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Color name
RGB 122 110.2 152.6

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 110.2 152.6 it is the complementary color RGB 133 144.8 102.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 110.2 152.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 122 110.2 152.6 shade: RGB 127 110.2 147.6, RGB 144 128.2 166.6, RGB 161 146.2 185.6, RGB 178 164.2 204.6 and RGB 195 182.2 223.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 110.2 152.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 122 110.2 152.6 shade: RGB 122 110.2 152.6, RGB 105 92.2 133.6, RGB 88 74.2 114.6, RGB 71 56.2 95.6 and RGB 54 38.2 76.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 122 110.2 152.6 shade: RGB 123 112 153, RGB 135 112 153, RGB 146 112 153, RGB 153 112 150 and RGB 153 112 139

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 122 110.2 152.6 shade: RGB 123 112 153 and RGB 112 112 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 122 110.2 152.6 shade matches the following richer shades: RGB 123 112 153, RGB 115 92 173, RGB 106 72 193, RGB 97 52 213 and RGB 88 33 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 122 110.2 152.6 shade: RGB 123 112 153, RGB 132 132 134, RGB 141 151 114, RGB 150 171 94 and RGB 158 191 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 122 110.2 152.6 shade: RGB 112 123 153, RGB 112 112 153, RGB 123 112 153, RGB 134 112 153 and RGB 145 112 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 122 110.2 152.6 shade: RGB 84 76 107, RGB 104 93 131, RGB 123 112 153, RGB 146 136 171 and RGB 168 160 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 122 110.2 152.6 shade: RGB 122 110.2 152.6, RGB 153 112 134 and RGB 117 153 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 122 110.2 152.6 shade: RGB 122 110.2 152.6, RGB 153 123 112 and RGB 112 153 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 122 110.2 152.6 shade: RGB 122 110.2 152.6, RGB 153 112 134, RGB 142 153 112 and RGB 112 153 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 122 110.2 152.6 shade: RGB 122 110.2 152.6, RGB 153 112 122, RGB 142 153 112 and RGB 112 153 144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 28 / 0 / 40

HEX #7A6E98

RGB 122 110.2 152.6

HSL 256.7, 0.17%, 0.52%

LAB 49.03, 13.78, -21.33

 

Complementary color

CMYK 8 / 0 / 29 / 43

HEX #859066

RGB 133 144.8 102.4

HSL 76.7, 0.17%, 0.48%

LAB 58.17, -11.85, 21.15

 

CMYK 14 / 25 / 0 / 42

HEX #7F6E93

RGB 127 110.2 147.6

HSL 266.95, 0.15%, 0.51%

LAB 49.29, 14.29, -17.94

 

CMYK 14 / 23 / 0 / 35

HEX #9080A6

RGB 144 128.2 166.6

HSL 264.69, 0.18%, 0.58%

LAB 56.28, 13.78, -18.2

 

CMYK 13 / 21 / 0 / 27

HEX #A192B9

RGB 161 146.2 185.6

HSL 262.54, 0.22%, 0.65%

LAB 63.11, 13.33, -18.48

 

CMYK 13 / 20 / 0 / 20

HEX #B2A4CC

RGB 178 164.2 204.6

HSL 260.5, 0.29%, 0.72%

LAB 69.81, 12.91, -18.78

 

CMYK 13 / 19 / 0 / 12

HEX #C3B6DF

RGB 195 182.2 223.6

HSL 258.55, 0.4%, 0.8%

LAB 76.38, 12.53, -19.08

 

CMYK 20 / 28 / 0 / 40

HEX #7A6E98

RGB 122 110.2 152.6

HSL 256.7, 0.17%, 0.52%

LAB 49.03, 13.78, -21.33

 

CMYK 21 / 31 / 0 / 48

HEX #695C85

RGB 105 92.2 133.6

HSL 258.55, 0.18%, 0.44%

LAB 41.85, 14.37, -21.19

 

CMYK 23 / 35 / 0 / 55

HEX #584A72

RGB 88 74.2 114.6

HSL 260.5, 0.21%, 0.37%

LAB 34.45, 15.05, -21.09

 

CMYK 26 / 41 / 0 / 63

HEX #47385F

RGB 71 56.2 95.6

HSL 262.54, 0.26%, 0.3%

LAB 26.8, 15.85, -21.06

 

