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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 53 199 it is the complementary color RGB 133 202 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 53 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 122 53 199 shade: RGB 127 53 194, RGB 144 71 213, RGB 161 89 232, RGB 178 107 251 and RGB 195 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 53 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 122 53 199 shade: RGB 122 53 199, RGB 105 35 180, RGB 88 17 161, RGB 71 0 142 and RGB 54 0 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 122 53 199 shade: RGB 121 52 197, RGB 160 52 197, RGB 197 52 196, RGB 197 52 157 and RGB 197 52 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 122 53 199 shade: RGB 121 52 197, RGB 82 52 197 and RGB 52 52 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 122 53 199 shade matches the following richer shades: RGB 121 52 197, RGB 120 32 218 and RGB 119 12 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 122 53 199 shade: RGB 121 52 197, RGB 122 73 177, RGB 123 93 157, RGB 124 113 137 and RGB 125 133 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 122 53 199 shade: RGB 52 62 197, RGB 81 52 197, RGB 120 52 197, RGB 159 52 197 and RGB 197 52 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 122 53 199 shade: RGB 81 35 132, RGB 101 44 165, RGB 121 52 197, RGB 142 82 209 and RGB 163 115 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 122 53 199 shade: RGB 122 53 199, RGB 197 52 101 and RGB 52 197 62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 122 53 199 shade: RGB 122 53 199, RGB 197 120 52 and RGB 52 197 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 122 53 199 shade: RGB 122 53 199, RGB 197 52 101, RGB 130 197 52 and RGB 52 197 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 122 53 199 shade: RGB 122 53 199, RGB 197 52 57, RGB 130 197 52 and RGB 52 197 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 73 / 0 / 22

HEX #7A35C7

RGB 122 53 199

HSL 268.36, 0.58%, 0.49%

LAB 39.25, 57.28, -64.1

 

Complementary color

CMYK 34 / 0 / 72 / 21

HEX #85CA38

RGB 133 202 56

HSL 88.36, 0.58%, 0.51%

LAB 74.52, -44.12, 62.21

 

CMYK 35 / 73 / 0 / 24

HEX #7F35C2

RGB 127 53 194

HSL 271.49, 0.57%, 0.48%

LAB 39.5, 56.98, -60.75

 

CMYK 32 / 67 / 0 / 16

HEX #9047D5

RGB 144 71 213

HSL 270.85, 0.63%, 0.56%

LAB 45.96, 56.52, -61.17

 

CMYK 31 / 62 / 0 / 9

HEX #A159E8

RGB 161 89 232

HSL 270.21, 0.76%, 0.63%

LAB 52.45, 55.79, -61.38

 

CMYK 29 / 57 / 0 / 2

HEX #B26BFB

RGB 178 107 251

HSL 269.58, 0.95%, 0.7%

LAB 58.92, 54.94, -61.46

 

CMYK 24 / 51 / 0 / 0

HEX #C37DFF

RGB 195 125 255

HSL 272.31, 1%, 0.75%

LAB 64.56, 50.65, -54.57

 

CMYK 39 / 73 / 0 / 22

HEX #7A35C7

RGB 122 53 199

HSL 268.36, 0.58%, 0.49%

LAB 39.25, 57.28, -64.1

 

CMYK 42 / 81 / 0 / 29

HEX #6923B4

RGB 105 35 180

HSL 268.97, 0.67%, 0.42%

LAB 32.92, 57.31, -63.36

 

CMYK 45 / 89 / 0 / 37

HEX #5811A1

RGB 88 17 161

HSL 269.58, 0.81%, 0.35%

LAB 26.87, 56.31, -61.94

 

CMYK 50 / 100 / 0 / 44

HEX #47008E

RGB 71 0 142

HSL 270, 1%, 0.28%

LAB 21.18, 54.02, -59.71

 

CMYK 56 / 100 / 0 / 52

HEX #36007B

RGB 54 0 123

HSL 266.34, 1%, 0.24%

LAB 16.57, 48.14, -55.4

 

