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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121.3 54.4 21 it is the complementary color RGB 133.7 200.6 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121.3 54.4 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121.3 54.4 21 shade: RGB 126.3 54.4 16, RGB 143.3 72.4 35, RGB 160.3 90.4 54, RGB 177.3 108.4 73 and RGB 194.3 126.4 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121.3 54.4 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121.3 54.4 21 shade: RGB 121.3 54.4 21, RGB 104.3 36.4 2, RGB 87.3 18.4 0, RGB 70.3 0.4 0 and RGB 53.3 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121.3 54.4 21 shade: RGB 121 55 21, RGB 121 28 21 and RGB 121 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121.3 54.4 21 shade: RGB 121 55 21, RGB 121 82 21, RGB 121 109 21, RGB 107 121 21 and RGB 80 121 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121.3 54.4 21 shade matches the following richer shades: RGB 121 55 21 and RGB 133 51 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121.3 54.4 21 shade: RGB 121 55 21, RGB 110 59 33, RGB 98 62 45, RGB 87 66 56 and RGB 75 70 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121.3 54.4 21 shade: RGB 121 21 43, RGB 121 26 21, RGB 121 53 21, RGB 121 80 21 and RGB 121 106 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121.3 54.4 21 shade: RGB 51 23 9, RGB 86 39 15, RGB 121 55 21, RGB 156 71 28 and RGB 192 86 34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121.3 54.4 21 shade: RGB 121.3 54.4 21, RGB 70 121 21 and RGB 21 30 121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121.3 54.4 21 shade: RGB 121.3 54.4 21, RGB 21 121 53 and RGB 53 21 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121.3 54.4 21 shade: RGB 121.3 54.4 21, RGB 70 121 21, RGB 21 90 121 and RGB 73 21 121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121.3 54.4 21 shade: RGB 121.3 54.4 21, RGB 40 121 21, RGB 21 90 121 and RGB 103 21 121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 83 / 52

HEX #793615

RGB 121.3 54.4 21

HSL 19.98, 0.7%, 0.28%

LAB 31.39, 26.98, 33.44

 

Complementary color

CMYK 43 / 14 / 0 / 8

HEX #85C8EA

RGB 133.7 200.6 234

HSL 199.98, 0.7%, 0.72%

LAB 77.62, -12.61, -23.17

 

CMYK 0 / 57 / 87 / 50

HEX #7E3610

RGB 126.3 54.4 16

HSL 20.89, 0.78%, 0.28%

LAB 32.19, 28.94, 36.88

 

CMYK 0 / 49 / 76 / 44

HEX #8F4823

RGB 143.3 72.4 35

HSL 20.72, 0.61%, 0.35%

LAB 39.03, 27.04, 35.07

 

CMYK 0 / 44 / 66 / 37

HEX #A05A36

RGB 160.3 90.4 54

HSL 20.55, 0.5%, 0.42%

LAB 45.84, 25.35, 33.06

 

CMYK 0 / 39 / 59 / 30

HEX #B16C49

RGB 177.3 108.4 73

HSL 20.36, 0.42%, 0.49%

LAB 52.59, 23.89, 31.18

 

CMYK 0 / 35 / 53 / 24

HEX #C27E5C

RGB 194.3 126.4 92

HSL 20.18, 0.46%, 0.56%

LAB 59.26, 22.62, 29.48

 

CMYK 0 / 55 / 83 / 52

HEX #793615

RGB 121.3 54.4 21

HSL 19.98, 0.7%, 0.28%

LAB 31.39, 26.98, 33.44

 

CMYK 0 / 65 / 98 / 59

HEX #682402

RGB 104.3 36.4 2

HSL 20.18, 0.96%, 0.21%

LAB 24.49, 28.88, 34.48

 

CMYK 0 / 79 / 100 / 66

HEX #571200

RGB 87.3 18.4 0

HSL 12.65, 1%, 0.17%

LAB 17.86, 30.57, 27.08

 

