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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 11 199 243 it is the complementary color RGB 244 56 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 11 199 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 11 199 243 shade: RGB 16 199 238, RGB 33 217 255, RGB 50 235 255, RGB 67 253 255 and RGB 84 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 11 199 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 11 199 243 shade: RGB 11 199 243, RGB 0 181 224, RGB 0 163 205, RGB 0 145 186 and RGB 0 127 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 11 199 243 shade: RGB 11 199 243, RGB 11 136 243, RGB 11 74 243, RGB 11 11 243 and RGB 73 11 243

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 11 199 243 shade: RGB 11 199 243, RGB 11 136 243, RGB 11 74 243, RGB 11 11 243 and RGB 11 11 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 11 199 243 shade matches the following richer shades: RGB 11 199 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 11 199 243 shade: RGB 11 199 243, RGB 32 186 222, RGB 52 173 202, RGB 73 161 181 and RGB 93 148 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 11 199 243 shade: RGB 11 243 162, RGB 11 243 224, RGB 11 200 243, RGB 11 139 243 and RGB 11 77 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 11 199 243 shade: RGB 7 134 164, RGB 9 167 204, RGB 11 199 243, RGB 50 208 245 and RGB 90 217 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 11 199 243 shade: RGB 11 199 243, RGB 100 11 243 and RGB 243 193 11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 11 199 243 shade: RGB 11 199 243, RGB 243 11 200 and RGB 200 243 11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 11 199 243 shade: RGB 11 199 243, RGB 100 11 243, RGB 243 54 11 and RGB 154 243 11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 11 199 243 shade: RGB 11 199 243, RGB 170 11 243, RGB 243 54 11 and RGB 84 243 11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 18 / 0 / 5

HEX #0BC7F3

RGB 11 199 243

HSL 191.38, 0.91%, 0.5%

LAB 74.44, -25.6, -33.15

 

Complementary color

CMYK 0 / 77 / 95 / 4

HEX #F4380C

RGB 244 56 12

HSL 11.38, 0.91%, 0.5%

LAB 54.12, 68.63, 63.55

 

CMYK 93 / 16 / 0 / 7

HEX #10C7EE

RGB 16 199 238

HSL 190.54, 0.87%, 0.5%

LAB 74.27, -27.11, -30.71

 

CMYK 87 / 15 / 0 / 0

HEX #21D9FF

RGB 33 217 255

HSL 190.27, 1%, 0.56%

LAB 80.27, -29.69, -30.56

 

CMYK 80 / 8 / 0 / 0

HEX #32EBFF

RGB 50 235 255

HSL 185.85, 1%, 0.6%

LAB 85.66, -37.08, -22.32

 

CMYK 74 / 1 / 0 / 0

HEX #43FDFF

RGB 67 253 255

HSL 180.64, 1%, 0.63%

LAB 91.08, -43.67, -14.13

 

CMYK 67 / 0 / 0 / 0

HEX #54FFFF

RGB 84 255 255

HSL 180, 1%, 0.66%

LAB 91.96, -42.57, -12.78

 

CMYK 95 / 18 / 0 / 5

HEX #0BC7F3

RGB 11 199 243

HSL 191.38, 0.91%, 0.5%

LAB 74.44, -25.6, -33.15

 

CMYK 100 / 19 / 0 / 12

HEX #00B5E0

RGB 0 181 224

HSL 191.52, 1%, 0.44%

LAB 68.34, -23.17, -32.28

 

CMYK 100 / 20 / 0 / 20

HEX #00A3CD

RGB 0 163 205

HSL 192.29, 1%, 0.4%

LAB 62.17, -20.4, -31.34

 

CMYK 100 / 22 / 0 / 27

HEX #0091BA

RGB 0 145 186

HSL 193.23, 1%, 0.36%

LAB 55.88, -17.55, -30.41

 

CMYK 100 / 24 / 0 / 35

HEX #007FA7

RGB 0 127 167

HSL 194.37, 1%, 0.33%

LAB 49.46, -14.59, -29.49

 

