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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 139 150 it is the complementary color RGB 133 116 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 139 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 122 139 150 shade: RGB 127 139 145, RGB 144 157 164, RGB 161 175 183, RGB 178 193 202 and RGB 195 211 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 139 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 122 139 150 shade: RGB 122 139 150, RGB 105 121 131, RGB 88 103 112, RGB 71 85 93 and RGB 54 67 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 122 139 150 shade: RGB 121 138 150, RGB 121 130 150, RGB 121 123 150, RGB 127 121 150 and RGB 134 121 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 122 139 150 shade: RGB 121 138 150, RGB 121 130 150, RGB 121 123 150 and RGB 121 121 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 122 139 150 shade matches the following richer shades: RGB 121 138 150, RGB 101 142 169, RGB 82 147 188, RGB 63 151 208 and RGB 43 155 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 122 139 150 shade: RGB 121 138 150, RGB 140 134 130, RGB 160 130 111, RGB 179 126 91 and RGB 198 122 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 122 139 150 shade: RGB 121 150 145, RGB 121 146 150, RGB 121 139 150, RGB 121 131 150 and RGB 121 123 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 122 139 150 shade: RGB 83 96 105, RGB 101 117 128, RGB 121 138 150, RGB 144 158 168 and RGB 167 178 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 122 139 150 shade: RGB 122 139 150, RGB 138 121 150 and RGB 150 149 121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 122 139 150 shade: RGB 122 139 150, RGB 150 121 139 and RGB 139 150 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 122 139 150 shade: RGB 122 139 150, RGB 138 121 150, RGB 150 132 121 and RGB 133 150 121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 122 139 150 shade: RGB 122 139 150, RGB 146 121 150, RGB 150 132 121 and RGB 124 150 121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 7 / 0 / 41

HEX #7A8B96

RGB 122 139 150

HSL 203.57, 0.12%, 0.53%

LAB 56.88, -3.65, -7.92

 

Complementary color

CMYK 0 / 13 / 21 / 48

HEX #857469

RGB 133 116 105

HSL 23.57, 0.12%, 0.47%

LAB 50.09, 4.71, 8.5

 

CMYK 12 / 4 / 0 / 43

HEX #7F8B91

RGB 127 139 145

HSL 200, 0.08%, 0.53%

LAB 57.1, -3.06, -4.69

 

CMYK 12 / 4 / 0 / 36

HEX #909DA4

RGB 144 157 164

HSL 201, 0.1%, 0.6%

LAB 63.94, -3.14, -5.23

 

CMYK 12 / 4 / 0 / 28

HEX #A1AFB7

RGB 161 175 183

HSL 201.82, 0.13%, 0.67%

LAB 70.63, -3.23, -5.76

 

CMYK 12 / 4 / 0 / 21

HEX #B2C1CA

RGB 178 193 202

HSL 202.5, 0.18%, 0.75%

LAB 77.2, -3.31, -6.27

 

CMYK 12 / 5 / 0 / 13

HEX #C3D3DD

RGB 195 211 221

HSL 203.08, 0.28%, 0.82%

LAB 83.66, -3.4, -6.78

 

CMYK 19 / 7 / 0 / 41

HEX #7A8B96

RGB 122 139 150

HSL 203.57, 0.12%, 0.53%

LAB 56.88, -3.65, -7.92

 

CMYK 20 / 8 / 0 / 49

HEX #697983

RGB 105 121 131

HSL 203.08, 0.11%, 0.46%

LAB 49.88, -3.58, -7.44

 

CMYK 21 / 8 / 0 / 56

HEX #586770

RGB 88 103 112

HSL 202.5, 0.12%, 0.39%

LAB 42.68, -3.51, -6.95

 

CMYK 24 / 9 / 0 / 64

HEX #47555D

RGB 71 85 93

HSL 201.82, 0.13%, 0.32%

LAB 35.26, -3.44, -6.46

 

CMYK 27 / 9 / 0 / 71

HEX #36434A

RGB 54 67 74

HSL 201, 0.16%, 0.25%

LAB 27.55, -3.37, -5.97

 

CMYK 19 / 8 / 0 / 41

HEX #798A96

RGB 121 138 150

HSL 204.83, 0.12%, 0.53%

LAB 56.53, -3.42, -8.46

 