CMYK 0 / 99 / 100 / 72

HEX #460000

RGB 70.3 0.4 0

HSL 0.34, 1%, 0.14%

LAB 11.43, 31.49, 17.98

 

CMYK 0 / 100 / 100 / 79

HEX #350000

RGB 53.3 0 0

HSL 0, 1%, 0.1%

LAB 6.91, 26.22, 10.92

 

CMYK 0 / 55 / 83 / 53

HEX #793715

RGB 121 55 21

HSL 20.4, 0.7%, 0.28%

LAB 31.47, 26.52, 33.5

 

CMYK 0 / 77 / 83 / 53

HEX #791C15

RGB 121 28 21

HSL 4.2, 0.7%, 0.28%

LAB 26.59, 39.45, 28.68

 

CMYK 0 / 83 / 83 / 53

HEX #791515

RGB 121 21 21

HSL 0, 0.7%, 0.28%

LAB 25.73, 41.86, 27.8

 

CMYK 0 / 55 / 83 / 53

HEX #793715

RGB 121 55 21

HSL 20.4, 0.7%, 0.28%

LAB 31.47, 26.52, 33.5

 

CMYK 0 / 32 / 83 / 53

HEX #795215

RGB 121 82 21

HSL 36.6, 0.7%, 0.28%

LAB 38.12, 10.68, 39.78

 

CMYK 0 / 10 / 83 / 53

HEX #796D15

RGB 121 109 21

HSL 52.8, 0.7%, 0.28%

LAB 45.71, -5.19, 46.64

 

CMYK 12 / 0 / 83 / 53

HEX #6B7915

RGB 107 121 21

HSL 68.4, 0.7%, 0.28%

LAB 48.08, -18.34, 48.27

 

CMYK 34 / 0 / 83 / 53

HEX #507915

RGB 80 121 21

HSL 84.6, 0.7%, 0.28%

LAB 46.22, -29.97, 45.91

 

CMYK 0 / 55 / 83 / 53

HEX #793715

RGB 121 55 21

HSL 20.4, 0.7%, 0.28%

LAB 31.47, 26.52, 33.5

 

CMYK 0 / 62 / 92 / 48

HEX #85330A

RGB 133 51 10

HSL 20, 0.86%, 0.28%

LAB 32.65, 33.32, 40.18

 

CMYK 0 / 55 / 83 / 53

HEX #793715

RGB 121 55 21

HSL 20.4, 0.7%, 0.28%

LAB 31.47, 26.52, 33.5

 

CMYK 0 / 46 / 70 / 57

HEX #6E3B21

RGB 110 59 33

HSL 20.26, 0.54%, 0.28%

LAB 30.77, 19.97, 25.6

 

CMYK 0 / 37 / 54 / 62

HEX #623E2D

RGB 98 62 45

HSL 19.25, 0.37%, 0.28%

LAB 29.99, 13.66, 16.91

 

CMYK 0 / 24 / 36 / 66

HEX #574238

RGB 87 66 56

HSL 19.35, 0.22%, 0.28%

LAB 29.93, 7.45, 9.58

 

CMYK 0 / 7 / 9 / 71

HEX #4B4644

RGB 75 70 68

HSL 17.14, 0.05%, 0.28%

LAB 30.14, 1.69, 1.95

 

CMYK 0 / 83 / 64 / 53

HEX #79152B

RGB 121 21 43

HSL 346.8, 0.7%, 0.28%

LAB 26.09, 42.97, 13.85

 

CMYK 0 / 79 / 83 / 53

HEX #791A15

RGB 121 26 21

HSL 3, 0.7%, 0.28%

LAB 26.33, 40.19, 28.41

 

CMYK 0 / 56 / 83 / 53

HEX #793515

RGB 121 53 21

HSL 19.2, 0.7%, 0.28%

LAB 31.03, 27.62, 33.08

 

CMYK 0 / 34 / 83 / 53

HEX #795015

RGB 121 80 21

HSL 35.4, 0.7%, 0.28%

LAB 37.58, 11.88, 39.28

 