CMYK 39 / 74 / 0 / 23

HEX #7934C5

RGB 121 52 197

HSL 268.55, 0.58%, 0.49%

LAB 38.82, 57.06, -63.65

 

CMYK 19 / 74 / 0 / 23

HEX #A034C5

RGB 160 52 197

HSL 284.69, 0.58%, 0.49%

LAB 44.18, 64.37, -54.71

 

CMYK 0 / 74 / 1 / 23

HEX #C534C4

RGB 197 52 196

HSL 300.41, 0.58%, 0.49%

LAB 49.87, 71.76, -44.69

 

CMYK 0 / 74 / 20 / 23

HEX #C5349D

RGB 197 52 157

HSL 316.55, 0.58%, 0.49%

LAB 47.96, 66.04, -24.79

 

CMYK 0 / 74 / 40 / 23

HEX #C53476

RGB 197 52 118

HSL 332.69, 0.58%, 0.49%

LAB 46.49, 61.44, -3.44

 

CMYK 39 / 74 / 0 / 23

HEX #7934C5

RGB 121 52 197

HSL 268.55, 0.58%, 0.49%

LAB 38.82, 57.06, -63.65

 

CMYK 58 / 74 / 0 / 23

HEX #5234C5

RGB 82 52 197

HSL 252.41, 0.58%, 0.49%

LAB 34.56, 50.97, -70.78

 

CMYK 74 / 74 / 0 / 23

HEX #3434C5

RGB 52 52 197

HSL 240, 0.58%, 0.49%

LAB 32.3, 47.59, -74.59

 

CMYK 39 / 74 / 0 / 23

HEX #7934C5

RGB 121 52 197

HSL 268.55, 0.58%, 0.49%

LAB 38.82, 57.06, -63.65

 

CMYK 45 / 85 / 0 / 15

HEX #7820DA

RGB 120 32 218

HSL 268.39, 0.74%, 0.49%

LAB 38, 69.11, -77.16

 

CMYK 50 / 95 / 0 / 7

HEX #770CEE

RGB 119 12 238

HSL 268.41, 0.9%, 0.49%

LAB 38.48, 77.54, -87.79

 

CMYK 39 / 74 / 0 / 23

HEX #7934C5

RGB 121 52 197

HSL 268.55, 0.58%, 0.49%

LAB 38.82, 57.06, -63.65

 

CMYK 31 / 59 / 0 / 31

HEX #7A49B1

RGB 122 73 177

HSL 268.27, 0.42%, 0.49%

LAB 41.34, 41.8, -47.83

 

CMYK 22 / 41 / 0 / 38

HEX #7B5D9D

RGB 123 93 157

HSL 268.13, 0.26%, 0.49%

LAB 44.91, 25.5, -30.32

 

CMYK 9 / 18 / 0 / 46

HEX #7C7189

RGB 124 113 137

HSL 267.5, 0.1%, 0.49%

LAB 49.38, 9.18, -11.58

 

CMYK 6 / 0 / 12 / 48

HEX #7D8575

RGB 125 133 117

HSL 90, 0.06%, 0.49%

LAB 54.47, -6.07, 7.62

 

CMYK 74 / 69 / 0 / 23

HEX #343EC5

RGB 52 62 197

HSL 235.86, 0.58%, 0.49%

LAB 34.41, 41.76, -71.11

 

CMYK 59 / 74 / 0 / 23

HEX #5134C5

RGB 81 52 197

HSL 252, 0.58%, 0.49%

LAB 34.47, 50.84, -70.94

 

CMYK 39 / 74 / 0 / 23

HEX #7834C5

RGB 120 52 197

HSL 268.14, 0.58%, 0.49%

LAB 38.69, 56.88, -63.86

 

CMYK 19 / 74 / 0 / 23

HEX #9F34C5

RGB 159 52 197

HSL 284.28, 0.58%, 0.49%

LAB 44.03, 64.17, -54.96

 