CMYK 19 / 13 / 0 / 41

HEX #798296

RGB 121 130 150

HSL 221.38, 0.12%, 0.53%

LAB 54.27, 1.15, -11.84

 

CMYK 19 / 18 / 0 / 41

HEX #797B96

RGB 121 123 150

HSL 235.86, 0.12%, 0.53%

LAB 52.32, 5.23, -14.78

 

CMYK 15 / 19 / 0 / 41

HEX #7F7996

RGB 127 121 150

HSL 252.41, 0.12%, 0.53%

LAB 52.27, 8.44, -14.81

 

CMYK 11 / 19 / 0 / 41

HEX #867996

RGB 134 121 150

HSL 266.9, 0.12%, 0.53%

LAB 52.89, 10.87, -13.82

 

CMYK 19 / 8 / 0 / 41

HEX #798A96

RGB 121 138 150

HSL 204.83, 0.12%, 0.53%

LAB 56.53, -3.42, -8.46

 

CMYK 19 / 13 / 0 / 41

HEX #798296

RGB 121 130 150

HSL 221.38, 0.12%, 0.53%

LAB 54.27, 1.15, -11.84

 

CMYK 19 / 18 / 0 / 41

HEX #797B96

RGB 121 123 150

HSL 235.86, 0.12%, 0.53%

LAB 52.32, 5.23, -14.78

 

CMYK 19 / 19 / 0 / 41

HEX #797996

RGB 121 121 150

HSL 240, 0.12%, 0.53%

LAB 51.77, 6.4, -15.62

 

CMYK 19 / 8 / 0 / 41

HEX #798A96

RGB 121 138 150

HSL 204.83, 0.12%, 0.53%

LAB 56.53, -3.42, -8.46

 

CMYK 40 / 16 / 0 / 34

HEX #658EA9

RGB 101 142 169

HSL 203.82, 0.28%, 0.53%

LAB 57.05, -6.96, -18.69

 

CMYK 56 / 22 / 0 / 26

HEX #5293BC

RGB 82 147 188

HSL 203.21, 0.44%, 0.53%

LAB 58.31, -8.78, -27.64

 

CMYK 70 / 27 / 0 / 18

HEX #3F97D0

RGB 63 151 208

HSL 203.59, 0.61%, 0.53%

LAB 59.66, -7.89, -36.86

 

CMYK 81 / 32 / 0 / 11

HEX #2B9BE3

RGB 43 155 227

HSL 203.48, 0.77%, 0.53%

LAB 61.22, -5.87, -45.02

 

CMYK 19 / 8 / 0 / 41

HEX #798A96

RGB 121 138 150

HSL 204.83, 0.12%, 0.53%

LAB 56.53, -3.42, -8.46

 

CMYK 0 / 4 / 7 / 45

HEX #8C8682

RGB 140 134 130

HSL 24, 0.04%, 0.53%

LAB 56.32, 1.49, 2.94

 

CMYK 0 / 19 / 31 / 37

HEX #A0826F

RGB 160 130 111

HSL 23.27, 0.21%, 0.53%

LAB 56.67, 8.61, 14.62

 

CMYK 0 / 30 / 49 / 30

HEX #B37E5B

RGB 179 126 91

HSL 23.86, 0.37%, 0.53%

LAB 57.33, 16.38, 27.19

 

CMYK 0 / 38 / 64 / 22

HEX #C67A48

RGB 198 122 72

HSL 23.81, 0.53%, 0.53%

LAB 58.41, 24.99, 39.37

 

CMYK 19 / 0 / 3 / 41

HEX #799691

RGB 121 150 145

HSL 169.66, 0.12%, 0.53%

LAB 59.82, -11.2, -0.73

 

CMYK 19 / 3 / 0 / 41

HEX #799296

RGB 121 146 150

HSL 188.28, 0.12%, 0.53%

LAB 58.81, -7.89, -5.06

 

CMYK 19 / 7 / 0 / 41

HEX #798B96

RGB 121 139 150

HSL 202.76, 0.12%, 0.53%

LAB 56.81, -3.99, -8.03

 