CMYK 30 / 50 / 0 / 70

HEX #36264C

RGB 54 38.2 76.6

HSL 264.69, 0.33%, 0.23%

LAB 18.86, 16.83, -21.09

 

CMYK 20 / 27 / 0 / 40

HEX #7B7099

RGB 123 112 153

HSL 256.1, 0.17%, 0.52%

LAB 49.62, 13.13, -20.65

 

CMYK 12 / 27 / 0 / 40

HEX #877099

RGB 135 112 153

HSL 273.66, 0.17%, 0.52%

LAB 50.73, 17.18, -18.85

 

CMYK 5 / 27 / 0 / 40

HEX #927099

RGB 146 112 153

HSL 289.76, 0.17%, 0.52%

LAB 51.84, 20.97, -17.06

 

CMYK 0 / 27 / 2 / 40

HEX #997096

RGB 153 112 150

HSL 304.39, 0.17%, 0.52%

LAB 52.47, 22.81, -14.28

 

CMYK 0 / 27 / 9 / 40

HEX #99708B

RGB 153 112 139

HSL 320.49, 0.17%, 0.52%

LAB 52.09, 20.73, -8.39

 

CMYK 20 / 27 / 0 / 40

HEX #7B7099

RGB 123 112 153

HSL 256.1, 0.17%, 0.52%

LAB 49.62, 13.13, -20.65

 

CMYK 27 / 27 / 0 / 40

HEX #707099

RGB 112 112 153

HSL 240, 0.17%, 0.52%

LAB 48.68, 9.55, -22.18

 

CMYK 20 / 27 / 0 / 40

HEX #7B7099

RGB 123 112 153

HSL 256.1, 0.17%, 0.52%

LAB 49.62, 13.13, -20.65

 

CMYK 34 / 47 / 0 / 32

HEX #735CAD

RGB 115 92 173

HSL 257.04, 0.33%, 0.52%

LAB 44.68, 27.89, -40.18

 

CMYK 45 / 63 / 0 / 24

HEX #6A48C1

RGB 106 72 193

HSL 256.86, 0.49%, 0.52%

LAB 40.49, 43.04, -58.67

 

CMYK 54 / 76 / 0 / 16

HEX #6134D5

RGB 97 52 213

HSL 256.77, 0.66%, 0.52%

LAB 37.48, 57.49, -75.22

 

CMYK 62 / 86 / 0 / 9

HEX #5821E9

RGB 88 33 233

HSL 256.5, 0.82%, 0.52%

LAB 36.07, 69.32, -89.04

 

CMYK 20 / 27 / 0 / 40

HEX #7B7099

RGB 123 112 153

HSL 256.1, 0.17%, 0.52%

LAB 49.62, 13.13, -20.65

 

CMYK 1 / 1 / 0 / 47

HEX #848486

RGB 132 132 134

HSL 240, 0.01%, 0.52%

LAB 55.21, 0.4, -1.08

 

CMYK 7 / 0 / 25 / 41

HEX #8D9772

RGB 141 151 114

HSL 76.22, 0.15%, 0.52%

LAB 60.79, -10.26, 18.34

 

CMYK 12 / 0 / 45 / 33

HEX #96AB5E

RGB 150 171 94

HSL 76.36, 0.31%, 0.52%

LAB 66.84, -19.83, 37.1

 

CMYK 17 / 0 / 61 / 25

HEX #9EBF4A

RGB 158 191 74

HSL 76.92, 0.48%, 0.52%

LAB 72.91, -28.4, 53.86

 

CMYK 27 / 20 / 0 / 40

HEX #707B99

RGB 112 123 153

HSL 223.9, 0.17%, 0.52%

LAB 51.74, 3.01, -17.49

 

CMYK 27 / 27 / 0 / 40

HEX #707099

RGB 112 112 153

HSL 240, 0.17%, 0.52%

LAB 48.68, 9.55, -22.18

 

CMYK 20 / 27 / 0 / 40

HEX #7B7099

RGB 123 112 153

HSL 256.1, 0.17%, 0.52%

LAB 49.62, 13.13, -20.65

 

