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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 126.4 163.4 it is the complementary color RGB 136 128.6 91.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 126.4 163.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 126.4 163.4 shade: RGB 124 126.4 158.4, RGB 141 144.4 177.4, RGB 158 162.4 196.4, RGB 175 180.4 215.4 and RGB 192 198.4 234.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 126.4 163.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 126.4 163.4 shade: RGB 119 126.4 163.4, RGB 102 108.4 144.4, RGB 85 90.4 125.4, RGB 68 72.4 106.4 and RGB 51 54.4 87.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 126.4 163.4 shade: RGB 117 125 163, RGB 122 117 163, RGB 134 117 163, RGB 147 117 163 and RGB 159 117 163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 126.4 163.4 shade: RGB 117 125 163 and RGB 117 117 163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 126.4 163.4 shade matches the following richer shades: RGB 117 125 163, RGB 99 113 182, RGB 80 100 200, RGB 62 88 219 and RGB 43 75 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 126.4 163.4 shade: RGB 117 125 163, RGB 136 137 145, RGB 154 150 126, RGB 173 162 108 and RGB 192 174 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 126.4 163.4 shade: RGB 117 149 163, RGB 117 137 163, RGB 117 125 163, RGB 122 117 163 and RGB 134 117 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 126.4 163.4 shade: RGB 79 86 119, RGB 96 104 144, RGB 117 125 163, RGB 142 148 180 and RGB 167 172 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 126.4 163.4 shade: RGB 119 126.4 163.4, RGB 163 117 162 and RGB 143 163 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 126.4 163.4 shade: RGB 119 126.4 163.4, RGB 163 117 125 and RGB 125 163 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 126.4 163.4 shade: RGB 119 126.4 163.4, RGB 163 117 162, RGB 163 156 117 and RGB 117 163 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 126.4 163.4 shade: RGB 119 126.4 163.4, RGB 163 117 148, RGB 163 156 117 and RGB 117 163 133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 23 / 0 / 36

HEX #777EA3

RGB 119 126.4 163.4

HSL 230, 0.2%, 0.55%

LAB 53.61, 5.88, -20.63

 

Complementary color

CMYK 0 / 5 / 33 / 47

HEX #88805B

RGB 136 128.6 91.6

HSL 50, 0.2%, 0.45%

LAB 53.59, -3.25, 21.12

 

CMYK 22 / 20 / 0 / 38

HEX #7C7E9E

RGB 124 126.4 158.4

HSL 235.81, 0.15%, 0.55%

LAB 53.81, 6.25, -17.39

 

CMYK 21 / 19 / 0 / 30

HEX #8D90B1

RGB 141 144.4 177.4

HSL 234.4, 0.19%, 0.62%

LAB 60.71, 5.93, -17.65

 

CMYK 20 / 17 / 0 / 23

HEX #9EA2C4

RGB 158 162.4 196.4

HSL 233.13, 0.25%, 0.69%

LAB 67.47, 5.64, -17.94

 

CMYK 19 / 16 / 0 / 16

HEX #AFB4D7

RGB 175 180.4 215.4

HSL 231.98, 0.34%, 0.77%

LAB 74.09, 5.37, -18.23

 

CMYK 18 / 15 / 0 / 8

HEX #C0C6EA

RGB 192 198.4 234.4

HSL 230.94, 0.51%, 0.84%

LAB 80.59, 5.12, -18.54

 

CMYK 27 / 23 / 0 / 36

HEX #777EA3

RGB 119 126.4 163.4

HSL 230, 0.2%, 0.55%

LAB 53.61, 5.88, -20.63

 

CMYK 29 / 25 / 0 / 43

HEX #666C90

RGB 102 108.4 144.4

HSL 230.94, 0.17%, 0.48%

LAB 46.53, 6.28, -20.47

 

CMYK 32 / 28 / 0 / 51

HEX #555A7D

RGB 85 90.4 125.4

HSL 231.98, 0.19%, 0.41%

LAB 39.25, 6.74, -20.36

 

CMYK 36 / 32 / 0 / 58

HEX #44486A

RGB 68 72.4 106.4

HSL 233.13, 0.22%, 0.34%

LAB 31.73, 7.3, -20.32

 

