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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121.7 92.6 247 it is the complementary color RGB 133.3 162.4 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121.7 92.6 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121.7 92.6 247 shade: RGB 126.7 92.6 242, RGB 143.7 110.6 255, RGB 160.7 128.6 255, RGB 177.7 146.6 255 and RGB 194.7 164.6 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121.7 92.6 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121.7 92.6 247 shade: RGB 121.7 92.6 247, RGB 104.7 74.6 228, RGB 87.7 56.6 209, RGB 70.7 38.6 190 and RGB 53.7 20.6 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121.7 92.6 247 shade: RGB 123 94 247, RGB 164 94 247, RGB 206 94 247, RGB 247 94 247 and RGB 247 94 207

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121.7 92.6 247 shade: RGB 123 94 247 and RGB 94 94 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121.7 92.6 247 shade matches the following richer shades: RGB 123 94 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121.7 92.6 247 shade: RGB 123 94 247, RGB 132 108 234, RGB 140 122 220, RGB 149 135 207 and RGB 157 149 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121.7 92.6 247 shade: RGB 94 148 247, RGB 94 107 247, RGB 122 94 247, RGB 163 94 247 and RGB 204 94 247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121.7 92.6 247 shade: RGB 58 15 244, RGB 91 55 246, RGB 123 94 247, RGB 155 134 249 and RGB 188 173 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121.7 92.6 247 shade: RGB 121.7 92.6 247, RGB 247 94 189 and RGB 127 247 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121.7 92.6 247 shade: RGB 121.7 92.6 247, RGB 247 122 94 and RGB 94 247 122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121.7 92.6 247 shade: RGB 121.7 92.6 247, RGB 247 94 189, RGB 219 247 94 and RGB 94 247 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121.7 92.6 247 shade: RGB 121.7 92.6 247, RGB 247 94 143, RGB 219 247 94 and RGB 94 247 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 63 / 0 / 3

HEX #795CF7

RGB 121.7 92.6 247

HSL 251.31, 0.91%, 0.67%

LAB 50.2, 49.89, -73.6

 

Complementary color

CMYK 18 / 0 / 95 / 36

HEX #85A208

RGB 133.3 162.4 8

HSL 71.31, 0.91%, 0.33%

LAB 62.52, -27.96, 63.68

 

CMYK 48 / 62 / 0 / 5

HEX #7E5CF2

RGB 126.7 92.6 242

HSL 253.69, 0.85%, 0.66%

LAB 50.29, 49.4, -70.66

 

CMYK 44 / 57 / 0 / 0

HEX #8F6EFF

RGB 143.7 110.6 255

HSL 253.75, 1%, 0.72%

LAB 56.49, 46.4, -67.77

 

CMYK 37 / 50 / 0 / 0

HEX #A080FF

RGB 160.7 128.6 255

HSL 255.24, 1%, 0.75%

LAB 61.96, 40.15, -58.9

 

CMYK 30 / 43 / 0 / 0

HEX #B192FF

RGB 177.7 146.6 255

HSL 257.21, 1%, 0.79%

LAB 67.57, 34.36, -49.91

 

CMYK 24 / 35 / 0 / 0

HEX #C2A4FF

RGB 194.7 164.6 255

HSL 259.98, 1%, 0.82%

LAB 73.25, 29.06, -40.89

 

CMYK 51 / 63 / 0 / 3

HEX #795CF7

RGB 121.7 92.6 247

HSL 251.31, 0.91%, 0.67%

LAB 50.2, 49.89, -73.6

 

CMYK 54 / 67 / 0 / 11

HEX #684AE4

RGB 104.7 74.6 228

HSL 251.77, 0.74%, 0.59%

LAB 43.6, 51.4, -73.74

 

CMYK 58 / 73 / 0 / 18

HEX #5738D1

RGB 87.7 56.6 209

HSL 252.24, 0.62%, 0.52%

LAB 37.02, 52.88, -73.7

 

