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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121.1 180.8 171 it is the complementary color RGB 133.9 74.2 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121.1 180.8 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121.1 180.8 171 shade: RGB 126.1 180.8 166, RGB 143.1 198.8 185, RGB 160.1 216.8 204, RGB 177.1 234.8 223 and RGB 194.1 252.8 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121.1 180.8 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121.1 180.8 171 shade: RGB 121.1 180.8 171, RGB 104.1 162.8 152, RGB 87.1 144.8 133, RGB 70.1 126.8 114 and RGB 53.1 108.8 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121.1 180.8 171 shade: RGB 120 181 171, RGB 120 181 154, RGB 120 181 138, RGB 120 181 122 and RGB 135 181 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121.1 180.8 171 shade: RGB 120 181 171, RGB 120 174 181, RGB 120 158 181, RGB 120 142 181 and RGB 120 125 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121.1 180.8 171 shade matches the following richer shades: RGB 120 181 171, RGB 103 198 182, RGB 86 215 194, RGB 69 232 205 and RGB 52 248 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121.1 180.8 171 shade: RGB 120 181 171, RGB 137 164 159, RGB 154 147 148, RGB 171 130 137 and RGB 188 113 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121.1 180.8 171 shade: RGB 120 181 138, RGB 120 181 154, RGB 120 181 171, RGB 120 175 181 and RGB 120 159 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121.1 180.8 171 shade: RGB 78 141 130, RGB 94 166 154, RGB 120 181 171, RGB 147 195 187 and RGB 173 210 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121.1 180.8 171 shade: RGB 121.1 180.8 171, RGB 122 120 181 and RGB 181 146 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121.1 180.8 171 shade: RGB 121.1 180.8 171, RGB 171 120 181 and RGB 181 171 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121.1 180.8 171 shade: RGB 121.1 180.8 171, RGB 122 120 181, RGB 181 120 130 and RGB 179 181 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121.1 180.8 171 shade: RGB 121.1 180.8 171, RGB 140 120 181, RGB 181 120 130 and RGB 161 181 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 5 / 29

HEX #79B4AB

RGB 121.1 180.8 171

HSL 170.15, 0.29%, 0.59%

LAB 69.45, -21.47, -1.17

 

Complementary color

CMYK 0 / 45 / 37 / 47

HEX #854A54

RGB 133.9 74.2 84

HSL 350.15, 0.29%, 0.41%

LAB 38.94, 26.48, 5.38

 

CMYK 30 / 0 / 8 / 29

HEX #7EB4A6

RGB 126.1 180.8 166

HSL 163.77, 0.27%, 0.6%

LAB 69.59, -21.12, 1.81

 

CMYK 28 / 0 / 7 / 22

HEX #8FC6B9

RGB 143.1 198.8 185

HSL 165.13, 0.33%, 0.67%

LAB 76.13, -20.95, 1.09

 

CMYK 26 / 0 / 6 / 15

HEX #A0D8CC

RGB 160.1 216.8 204

HSL 166.46, 0.43%, 0.74%

LAB 82.58, -20.79, 0.42

 

CMYK 25 / 0 / 5 / 8

HEX #B1EADF

RGB 177.1 234.8 223

HSL 167.73, 0.59%, 0.81%

LAB 88.92, -20.65, -0.23

 

CMYK 23 / 0 / 4 / 1

HEX #C2FCF2

RGB 194.1 252.8 242

HSL 168.96, 0.93%, 0.88%

LAB 95.17, -20.52, -0.86

 

CMYK 33 / 0 / 5 / 29

HEX #79B4AB

RGB 121.1 180.8 171

HSL 170.15, 0.29%, 0.59%

LAB 69.45, -21.47, -1.17

 

CMYK 36 / 0 / 7 / 36

HEX #68A298

RGB 104.1 162.8 152

HSL 168.96, 0.24%, 0.52%

LAB 62.79, -21.63, -0.45

 

CMYK 40 / 0 / 8 / 43

HEX #579085

RGB 87.1 144.8 133

HSL 167.73, 0.25%, 0.45%

LAB 56, -21.8, 0.31

 

CMYK 45 / 0 / 10 / 50

HEX #467E72

RGB 70.1 126.8 114

HSL 166.46, 0.29%, 0.39%

LAB 49.07, -21.96, 1.14

 

CMYK 51 / 0 / 13 / 57

HEX #356C5F

RGB 53.1 108.8 95

HSL 165.13, 0.34%, 0.32%

LAB 41.97, -22.09, 2.07

 