CMYK 95 / 18 / 0 / 5

HEX #0BC7F3

RGB 11 199 243

HSL 191.38, 0.91%, 0.5%

LAB 74.44, -25.6, -33.15

 

CMYK 95 / 44 / 0 / 5

HEX #0B88F3

RGB 11 136 243

HSL 207.67, 0.91%, 0.5%

LAB 56.24, 9.5, -61.84

 

CMYK 95 / 70 / 0 / 5

HEX #0B4AF3

RGB 11 74 243

HSL 223.71, 0.91%, 0.5%

LAB 40.31, 48.42, -87.79

 

CMYK 95 / 95 / 0 / 5

HEX #0B0BF3

RGB 11 11 243

HSL 240, 0.91%, 0.5%

LAB 31.3, 74.66, -102.77

 

CMYK 70 / 95 / 0 / 5

HEX #490BF3

RGB 73 11 243

HSL 256.03, 0.91%, 0.5%

LAB 34.25, 76.01, -97.78

 

CMYK 95 / 18 / 0 / 5

HEX #0BC7F3

RGB 11 199 243

HSL 191.38, 0.91%, 0.5%

LAB 74.44, -25.6, -33.15

 

CMYK 95 / 44 / 0 / 5

HEX #0B88F3

RGB 11 136 243

HSL 207.67, 0.91%, 0.5%

LAB 56.24, 9.5, -61.84

 

CMYK 95 / 70 / 0 / 5

HEX #0B4AF3

RGB 11 74 243

HSL 223.71, 0.91%, 0.5%

LAB 40.31, 48.42, -87.79

 

CMYK 95 / 95 / 0 / 5

HEX #0B0BF3

RGB 11 11 243

HSL 240, 0.91%, 0.5%

LAB 31.3, 74.66, -102.77

 

CMYK 95 / 95 / 0 / 5

HEX #0B0BF3

RGB 11 11 243

HSL 240, 0.91%, 0.5%

LAB 31.3, 74.66, -102.77

 

CMYK 95 / 18 / 0 / 5

HEX #0BC7F3

RGB 11 199 243

HSL 191.38, 0.91%, 0.5%

LAB 74.44, -25.6, -33.15

 

CMYK 95 / 18 / 0 / 5

HEX #0BC7F3

RGB 11 199 243

HSL 191.38, 0.91%, 0.5%

LAB 74.44, -25.6, -33.15

 

CMYK 86 / 16 / 0 / 13

HEX #20BADE

RGB 32 186 222

HSL 191.37, 0.75%, 0.5%

LAB 69.96, -25.11, -28.66

 

CMYK 74 / 14 / 0 / 21

HEX #34ADCA

RGB 52 173 202

HSL 191.6, 0.59%, 0.5%

LAB 65.66, -23.2, -24.25

 

CMYK 60 / 11 / 0 / 29

HEX #49A1B5

RGB 73 161 181

HSL 191.11, 0.43%, 0.5%

LAB 61.86, -20.32, -18.28

 

CMYK 42 / 8 / 0 / 37

HEX #5D94A1

RGB 93 148 161

HSL 191.47, 0.27%, 0.5%

LAB 58.11, -14.63, -12.56

 

CMYK 95 / 0 / 33 / 5

HEX #0BF3A2

RGB 11 243 162

HSL 159.05, 0.91%, 0.5%

LAB 85.39, -66.42, 25.81

 

CMYK 95 / 0 / 8 / 5

HEX #0BF3E0

RGB 11 243 224

HSL 175.09, 0.91%, 0.5%

LAB 86.78, -51.46, -4.42

 

CMYK 95 / 18 / 0 / 5

HEX #0BC8F3

RGB 11 200 243

HSL 191.12, 0.91%, 0.5%

LAB 74.73, -26.1, -32.7

 

CMYK 95 / 43 / 0 / 5

HEX #0B8BF3

RGB 11 139 243

HSL 206.9, 0.91%, 0.5%

LAB 57.08, 7.67, -60.49

 

