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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 20.2 37.6 it is the complementary color RGB 134 234.8 217.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 20.2 37.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 20.2 37.6 shade: RGB 126 20.2 32.6, RGB 143 38.2 51.6, RGB 160 56.2 70.6, RGB 177 74.2 89.6 and RGB 194 92.2 108.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 20.2 37.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 20.2 37.6 shade: RGB 121 20.2 37.6, RGB 104 2.2 18.6, RGB 87 0 0, RGB 70 0 0 and RGB 53 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 20.2 37.6 shade: RGB 122 21 38 and RGB 122 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 20.2 37.6 shade: RGB 122 21 38, RGB 122 21 66, RGB 122 21 93, RGB 122 21 120 and RGB 97 21 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 20.2 37.6 shade matches the following richer shades: RGB 122 21 38 and RGB 134 9 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 20.2 37.6 shade: RGB 122 21 38, RGB 111 32 46, RGB 99 44 53, RGB 87 55 61 and RGB 76 67 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 20.2 37.6 shade: RGB 122 21 93, RGB 122 21 66, RGB 122 21 39, RGB 122 29 21 and RGB 122 56 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 20.2 37.6 shade: RGB 52 9 16, RGB 87 15 27, RGB 122 21 38, RGB 157 27 49 and RGB 193 33 60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 20.2 37.6 shade: RGB 121 20.2 37.6, RGB 120 122 21 and RGB 21 80 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 20.2 37.6 shade: RGB 121 20.2 37.6, RGB 39 122 21 and RGB 21 39 122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 20.2 37.6 shade: RGB 121 20.2 37.6, RGB 120 122 21, RGB 21 122 104 and RGB 22 21 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 20.2 37.6 shade: RGB 121 20.2 37.6, RGB 90 122 21, RGB 21 122 104 and RGB 53 21 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 69 / 53

HEX #791425

RGB 121 20.2 37.6

HSL 349.64, 0.71%, 0.28%

LAB 25.89, 42.87, 17.25

 

Complementary color

CMYK 43 / 0 / 7 / 8

HEX #86EAD9

RGB 134 234.8 217.4

HSL 169.64, 0.71%, 0.72%

LAB 86.7, -33.59, -0.78

 

CMYK 0 / 84 / 74 / 51

HEX #7E1420

RGB 126 20.2 32.6

HSL 352.97, 0.72%, 0.29%

LAB 26.88, 44.14, 22.02

 

CMYK 0 / 73 / 64 / 44

HEX #8F2633

RGB 143 38.2 51.6

HSL 352.33, 0.58%, 0.36%

LAB 32.88, 44.5, 17.9

 

CMYK 0 / 65 / 56 / 37

HEX #A03846

RGB 160 56.2 70.6

HSL 351.68, 0.48%, 0.42%

LAB 39.19, 44.07, 14.75

 

CMYK 0 / 58 / 49 / 31

HEX #B14A59

RGB 177 74.2 89.6

HSL 351.01, 0.41%, 0.49%

LAB 45.64, 43.26, 12.29

 

CMYK 0 / 52 / 44 / 24

HEX #C25C6C

RGB 194 92.2 108.6

HSL 350.33, 0.45%, 0.56%

LAB 52.12, 42.32, 10.3

 

CMYK 0 / 83 / 69 / 53

HEX #791425

RGB 121 20.2 37.6

HSL 349.64, 0.71%, 0.28%

LAB 25.89, 42.87, 17.25

 

CMYK 0 / 98 / 82 / 59

HEX #680212

RGB 104 2.2 18.6

HSL 350.33, 0.96%, 0.21%

LAB 20.19, 41.39, 22.28

 

CMYK 0 / 100 / 100 / 66

HEX #570000

RGB 87 0 0

HSL 0, 1%, 0.17%

LAB 15.62, 36.59, 24.31

 

CMYK 0 / 100 / 100 / 73

HEX #460000

RGB 70 0 0

HSL 0, 1%, 0.14%

LAB 11.29, 31.58, 17.77

 

