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Color name
RGB 120.9 182.2 158

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120.9 182.2 158 it is the complementary color RGB 134.1 72.8 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120.9 182.2 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120.9 182.2 158 shade: RGB 125.9 182.2 153, RGB 142.9 200.2 172, RGB 159.9 218.2 191, RGB 176.9 236.2 210 and RGB 193.9 254.2 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120.9 182.2 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120.9 182.2 158 shade: RGB 120.9 182.2 158, RGB 103.9 164.2 139, RGB 86.9 146.2 120, RGB 69.9 128.2 101 and RGB 52.9 110.2 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120.9 182.2 158 shade: RGB 119 181 157, RGB 119 181 140, RGB 119 181 123, RGB 131 181 119 and RGB 148 181 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120.9 182.2 158 shade: RGB 119 181 157, RGB 119 181 173, RGB 119 172 181, RGB 119 155 181 and RGB 119 138 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120.9 182.2 158 shade matches the following richer shades: RGB 119 181 157, RGB 102 198 160, RGB 85 215 164, RGB 68 232 167 and RGB 51 249 171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120.9 182.2 158 shade: RGB 119 181 157, RGB 136 164 153, RGB 152 147 149, RGB 169 131 146 and RGB 186 114 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120.9 182.2 158 shade: RGB 119 181 123, RGB 119 181 139, RGB 119 181 156, RGB 119 181 173 and RGB 119 173 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120.9 182.2 158 shade: RGB 76 141 116, RGB 92 167 137, RGB 119 181 157, RGB 145 196 176 and RGB 172 210 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120.9 182.2 158 shade: RGB 120.9 182.2 158, RGB 119 131 181 and RGB 181 131 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120.9 182.2 158 shade: RGB 120.9 182.2 158, RGB 156 119 181 and RGB 181 156 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120.9 182.2 158 shade: RGB 120.9 182.2 158, RGB 119 131 181, RGB 181 119 144 and RGB 181 169 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120.9 182.2 158 shade: RGB 120.9 182.2 158, RGB 125 119 181, RGB 181 119 144 and RGB 175 181 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 13 / 29

HEX #78B69E

RGB 120.9 182.2 158

HSL 156.31, 0.3%, 0.59%

LAB 69.52, -25.12, 6.07

 

Complementary color

CMYK 0 / 46 / 28 / 47

HEX #864861

RGB 134.1 72.8 97

HSL 336.31, 0.3%, 0.41%

LAB 39.03, 29.18, -2.61

 

CMYK 31 / 0 / 16 / 29

HEX #7DB699

RGB 125.9 182.2 153

HSL 148.88, 0.28%, 0.6%

LAB 69.66, -24.64, 9.05

 

CMYK 29 / 0 / 14 / 21

HEX #8EC8AC

RGB 142.9 200.2 172

HSL 150.47, 0.34%, 0.67%

LAB 76.2, -24.41, 8.2

 

CMYK 27 / 0 / 12 / 14

HEX #9FDABF

RGB 159.9 218.2 191

HSL 152.01, 0.44%, 0.74%

LAB 82.63, -24.21, 7.4

 

CMYK 25 / 0 / 11 / 7

HEX #B0ECD2

RGB 176.9 236.2 210

HSL 153.49, 0.61%, 0.81%

LAB 88.97, -24.02, 6.64

 

CMYK 24 / 0 / 10 / 0

HEX #C1FEE5

RGB 193.9 254.2 229

HSL 154.93, 0.97%, 0.88%

LAB 95.21, -23.85, 5.91

 

CMYK 34 / 0 / 13 / 29

HEX #78B69E

RGB 120.9 182.2 158

HSL 156.31, 0.3%, 0.59%

LAB 69.52, -25.12, 6.07

 

CMYK 37 / 0 / 15 / 36

HEX #67A48B

RGB 103.9 164.2 139

HSL 154.93, 0.25%, 0.53%

LAB 62.86, -25.36, 6.93

 

CMYK 41 / 0 / 18 / 43

HEX #569278

RGB 86.9 146.2 120

HSL 153.49, 0.25%, 0.46%

LAB 56.08, -25.61, 7.87

 

CMYK 45 / 0 / 21 / 50

HEX #458065

RGB 69.9 128.2 101

HSL 152.01, 0.29%, 0.39%

LAB 49.17, -25.85, 8.9

 

CMYK 52 / 0 / 26 / 57

HEX #346E52

RGB 52.9 110.2 82

HSL 150.47, 0.35%, 0.32%

LAB 42.09, -26.06, 10.06

 