CMYK 95 / 68 / 0 / 5

HEX #0B4DF3

RGB 11 77 243

HSL 222.93, 0.91%, 0.5%

LAB 40.98, 46.61, -86.7

 

CMYK 96 / 18 / 0 / 36

HEX #0786A4

RGB 7 134 164

HSL 191.46, 0.92%, 0.34%

LAB 51.58, -19.23, -24.45

 

CMYK 96 / 18 / 0 / 20

HEX #09A7CC

RGB 9 167 204

HSL 191.38, 0.92%, 0.42%

LAB 63.39, -22.56, -28.9

 

CMYK 95 / 18 / 0 / 5

HEX #0BC7F3

RGB 11 199 243

HSL 191.38, 0.91%, 0.5%

LAB 74.44, -25.6, -33.15

 

CMYK 80 / 15 / 0 / 4

HEX #32D0F5

RGB 50 208 245

HSL 191.38, 0.91%, 0.58%

LAB 77.51, -27.26, -29.46

 

CMYK 64 / 12 / 0 / 3

HEX #5AD9F7

RGB 90 217 247

HSL 191.46, 0.91%, 0.66%

LAB 81.02, -26.16, -25.08

 

CMYK 95 / 18 / 0 / 5

HEX #0BC7F3

RGB 11 199 243

HSL 191.38, 0.91%, 0.5%

LAB 74.44, -25.6, -33.15

 

CMYK 59 / 95 / 0 / 5

HEX #640BF3

RGB 100 11 243

HSL 263.02, 0.91%, 0.5%

LAB 36.78, 77.4, -93.5

 

CMYK 0 / 21 / 95 / 5

HEX #F3C10B

RGB 243 193 11

HSL 47.07, 0.91%, 0.5%

LAB 80.3, 4.3, 80.88

 

CMYK 95 / 18 / 0 / 5

HEX #0BC7F3

RGB 11 199 243

HSL 191.38, 0.91%, 0.5%

LAB 74.44, -25.6, -33.15

 

CMYK 0 / 95 / 18 / 5

HEX #F30BC8

RGB 243 11 200

HSL 311.12, 0.91%, 0.5%

LAB 55.55, 88.41, -37.52

 

CMYK 18 / 0 / 95 / 5

HEX #C8F30B

RGB 200 243 11

HSL 71.12, 0.91%, 0.5%

LAB 90.05, -38.11, 86.64

 

CMYK 95 / 18 / 0 / 5

HEX #0BC7F3

RGB 11 199 243

HSL 191.38, 0.91%, 0.5%

LAB 74.44, -25.6, -33.15

 

CMYK 59 / 95 / 0 / 5

HEX #640BF3

RGB 100 11 243

HSL 263.02, 0.91%, 0.5%

LAB 36.78, 77.4, -93.5

 

CMYK 0 / 78 / 95 / 5

HEX #F3360B

RGB 243 54 11

HSL 11.12, 0.91%, 0.5%

LAB 53.73, 68.9, 63.47

 

CMYK 37 / 0 / 95 / 5

HEX #9AF30B

RGB 154 243 11

HSL 83.02, 0.91%, 0.5%

LAB 87.48, -55.09, 83.54

 

CMYK 95 / 18 / 0 / 5

HEX #0BC7F3

RGB 11 199 243

HSL 191.38, 0.91%, 0.5%

LAB 74.44, -25.6, -33.15

 

CMYK 30 / 95 / 0 / 5

HEX #AA0BF3

RGB 170 11 243

HSL 281.12, 0.91%, 0.5%

LAB 45.98, 83.81, -78.01

 

CMYK 0 / 78 / 95 / 5

HEX #F3360B

RGB 243 54 11

HSL 11.12, 0.91%, 0.5%

LAB 53.73, 68.9, 63.47

 

CMYK 65 / 0 / 95 / 5

HEX #54F30B

RGB 84 243 11

HSL 101.12, 0.91%, 0.5%

LAB 85, -74.37, 80.51

 

Description

Color code: RGB 11 199 243 | qconv.com Color code: RGB 11 199 243 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 199 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 199 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 18 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 18% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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