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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 201 17 it is the complementary color RGB 133 54 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 201 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 122 201 17 shade: RGB 127 201 12, RGB 144 219 31, RGB 161 237 50, RGB 178 255 69 and RGB 195 255 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 201 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 122 201 17 shade: RGB 122 201 17, RGB 105 183 0, RGB 88 165 0, RGB 71 147 0 and RGB 54 129 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 122 201 17 shade: RGB 123 202 18, RGB 172 202 18, RGB 202 181 18, RGB 202 132 18 and RGB 202 82 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 122 201 17 shade: RGB 123 202 18, RGB 73 202 18, RGB 23 202 18, RGB 18 202 61 and RGB 18 202 111

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 122 201 17 shade matches the following richer shades: RGB 123 202 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 122 201 17 shade: RGB 123 202 18, RGB 120 184 35, RGB 118 166 53, RGB 115 149 71 and RGB 113 131 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 122 201 17 shade: RGB 202 180 18, RGB 174 202 18, RGB 125 202 18, RGB 76 202 18 and RGB 27 202 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 122 201 17 shade: RGB 77 126 11, RGB 100 164 14, RGB 123 202 18, RGB 145 235 26 and RGB 163 238 63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 122 201 17 shade: RGB 122 201 17, RGB 18 202 131 and RGB 202 18 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 122 201 17 shade: RGB 122 201 17, RGB 18 125 202 and RGB 202 18 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 122 201 17 shade: RGB 122 201 17, RGB 18 202 131, RGB 94 18 202 and RGB 202 18 88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 122 201 17 shade: RGB 122 201 17, RGB 18 202 186, RGB 94 18 202 and RGB 202 18 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 92 / 21

HEX #7AC911

RGB 122 201 17

HSL 85.76, 0.84%, 0.43%

LAB 73.51, -49.18, 71.02

 

Complementary color

CMYK 44 / 77 / 0 / 7

HEX #8536EE

RGB 133 54 238

HSL 265.76, 0.84%, 0.57%

LAB 43.94, 67.96, -78.73

 

CMYK 37 / 0 / 94 / 21

HEX #7FC90C

RGB 127 201 12

HSL 83.49, 0.89%, 0.42%

LAB 73.75, -47.53, 71.95

 

CMYK 34 / 0 / 86 / 14

HEX #90DB1F

RGB 144 219 31

HSL 83.94, 0.75%, 0.49%

LAB 80.01, -48.47, 74.44

 

CMYK 32 / 0 / 79 / 7

HEX #A1ED32

RGB 161 237 50

HSL 84.39, 0.84%, 0.56%

LAB 86.19, -49.19, 75.7

 

CMYK 30 / 0 / 73 / 0

HEX #B2FF45

RGB 178 255 69

HSL 84.84, 1%, 0.64%

LAB 92.32, -49.73, 76.11

 

CMYK 24 / 0 / 65 / 0

HEX #C3FF58

RGB 195 255 88

HSL 81.56, 1%, 0.67%

LAB 93.38, -42.46, 70.78

 

CMYK 39 / 0 / 92 / 21

HEX #7AC911

RGB 122 201 17

HSL 85.76, 0.84%, 0.43%

LAB 73.51, -49.18, 71.02

 

CMYK 43 / 0 / 100 / 28

HEX #69B700

RGB 105 183 0

HSL 85.57, 1%, 0.36%

LAB 67.18, -48.05, 67.66

 

CMYK 47 / 0 / 100 / 35

HEX #58A500

RGB 88 165 0

HSL 88, 1%, 0.32%

LAB 60.77, -46.56, 62.33

 

CMYK 52 / 0 / 100 / 42

HEX #479300

RGB 71 147 0

HSL 91.02, 1%, 0.29%

LAB 54.25, -44.96, 56.93

 

CMYK 58 / 0 / 100 / 49

HEX #368100

RGB 54 129 0

HSL 94.88, 1%, 0.25%

LAB 47.6, -43.17, 51.43

 