CMYK 12 / 27 / 0 / 40

HEX #867099

RGB 134 112 153

HSL 272.2, 0.17%, 0.52%

LAB 50.64, 16.84, -19

 

CMYK 5 / 27 / 0 / 40

HEX #917099

RGB 145 112 153

HSL 288.29, 0.17%, 0.52%

LAB 51.73, 20.62, -17.23

 

CMYK 21 / 29 / 0 / 58

HEX #544C6B

RGB 84 76 107

HSL 255.48, 0.17%, 0.36%

LAB 34.22, 10.53, -16.72

 

CMYK 21 / 29 / 0 / 49

HEX #685D83

RGB 104 93 131

HSL 257.37, 0.17%, 0.44%

LAB 41.86, 12.88, -19.6

 

CMYK 20 / 27 / 0 / 40

HEX #7B7099

RGB 123 112 153

HSL 256.1, 0.17%, 0.52%

LAB 49.62, 13.13, -20.65

 

CMYK 15 / 20 / 0 / 33

HEX #9288AB

RGB 146 136 171

HSL 257.14, 0.17%, 0.6%

LAB 58.66, 10.93, -17.1

 

CMYK 11 / 15 / 0 / 26

HEX #A8A0BC

RGB 168 160 188

HSL 257.14, 0.17%, 0.68%

LAB 67.35, 8.42, -13.37

 

CMYK 20 / 28 / 0 / 40

HEX #7A6E98

RGB 122 110.2 152.6

HSL 256.7, 0.17%, 0.52%

LAB 49.03, 13.78, -21.33

 

CMYK 0 / 27 / 12 / 40

HEX #997086

RGB 153 112 134

HSL 327.8, 0.17%, 0.52%

LAB 51.93, 19.83, -5.68

 

CMYK 24 / 0 / 27 / 40

HEX #759970

RGB 117 153 112

HSL 112.68, 0.17%, 0.52%

LAB 59.65, -20.7, 17.61

 

CMYK 20 / 28 / 0 / 40

HEX #7A6E98

RGB 122 110.2 152.6

HSL 256.7, 0.17%, 0.52%

LAB 49.03, 13.78, -21.33

 

CMYK 0 / 20 / 27 / 40

HEX #997B70

RGB 153 123 112

HSL 16.1, 0.17%, 0.52%

LAB 54.14, 9.89, 10.41

 

CMYK 27 / 0 / 20 / 40

HEX #70997B

RGB 112 153 123

HSL 136.1, 0.17%, 0.52%

LAB 59.58, -20.42, 11.31

 

CMYK 20 / 28 / 0 / 40

HEX #7A6E98

RGB 122 110.2 152.6

HSL 256.7, 0.17%, 0.52%

LAB 49.03, 13.78, -21.33

 

CMYK 0 / 27 / 12 / 40

HEX #997086

RGB 153 112 134

HSL 327.8, 0.17%, 0.52%

LAB 51.93, 19.83, -5.68

 

CMYK 7 / 0 / 27 / 40

HEX #8E9970

RGB 142 153 112

HSL 76.1, 0.17%, 0.52%

LAB 61.4, -11.25, 20.29

 

CMYK 27 / 0 / 14 / 40

HEX #709983

RGB 112 153 131

HSL 147.8, 0.17%, 0.52%

LAB 59.77, -18.8, 7.06

 

CMYK 20 / 28 / 0 / 40

HEX #7A6E98

RGB 122 110.2 152.6

HSL 256.7, 0.17%, 0.52%

LAB 49.03, 13.78, -21.33

 

CMYK 0 / 27 / 20 / 40

HEX #99707A

RGB 153 112 122

HSL 345.37, 0.17%, 0.52%

LAB 51.57, 17.79, 0.87

 

CMYK 7 / 0 / 27 / 40

HEX #8E9970

RGB 142 153 112

HSL 76.1, 0.17%, 0.52%

LAB 61.4, -11.25, 20.29

 

CMYK 27 / 0 / 6 / 40

HEX #709990

RGB 112 153 144

HSL 166.83, 0.17%, 0.52%

LAB 60.11, -15.98, 0.19

 

Description

Color code: RGB 122 110.2 152.6 | qconv.com Color code: RGB 122 110.2 152.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 110.2 green and 152.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 110.2 152.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 28 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 28% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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