CMYK 42 / 38 / 0 / 66

HEX #333657

RGB 51 54.4 87.4

HSL 234.4, 0.26%, 0.27%

LAB 23.92, 8.02, -20.37

 

CMYK 28 / 23 / 0 / 36

HEX #757DA3

RGB 117 125 163

HSL 229.57, 0.2%, 0.55%

LAB 53.05, 5.98, -21.26

 

CMYK 25 / 28 / 0 / 36

HEX #7A75A3

RGB 122 117 163

HSL 246.52, 0.2%, 0.55%

LAB 51.27, 12.3, -23.97

 

CMYK 18 / 28 / 0 / 36

HEX #8675A3

RGB 134 117 163

HSL 262.17, 0.2%, 0.55%

LAB 52.33, 16.18, -22.25

 

CMYK 10 / 28 / 0 / 36

HEX #9375A3

RGB 147 117 163

HSL 279.13, 0.2%, 0.55%

LAB 53.57, 20.52, -20.24

 

CMYK 2 / 28 / 0 / 36

HEX #9F75A3

RGB 159 117 163

HSL 294.78, 0.2%, 0.55%

LAB 54.8, 24.6, -18.25

 

CMYK 28 / 23 / 0 / 36

HEX #757DA3

RGB 117 125 163

HSL 229.57, 0.2%, 0.55%

LAB 53.05, 5.98, -21.26

 

CMYK 28 / 28 / 0 / 36

HEX #7575A3

RGB 117 117 163

HSL 240, 0.2%, 0.55%

LAB 50.86, 10.72, -24.63

 

CMYK 28 / 23 / 0 / 36

HEX #757DA3

RGB 117 125 163

HSL 229.57, 0.2%, 0.55%

LAB 53.05, 5.98, -21.26

 

CMYK 46 / 38 / 0 / 29

HEX #6371B6

RGB 99 113 182

HSL 229.88, 0.36%, 0.55%

LAB 49.3, 13.39, -38.21

 

CMYK 60 / 50 / 0 / 22

HEX #5064C8

RGB 80 100 200

HSL 230, 0.52%, 0.55%

LAB 45.62, 23.06, -54.54

 

CMYK 72 / 60 / 0 / 14

HEX #3E58DB

RGB 62 88 219

HSL 230.06, 0.69%, 0.55%

LAB 42.94, 34.47, -69.82

 

CMYK 82 / 68 / 0 / 7

HEX #2B4BED

RGB 43 75 237

HSL 230.1, 0.84%, 0.55%

LAB 40.67, 47.05, -83.79

 

CMYK 28 / 23 / 0 / 36

HEX #757DA3

RGB 117 125 163

HSL 229.57, 0.2%, 0.55%

LAB 53.05, 5.98, -21.26

 

CMYK 6 / 6 / 0 / 43

HEX #888991

RGB 136 137 145

HSL 233.33, 0.04%, 0.55%

LAB 57.24, 1.26, -4.4

 

CMYK 0 / 3 / 18 / 40

HEX #9A967E

RGB 154 150 126

HSL 51.43, 0.12%, 0.55%

LAB 61.82, -2.73, 13.2

 

CMYK 0 / 6 / 38 / 32

HEX #ADA26C

RGB 173 162 108

HSL 49.85, 0.28%, 0.55%

LAB 66.37, -4.13, 29.54

 

CMYK 0 / 9 / 54 / 25

HEX #C0AE59

RGB 192 174 89

HSL 49.51, 0.45%, 0.55%

LAB 71.01, -4.52, 45.46

 

CMYK 28 / 9 / 0 / 36

HEX #7595A3

RGB 117 149 163

HSL 198.26, 0.2%, 0.55%

LAB 59.82, -7.75, -11

 

CMYK 28 / 16 / 0 / 36

HEX #7589A3

RGB 117 137 163

HSL 213.91, 0.2%, 0.55%

LAB 56.4, -1, -16.15

 

CMYK 28 / 23 / 0 / 36

HEX #757DA3

RGB 117 125 163

HSL 229.57, 0.2%, 0.55%

LAB 53.05, 5.98, -21.26

 

CMYK 25 / 28 / 0 / 36

HEX #7A75A3

RGB 122 117 163

HSL 246.52, 0.2%, 0.55%

LAB 51.27, 12.3, -23.97

 

