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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 141 72 it is the complementary color RGB 136 114 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 141 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 141 72 shade: RGB 124 141 67, RGB 141 159 86, RGB 158 177 105, RGB 175 195 124 and RGB 192 213 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 141 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 141 72 shade: RGB 119 141 72, RGB 102 123 53, RGB 85 105 34, RGB 68 87 15 and RGB 51 69 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 141 72 shade: RGB 119 141 72, RGB 138 141 72, RGB 141 126 72, RGB 141 107 72 and RGB 141 89 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 141 72 shade: RGB 119 141 72, RGB 101 141 72, RGB 82 141 72, RGB 72 141 81 and RGB 72 141 100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 141 72 shade matches the following richer shades: RGB 119 141 72, RGB 125 158 55, RGB 132 176 38, RGB 138 193 20 and RGB 144 210 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 141 72 shade: RGB 119 141 72, RGB 113 124 90, RGB 106 106 107, RGB 100 89 124 and RGB 94 72 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 141 72 shade: RGB 141 126 72, RGB 137 141 72, RGB 119 141 72, RGB 101 141 72 and RGB 83 141 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 141 72 shade: RGB 73 86 44, RGB 96 114 58, RGB 119 141 72, RGB 142 168 87 and RGB 160 182 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 141 72 shade: RGB 119 141 72, RGB 72 141 108 and RGB 135 72 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 141 72 shade: RGB 119 141 72, RGB 72 119 141 and RGB 141 72 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 141 72 shade: RGB 119 141 72, RGB 72 141 108, RGB 94 72 141 and RGB 141 72 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 141 72 shade: RGB 119 141 72, RGB 72 141 128, RGB 94 72 141 and RGB 141 72 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 49 / 45

HEX #778D48

RGB 119 141 72

HSL 79.13, 0.32%, 0.42%

LAB 55.52, -19.56, 34.02

 

Complementary color

CMYK 26 / 38 / 0 / 28

HEX #8872B7

RGB 136 114 183

HSL 259.13, 0.32%, 0.58%

LAB 52.61, 23.43, -33.39

 

CMYK 12 / 0 / 52 / 45

HEX #7C8D43

RGB 124 141 67

HSL 73.78, 0.36%, 0.41%

LAB 55.83, -18.01, 37.04

 

CMYK 11 / 0 / 46 / 38

HEX #8D9F56

RGB 141 159 86

HSL 74.79, 0.3%, 0.48%

LAB 62.62, -18.25, 35.84

 

CMYK 11 / 0 / 41 / 31

HEX #9EB169

RGB 158 177 105

HSL 75.83, 0.32%, 0.55%

LAB 69.28, -18.4, 34.63

 

CMYK 10 / 0 / 36 / 24

HEX #AFC37C

RGB 175 195 124

HSL 76.9, 0.37%, 0.63%

LAB 75.82, -18.51, 33.46

 

CMYK 10 / 0 / 33 / 16

HEX #C0D58F

RGB 192 213 143

HSL 78, 0.45%, 0.7%

LAB 82.26, -18.59, 32.33

 

CMYK 16 / 0 / 49 / 45

HEX #778D48

RGB 119 141 72

HSL 79.13, 0.32%, 0.42%

LAB 55.52, -19.56, 34.02

 

CMYK 17 / 0 / 57 / 52

HEX #667B35

RGB 102 123 53

HSL 78, 0.4%, 0.35%

LAB 48.57, -19.36, 35.22

 

CMYK 19 / 0 / 68 / 59

HEX #556922

RGB 85 105 34

HSL 76.9, 0.51%, 0.27%

LAB 41.45, -19.02, 36.2

 

CMYK 22 / 0 / 83 / 66

HEX #44570F

RGB 68 87 15

HSL 75.83, 0.71%, 0.2%

LAB 34.15, -18.43, 36.46

 

CMYK 26 / 0 / 100 / 73

HEX #334500

RGB 51 69 0

HSL 75.65, 1%, 0.14%

LAB 26.62, -17.47, 34.84

 

CMYK 16 / 0 / 49 / 45

HEX #778D48

RGB 119 141 72

HSL 79.13, 0.32%, 0.42%

LAB 55.52, -19.56, 34.02

 

