, -18.51, 38.64

 

CMYK 37 / 25 / 0 / 31

HEX #6E83AF

RGB 110 131 175

HSL 220.62, 0.29%, 0.56%

LAB 54.7, 3.56, -25.69

 

CMYK 37 / 35 / 0 / 31

HEX #6E72AF

RGB 110 114 175

HSL 236.31, 0.29%, 0.56%

LAB 50.03, 13.7, -32.95

 

CMYK 30 / 37 / 0 / 31

HEX #7B6EAF

RGB 123 110 175

HSL 252, 0.29%, 0.56%

LAB 50.05, 19.88, -32.85

 

CMYK 20 / 37 / 0 / 31

HEX #8C6EAF

RGB 140 110 175

HSL 267.69, 0.29%, 0.56%

LAB 51.64, 25.06, -30.25

 

CMYK 10 / 37 / 0 / 31

HEX #9D6EAF

RGB 157 110 175

HSL 283.38, 0.29%, 0.56%

LAB 53.4, 30.43, -27.37

 

CMYK 35 / 45 / 0 / 49

HEX #544882

RGB 84 72 130

HSL 252.41, 0.29%, 0.4%

LAB 34.25, 19.45, -31

 

CMYK 35 / 45 / 0 / 38

HEX #66569D

RGB 102 86 157

HSL 253.52, 0.29%, 0.48%

LAB 41.08, 23.52, -36.49

 

CMYK 29 / 37 / 0 / 31

HEX #7C6EAF

RGB 124 110 175

HSL 252.92, 0.29%, 0.56%

LAB 50.14, 20.18, -32.7

 

CMYK 22 / 28 / 0 / 26

HEX #9488BD

RGB 148 136 189

HSL 253.58, 0.29%, 0.64%

LAB 59.51, 15.74, -26.02

 

CMYK 16 / 20 / 0 / 20

HEX #ACA3CC

RGB 172 163 204

HSL 253.17, 0.29%, 0.72%

LAB 68.99, 11.5, -19.74

 

CMYK 30 / 38 / 0 / 31

HEX #7B6CAF

RGB 123.1 108.8 175

HSL 252.96, 0.29%, 0.56%

LAB 49.75, 20.63, -33.32

 

CMYK 0 / 37 / 15 / 31

HEX #AF6E95

RGB 175 110 149

HSL 324, 0.29%, 0.56%

LAB 54.49, 31.54, -10.4

 

CMYK 30 / 0 / 37 / 31

HEX #7BAF6E

RGB 123 175 110

HSL 108, 0.29%, 0.56%

LAB 66.52, -29.81, 27.99

 

CMYK 30 / 38 / 0 / 31

HEX #7B6CAF

RGB 123.1 108.8 175

HSL 252.96, 0.29%, 0.56%

LAB 49.75, 20.63, -33.32

 

CMYK 0 / 30 / 37 / 31

HEX #AF7B6E

RGB 175 123 110

HSL 12, 0.29%, 0.56%

LAB 56.49, 18.54, 15.2

 

CMYK 37 / 0 / 30 / 31

HEX #6EAF7B

RGB 110 175 123

HSL 132, 0.29%, 0.56%

LAB 66.06, -31.93, 20.28

 

CMYK 30 / 38 / 0 / 31

HEX #7B6CAF

RGB 123.1 108.8 175

HSL 252.96, 0.29%, 0.56%

LAB 49.75, 20.63, -33.32

 

CMYK 0 / 37 / 15 / 31

HEX #AF6E95

RGB 175 110 149

HSL 324, 0.29%, 0.56%

LAB 54.49, 31.54, -10.4

 

CMYK 7 / 0 / 37 / 31

HEX #A2AF6E

RGB 162 175 110

HSL 72, 0.29%, 0.56%

LAB 69.09, -15.18, 31.84

 

CMYK 37 / 0 / 22 / 31

HEX #6EAF88

RGB 110 175 136

HSL 144, 0.29%, 0.56%

LAB 66.33, -29.45, 13.55

 

CMYK 30 / 38 / 0 / 31

HEX #7B6CAF

RGB 123.1 108.8 175

HSL 252.96, 0.29%, 0.56%

LAB 49.75, 20.63, -33.32

 

CMYK 0 / 37 / 26 / 31

HEX #AF6E81

RGB 175 110 129

HSL 342.46, 0.29%, 0.56%

LAB 53.87, 28.41, 0.41

 

CMYK 7 / 0 / 37 / 31

HEX #A2AF6E

RGB 162 175 110

HSL 72, 0.29%, 0.56%

LAB 69.09, -15.18, 31.84

 

CMYK 37 / 0 / 11 / 31

HEX #6EAF9B

RGB 110 175 155

HSL 161.54, 0.29%, 0.56%

LAB 66.78, -25.4, 3.71

 

Description

Color code: RGB 123.1 108.8 175 | qconv.com Color code: RGB 123.1 108.8 175 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123.1 red, 108.8 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123.1 108.8 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 38 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 38% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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