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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 11 142 229 it is the complementary color RGB 244 113 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 11 142 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 11 142 229 shade: RGB 16 142 224, RGB 33 160 243, RGB 50 178 255, RGB 67 196 255 and RGB 84 214 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 11 142 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 11 142 229 shade: RGB 11 142 229, RGB 0 124 210, RGB 0 106 191, RGB 0 88 172 and RGB 0 70 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 11 142 229 shade: RGB 10 141 228, RGB 10 83 228, RGB 10 24 228, RGB 56 10 228 and RGB 114 10 228

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 11 142 229 shade: RGB 10 141 228, RGB 10 83 228, RGB 10 24 228 and RGB 10 10 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 11 142 229 shade matches the following richer shades: RGB 10 141 228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 11 142 229 shade: RGB 10 141 228, RGB 30 137 209, RGB 49 134 190, RGB 68 130 170 and RGB 88 126 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 11 142 229 shade: RGB 10 228 196, RGB 10 203 228, RGB 10 145 228, RGB 10 87 228 and RGB 10 28 228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 11 142 229 shade: RGB 7 93 150, RGB 8 117 189, RGB 10 141 228, RGB 36 161 244 and RGB 75 178 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 11 142 229 shade: RGB 11 142 229, RGB 138 10 228 and RGB 228 225 10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 11 142 229 shade: RGB 11 142 229, RGB 228 10 145 and RGB 145 228 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 11 142 229 shade: RGB 11 142 229, RGB 138 10 228, RGB 228 94 10 and RGB 101 228 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 11 142 229 shade: RGB 11 142 229, RGB 203 10 228, RGB 228 94 10 and RGB 36 228 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 38 / 0 / 10

HEX #0B8EE5

RGB 11 142 229

HSL 203.94, 0.91%, 0.47%

LAB 57.15, 0.53, -52.61

 

Complementary color

CMYK 0 / 54 / 89 / 4

HEX #F4711A

RGB 244 113 26

HSL 23.94, 0.91%, 0.53%

LAB 62.61, 46.2, 65.39

 

CMYK 93 / 37 / 0 / 12

HEX #108EE0

RGB 16 142 224

HSL 203.65, 0.87%, 0.47%

LAB 56.92, -1.19, -50.19

 

CMYK 86 / 34 / 0 / 5

HEX #21A0F3

RGB 33 160 243

HSL 203.71, 0.9%, 0.54%

LAB 63.29, -3.71, -50.58

 

CMYK 80 / 30 / 0 / 0

HEX #32B2FF

RGB 50 178 255

HSL 202.54, 1%, 0.6%

LAB 69.28, -8.24, -47.64

 

CMYK 74 / 23 / 0 / 0

HEX #43C4FF

RGB 67 196 255

HSL 198.83, 1%, 0.63%

LAB 74.76, -16.18, -39.05

 

CMYK 67 / 16 / 0 / 0

HEX #54D6FF

RGB 84 214 255

HSL 194.39, 1%, 0.66%

LAB 80.29, -23.19, -30.46

 

CMYK 95 / 38 / 0 / 10

HEX #0B8EE5

RGB 11 142 229

HSL 203.94, 0.91%, 0.47%

LAB 57.15, 0.53, -52.61

 

CMYK 100 / 41 / 0 / 18

HEX #007CD2

RGB 0 124 210

HSL 204.57, 1%, 0.41%

LAB 50.77, 3.74, -52.12

 

CMYK 100 / 45 / 0 / 25

HEX #006ABF

RGB 0 106 191

HSL 206.7, 1%, 0.37%

LAB 44.33, 7.47, -51.54

 

CMYK 100 / 49 / 0 / 33

HEX #0058AC

RGB 0 88 172

HSL 209.3, 1%, 0.34%

LAB 37.77, 11.44, -50.98

 

CMYK 100 / 54 / 0 / 40

HEX #004699

RGB 0 70 153

HSL 212.55, 1%, 0.3%

LAB 31.07, 15.7, -50.43

 