CMYK 63 / 80 / 0 / 25

HEX #4626BE

RGB 70.7 38.6 190

HSL 252.72, 0.66%, 0.45%

LAB 30.57, 54.1, -73.28

 

CMYK 69 / 88 / 0 / 33

HEX #3514AB

RGB 53.7 20.6 171

HSL 253.2, 0.78%, 0.38%

LAB 24.44, 54.55, -72.14

 

CMYK 50 / 62 / 0 / 3

HEX #7B5EF7

RGB 123 94 247

HSL 251.37, 0.91%, 0.67%

LAB 50.61, 49.35, -72.94

 

CMYK 34 / 62 / 0 / 3

HEX #A45EF7

RGB 164 94 247

HSL 267.45, 0.91%, 0.67%

LAB 54.67, 57.48, -66.17

 

CMYK 17 / 62 / 0 / 3

HEX #CE5EF7

RGB 206 94 247

HSL 283.92, 0.91%, 0.67%

LAB 59.75, 66.77, -57.75

 

CMYK 0 / 62 / 0 / 3

HEX #F75EF7

RGB 247 94 247

HSL 300, 0.91%, 0.67%

LAB 65.35, 76.22, -48.49

 

CMYK 0 / 62 / 16 / 3

HEX #F75ECF

RGB 247 94 207

HSL 315.69, 0.91%, 0.67%

LAB 63.58, 70.14, -28.96

 

CMYK 50 / 62 / 0 / 3

HEX #7B5EF7

RGB 123 94 247

HSL 251.37, 0.91%, 0.67%

LAB 50.61, 49.35, -72.94

 

CMYK 62 / 62 / 0 / 3

HEX #5E5EF7

RGB 94 94 247

HSL 240, 0.91%, 0.67%

LAB 48.39, 44.56, -76.66

 

CMYK 50 / 62 / 0 / 3

HEX #7B5EF7

RGB 123 94 247

HSL 251.37, 0.91%, 0.67%

LAB 50.61, 49.35, -72.94

 

CMYK 50 / 62 / 0 / 3

HEX #7B5EF7

RGB 123 94 247

HSL 251.37, 0.91%, 0.67%

LAB 50.61, 49.35, -72.94

 

CMYK 44 / 54 / 0 / 8

HEX #846CEA

RGB 132 108 234

HSL 251.43, 0.75%, 0.67%

LAB 53.57, 39.54, -60.85

 

CMYK 36 / 45 / 0 / 14

HEX #8C7ADC

RGB 140 122 220

HSL 251.02, 0.58%, 0.67%

LAB 56.74, 29.48, -47.89

 

CMYK 28 / 35 / 0 / 19

HEX #9587CF

RGB 149 135 207

HSL 251.67, 0.43%, 0.67%

LAB 60.09, 21.02, -35.27

 

CMYK 19 / 23 / 0 / 24

HEX #9D95C1

RGB 157 149 193

HSL 250.91, 0.26%, 0.67%

LAB 63.76, 12.09, -21.68

 

CMYK 62 / 40 / 0 / 3

HEX #5E94F7

RGB 94 148 247

HSL 218.82, 0.91%, 0.67%

LAB 61.89, 12.08, -54.89

 

CMYK 62 / 57 / 0 / 3

HEX #5E6BF7

RGB 94 107 247

HSL 234.9, 0.91%, 0.67%

LAB 51.39, 36.82, -71.76

 

CMYK 51 / 62 / 0 / 3

HEX #7A5EF7

RGB 122 94 247

HSL 250.98, 0.91%, 0.67%

LAB 50.52, 49.17, -73.09

 

CMYK 34 / 62 / 0 / 3

HEX #A35EF7

RGB 163 94 247

HSL 267.06, 0.91%, 0.67%

LAB 54.56, 57.27, -66.35

 

CMYK 17 / 62 / 0 / 3

HEX #CC5EF7

RGB 204 94 247

HSL 283.14, 0.91%, 0.67%

LAB 59.49, 66.31, -58.17

 