CMYK 34 / 0 / 13 / 29

HEX #77B59D

RGB 119 181 157

HSL 156.77, 0.3%, 0.59%

LAB 69.04, -25.31, 5.92

 

CMYK 34 / 0 / 23 / 29

HEX #77B58C

RGB 119 181 140

HSL 140.32, 0.3%, 0.59%

LAB 68.65, -28.79, 14.68

 

CMYK 34 / 0 / 32 / 29

HEX #77B57B

RGB 119 181 123

HSL 123.87, 0.3%, 0.59%

LAB 68.31, -31.9, 23.41

 

CMYK 28 / 0 / 34 / 29

HEX #83B577

RGB 131 181 119

HSL 108.39, 0.3%, 0.59%

LAB 68.9, -28.51, 26.44

 

CMYK 18 / 0 / 34 / 29

HEX #94B577

RGB 148 181 119

HSL 91.94, 0.3%, 0.59%

LAB 69.95, -22.39, 28.02

 

CMYK 34 / 0 / 13 / 29

HEX #77B59D

RGB 119 181 157

HSL 156.77, 0.3%, 0.59%

LAB 69.04, -25.31, 5.92

 

CMYK 34 / 0 / 4 / 29

HEX #77B5AD

RGB 119 181 173

HSL 172.26, 0.3%, 0.59%

LAB 69.46, -21.71, -2.27

 

CMYK 34 / 5 / 0 / 29

HEX #77ACB5

RGB 119 172 181

HSL 188.71, 0.3%, 0.59%

LAB 67.1, -15.12, -10.19

 

CMYK 34 / 14 / 0 / 29

HEX #779BB5

RGB 119 155 181

HSL 205.16, 0.3%, 0.59%

LAB 62.25, -5.92, -17.49

 

CMYK 34 / 24 / 0 / 29

HEX #778AB5

RGB 119 138 181

HSL 221.61, 0.3%, 0.59%

LAB 57.5, 3.72, -24.76

 

CMYK 34 / 0 / 13 / 29

HEX #77B59D

RGB 119 181 157

HSL 156.77, 0.3%, 0.59%

LAB 69.04, -25.31, 5.92

 

CMYK 48 / 0 / 19 / 22

HEX #66C6A0

RGB 102 198 160

HSL 156.25, 0.46%, 0.59%

LAB 73.38, -37.37, 10.39

 

CMYK 60 / 0 / 24 / 16

HEX #55D7A4

RGB 85 215 164

HSL 156.46, 0.62%, 0.59%

LAB 78, -47.65, 14.7

 

CMYK 71 / 0 / 28 / 9

HEX #44E8A7

RGB 68 232 167

HSL 156.22, 0.78%, 0.59%

LAB 82.77, -56.7, 19.72

 

CMYK 80 / 0 / 31 / 2

HEX #33F9AB

RGB 51 249 171

HSL 156.36, 0.94%, 0.59%

LAB 87.68, -64.26, 24.39

 

CMYK 34 / 0 / 13 / 29

HEX #77B59D

RGB 119 181 157

HSL 156.77, 0.3%, 0.59%

LAB 69.04, -25.31, 5.92

 

CMYK 17 / 0 / 7 / 36

HEX #88A499

RGB 136 164 153

HSL 156.43, 0.13%, 0.59%

LAB 65.03, -11.97, 2.47

 

CMYK 0 / 3 / 2 / 40

HEX #989395

RGB 152 147 149

HSL 336, 0.02%, 0.59%

LAB 61.41, 2.22, -0.41

 

CMYK 0 / 22 / 14 / 34

HEX #A98392

RGB 169 131 146

HSL 336.32, 0.18%, 0.59%

LAB 58.74, 17.03, -2.42

 

CMYK 0 / 39 / 24 / 27

HEX #BA728E

RGB 186 114 142

HSL 336.67, 0.34%, 0.59%

LAB 56.51, 32.17, -3.16

 

CMYK 34 / 0 / 32 / 29

HEX #77B57B

RGB 119 181 123

HSL 123.87, 0.3%, 0.59%

LAB 68.31, -31.9, 23.41

 

CMYK 34 / 0 / 23 / 29

HEX #77B58B

RGB 119 181 139

HSL 139.35, 0.3%, 0.59%

LAB 68.63, -28.99, 15.19

 

