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Color name
RGB 119 191 174

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 191 174 it is the complementary color RGB 136 64 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 191 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 191 174 shade: RGB 124 191 169, RGB 141 209 188, RGB 158 227 207, RGB 175 245 226 and RGB 192 255 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 191 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 191 174 shade: RGB 119 191 174, RGB 102 173 155, RGB 85 155 136, RGB 68 137 117 and RGB 51 119 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 191 174 shade: RGB 119 191 174, RGB 119 191 155, RGB 119 191 135, RGB 122 191 119 and RGB 142 191 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 191 174 shade: RGB 119 191 174, RGB 119 188 191, RGB 119 169 191, RGB 119 150 191 and RGB 119 131 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 191 174 shade matches the following richer shades: RGB 119 191 174, RGB 103 207 182, RGB 87 223 191 and RGB 71 239 199

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 191 174 shade: RGB 119 191 174, RGB 135 175 165, RGB 151 159 157, RGB 168 143 148 and RGB 184 126 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 191 174 shade: RGB 119 191 135, RGB 119 191 154, RGB 119 191 173, RGB 119 190 191 and RGB 119 171 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 191 174 shade: RGB 73 155 136, RGB 91 178 157, RGB 119 191 174, RGB 147 204 191 and RGB 175 217 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 191 174 shade: RGB 119 191 174, RGB 119 123 191 and RGB 191 144 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 191 174 shade: RGB 119 191 174, RGB 173 119 191 and RGB 191 173 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 191 174 shade: RGB 119 191 174, RGB 119 123 191, RGB 191 119 137 and RGB 191 187 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 191 174 shade: RGB 119 191 174, RGB 137 119 191, RGB 191 119 137 and RGB 173 191 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 9 / 25

HEX #77BFAE

RGB 119 191 174

HSL 165.83, 0.36%, 0.61%

LAB 72.39, -26.47, 1.46

 

Complementary color

CMYK 0 / 53 / 40 / 47

HEX #884051

RGB 136 64 81

HSL 345.83, 0.36%, 0.39%

LAB 36.92, 32.59, 4.42

 

CMYK 35 / 0 / 12 / 25

HEX #7CBFA9

RGB 124 191 169

HSL 160.3, 0.34%, 0.62%

LAB 72.5, -26.18, 4.38

 

CMYK 33 / 0 / 10 / 18

HEX #8DD1BC

RGB 141 209 188

HSL 161.47, 0.43%, 0.69%

LAB 78.98, -25.97, 3.6

 

CMYK 30 / 0 / 9 / 11

HEX #9EE3CF

RGB 158 227 207

HSL 162.61, 0.55%, 0.75%

LAB 85.36, -25.78, 2.87

 

CMYK 29 / 0 / 8 / 4

HEX #AFF5E2

RGB 175 245 226

HSL 163.71, 0.78%, 0.82%

LAB 91.64, -25.6, 2.16

 

CMYK 25 / 0 / 4 / 0

HEX #C0FFF5

RGB 192 255 245

HSL 170.48, 1%, 0.88%

LAB 95.71, -21.59, -1.62

 

CMYK 38 / 0 / 9 / 25

HEX #77BFAE

RGB 119 191 174

HSL 165.83, 0.36%, 0.61%

LAB 72.39, -26.47, 1.46

 

CMYK 41 / 0 / 10 / 32

HEX #66AD9B

RGB 102 173 155

HSL 164.79, 0.3%, 0.54%

LAB 65.81, -26.65, 2.25

 

CMYK 45 / 0 / 12 / 39

HEX #559B88

RGB 85 155 136

HSL 163.71, 0.29%, 0.47%

LAB 59.11, -26.81, 3.11

 

CMYK 50 / 0 / 15 / 46

HEX #448975

RGB 68 137 117

HSL 162.61, 0.34%, 0.4%

LAB 52.29, -26.95, 4.05

 

CMYK 57 / 0 / 18 / 53

HEX #337762

RGB 51 119 98

HSL 161.47, 0.4%, 0.33%

LAB 45.33, -27.01, 5.11

 

CMYK 38 / 0 / 9 / 25

HEX #77BFAE

RGB 119 191 174

HSL 165.83, 0.36%, 0.61%

LAB 72.39, -26.47, 1.46

 