CMYK 0 / 12 / 83 / 53

HEX #796A15

RGB 121 106 21

HSL 51, 0.7%, 0.28%

LAB 44.84, -3.48, 45.86

 

CMYK 0 / 55 / 82 / 80

HEX #331709

RGB 51 23 9

HSL 20, 0.7%, 0.12%

LAB 11.53, 12.64, 13.79

 

CMYK 0 / 55 / 83 / 66

HEX #56270F

RGB 86 39 15

HSL 20.28, 0.7%, 0.2%

LAB 21.81, 19.87, 25.09

 

CMYK 0 / 55 / 83 / 53

HEX #793715

RGB 121 55 21

HSL 20.4, 0.7%, 0.28%

LAB 31.47, 26.52, 33.5

 

CMYK 0 / 54 / 82 / 39

HEX #9C471C

RGB 156 71 28

HSL 20.16, 0.7%, 0.36%

LAB 40.67, 32.81, 40.89

 

CMYK 0 / 55 / 82 / 25

HEX #C05622

RGB 192 86 34

HSL 19.75, 0.7%, 0.44%

LAB 49.47, 39.67, 48.41

 

CMYK 0 / 55 / 83 / 52

HEX #793615

RGB 121.3 54.4 21

HSL 19.98, 0.7%, 0.28%

LAB 31.39, 26.98, 33.44

 

CMYK 42 / 0 / 83 / 53

HEX #467915

RGB 70 121 21

HSL 90.6, 0.7%, 0.28%

LAB 45.68, -33.82, 45.2

 

CMYK 83 / 75 / 0 / 53

HEX #151E79

RGB 21 30 121

HSL 234.6, 0.7%, 0.28%

LAB 17.78, 31.53, -52.23

 

CMYK 0 / 55 / 83 / 52

HEX #793615

RGB 121.3 54.4 21

HSL 19.98, 0.7%, 0.28%

LAB 31.39, 26.98, 33.44

 

CMYK 83 / 0 / 56 / 53

HEX #157935

RGB 21 121 53

HSL 139.2, 0.7%, 0.28%

LAB 44.36, -43.01, 29.36

 

CMYK 56 / 83 / 0 / 53

HEX #351579

RGB 53 21 121

HSL 259.2, 0.7%, 0.28%

LAB 18.69, 40.15, -50.63

 

CMYK 0 / 55 / 83 / 52

HEX #793615

RGB 121.3 54.4 21

HSL 19.98, 0.7%, 0.28%

LAB 31.39, 26.98, 33.44

 

CMYK 42 / 0 / 83 / 53

HEX #467915

RGB 70 121 21

HSL 90.6, 0.7%, 0.28%

LAB 45.68, -33.82, 45.2

 

CMYK 83 / 26 / 0 / 53

HEX #155A79

RGB 21 90 121

HSL 198.6, 0.7%, 0.28%

LAB 35.7, -9.18, -23.42

 

CMYK 40 / 83 / 0 / 53

HEX #491579

RGB 73 21 121

HSL 271.2, 0.7%, 0.28%

LAB 21.33, 43.21, -46.19

 

CMYK 0 / 55 / 83 / 52

HEX #793615

RGB 121.3 54.4 21

HSL 19.98, 0.7%, 0.28%

LAB 31.39, 26.98, 33.44

 

CMYK 67 / 0 / 83 / 53

HEX #287915

RGB 40 121 21

HSL 108.6, 0.7%, 0.28%

LAB 44.49, -43.01, 43.67

 

CMYK 83 / 26 / 0 / 53

HEX #155A79

RGB 21 90 121

HSL 198.6, 0.7%, 0.28%

LAB 35.7, -9.18, -23.42

 

CMYK 15 / 83 / 0 / 53

HEX #671579

RGB 103 21 121

HSL 289.2, 0.7%, 0.28%

LAB 26.16, 48.79, -38.14

 

Description

Color code: RGB 121.3 54.4 21 | qconv.com Color code: RGB 121.3 54.4 21 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121.3 red, 54.4 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121.3 54.4 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 83 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 83% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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