CMYK 34 / 0 / 14 / 29

HEX #77B59C

RGB 119 181 156

HSL 155.81, 0.3%, 0.59%

LAB 69.02, -25.53, 6.44

 

CMYK 34 / 0 / 4 / 29

HEX #77B5AD

RGB 119 181 173

HSL 172.26, 0.3%, 0.59%

LAB 69.46, -21.71, -2.27

 

CMYK 34 / 4 / 0 / 29

HEX #77ADB5

RGB 119 173 181

HSL 187.74, 0.3%, 0.59%

LAB 67.39, -15.65, -9.76

 

CMYK 46 / 0 / 18 / 45

HEX #4C8D74

RGB 76 141 116

HSL 156.92, 0.3%, 0.43%

LAB 53.86, -27.05, 6.93

 

CMYK 45 / 0 / 18 / 35

HEX #5CA789

RGB 92 167 137

HSL 156, 0.3%, 0.51%

LAB 63.11, -30.56, 8.33

 

CMYK 34 / 0 / 13 / 29

HEX #77B59D

RGB 119 181 157

HSL 156.77, 0.3%, 0.59%

LAB 69.04, -25.31, 5.92

 

CMYK 26 / 0 / 10 / 23

HEX #91C4B0

RGB 145 196 176

HSL 156.47, 0.3%, 0.67%

LAB 75.22, -20.85, 4.65

 

CMYK 18 / 0 / 7 / 18

HEX #ACD2C3

RGB 172 210 195

HSL 156.32, 0.3%, 0.75%

LAB 81.18, -15.51, 3.27

 

CMYK 34 / 0 / 13 / 29

HEX #78B69E

RGB 120.9 182.2 158

HSL 156.31, 0.3%, 0.59%

LAB 69.52, -25.12, 6.07

 

CMYK 34 / 28 / 0 / 29

HEX #7783B5

RGB 119 131 181

HSL 228.39, 0.3%, 0.59%

LAB 55.57, 7.8, -27.73

 

CMYK 0 / 28 / 34 / 29

HEX #B58377

RGB 181 131 119

HSL 11.61, 0.3%, 0.59%

LAB 59.33, 17.61, 14.09

 

CMYK 34 / 0 / 13 / 29

HEX #78B69E

RGB 120.9 182.2 158

HSL 156.31, 0.3%, 0.59%

LAB 69.52, -25.12, 6.07

 

CMYK 14 / 34 / 0 / 29

HEX #9C77B5

RGB 156 119 181

HSL 275.81, 0.3%, 0.59%

LAB 55.68, 26.26, -27.3

 

CMYK 0 / 14 / 34 / 29

HEX #B59C77

RGB 181 156 119

HSL 35.81, 0.3%, 0.59%

LAB 65.7, 3.75, 22.81

 

CMYK 34 / 0 / 13 / 29

HEX #78B69E

RGB 120.9 182.2 158

HSL 156.31, 0.3%, 0.59%

LAB 69.52, -25.12, 6.07

 

CMYK 34 / 28 / 0 / 29

HEX #7783B5

RGB 119 131 181

HSL 228.39, 0.3%, 0.59%

LAB 55.57, 7.8, -27.73

 

CMYK 0 / 34 / 20 / 29

HEX #B57790

RGB 181 119 144

HSL 335.81, 0.3%, 0.59%

LAB 57.11, 27.9, -3.52

 

CMYK 0 / 7 / 34 / 29

HEX #B5A977

RGB 181 169 119

HSL 48.39, 0.3%, 0.59%

LAB 69.13, -3.28, 27.4

 

CMYK 34 / 0 / 13 / 29

HEX #78B69E

RGB 120.9 182.2 158

HSL 156.31, 0.3%, 0.59%

LAB 69.52, -25.12, 6.07

 

CMYK 31 / 34 / 0 / 29

HEX #7D77B5

RGB 125 119 181

HSL 245.81, 0.3%, 0.59%

LAB 52.83, 16.67, -31.96

 

CMYK 0 / 34 / 20 / 29

HEX #B57790

RGB 181 119 144

HSL 335.81, 0.3%, 0.59%

LAB 57.11, 27.9, -3.52

 

CMYK 3 / 0 / 34 / 29

HEX #AFB577

RGB 175 181 119

HSL 65.81, 0.3%, 0.59%

LAB 71.89, -12, 30.94

 

Description

Color code: RGB 120.9 182.2 158 | qconv.com Color code: RGB 120.9 182.2 158 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120.9 red, 182.2 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120.9 182.2 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 13 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 13% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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