CMYK 96 / 38 / 0 / 11

HEX #0A8DE4

RGB 10 141 228

HSL 203.94, 0.92%, 0.47%

LAB 56.8, 0.72, -52.61

 

CMYK 96 / 64 / 0 / 11

HEX #0A53E4

RGB 10 83 228

HSL 219.91, 0.92%, 0.47%

LAB 40.98, 37.33, -78.21

 

CMYK 96 / 89 / 0 / 11

HEX #0A18E4

RGB 10 24 228

HSL 236.15, 0.92%, 0.47%

LAB 30.2, 67.74, -96.07

 

CMYK 75 / 96 / 0 / 11

HEX #380AE4

RGB 56 10 228

HSL 252.66, 0.92%, 0.47%

LAB 31.02, 71.93, -94.66

 

CMYK 50 / 96 / 0 / 11

HEX #720AE4

RGB 114 10 228

HSL 268.62, 0.92%, 0.47%

LAB 36.74, 75.21, -85

 

CMYK 96 / 38 / 0 / 11

HEX #0A8DE4

RGB 10 141 228

HSL 203.94, 0.92%, 0.47%

LAB 56.8, 0.72, -52.61

 

CMYK 96 / 64 / 0 / 11

HEX #0A53E4

RGB 10 83 228

HSL 219.91, 0.92%, 0.47%

LAB 40.98, 37.33, -78.21

 

CMYK 96 / 89 / 0 / 11

HEX #0A18E4

RGB 10 24 228

HSL 236.15, 0.92%, 0.47%

LAB 30.2, 67.74, -96.07

 

CMYK 96 / 96 / 0 / 11

HEX #0A0AE4

RGB 10 10 228

HSL 240, 0.92%, 0.47%

LAB 29.12, 71.08, -97.88

 

CMYK 96 / 38 / 0 / 11

HEX #0A8DE4

RGB 10 141 228

HSL 203.94, 0.92%, 0.47%

LAB 56.8, 0.72, -52.61

 

CMYK 96 / 38 / 0 / 11

HEX #0A8DE4

RGB 10 141 228

HSL 203.94, 0.92%, 0.47%

LAB 56.8, 0.72, -52.61

 

CMYK 86 / 34 / 0 / 18

HEX #1E89D1

RGB 30 137 209

HSL 204.13, 0.75%, 0.47%

LAB 54.84, -3.1, -45.06

 

CMYK 74 / 29 / 0 / 25

HEX #3186BE

RGB 49 134 190

HSL 203.83, 0.59%, 0.47%

LAB 53.41, -6.37, -36.51

 

CMYK 60 / 24 / 0 / 33

HEX #4482AA

RGB 68 130 170

HSL 203.53, 0.43%, 0.47%

LAB 51.95, -7.76, -27.25

 

CMYK 42 / 17 / 0 / 41

HEX #587E97

RGB 88 126 151

HSL 203.81, 0.26%, 0.47%

LAB 50.96, -6.5, -17.66

 

CMYK 96 / 0 / 14 / 11

HEX #0AE4C4

RGB 10 228 196

HSL 171.19, 0.92%, 0.47%

LAB 81.59, -52.83, 2.73

 

CMYK 96 / 11 / 0 / 11

HEX #0ACBE4

RGB 10 203 228

HSL 186.88, 0.92%, 0.47%

LAB 75.06, -32.48, -24.12

 

CMYK 96 / 36 / 0 / 11

HEX #0A91E4

RGB 10 145 228

HSL 202.84, 0.92%, 0.47%

LAB 57.96, -1.64, -50.77

 

CMYK 96 / 62 / 0 / 11

HEX #0A57E4

RGB 10 87 228

HSL 218.81, 0.92%, 0.47%

LAB 41.97, 34.77, -76.59

 

CMYK 96 / 88 / 0 / 11

HEX #0A1CE4

RGB 10 28 228

HSL 235.05, 0.92%, 0.47%

LAB 30.63, 66.44, -95.35

 