CMYK 76 / 94 / 0 / 4

HEX #3A0FF4

RGB 58 15 244

HSL 251.27, 0.91%, 0.51%

LAB 33.51, 75.04, -99.61

 

CMYK 63 / 78 / 0 / 4

HEX #5B37F6

RGB 91 55 246

HSL 251.31, 0.91%, 0.59%

LAB 40.59, 64.53, -88.91

 

CMYK 50 / 62 / 0 / 3

HEX #7B5EF7

RGB 123 94 247

HSL 251.37, 0.91%, 0.67%

LAB 50.61, 49.35, -72.94

 

CMYK 38 / 46 / 0 / 2

HEX #9B86F9

RGB 155 134 249

HSL 250.96, 0.91%, 0.75%

LAB 62.39, 34.12, -54.96

 

CMYK 25 / 31 / 0 / 2

HEX #BCADFB

RGB 188 173 251

HSL 251.54, 0.91%, 0.83%

LAB 74.54, 21.55, -36.77

 

CMYK 51 / 63 / 0 / 3

HEX #795CF7

RGB 121.7 92.6 247

HSL 251.31, 0.91%, 0.67%

LAB 50.2, 49.89, -73.6

 

CMYK 0 / 62 / 23 / 3

HEX #F75EBD

RGB 247 94 189

HSL 322.75, 0.91%, 0.67%

LAB 62.89, 67.71, -19.81

 

CMYK 49 / 0 / 62 / 3

HEX #7FF75E

RGB 127 247 94

HSL 107.06, 0.91%, 0.67%

LAB 87.89, -60.92, 61.52

 

CMYK 51 / 63 / 0 / 3

HEX #795CF7

RGB 121.7 92.6 247

HSL 251.31, 0.91%, 0.67%

LAB 50.2, 49.89, -73.6

 

CMYK 0 / 51 / 62 / 3

HEX #F77A5E

RGB 247 122 94

HSL 10.98, 0.91%, 0.67%

LAB 65.36, 45.65, 37.55

 

CMYK 62 / 0 / 51 / 3

HEX #5EF77A

RGB 94 247 122

HSL 130.98, 0.91%, 0.67%

LAB 87.15, -65.61, 47.99

 

CMYK 51 / 63 / 0 / 3

HEX #795CF7

RGB 121.7 92.6 247

HSL 251.31, 0.91%, 0.67%

LAB 50.2, 49.89, -73.6

 

CMYK 0 / 62 / 23 / 3

HEX #F75EBD

RGB 247 94 189

HSL 322.75, 0.91%, 0.67%

LAB 62.89, 67.71, -19.81

 

CMYK 11 / 0 / 62 / 3

HEX #DBF75E

RGB 219 247 94

HSL 70.98, 0.91%, 0.67%

LAB 92.75, -29.36, 68.22

 

CMYK 62 / 0 / 38 / 3

HEX #5EF799

RGB 94 247 153

HSL 143.14, 0.91%, 0.67%

LAB 87.58, -60.78, 33.49

 

CMYK 51 / 63 / 0 / 3

HEX #795CF7

RGB 121.7 92.6 247

HSL 251.31, 0.91%, 0.67%

LAB 50.2, 49.89, -73.6

 

CMYK 0 / 62 / 42 / 3

HEX #F75E8F

RGB 247 94 143

HSL 340.78, 0.91%, 0.67%

LAB 61.45, 62.45, 4.5

 

CMYK 11 / 0 / 62 / 3

HEX #DBF75E

RGB 219 247 94

HSL 70.98, 0.91%, 0.67%

LAB 92.75, -29.36, 68.22

 

CMYK 62 / 0 / 19 / 3

HEX #5EF7C7

RGB 94 247 199

HSL 161.18, 0.91%, 0.67%

LAB 88.46, -51.57, 11.19

 

Description

Color code: RGB 121.7 92.6 247 | qconv.com Color code: RGB 121.7 92.6 247 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121.7 red, 92.6 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121.7 92.6 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 63 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 63% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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