CMYK 39 / 0 / 91 / 21

HEX #7BCA12

RGB 123 202 18

HSL 85.76, 0.84%, 0.43%

LAB 73.87, -49.21, 71.18

 

CMYK 15 / 0 / 91 / 21

HEX #ACCA12

RGB 172 202 18

HSL 69.78, 0.84%, 0.43%

LAB 76.71, -30.5, 74.67

 

CMYK 0 / 10 / 91 / 21

HEX #CAB512

RGB 202 181 18

HSL 53.15, 0.84%, 0.43%

LAB 73.32, -7.22, 73.03

 

CMYK 0 / 35 / 91 / 21

HEX #CA8412

RGB 202 132 18

HSL 37.17, 0.84%, 0.43%

LAB 60.87, 19.07, 63.57

 

CMYK 0 / 59 / 91 / 21

HEX #CA5212

RGB 202 82 18

HSL 20.87, 0.84%, 0.43%

LAB 50.26, 45.04, 55.77

 

CMYK 39 / 0 / 91 / 21

HEX #7BCA12

RGB 123 202 18

HSL 85.76, 0.84%, 0.43%

LAB 73.87, -49.21, 71.18

 

CMYK 64 / 0 / 91 / 21

HEX #49CA12

RGB 73 202 18

HSL 102.07, 0.84%, 0.43%

LAB 72.03, -63.5, 68.91

 

CMYK 89 / 0 / 91 / 21

HEX #17CA12

RGB 23 202 18

HSL 118.37, 0.84%, 0.43%

LAB 71.19, -70.78, 67.87

 

CMYK 91 / 0 / 70 / 21

HEX #12CA3D

RGB 18 202 61

HSL 134.02, 0.84%, 0.43%

LAB 71.36, -68.55, 56.11

 

CMYK 91 / 0 / 45 / 21

HEX #12CA6F

RGB 18 202 111

HSL 150.33, 0.84%, 0.43%

LAB 71.9, -61.82, 33.91

 

CMYK 39 / 0 / 91 / 21

HEX #7BCA12

RGB 123 202 18

HSL 85.76, 0.84%, 0.43%

LAB 73.87, -49.21, 71.18

 

CMYK 39 / 0 / 91 / 21

HEX #7BCA12

RGB 123 202 18

HSL 85.76, 0.84%, 0.43%

LAB 73.87, -49.21, 71.18

 

CMYK 35 / 0 / 81 / 28

HEX #78B823

RGB 120 184 35

HSL 85.77, 0.68%, 0.43%

LAB 68.31, -42.24, 62.75

 

CMYK 29 / 0 / 68 / 35

HEX #76A635

RGB 118 166 53

HSL 85.49, 0.52%, 0.43%

LAB 62.83, -33.95, 51.18

 

CMYK 23 / 0 / 52 / 42

HEX #739547

RGB 115 149 71

HSL 86.15, 0.35%, 0.43%

LAB 57.65, -25.34, 37.04

 

CMYK 14 / 0 / 32 / 49

HEX #718359

RGB 113 131 89

HSL 85.71, 0.19%, 0.43%

LAB 52.36, -14.44, 20.61

 

CMYK 0 / 11 / 91 / 21

HEX #CAB412

RGB 202 180 18

HSL 52.83, 0.84%, 0.43%

LAB 73.05, -6.7, 72.83

 

CMYK 14 / 0 / 91 / 21

HEX #AECA12

RGB 174 202 18

HSL 69.13, 0.84%, 0.43%

LAB 76.85, -29.67, 74.84

 

CMYK 38 / 0 / 91 / 21

HEX #7DCA12

RGB 125 202 18

HSL 85.11, 0.84%, 0.43%

LAB 73.96, -48.52, 71.3

 

CMYK 62 / 0 / 91 / 21

HEX #4CCA12

RGB 76 202 18

HSL 101.09, 0.84%, 0.43%

LAB 72.11, -62.83, 69.01

 