CMYK 38 / 0 / 19 / 25

HEX #77BF9B

RGB 119 191 155

HSL 150, 0.36%, 0.61%

LAB 71.93, -30.6, 11.13

 

CMYK 38 / 0 / 29 / 25

HEX #77BF87

RGB 119 191 135

HSL 133.33, 0.36%, 0.61%

LAB 71.51, -34.46, 21.32

 

CMYK 36 / 0 / 38 / 25

HEX #7ABF77

RGB 122 191 119

HSL 117.5, 0.36%, 0.61%

LAB 71.37, -36.22, 29.63

 

CMYK 26 / 0 / 38 / 25

HEX #8EBF77

RGB 142 191 119

HSL 100.83, 0.36%, 0.61%

LAB 72.46, -29.45, 31.26

 

CMYK 38 / 0 / 9 / 25

HEX #77BFAE

RGB 119 191 174

HSL 165.83, 0.36%, 0.61%

LAB 72.39, -26.47, 1.46

 

CMYK 38 / 2 / 0 / 25

HEX #77BCBF

RGB 119 188 191

HSL 182.5, 0.36%, 0.61%

LAB 71.99, -20.92, -8.4

 

CMYK 38 / 12 / 0 / 25

HEX #77A9BF

RGB 119 169 191

HSL 198.33, 0.36%, 0.61%

LAB 66.57, -10.97, -16.55

 

CMYK 38 / 21 / 0 / 25

HEX #7796BF

RGB 119 150 191

HSL 214.17, 0.36%, 0.61%

LAB 61.22, -0.46, -24.7

 

CMYK 38 / 31 / 0 / 25

HEX #7783BF

RGB 119 131 191

HSL 230, 0.36%, 0.61%

LAB 56, 10.54, -32.77

 

CMYK 38 / 0 / 9 / 25

HEX #77BFAE

RGB 119 191 174

HSL 165.83, 0.36%, 0.61%

LAB 72.39, -26.47, 1.46

 

CMYK 50 / 0 / 12 / 19

HEX #67CFB6

RGB 103 207 182

HSL 165.58, 0.52%, 0.61%

LAB 76.61, -36.25, 3.18

 

CMYK 61 / 0 / 14 / 13

HEX #57DFBF

RGB 87 223 191

HSL 165.88, 0.68%, 0.61%

LAB 81.05, -44.5, 4.74

 

CMYK 70 / 0 / 17 / 6

HEX #47EFC7

RGB 71 239 199

HSL 165.71, 0.84%, 0.61%

LAB 85.6, -51.82, 7.04

 

CMYK 38 / 0 / 9 / 25

HEX #77BFAE

RGB 119 191 174

HSL 165.83, 0.36%, 0.61%

LAB 72.39, -26.47, 1.46

 

CMYK 23 / 0 / 6 / 31

HEX #87AFA5

RGB 135 175 165

HSL 165, 0.2%, 0.61%

LAB 68.41, -15.58, 0.71

 

CMYK 5 / 0 / 1 / 38

HEX #979F9D

RGB 151 159 157

HSL 165, 0.04%, 0.61%

LAB 64.81, -3.24, 0.05

 

CMYK 0 / 15 / 12 / 34

HEX #A88F94

RGB 168 143 148

HSL 348, 0.13%, 0.61%

LAB 61.75, 10.22, 0.83

 

CMYK 0 / 32 / 24 / 28

HEX #B87E8C

RGB 184 126 140

HSL 345.52, 0.29%, 0.61%

LAB 58.98, 24.51, 1.58

 

CMYK 38 / 0 / 29 / 25

HEX #77BF87

RGB 119 191 135

HSL 133.33, 0.36%, 0.61%

LAB 71.51, -34.46, 21.32

 

CMYK 38 / 0 / 19 / 25

HEX #77BF9A

RGB 119 191 154

HSL 149.17, 0.36%, 0.61%

LAB 71.9, -30.8, 11.64

 

CMYK 38 / 0 / 9 / 25

HEX #77BFAD

RGB 119 191 173

HSL 165, 0.36%, 0.61%

LAB 72.36, -26.7, 1.97

 

