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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 52 186 it is the complementary color RGB 134 203 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 52 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 121 52 186: RGB 126 52 181, RGB 143 70 200, RGB 160 88 219, RGB 177 106 238 and RGB 194 124 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 52 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 121 52 186: RGB 121 52 186, RGB 104 34 167, RGB 87 16 148, RGB 70 0 129 and RGB 53 0 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 72 / 0 / 27

HEX #7934BA

RGB 121 52 186

HSL 270.9, 0.56%, 0.47%

LAB 37.96, 54.41, -58.6

 

Complementary color

CMYK 34 / 0 / 66 / 20

HEX #86CB45

RGB 134 203 69

HSL 90.9, 0.56%, 0.53%

LAB 74.96, -43.28, 57.75

 

CMYK 30 / 71 / 0 / 29

HEX #7E34B5

RGB 126 52 181

HSL 274.42, 0.55%, 0.46%

LAB 38.25, 54.22, -55.15

 

CMYK 29 / 65 / 0 / 22

HEX #8F46C8

RGB 143 70 200

HSL 273.69, 0.54%, 0.53%

LAB 44.79, 53.77, -55.59

 

CMYK 27 / 60 / 0 / 14

HEX #A058DB

RGB 160 88 219

HSL 272.98, 0.65%, 0.6%

LAB 51.34, 53.05, -55.82

 

CMYK 26 / 55 / 0 / 7

HEX #B16AEE

RGB 177 106 238

HSL 272.27, 0.8%, 0.67%

LAB 57.87, 52.23, -55.94

 

CMYK 24 / 51 / 0 / 0

HEX #C27CFF

RGB 194 124 255

HSL 272.06, 1%, 0.74%

LAB 64.25, 50.91, -55.07

 

CMYK 35 / 72 / 0 / 27

HEX #7934BA

RGB 121 52 186

HSL 270.9, 0.56%, 0.47%

LAB 37.96, 54.41, -58.6

 

CMYK 38 / 80 / 0 / 35

HEX #6822A7

RGB 104 34 167

HSL 271.58, 0.66%, 0.39%

LAB 31.53, 54.44, -57.86

 

CMYK 41 / 89 / 0 / 42

HEX #571094

RGB 87 16 148

HSL 272.27, 0.8%, 0.32%

LAB 25.37, 53.42, -56.45

 

CMYK 46 / 100 / 0 / 49

HEX #460081

RGB 70 0 129

HSL 272.56, 1%, 0.25%

LAB 19.59, 50.96, -54.17

 

CMYK 52 / 100 / 0 / 57

HEX #35006E

RGB 53 0 110

HSL 268.91, 1%, 0.22%

LAB 14.86, 44.91, -49.83

 

CMYK 35 / 72 / 0 / 27

HEX #7934BA

RGB 121 52 186

HSL 270.9, 0.56%, 0.47%

LAB 37.96, 54.41, -58.6

 

CMYK 24 / 72 / 0 / 27

HEX #8E34BA

RGB 142 52 186

HSL 280.3, 0.56%, 0.47%

LAB 40.82, 58.54, -53.83

 

CMYK 12 / 72 / 0 / 27

HEX #A434BA

RGB 164 52 186

HSL 290.15, 0.56%, 0.47%

LAB 44.08, 63.1, -48.41

 

CMYK 0 / 72 / 0 / 27

HEX #BA34BA

RGB 186 52 186

HSL 300, 0.56%, 0.47%

LAB 47.55, 67.81, -42.68

 

CMYK 0 / 72 / 12 / 27

HEX #BA34A4

RGB 186 52 164

HSL 309.85, 0.56%, 0.47%

LAB 46.41, 64.38, -31.51

 

CMYK 35 / 72 / 0 / 27

HEX #7934BA

RGB 121 52 186

HSL 270.9, 0.56%, 0.47%

LAB 37.96, 54.41, -58.6

 

CMYK 35 / 72 / 0 / 7

HEX #9A42ED

RGB 154 66 237

HSL 270.88, 0.83%, 0.59%

LAB 48.11, 66.21, -71.26

 

CMYK 36 / 73 / 0 / 87

HEX #150921

RGB 21 9 33

HSL 270, 0.57%, 0.08%

LAB 4.2, 9.83, -13.04

 

CMYK 35 / 73 / 0 / 67

HEX #371754

RGB 55 23 84

HSL 271.48, 0.57%, 0.21%

LAB 15.83, 28.89, -30.95

 

CMYK 35 / 72 / 0 / 47

HEX #582687

RGB 88 38 135

HSL 270.93, 0.56%, 0.34%

LAB 27.33, 41.91, -45.18

 

CMYK 35 / 72 / 0 / 27

HEX #7934BA

RGB 121 52 186

HSL 270.9, 0.56%, 0.47%

LAB 37.96, 54.41, -58.6

 

CMYK 0 / 72 / 50 / 27

HEX #BA345D

RGB 186 52 93

HSL 341.64, 0.56%, 0.47%

LAB 43.78, 55.95, 7.82

 

CMYK 72 / 0 / 65 / 27

HEX #34BA42

RGB 52 186 66

HSL 126.27, 0.56%, 0.47%

LAB 66.7, -59.29, 49.17

 

CMYK 35 / 72 / 0 / 27

HEX #7934BA

RGB 121 52 186

HSL 270.9, 0.56%, 0.47%

LAB 37.96, 54.41, -58.6

 

CMYK 0 / 36 / 72 / 27

HEX #BA7734

RGB 186 119 52

HSL 30, 0.56%, 0.47%

LAB 55.97, 20.36, 46.28

 

CMYK 72 / 0 / 36 / 27

HEX #34BA77

RGB 52 186 119

HSL 150, 0.56%, 0.47%

LAB 67.41, -51.13, 23.92

 

CMYK 35 / 72 / 0 / 27

HEX #7934BA

RGB 121 52 186

HSL 270.9, 0.56%, 0.47%

LAB 37.96, 54.41, -58.6

 

CMYK 0 / 72 / 50 / 27

HEX #BA345D

RGB 186 52 93

HSL 341.64, 0.56%, 0.47%

LAB 43.78, 55.95, 7.82

 

CMYK 36 / 0 / 72 / 27

HEX #77BA34

RGB 119 186 52

HSL 90, 0.56%, 0.47%

LAB 68.96, -42.52, 57.86

 

CMYK 72 / 0 / 22 / 27

HEX #34BA92

RGB 52 186 146

HSL 162.09, 0.56%, 0.47%

LAB 67.96, -45.17, 10.1

 

CMYK 35 / 72 / 0 / 27

HEX #7934BA

RGB 121 52 186

HSL 270.9, 0.56%, 0.47%

LAB 37.96, 54.41, -58.6

 

CMYK 0 / 72 / 72 / 27

HEX #BA3434

RGB 186 52 52

HSL 0, 0.56%, 0.47%

LAB 42.98, 53.23, 31.92

 

CMYK 36 / 0 / 72 / 27

HEX #77BA34

RGB 119 186 52

HSL 90, 0.56%, 0.47%

LAB 68.96, -42.52, 57.86

 

CMYK 72 / 0 / 0 / 27

HEX #34BABA

RGB 52 186 186

HSL 180, 0.56%, 0.47%

LAB 69.04, -34.48, -10.31

 

Description

Color code: RGB 121 52 186 | qconv.com Color code: RGB 121 52 186 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 52 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 52 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 72 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 72% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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