CMYK 87 / 0 / 91 / 21

HEX #1BCA12

RGB 27 202 18

HSL 117.07, 0.84%, 0.43%

LAB 71.23, -70.47, 67.91

 

CMYK 39 / 0 / 91 / 51

HEX #4D7E0B

RGB 77 126 11

HSL 85.57, 0.84%, 0.27%

LAB 47.65, -33.84, 49.69

 

CMYK 39 / 0 / 91 / 36

HEX #64A40E

RGB 100 164 14

HSL 85.6, 0.84%, 0.35%

LAB 61.04, -41.72, 60.78

 

CMYK 39 / 0 / 91 / 21

HEX #7BCA12

RGB 123 202 18

HSL 85.76, 0.84%, 0.43%

LAB 73.87, -49.21, 71.18

 

CMYK 38 / 0 / 89 / 8

HEX #91EB1A

RGB 145 235 26

HSL 85.84, 0.84%, 0.51%

LAB 84.75, -54.71, 79.35

 

CMYK 32 / 0 / 74 / 7

HEX #A3EE3F

RGB 163 238 63

HSL 85.71, 0.84%, 0.59%

LAB 86.65, -48.26, 72.28

 

CMYK 39 / 0 / 92 / 21

HEX #7AC911

RGB 122 201 17

HSL 85.76, 0.84%, 0.43%

LAB 73.51, -49.18, 71.02

 

CMYK 91 / 0 / 35 / 21

HEX #12CA83

RGB 18 202 131

HSL 156.85, 0.84%, 0.43%

LAB 72.23, -57.98, 24.01

 

CMYK 0 / 91 / 1 / 21

HEX #CA12C7

RGB 202 18 199

HSL 300.98, 0.84%, 0.43%

LAB 48.4, 80.39, -48.72

 

CMYK 39 / 0 / 92 / 21

HEX #7AC911

RGB 122 201 17

HSL 85.76, 0.84%, 0.43%

LAB 73.51, -49.18, 71.02

 

CMYK 91 / 38 / 0 / 21

HEX #127DCA

RGB 18 125 202

HSL 205.11, 0.84%, 0.43%

LAB 50.76, 0.67, -47.58

 

CMYK 0 / 91 / 38 / 21

HEX #CA127D

RGB 202 18 125

HSL 325.11, 0.84%, 0.43%

LAB 44.9, 71.28, -10.01

 

CMYK 39 / 0 / 92 / 21

HEX #7AC911

RGB 122 201 17

HSL 85.76, 0.84%, 0.43%

LAB 73.51, -49.18, 71.02

 

CMYK 91 / 0 / 35 / 21

HEX #12CA83

RGB 18 202 131

HSL 156.85, 0.84%, 0.43%

LAB 72.23, -57.98, 24.01

 

CMYK 53 / 91 / 0 / 21

HEX #5E12CA

RGB 94 18 202

HSL 264.78, 0.84%, 0.43%

LAB 31.98, 66.32, -77.92

 

CMYK 0 / 91 / 56 / 21

HEX #CA1258

RGB 202 18 88

HSL 337.17, 0.84%, 0.43%

LAB 43.79, 68.24, 11.41

 

CMYK 39 / 0 / 92 / 21

HEX #7AC911

RGB 122 201 17

HSL 85.76, 0.84%, 0.43%

LAB 73.51, -49.18, 71.02

 

CMYK 91 / 0 / 8 / 21

HEX #12CABA

RGB 18 202 186

HSL 174.78, 0.84%, 0.43%

LAB 73.49, -44.42, -3.75

 

CMYK 53 / 91 / 0 / 21

HEX #5E12CA

RGB 94 18 202

HSL 264.78, 0.84%, 0.43%

LAB 31.98, 66.32, -77.92

 

CMYK 0 / 91 / 84 / 21

HEX #CA1221

RGB 202 18 33

HSL 355.11, 0.84%, 0.43%

LAB 42.91, 65.78, 43.56

 

Description

Color code: RGB 122 201 17 | qconv.com Color code: RGB 122 201 17 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 201 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 201 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 92 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 92% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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