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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119.1 72.8 92 it is the complementary color RGB 135.9 182.2 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119.1 72.8 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119.1 72.8 92 shade: RGB 124.1 72.8 87, RGB 141.1 90.8 106, RGB 158.1 108.8 125, RGB 175.1 126.8 144 and RGB 192.1 144.8 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119.1 72.8 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119.1 72.8 92 shade: RGB 119.1 72.8 92, RGB 102.1 54.8 73, RGB 85.1 36.8 54, RGB 68.1 18.8 35 and RGB 51.1 0.8 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119.1 72.8 92 shade: RGB 120 74 93, RGB 120 74 80 and RGB 120 74 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119.1 72.8 92 shade: RGB 120 74 93, RGB 120 74 105, RGB 120 74 118, RGB 110 74 120 and RGB 97 74 120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119.1 72.8 92 shade matches the following richer shades: RGB 120 74 93, RGB 136 58 90, RGB 152 42 88, RGB 167 27 85 and RGB 183 11 82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119.1 72.8 92 shade: RGB 120 74 93, RGB 104 89 96, RGB 89 105 98, RGB 73 121 101 and RGB 57 136 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119.1 72.8 92 shade: RGB 120 74 118, RGB 120 74 105, RGB 120 74 93, RGB 120 74 81 and RGB 120 79 74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119.1 72.8 92 shade: RGB 69 42 53, RGB 95 58 73, RGB 120 74 93, RGB 146 89 113 and RGB 166 110 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119.1 72.8 92 shade: RGB 119.1 72.8 92, RGB 120 110 74 and RGB 74 112 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119.1 72.8 92 shade: RGB 119.1 72.8 92, RGB 93 120 74 and RGB 74 93 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119.1 72.8 92 shade: RGB 119.1 72.8 92, RGB 120 110 74, RGB 74 120 101 and RGB 74 84 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119.1 72.8 92 shade: RGB 119.1 72.8 92, RGB 116 120 74, RGB 74 120 101 and RGB 78 74 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 23 / 53

HEX #77485C

RGB 119.1 72.8 92

HSL 335.12, 0.24%, 0.38%

LAB 36.82, 22.62, -2.97

 

Complementary color

CMYK 25 / 0 / 11 / 29

HEX #87B6A3

RGB 135.9 182.2 163

HSL 155.12, 0.24%, 0.62%

LAB 70.46, -19.43, 4.79

 

CMYK 0 / 41 / 30 / 51

HEX #7C4857

RGB 124.1 72.8 87

HSL 343.39, 0.26%, 0.39%

LAB 37.33, 23.81, 1.01

 

CMYK 0 / 36 / 25 / 45

HEX #8D5A6A

RGB 141.1 90.8 106

HSL 341.87, 0.22%, 0.45%

LAB 44.46, 22.9, -0.08

 

CMYK 0 / 31 / 21 / 38

HEX #9E6C7D

RGB 158.1 108.8 125

HSL 340.28, 0.2%, 0.52%

LAB 51.44, 22.08, -1.02

 

CMYK 0 / 28 / 18 / 31

HEX #AF7E90

RGB 175.1 126.8 144

HSL 338.63, 0.23%, 0.59%

LAB 58.29, 21.35, -1.85

 

CMYK 0 / 25 / 15 / 25

HEX #C090A3

RGB 192.1 144.8 163

HSL 336.91, 0.27%, 0.66%

LAB 65.01, 20.69, -2.61

 

CMYK 0 / 39 / 23 / 53

HEX #77485C

RGB 119.1 72.8 92

HSL 335.12, 0.24%, 0.38%

LAB 36.82, 22.62, -2.97

 

CMYK 0 / 46 / 29 / 60

HEX #663649

RGB 102.1 54.8 73

HSL 336.91, 0.3%, 0.31%

LAB 29.48, 23.56, -1.87

 

CMYK 0 / 57 / 37 / 67

HEX #552436

RGB 85.1 36.8 54

HSL 338.63, 0.4%, 0.24%

LAB 21.99, 24.54, -0.43

 

CMYK 0 / 72 / 49 / 73

HEX #441223

RGB 68.1 18.8 35

HSL 340.28, 0.57%, 0.17%

LAB 14.47, 25.32, 1.72

 