CMYK 18 / 28 / 0 / 36

HEX #8675A3

RGB 134 117 163

HSL 262.17, 0.2%, 0.55%

LAB 52.33, 16.18, -22.25

 

CMYK 34 / 28 / 0 / 53

HEX #4F5677

RGB 79 86 119

HSL 229.5, 0.2%, 0.39%

LAB 37.21, 5.77, -19.62

 

CMYK 33 / 28 / 0 / 44

HEX #606890

RGB 96 104 144

HSL 230, 0.2%, 0.47%

LAB 44.8, 6.96, -22.93

 

CMYK 28 / 23 / 0 / 36

HEX #757DA3

RGB 117 125 163

HSL 229.57, 0.2%, 0.55%

LAB 53.05, 5.98, -21.26

 

CMYK 21 / 18 / 0 / 29

HEX #8E94B4

RGB 142 148 180

HSL 230.53, 0.2%, 0.63%

LAB 61.85, 4.82, -17.39

 

CMYK 15 / 12 / 0 / 23

HEX #A7ACC4

RGB 167 172 196

HSL 229.66, 0.2%, 0.71%

LAB 70.67, 3.15, -12.82

 

CMYK 27 / 23 / 0 / 36

HEX #777EA3

RGB 119 126.4 163.4

HSL 230, 0.2%, 0.55%

LAB 53.61, 5.88, -20.63

 

CMYK 0 / 28 / 1 / 36

HEX #A375A2

RGB 163 117 162

HSL 301.3, 0.2%, 0.55%

LAB 55.19, 25.77, -17.03

 

CMYK 12 / 0 / 28 / 36

HEX #8FA375

RGB 143 163 117

HSL 86.09, 0.2%, 0.55%

LAB 64.42, -15.39, 21.64

 

CMYK 27 / 23 / 0 / 36

HEX #777EA3

RGB 119 126.4 163.4

HSL 230, 0.2%, 0.55%

LAB 53.61, 5.88, -20.63

 

CMYK 0 / 28 / 23 / 36

HEX #A3757D

RGB 163 117 125

HSL 349.57, 0.2%, 0.55%

LAB 54.02, 19.28, 2.79

 

CMYK 23 / 0 / 28 / 36

HEX #7DA375

RGB 125 163 117

HSL 109.57, 0.2%, 0.55%

LAB 63.21, -22.07, 19.8

 

CMYK 27 / 23 / 0 / 36

HEX #777EA3

RGB 119 126.4 163.4

HSL 230, 0.2%, 0.55%

LAB 53.61, 5.88, -20.63

 

CMYK 0 / 28 / 1 / 36

HEX #A375A2

RGB 163 117 162

HSL 301.3, 0.2%, 0.55%

LAB 55.19, 25.77, -17.03

 

CMYK 0 / 4 / 28 / 36

HEX #A39C75

RGB 163 156 117

HSL 50.87, 0.2%, 0.55%

LAB 64.04, -3.79, 21.39

 

CMYK 28 / 0 / 27 / 36

HEX #75A377

RGB 117 163 119

HSL 122.61, 0.2%, 0.55%

LAB 62.77, -24.53, 18.01

 

CMYK 27 / 23 / 0 / 36

HEX #777EA3

RGB 119 126.4 163.4

HSL 230, 0.2%, 0.55%

LAB 53.61, 5.88, -20.63

 

CMYK 0 / 28 / 9 / 36

HEX #A37594

RGB 163 117 148

HSL 319.57, 0.2%, 0.55%

LAB 54.71, 23.14, -9.63

 

CMYK 0 / 4 / 28 / 36

HEX #A39C75

RGB 163 156 117

HSL 50.87, 0.2%, 0.55%

LAB 64.04, -3.79, 21.39

 

CMYK 28 / 0 / 18 / 36

HEX #75A385

RGB 117 163 133

HSL 140.87, 0.2%, 0.55%

LAB 63.07, -21.88, 10.67

 

Description

Color code: RGB 119 126.4 163.4 | qconv.com Color code: RGB 119 126.4 163.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 126.4 green and 163.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 126.4 163.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 23 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 23% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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