CMYK 34 / 0 / 6 / 29

HEX #78B5AB

RGB 120 181 171

HSL 170.16, 0.29%, 0.59%

LAB 69.46, -21.89, -1.17

 

CMYK 34 / 0 / 15 / 29

HEX #78B59A

RGB 120 181 154

HSL 153.44, 0.29%, 0.59%

LAB 69.02, -25.65, 7.55

 

CMYK 34 / 0 / 24 / 29

HEX #78B58A

RGB 120 181 138

HSL 137.7, 0.29%, 0.59%

LAB 68.66, -28.87, 15.79

 

CMYK 34 / 0 / 33 / 29

HEX #78B57A

RGB 120 181 122

HSL 121.97, 0.29%, 0.59%

LAB 68.35, -31.74, 24

 

CMYK 25 / 0 / 34 / 29

HEX #87B578

RGB 135 181 120

HSL 105.25, 0.29%, 0.59%

LAB 69.15, -26.96, 26.29

 

CMYK 34 / 0 / 6 / 29

HEX #78B5AB

RGB 120 181 171

HSL 170.16, 0.29%, 0.59%

LAB 69.46, -21.89, -1.17

 

CMYK 34 / 4 / 0 / 29

HEX #78AEB5

RGB 120 174 181

HSL 186.89, 0.29%, 0.59%

LAB 67.73, -15.89, -9.25

 

CMYK 34 / 13 / 0 / 29

HEX #789EB5

RGB 120 158 181

HSL 202.62, 0.29%, 0.59%

LAB 63.16, -7.29, -16.1

 

CMYK 34 / 22 / 0 / 29

HEX #788EB5

RGB 120 142 181

HSL 218.36, 0.29%, 0.59%

LAB 58.67, 1.71, -22.95

 

CMYK 34 / 31 / 0 / 29

HEX #787DB5

RGB 120 125 181

HSL 235.08, 0.29%, 0.59%

LAB 54.02, 11.64, -30.13

 

CMYK 34 / 0 / 6 / 29

HEX #78B5AB

RGB 120 181 171

HSL 170.16, 0.29%, 0.59%

LAB 69.46, -21.89, -1.17

 

CMYK 48 / 0 / 8 / 22

HEX #67C6B6

RGB 103 198 182

HSL 169.89, 0.45%, 0.59%

LAB 73.96, -32.04, -0.67

 

CMYK 60 / 0 / 10 / 16

HEX #56D7C2

RGB 86 215 194

HSL 170.23, 0.62%, 0.59%

LAB 78.74, -40.41, -0.22

 

CMYK 70 / 0 / 12 / 9

HEX #45E8CD

RGB 69 232 205

HSL 170.06, 0.78%, 0.59%

LAB 83.65, -47.67, 1.05

 

CMYK 79 / 0 / 13 / 3

HEX #34F8D8

RGB 52 248 216

HSL 170.2, 0.93%, 0.59%

LAB 88.36, -53.4, 2.12

 

CMYK 34 / 0 / 6 / 29

HEX #78B5AB

RGB 120 181 171

HSL 170.16, 0.29%, 0.59%

LAB 69.46, -21.89, -1.17

 

CMYK 16 / 0 / 3 / 36

HEX #89A49F

RGB 137 164 159

HSL 168.89, 0.13%, 0.59%

LAB 65.26, -10.38, -0.54

 

CMYK 0 / 5 / 4 / 40

HEX #9A9394

RGB 154 147 148

HSL 351.43, 0.03%, 0.59%

LAB 61.55, 2.76, 0.38

 

CMYK 0 / 24 / 20 / 33

HEX #AB8289

RGB 171 130 137

HSL 349.76, 0.2%, 0.59%

LAB 58.44, 16.86, 2.35

 

CMYK 0 / 40 / 34 / 26

HEX #BC717D

RGB 188 113 125

HSL 350.4, 0.36%, 0.59%

LAB 56.07, 31.09, 6.14

 

CMYK 34 / 0 / 24 / 29

HEX #78B58A

RGB 120 181 138

HSL 137.7, 0.29%, 0.59%

LAB 68.66, -28.87, 15.79

 

CMYK 34 / 0 / 15 / 29

HEX #78B59A

RGB 120 181 154

HSL 153.44, 0.29%, 0.59%

LAB 69.02, -25.65, 7.55

 

CMYK 34 / 0 / 6 / 29

HEX #78B5AB

RGB 120 181 171

HSL 170.16, 0.29%, 0.59%

LAB 69.46, -21.89, -1.17

 