CMYK 0 / 98 / 69 / 80

HEX #330010

RGB 51.1 0.8 16

HSL 341.87, 0.97%, 0.1%

LAB 6.88, 26.04, 3.85

 

CMYK 0 / 38 / 23 / 53

HEX #784A5D

RGB 120 74 93

HSL 335.22, 0.24%, 0.38%

LAB 37.26, 22.43, -2.93

 

CMYK 0 / 38 / 33 / 53

HEX #784A50

RGB 120 74 80

HSL 352.17, 0.24%, 0.38%

LAB 36.87, 20.41, 4.68

 

CMYK 0 / 38 / 38 / 53

HEX #784A4A

RGB 120 74 74

HSL 0, 0.24%, 0.38%

LAB 36.72, 19.58, 8.23

 

CMYK 0 / 38 / 23 / 53

HEX #784A5D

RGB 120 74 93

HSL 335.22, 0.24%, 0.38%

LAB 37.26, 22.43, -2.93

 

CMYK 0 / 38 / 13 / 53

HEX #784A69

RGB 120 74 105

HSL 319.57, 0.24%, 0.38%

LAB 37.68, 24.53, -9.83

 

CMYK 0 / 38 / 2 / 53

HEX #784A76

RGB 120 74 118

HSL 302.61, 0.24%, 0.38%

LAB 38.2, 27.04, -17.13

 

CMYK 8 / 38 / 0 / 53

HEX #6E4A78

RGB 110 74 120

HSL 286.96, 0.24%, 0.38%

LAB 37.06, 24, -20.23

 

CMYK 19 / 38 / 0 / 53

HEX #614A78

RGB 97 74 120

HSL 270, 0.24%, 0.38%

LAB 35.59, 19.59, -22.62

 

CMYK 0 / 38 / 23 / 53

HEX #784A5D

RGB 120 74 93

HSL 335.22, 0.24%, 0.38%

LAB 37.26, 22.43, -2.93

 

CMYK 0 / 57 / 34 / 47

HEX #883A5A

RGB 136 58 90

HSL 335.38, 0.4%, 0.38%

LAB 35.98, 36.89, -2.66

 

CMYK 0 / 72 / 42 / 40

HEX #982A58

RGB 152 42 88

HSL 334.91, 0.57%, 0.38%

LAB 36.05, 49.03, -0.96

 

CMYK 0 / 84 / 49 / 35

HEX #A71B55

RGB 167 27 85

HSL 335.14, 0.72%, 0.38%

LAB 37.22, 57.58, 3.01

 

CMYK 0 / 94 / 55 / 28

HEX #B70B52

RGB 183 11 82

HSL 335.23, 0.89%, 0.38%

LAB 39.44, 64.13, 8.55

 

CMYK 0 / 38 / 23 / 53

HEX #784A5D

RGB 120 74 93

HSL 335.22, 0.24%, 0.38%

LAB 37.26, 22.43, -2.93

 

CMYK 0 / 14 / 8 / 59

HEX #685960

RGB 104 89 96

HSL 332, 0.08%, 0.38%

LAB 39.47, 7.45, -1.77

 

CMYK 15 / 0 / 7 / 59

HEX #596962

RGB 89 105 98

HSL 153.75, 0.08%, 0.38%

LAB 42.93, -7.59, 1.9

 

CMYK 40 / 0 / 17 / 53

HEX #497965

RGB 73 121 101

HSL 155, 0.25%, 0.38%

LAB 47.01, -21.24, 5.87

 

CMYK 58 / 0 / 24 / 47

HEX #398868

RGB 57 136 104

HSL 155.7, 0.41%, 0.38%

LAB 51.24, -32.28, 10.02

 

CMYK 0 / 38 / 2 / 53

HEX #784A76

RGB 120 74 118

HSL 302.61, 0.24%, 0.38%

LAB 38.2, 27.04, -17.13

 

CMYK 0 / 38 / 13 / 53

HEX #784A69

RGB 120 74 105

HSL 319.57, 0.24%, 0.38%

LAB 37.68, 24.53, -9.83

 

CMYK 0 / 38 / 23 / 53

HEX #784A5D

RGB 120 74 93

HSL 335.22, 0.24%, 0.38%

LAB 37.26, 22.43, -2.93

 