CMYK 0 / 100 / 100 / 79

HEX #350000

RGB 53 0 0

HSL 0, 1%, 0.1%

LAB 6.84, 26.09, 10.8

 

CMYK 0 / 83 / 69 / 52

HEX #7A1526

RGB 122 21 38

HSL 349.9, 0.71%, 0.28%

LAB 26.2, 42.97, 17.41

 

CMYK 0 / 83 / 83 / 52

HEX #7A1515

RGB 122 21 21

HSL 0, 0.71%, 0.28%

LAB 25.95, 42.18, 28.09

 

CMYK 0 / 83 / 69 / 52

HEX #7A1526

RGB 122 21 38

HSL 349.9, 0.71%, 0.28%

LAB 26.2, 42.97, 17.41

 

CMYK 0 / 83 / 46 / 52

HEX #7A1542

RGB 122 21 66

HSL 333.27, 0.71%, 0.28%

LAB 26.93, 45.19, -0.56

 

CMYK 0 / 83 / 24 / 52

HEX #7A155D

RGB 122 21 93

HSL 317.23, 0.71%, 0.28%

LAB 28.02, 48.41, -16.88

 

CMYK 0 / 83 / 2 / 52

HEX #7A1578

RGB 122 21 120

HSL 301.19, 0.71%, 0.28%

LAB 29.49, 52.55, -31.98

 

CMYK 20 / 83 / 0 / 52

HEX #61157A

RGB 97 21 122

HSL 285.15, 0.71%, 0.28%

LAB 25.21, 47.81, -40.36

 

CMYK 0 / 83 / 69 / 52

HEX #7A1526

RGB 122 21 38

HSL 349.9, 0.71%, 0.28%

LAB 26.2, 42.97, 17.41

 

CMYK 0 / 93 / 77 / 47

HEX #86091F

RGB 134 9 31

HSL 349.44, 0.87%, 0.28%

LAB 27.74, 48.87, 24.52

 

CMYK 0 / 83 / 69 / 52

HEX #7A1526

RGB 122 21 38

HSL 349.9, 0.71%, 0.28%

LAB 26.2, 42.97, 17.41

 

CMYK 0 / 71 / 59 / 56

HEX #6F202E

RGB 111 32 46

HSL 349.37, 0.55%, 0.28%

LAB 25.59, 35.8, 10.8

 

CMYK 0 / 56 / 46 / 61

HEX #632C35

RGB 99 44 53

HSL 350.18, 0.38%, 0.28%

LAB 25.9, 25.85, 6.17

 

CMYK 0 / 37 / 30 / 66

HEX #57373D

RGB 87 55 61

HSL 348.75, 0.23%, 0.28%

LAB 27.01, 15.24, 2.17

 

CMYK 0 / 12 / 11 / 70

HEX #4C4344

RGB 76 67 68

HSL 353.33, 0.06%, 0.28%

LAB 29.33, 4.03, 0.79

 

CMYK 0 / 83 / 24 / 52

HEX #7A155D

RGB 122 21 93

HSL 317.23, 0.71%, 0.28%

LAB 28.02, 48.41, -16.88

 

CMYK 0 / 83 / 46 / 52

HEX #7A1542

RGB 122 21 66

HSL 333.27, 0.71%, 0.28%

LAB 26.93, 45.19, -0.56

 

CMYK 0 / 83 / 68 / 52

HEX #7A1527

RGB 122 21 39

HSL 349.31, 0.71%, 0.28%

LAB 26.22, 43.02, 16.76

 

CMYK 0 / 76 / 83 / 52

HEX #7A1D15

RGB 122 29 21

HSL 4.75, 0.71%, 0.28%

LAB 26.93, 39.41, 29.09

 

CMYK 0 / 54 / 83 / 52

HEX #7A3815

RGB 122 56 21

HSL 20.79, 0.71%, 0.28%

LAB 31.85, 26.39, 33.93

 