CMYK 34 / 3 / 0 / 29

HEX #78AFB5

RGB 120 175 181

HSL 185.9, 0.29%, 0.59%

LAB 68.01, -16.42, -8.82

 

CMYK 34 / 12 / 0 / 29

HEX #789FB5

RGB 120 159 181

HSL 201.64, 0.29%, 0.59%

LAB 63.45, -7.84, -15.68

 

CMYK 45 / 0 / 8 / 45

HEX #4E8D82

RGB 78 141 130

HSL 169.52, 0.29%, 0.43%

LAB 54.32, -23.1, -0.46

 

CMYK 43 / 0 / 7 / 35

HEX #5EA69A

RGB 94 166 154

HSL 170, 0.29%, 0.51%

LAB 63.33, -25.54, -0.85

 

CMYK 34 / 0 / 6 / 29

HEX #78B5AB

RGB 120 181 171

HSL 170.16, 0.29%, 0.59%

LAB 69.46, -21.89, -1.17

 

CMYK 25 / 0 / 4 / 24

HEX #93C3BB

RGB 147 195 187

HSL 170, 0.29%, 0.67%

LAB 75.34, -17.4, -1.12

 

CMYK 18 / 0 / 3 / 18

HEX #ADD2CC

RGB 173 210 204

HSL 170.27, 0.29%, 0.75%

LAB 81.48, -13.38, -1.1

 

CMYK 33 / 0 / 5 / 29

HEX #79B4AB

RGB 121.1 180.8 171

HSL 170.15, 0.29%, 0.59%

LAB 69.45, -21.47, -1.17

 

CMYK 33 / 34 / 0 / 29

HEX #7A78B5

RGB 122 120 181

HSL 241.97, 0.29%, 0.59%

LAB 52.85, 15.2, -31.95

 

CMYK 0 / 19 / 34 / 29

HEX #B59278

RGB 181 146 120

HSL 25.57, 0.29%, 0.59%

LAB 63.13, 9.39, 18.76

 

CMYK 33 / 0 / 5 / 29

HEX #79B4AB

RGB 121.1 180.8 171

HSL 170.15, 0.29%, 0.59%

LAB 69.45, -21.47, -1.17

 

CMYK 6 / 34 / 0 / 29

HEX #AB78B5

RGB 171 120 181

HSL 290.16, 0.29%, 0.59%

LAB 57.49, 30.53, -24.39

 

CMYK 0 / 6 / 34 / 29

HEX #B5AB78

RGB 181 171 120

HSL 50.16, 0.29%, 0.59%

LAB 69.69, -4.23, 27.6

 

CMYK 33 / 0 / 5 / 29

HEX #79B4AB

RGB 121.1 180.8 171

HSL 170.15, 0.29%, 0.59%

LAB 69.45, -21.47, -1.17

 

CMYK 33 / 34 / 0 / 29

HEX #7A78B5

RGB 122 120 181

HSL 241.97, 0.29%, 0.59%

LAB 52.85, 15.2, -31.95

 

CMYK 0 / 34 / 28 / 29

HEX #B57882

RGB 181 120 130

HSL 350.16, 0.29%, 0.59%

LAB 56.95, 25.25, 4.38

 

CMYK 1 / 0 / 34 / 29

HEX #B3B578

RGB 179 181 120

HSL 61.97, 0.29%, 0.59%

LAB 72.22, -10.29, 30.91

 

CMYK 33 / 0 / 5 / 29

HEX #79B4AB

RGB 121.1 180.8 171

HSL 170.15, 0.29%, 0.59%

LAB 69.45, -21.47, -1.17

 

CMYK 23 / 34 / 0 / 29

HEX #8C78B5

RGB 140 120 181

HSL 259.67, 0.29%, 0.59%

LAB 54.39, 20.63, -29.43

 

CMYK 0 / 34 / 28 / 29

HEX #B57882

RGB 181 120 130

HSL 350.16, 0.29%, 0.59%

LAB 56.95, 25.25, 4.38

 

CMYK 11 / 0 / 34 / 29

HEX #A1B578

RGB 161 181 120

HSL 79.67, 0.29%, 0.59%

LAB 70.86, -17.33, 28.86

 

Description

Color code: RGB 121.1 180.8 171 | qconv.com Color code: RGB 121.1 180.8 171 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121.1 red, 180.8 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121.1 180.8 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 5 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 5% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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