CMYK 2 / 0 / 49 / 45

HEX #8A8D48

RGB 138 141 72

HSL 62.61, 0.32%, 0.42%

LAB 57, -11.54, 36.15

 

CMYK 0 / 11 / 49 / 45

HEX #8D7E48

RGB 141 126 72

HSL 46.96, 0.32%, 0.42%

LAB 53.01, -1.97, 31.34

 

CMYK 0 / 24 / 49 / 45

HEX #8D6B48

RGB 141 107 72

HSL 30.43, 0.32%, 0.42%

LAB 47.81, 8.92, 24.79

 

CMYK 0 / 37 / 49 / 45

HEX #8D5948

RGB 141 89 72

HSL 14.78, 0.32%, 0.42%

LAB 43.18, 19.43, 18.74

 

CMYK 16 / 0 / 49 / 45

HEX #778D48

RGB 119 141 72

HSL 79.13, 0.32%, 0.42%

LAB 55.52, -19.56, 34.02

 

CMYK 28 / 0 / 49 / 45

HEX #658D48

RGB 101 141 72

HSL 94.78, 0.32%, 0.42%

LAB 54.33, -26.71, 32.28

 

CMYK 42 / 0 / 49 / 45

HEX #528D48

RGB 82 141 72

HSL 111.3, 0.32%, 0.42%

LAB 53.29, -33.51, 30.77

 

CMYK 49 / 0 / 43 / 45

HEX #488D51

RGB 72 141 81

HSL 127.83, 0.32%, 0.42%

LAB 52.97, -35.25, 25.43

 

CMYK 49 / 0 / 29 / 45

HEX #488D64

RGB 72 141 100

HSL 144.35, 0.32%, 0.42%

LAB 53.33, -31.68, 15.3

 

CMYK 16 / 0 / 49 / 45

HEX #778D48

RGB 119 141 72

HSL 79.13, 0.32%, 0.42%

LAB 55.52, -19.56, 34.02

 

CMYK 21 / 0 / 65 / 38

HEX #7D9E37

RGB 125 158 55

HSL 79.22, 0.48%, 0.42%

LAB 60.86, -27.24, 48.39

 

CMYK 25 / 0 / 78 / 31

HEX #84B026

RGB 132 176 38

HSL 79.13, 0.64%, 0.42%

LAB 66.59, -33.99, 60.55

 

CMYK 28 / 0 / 90 / 24

HEX #8AC114

RGB 138 193 20

HSL 79.08, 0.81%, 0.42%

LAB 71.96, -39.91, 69.62

 

CMYK 31 / 0 / 99 / 18

HEX #90D203

RGB 144 210 3

HSL 79.13, 0.97%, 0.42%

LAB 77.3, -45.26, 76.03

 

CMYK 16 / 0 / 49 / 45

HEX #778D48

RGB 119 141 72

HSL 79.13, 0.32%, 0.42%

LAB 55.52, -19.56, 34.02

 

CMYK 9 / 0 / 27 / 51

HEX #717C5A

RGB 113 124 90

HSL 79.41, 0.16%, 0.42%

LAB 50.29, -10.45, 17.25

 

CMYK 1 / 1 / 0 / 58

HEX #6A6A6B

RGB 106 106 107

HSL 240, 0%, 0.42%

LAB 44.85, 0.21, -0.56

 

CMYK 19 / 28 / 0 / 51

HEX #64597C

RGB 100 89 124

HSL 258.86, 0.16%, 0.42%

LAB 40.1, 12.24, -18.09

 

CMYK 34 / 49 / 0 / 44

HEX #5E488E

RGB 94 72 142

HSL 258.86, 0.33%, 0.42%

LAB 35.92, 25.74, -35.66

 

CMYK 0 / 11 / 49 / 45

HEX #8D7E48

RGB 141 126 72

HSL 46.96, 0.32%, 0.42%

LAB 53.01, -1.97, 31.34

 

CMYK 3 / 0 / 49 / 45

HEX #898D48

RGB 137 141 72

HSL 63.48, 0.32%, 0.42%

LAB 56.92, -11.97, 36.03

 

CMYK 16 / 0 / 49 / 45

HEX #778D48

RGB 119 141 72

HSL 79.13, 0.32%, 0.42%

LAB 55.52, -19.56, 34.02

 