CMYK 38 / 1 / 0 / 25

HEX #77BEBF

RGB 119 190 191

HSL 180.83, 0.36%, 0.61%

LAB 72.57, -21.93, -7.55

 

CMYK 38 / 10 / 0 / 25

HEX #77ABBF

RGB 119 171 191

HSL 196.67, 0.36%, 0.61%

LAB 67.13, -12.05, -15.69

 

CMYK 53 / 0 / 12 / 39

HEX #499B88

RGB 73 155 136

HSL 166.1, 0.36%, 0.45%

LAB 58.64, -29.8, 2.36

 

CMYK 49 / 0 / 12 / 30

HEX #5BB29D

RGB 91 178 157

HSL 165.52, 0.36%, 0.53%

LAB 66.9, -31.42, 2.67

 

CMYK 38 / 0 / 9 / 25

HEX #77BFAE

RGB 119 191 174

HSL 165.83, 0.36%, 0.61%

LAB 72.39, -26.47, 1.46

 

CMYK 28 / 0 / 6 / 20

HEX #93CCBF

RGB 147 204 191

HSL 166.32, 0.36%, 0.69%

LAB 77.96, -21.09, 0.55

 

CMYK 19 / 0 / 5 / 15

HEX #AFD9CF

RGB 175 217 207

HSL 165.71, 0.36%, 0.77%

LAB 83.57, -15.7, 0.38

 

CMYK 38 / 0 / 9 / 25

HEX #77BFAE

RGB 119 191 174

HSL 165.83, 0.36%, 0.61%

LAB 72.39, -26.47, 1.46

 

CMYK 38 / 36 / 0 / 25

HEX #777BBF

RGB 119 123 191

HSL 236.67, 0.36%, 0.61%

LAB 53.87, 15.29, -36.11

 

CMYK 0 / 25 / 38 / 25

HEX #BF9077

RGB 191 144 119

HSL 20.83, 0.36%, 0.61%

LAB 63.64, 14.41, 20.18

 

CMYK 38 / 0 / 9 / 25

HEX #77BFAE

RGB 119 191 174

HSL 165.83, 0.36%, 0.61%

LAB 72.39, -26.47, 1.46

 

CMYK 9 / 38 / 0 / 25

HEX #AD77BF

RGB 173 119 191

HSL 285, 0.36%, 0.61%

LAB 57.88, 33.78, -29.47

 

CMYK 0 / 9 / 38 / 25

HEX #BFAD77

RGB 191 173 119

HSL 45, 0.36%, 0.61%

LAB 71.07, -1.38, 30.12

 

CMYK 38 / 0 / 9 / 25

HEX #77BFAE

RGB 119 191 174

HSL 165.83, 0.36%, 0.61%

LAB 72.39, -26.47, 1.46

 

CMYK 38 / 36 / 0 / 25

HEX #777BBF

RGB 119 123 191

HSL 236.67, 0.36%, 0.61%

LAB 53.87, 15.29, -36.11

 

CMYK 0 / 38 / 28 / 25

HEX #BF7789

RGB 191 119 137

HSL 345, 0.36%, 0.61%

LAB 58.11, 30.55, 2.15

 

CMYK 0 / 2 / 38 / 25

HEX #BFBB77

RGB 191 187 119

HSL 56.67, 0.36%, 0.61%

LAB 74.79, -8.75, 34.95

 

CMYK 38 / 0 / 9 / 25

HEX #77BFAE

RGB 119 191 174

HSL 165.83, 0.36%, 0.61%

LAB 72.39, -26.47, 1.46

 

CMYK 28 / 38 / 0 / 25

HEX #8977BF

RGB 137 119 191

HSL 255, 0.36%, 0.61%

LAB 54.32, 22.8, -35.3

 

CMYK 0 / 38 / 28 / 25

HEX #BF7789

RGB 191 119 137

HSL 345, 0.36%, 0.61%

LAB 58.11, 30.55, 2.15

 

CMYK 9 / 0 / 38 / 25

HEX #ADBF77

RGB 173 191 119

HSL 75, 0.36%, 0.61%

LAB 74.49, -17.9, 34.29

 

Description

Color code: RGB 119 191 174 | qconv.com Color code: RGB 119 191 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 191 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 191 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 9 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 9% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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