CMYK 0 / 83 / 69 / 80

HEX #340910

RGB 52 9 16

HSL 350.23, 0.7%, 0.12%

LAB 8.68, 21.97, 6.5

 

CMYK 0 / 83 / 69 / 66

HEX #570F1B

RGB 87 15 27

HSL 350, 0.71%, 0.2%

LAB 17.68, 32.99, 12.56

 

CMYK 0 / 83 / 69 / 52

HEX #7A1526

RGB 122 21 38

HSL 349.9, 0.71%, 0.28%

LAB 26.2, 42.97, 17.41

 

CMYK 0 / 83 / 69 / 38

HEX #9D1B31

RGB 157 27 49

HSL 349.85, 0.71%, 0.36%

LAB 34.34, 52.31, 22.01

 

CMYK 0 / 83 / 69 / 24

HEX #C1213C

RGB 193 33 60

HSL 349.88, 0.71%, 0.44%

LAB 42.39, 61.49, 26.71

 

CMYK 0 / 83 / 69 / 53

HEX #791425

RGB 121 20.2 37.6

HSL 349.64, 0.71%, 0.28%

LAB 25.89, 42.87, 17.25

 

CMYK 2 / 0 / 83 / 52

HEX #787A15

RGB 120 122 21

HSL 61.19, 0.71%, 0.28%

LAB 49.46, -12.89, 49.9

 

CMYK 83 / 34 / 0 / 52

HEX #15507A

RGB 21 80 122

HSL 204.95, 0.71%, 0.28%

LAB 32.48, -2.53, -29.08

 

CMYK 0 / 83 / 69 / 53

HEX #791425

RGB 121 20.2 37.6

HSL 349.64, 0.71%, 0.28%

LAB 25.89, 42.87, 17.25

 

CMYK 68 / 0 / 83 / 52

HEX #277A15

RGB 39 122 21

HSL 109.31, 0.71%, 0.28%

LAB 44.81, -43.61, 43.96

 

CMYK 83 / 68 / 0 / 52

HEX #15277A

RGB 21 39 122

HSL 229.31, 0.71%, 0.28%

LAB 20.11, 25.89, -49.03

 

CMYK 0 / 83 / 69 / 53

HEX #791425

RGB 121 20.2 37.6

HSL 349.64, 0.71%, 0.28%

LAB 25.89, 42.87, 17.25

 

CMYK 2 / 0 / 83 / 52

HEX #787A15

RGB 120 122 21

HSL 61.19, 0.71%, 0.28%

LAB 49.46, -12.89, 49.9

 

CMYK 83 / 0 / 15 / 52

HEX #157A68

RGB 21 122 104

HSL 169.31, 0.71%, 0.28%

LAB 45.74, -31.93, 2.04

 

CMYK 82 / 83 / 0 / 52

HEX #16157A

RGB 22 21 122

HSL 240.59, 0.71%, 0.28%

LAB 16.06, 37.32, -55.7

 

CMYK 0 / 83 / 69 / 53

HEX #791425

RGB 121 20.2 37.6

HSL 349.64, 0.71%, 0.28%

LAB 25.89, 42.87, 17.25

 

CMYK 26 / 0 / 83 / 52

HEX #5A7A15

RGB 90 122 21

HSL 79.01, 0.71%, 0.28%

LAB 47.17, -26.33, 47

 

CMYK 83 / 0 / 15 / 52

HEX #157A68

RGB 21 122 104

HSL 169.31, 0.71%, 0.28%

LAB 45.74, -31.93, 2.04

 

CMYK 57 / 83 / 0 / 52

HEX #35157A

RGB 53 21 122

HSL 259.01, 0.71%, 0.28%

LAB 18.79, 40.44, -51.1

 

Description

Color code: RGB 121 20.2 37.6 | qconv.com Color code: RGB 121 20.2 37.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 20.2 green and 37.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 20.2 37.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 69 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 69% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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