CMYK 0 / 38 / 33 / 53

HEX #784A51

RGB 120 74 81

HSL 350.87, 0.24%, 0.38%

LAB 36.9, 20.56, 4.09

 

CMYK 0 / 34 / 38 / 53

HEX #784F4A

RGB 120 79 74

HSL 6.52, 0.24%, 0.38%

LAB 37.98, 16.58, 10

 

CMYK 0 / 39 / 23 / 73

HEX #452A35

RGB 69 42 53

HSL 335.56, 0.24%, 0.22%

LAB 20.74, 14.44, -1.86

 

CMYK 0 / 39 / 23 / 63

HEX #5F3A49

RGB 95 58 73

HSL 335.68, 0.24%, 0.3%

LAB 29.26, 18.75, -2.31

 

CMYK 0 / 38 / 23 / 53

HEX #784A5D

RGB 120 74 93

HSL 335.22, 0.24%, 0.38%

LAB 37.26, 22.43, -2.93

 

CMYK 0 / 39 / 23 / 43

HEX #925971

RGB 146 89 113

HSL 334.74, 0.24%, 0.46%

LAB 44.87, 26.92, -3.67

 

CMYK 0 / 34 / 20 / 35

HEX #A66E85

RGB 166 110 133

HSL 335.36, 0.24%, 0.54%

LAB 52.9, 25.66, -3.5

 

CMYK 0 / 39 / 23 / 53

HEX #77485C

RGB 119.1 72.8 92

HSL 335.12, 0.24%, 0.38%

LAB 36.82, 22.62, -2.97

 

CMYK 0 / 8 / 38 / 53

HEX #786E4A

RGB 120 110 74

HSL 46.96, 0.24%, 0.38%

LAB 46.5, -1.87, 21.51

 

CMYK 38 / 7 / 0 / 53

HEX #4A7078

RGB 74 112 120

HSL 190.43, 0.24%, 0.38%

LAB 44.8, -11.18, -8.7

 

CMYK 0 / 39 / 23 / 53

HEX #77485C

RGB 119.1 72.8 92

HSL 335.12, 0.24%, 0.38%

LAB 36.82, 22.62, -2.97

 

CMYK 23 / 0 / 38 / 53

HEX #5D784A

RGB 93 120 74

HSL 95.22, 0.24%, 0.38%

LAB 47.31, -18.83, 22.16

 

CMYK 38 / 23 / 0 / 53

HEX #4A5D78

RGB 74 93 120

HSL 215.22, 0.24%, 0.38%

LAB 38.97, 0.12, -17.55

 

CMYK 0 / 39 / 23 / 53

HEX #77485C

RGB 119.1 72.8 92

HSL 335.12, 0.24%, 0.38%

LAB 36.82, 22.62, -2.97

 

CMYK 0 / 8 / 38 / 53

HEX #786E4A

RGB 120 110 74

HSL 46.96, 0.24%, 0.38%

LAB 46.5, -1.87, 21.51

 

CMYK 38 / 0 / 16 / 53

HEX #4A7865

RGB 74 120 101

HSL 155.22, 0.24%, 0.38%

LAB 46.75, -20.41, 5.49

 

CMYK 38 / 30 / 0 / 53

HEX #4A5478

RGB 74 84 120

HSL 226.96, 0.24%, 0.38%

LAB 36.28, 5.77, -21.71

 

CMYK 0 / 39 / 23 / 53

HEX #77485C

RGB 119.1 72.8 92

HSL 335.12, 0.24%, 0.38%

LAB 36.82, 22.62, -2.97

 

CMYK 3 / 0 / 38 / 53

HEX #74784A

RGB 116 120 74

HSL 65.22, 0.24%, 0.38%

LAB 49.06, -9.29, 24.77

 

CMYK 38 / 0 / 16 / 53

HEX #4A7865

RGB 74 120 101

HSL 155.22, 0.24%, 0.38%

LAB 46.75, -20.41, 5.49

 

CMYK 35 / 38 / 0 / 53

HEX #4E4A78

RGB 78 74 120

HSL 245.22, 0.24%, 0.38%

LAB 33.72, 13.43, -25.68

 

Description

Color code: RGB 119.1 72.8 92 | qconv.com Color code: RGB 119.1 72.8 92 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119.1 red, 72.8 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119.1 72.8 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 23 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 23% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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