CMYK 95 / 38 / 0 / 41

HEX #075D96

RGB 7 93 150

HSL 203.92, 0.91%, 0.31%

LAB 37.98, -0.57, -37.51

 

CMYK 96 / 38 / 0 / 26

HEX #0875BD

RGB 8 117 189

HSL 203.87, 0.92%, 0.39%

LAB 47.56, 0.08, -45.23

 

CMYK 96 / 38 / 0 / 11

HEX #0A8DE4

RGB 10 141 228

HSL 203.94, 0.92%, 0.47%

LAB 56.8, 0.72, -52.61

 

CMYK 85 / 34 / 0 / 4

HEX #24A1F4

RGB 36 161 244

HSL 203.94, 0.9%, 0.55%

LAB 63.67, -3.72, -50.52

 

CMYK 70 / 28 / 0 / 4

HEX #4BB2F6

RGB 75 178 246

HSL 203.86, 0.9%, 0.63%

LAB 69.46, -8.44, -42.44

 

CMYK 95 / 38 / 0 / 10

HEX #0B8EE5

RGB 11 142 229

HSL 203.94, 0.91%, 0.47%

LAB 57.15, 0.53, -52.61

 

CMYK 39 / 96 / 0 / 11

HEX #8A0AE4

RGB 138 10 228

HSL 275.23, 0.92%, 0.47%

LAB 39.95, 77.44, -79.59

 

CMYK 0 / 1 / 96 / 11

HEX #E4E10A

RGB 228 225 10

HSL 59.17, 0.92%, 0.47%

LAB 87.18, -18.26, 85.42

 

CMYK 95 / 38 / 0 / 10

HEX #0B8EE5

RGB 11 142 229

HSL 203.94, 0.91%, 0.47%

LAB 57.15, 0.53, -52.61

 

CMYK 0 / 96 / 36 / 11

HEX #E40A91

RGB 228 10 145

HSL 322.84, 0.92%, 0.47%

LAB 50.4, 79.58, -13.37

 

CMYK 36 / 0 / 96 / 11

HEX #91E40A

RGB 145 228 10

HSL 82.84, 0.92%, 0.47%

LAB 82.66, -52.22, 79.62

 

CMYK 95 / 38 / 0 / 10

HEX #0B8EE5

RGB 11 142 229

HSL 203.94, 0.91%, 0.47%

LAB 57.15, 0.53, -52.61

 

CMYK 39 / 96 / 0 / 11

HEX #8A0AE4

RGB 138 10 228

HSL 275.23, 0.92%, 0.47%

LAB 39.95, 77.44, -79.59

 

CMYK 0 / 59 / 96 / 11

HEX #E45E0A

RGB 228 94 10

HSL 23.12, 0.92%, 0.47%

LAB 56.61, 48.98, 63.98

 

CMYK 56 / 0 / 96 / 11

HEX #65E40A

RGB 101 228 10

HSL 94.95, 0.92%, 0.47%

LAB 80.89, -65.63, 77.46

 

CMYK 95 / 38 / 0 / 10

HEX #0B8EE5

RGB 11 142 229

HSL 203.94, 0.91%, 0.47%

LAB 57.15, 0.53, -52.61

 

CMYK 11 / 96 / 0 / 11

HEX #CB0AE4

RGB 203 10 228

HSL 293.12, 0.92%, 0.47%

LAB 50.11, 85.74, -62.58

 

CMYK 0 / 59 / 96 / 11

HEX #E45E0A

RGB 228 94 10

HSL 23.12, 0.92%, 0.47%

LAB 56.61, 48.98, 63.98

 

CMYK 84 / 0 / 96 / 11

HEX #24E40A

RGB 36 228 10

HSL 112.84, 0.92%, 0.47%

LAB 79.55, -77.08, 75.81

 

Description

Color code: RGB 11 142 229 | qconv.com Color code: RGB 11 142 229 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 142 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 142 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 38 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 38% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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