CMYK 19 / 13 / 0 / 41

HEX #798396

RGB 121 131 150

HSL 219.31, 0.12%, 0.53%

LAB 54.55, 0.57, -11.42

 

CMYK 19 / 18 / 0 / 41

HEX #797B96

RGB 121 123 150

HSL 235.86, 0.12%, 0.53%

LAB 52.32, 5.23, -14.78

 

CMYK 21 / 9 / 0 / 59

HEX #536069

RGB 83 96 105

HSL 204.55, 0.12%, 0.37%

LAB 39.96, -2.81, -6.79

 

CMYK 21 / 9 / 0 / 50

HEX #657580

RGB 101 117 128

HSL 204.44, 0.12%, 0.45%

LAB 48.32, -3.34, -8.02

 

CMYK 19 / 8 / 0 / 41

HEX #798A96

RGB 121 138 150

HSL 204.83, 0.12%, 0.53%

LAB 56.53, -3.42, -8.46

 

CMYK 14 / 6 / 0 / 34

HEX #909EA8

RGB 144 158 168

HSL 205, 0.12%, 0.61%

LAB 64.33, -2.83, -6.89

 

CMYK 10 / 4 / 0 / 27

HEX #A7B2BA

RGB 167 178 186

HSL 205.26, 0.12%, 0.69%

LAB 71.96, -2.22, -5.4

 

CMYK 19 / 7 / 0 / 41

HEX #7A8B96

RGB 122 139 150

HSL 203.57, 0.12%, 0.53%

LAB 56.88, -3.65, -7.92

 

CMYK 8 / 19 / 0 / 41

HEX #8A7996

RGB 138 121 150

HSL 275.17, 0.12%, 0.53%

LAB 53.25, 12.27, -13.23

 

CMYK 0 / 1 / 19 / 41

HEX #969579

RGB 150 149 121

HSL 57.93, 0.12%, 0.53%

LAB 61.1, -4.54, 14.96

 

CMYK 19 / 7 / 0 / 41

HEX #7A8B96

RGB 122 139 150

HSL 203.57, 0.12%, 0.53%

LAB 56.88, -3.65, -7.92

 

CMYK 0 / 19 / 7 / 41

HEX #96798B

RGB 150 121 139

HSL 322.76, 0.12%, 0.53%

LAB 54.05, 14.41, -5.5

 

CMYK 7 / 0 / 19 / 41

HEX #8B9679

RGB 139 150 121

HSL 82.76, 0.12%, 0.53%

LAB 60.5, -9.36, 13.99

 

CMYK 19 / 7 / 0 / 41

HEX #7A8B96

RGB 122 139 150

HSL 203.57, 0.12%, 0.53%

LAB 56.88, -3.65, -7.92

 

CMYK 8 / 19 / 0 / 41

HEX #8A7996

RGB 138 121 150

HSL 275.17, 0.12%, 0.53%

LAB 53.25, 12.27, -13.23

 

CMYK 0 / 12 / 19 / 41

HEX #968479

RGB 150 132 121

HSL 22.76, 0.12%, 0.53%

LAB 56.45, 4.96, 8.43

 

CMYK 11 / 0 / 19 / 41

HEX #859679

RGB 133 150 121

HSL 95.17, 0.12%, 0.53%

LAB 60.05, -11.64, 13.3

 

CMYK 19 / 7 / 0 / 41

HEX #7A8B96

RGB 122 139 150

HSL 203.57, 0.12%, 0.53%

LAB 56.88, -3.65, -7.92

 

CMYK 3 / 19 / 0 / 41

HEX #927996

RGB 146 121 150

HSL 291.72, 0.12%, 0.53%

LAB 54.01, 15.1, -12.01

 

CMYK 0 / 12 / 19 / 41

HEX #968479

RGB 150 132 121

HSL 22.76, 0.12%, 0.53%

LAB 56.45, 4.96, 8.43

 

CMYK 17 / 0 / 19 / 41

HEX #7C9679

RGB 124 150 121

HSL 113.79, 0.12%, 0.53%

LAB 59.41, -14.98, 12.31

 

Description

Color code: RGB 122 139 150 | qconv.com Color code: RGB 122 139 150 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 139 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 139 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 7 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 7% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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