CMYK 28 / 0 / 49 / 45

HEX #658D48

RGB 101 141 72

HSL 94.78, 0.32%, 0.42%

LAB 54.33, -26.71, 32.28

 

CMYK 41 / 0 / 49 / 45

HEX #538D48

RGB 83 141 72

HSL 110.43, 0.32%, 0.42%

LAB 53.34, -33.17, 30.84

 

CMYK 15 / 0 / 49 / 66

HEX #49562C

RGB 73 86 44

HSL 78.57, 0.32%, 0.25%

LAB 34.51, -12.91, 22.7

 

CMYK 16 / 0 / 49 / 55

HEX #60723A

RGB 96 114 58

HSL 79.29, 0.33%, 0.34%

LAB 45.4, -16.59, 28.69

 

CMYK 16 / 0 / 49 / 45

HEX #778D48

RGB 119 141 72

HSL 79.13, 0.32%, 0.42%

LAB 55.52, -19.56, 34.02

 

CMYK 15 / 0 / 48 / 34

HEX #8EA857

RGB 142 168 87

HSL 79.26, 0.32%, 0.5%

LAB 65.31, -22.3, 38.66

 

CMYK 12 / 0 / 37 / 29

HEX #A0B672

RGB 160 182 114

HSL 79.41, 0.32%, 0.58%

LAB 70.97, -19.03, 32.15

 

CMYK 16 / 0 / 49 / 45

HEX #778D48

RGB 119 141 72

HSL 79.13, 0.32%, 0.42%

LAB 55.52, -19.56, 34.02

 

CMYK 49 / 0 / 23 / 45

HEX #488D6C

RGB 72 141 108

HSL 151.3, 0.32%, 0.42%

LAB 53.5, -29.96, 10.98

 

CMYK 4 / 49 / 0 / 45

HEX #87488D

RGB 135 72 141

HSL 294.78, 0.32%, 0.42%

LAB 40.75, 37.75, -27.12

 

CMYK 16 / 0 / 49 / 45

HEX #778D48

RGB 119 141 72

HSL 79.13, 0.32%, 0.42%

LAB 55.52, -19.56, 34.02

 

CMYK 49 / 16 / 0 / 45

HEX #48778D

RGB 72 119 141

HSL 199.13, 0.32%, 0.42%

LAB 47.62, -9.67, -16.95

 

CMYK 0 / 49 / 16 / 45

HEX #8D4877

RGB 141 72 119

HSL 319.13, 0.32%, 0.42%

LAB 40.62, 35.61, -13.79

 

CMYK 16 / 0 / 49 / 45

HEX #778D48

RGB 119 141 72

HSL 79.13, 0.32%, 0.42%

LAB 55.52, -19.56, 34.02

 

CMYK 49 / 0 / 23 / 45

HEX #488D6C

RGB 72 141 108

HSL 151.3, 0.32%, 0.42%

LAB 53.5, -29.96, 10.98

 

CMYK 33 / 49 / 0 / 45

HEX #5E488D

RGB 94 72 141

HSL 259.13, 0.32%, 0.42%

LAB 35.86, 25.47, -35.14

 

CMYK 0 / 49 / 26 / 45

HEX #8D4869

RGB 141 72 105

HSL 331.3, 0.32%, 0.42%

LAB 40.11, 33.37, -5.89

 

CMYK 16 / 0 / 49 / 45

HEX #778D48

RGB 119 141 72

HSL 79.13, 0.32%, 0.42%

LAB 55.52, -19.56, 34.02

 

CMYK 49 / 0 / 9 / 45

HEX #488D80

RGB 72 141 128

HSL 168.7, 0.32%, 0.42%

LAB 54.01, -25.16, 0.2

 

CMYK 33 / 49 / 0 / 45

HEX #5E488D

RGB 94 72 141

HSL 259.13, 0.32%, 0.42%

LAB 35.86, 25.47, -35.14

 

CMYK 0 / 49 / 40 / 45

HEX #8D4855

RGB 141 72 85

HSL 348.7, 0.32%, 0.42%

LAB 39.5, 30.62, 5.7

 

Description

Color code: RGB 119 141 72 | qconv.com Color code: RGB 119 141 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 141 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 141 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 49 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 49% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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