CMYK 0 / 74 / 0 / 23

HEX #C534C5

RGB 197 52 197

HSL 300, 0.58%, 0.49%

LAB 49.93, 71.92, -45.19

 

CMYK 39 / 73 / 0 / 48

HEX #512384

RGB 81 35 132

HSL 268.45, 0.58%, 0.33%

LAB 25.62, 41.19, -46.12

 

CMYK 39 / 73 / 0 / 35

HEX #652CA5

RGB 101 44 165

HSL 268.26, 0.58%, 0.41%

LAB 32.45, 49.18, -55.17

 

CMYK 39 / 74 / 0 / 23

HEX #7934C5

RGB 121 52 197

HSL 268.55, 0.58%, 0.49%

LAB 38.82, 57.06, -63.65

 

CMYK 32 / 61 / 0 / 18

HEX #8E52D1

RGB 142 82 209

HSL 268.35, 0.58%, 0.57%

LAB 47.48, 49.62, -56.44

 

CMYK 25 / 47 / 0 / 15

HEX #A373DA

RGB 163 115 218

HSL 267.96, 0.58%, 0.65%

LAB 57.18, 39.11, -45.93

 

CMYK 39 / 73 / 0 / 22

HEX #7A35C7

RGB 122 53 199

HSL 268.36, 0.58%, 0.49%

LAB 39.25, 57.28, -64.1

 

CMYK 0 / 74 / 49 / 23

HEX #C53465

RGB 197 52 101

HSL 339.72, 0.58%, 0.49%

LAB 46, 59.84, 6.29

 

CMYK 74 / 0 / 69 / 23

HEX #34C53E

RGB 52 197 62

HSL 124.14, 0.58%, 0.49%

LAB 70.18, -63.32, 54.6

 

CMYK 39 / 73 / 0 / 22

HEX #7A35C7

RGB 122 53 199

HSL 268.36, 0.58%, 0.49%

LAB 39.25, 57.28, -64.1

 

CMYK 0 / 39 / 74 / 23

HEX #C57834

RGB 197 120 52

HSL 28.14, 0.58%, 0.49%

LAB 57.61, 24.52, 48.42

 

CMYK 74 / 0 / 39 / 23

HEX #34C578

RGB 52 197 120

HSL 148.14, 0.58%, 0.49%

LAB 70.88, -55.11, 28.03

 

CMYK 39 / 73 / 0 / 22

HEX #7A35C7

RGB 122 53 199

HSL 268.36, 0.58%, 0.49%

LAB 39.25, 57.28, -64.1

 

CMYK 0 / 74 / 49 / 23

HEX #C53465

RGB 197 52 101

HSL 339.72, 0.58%, 0.49%

LAB 46, 59.84, 6.29

 

CMYK 34 / 0 / 74 / 23

HEX #82C534

RGB 130 197 52

HSL 87.72, 0.58%, 0.49%

LAB 72.84, -43.3, 61.9

 

CMYK 74 / 0 / 24 / 23

HEX #34C595

RGB 52 197 149

HSL 160.14, 0.58%, 0.49%

LAB 71.44, -49, 13.38

 

CMYK 39 / 73 / 0 / 22

HEX #7A35C7

RGB 122 53 199

HSL 268.36, 0.58%, 0.49%

LAB 39.25, 57.28, -64.1

 

CMYK 0 / 74 / 71 / 23

HEX #C53439

RGB 197 52 57

HSL 357.93, 0.58%, 0.49%

LAB 45.11, 56.91, 31.99

 

CMYK 34 / 0 / 74 / 23

HEX #82C534

RGB 130 197 52

HSL 87.72, 0.58%, 0.49%

LAB 72.84, -43.3, 61.9

 

CMYK 74 / 0 / 2 / 23

HEX #34C5C1

RGB 52 197 193

HSL 178.34, 0.58%, 0.49%

LAB 72.57, -37.56, -8.87

 

Description

Color code: RGB 122 53 199 | qconv.com Color code: RGB 122 53 199 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 53 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 53 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 73 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 73% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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