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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 216.8 168.4 it is the complementary color RGB 137 38.2 86.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 216.8 168.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 216.8 168.4 shade: RGB 123 216.8 163.4, RGB 140 234.8 182.4, RGB 157 252.8 201.4, RGB 174 255 220.4 and RGB 191 255 239.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 216.8 168.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 216.8 168.4 shade: RGB 118 216.8 168.4, RGB 101 198.8 149.4, RGB 84 180.8 130.4, RGB 67 162.8 111.4 and RGB 50 144.8 92.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 216.8 168.4 shade: RGB 120 217 169, RGB 120 217 143, RGB 123 217 120, RGB 149 217 120 and RGB 175 217 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 216.8 168.4 shade: RGB 120 217 169, RGB 120 217 195, RGB 120 212 217, RGB 120 186 217 and RGB 120 160 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 216.8 168.4 shade matches the following richer shades: RGB 120 217 169, RGB 106 231 170 and RGB 92 245 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 216.8 168.4 shade: RGB 120 217 169, RGB 134 203 169, RGB 148 189 169, RGB 162 175 168 and RGB 176 161 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 216.8 168.4 shade: RGB 123 217 120, RGB 120 217 142, RGB 120 217 168, RGB 120 217 194 and RGB 120 214 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 216.8 168.4 shade: RGB 56 198 128, RGB 88 208 149, RGB 120 217 169, RGB 152 226 190 and RGB 184 235 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 216.8 168.4 shade: RGB 118 216.8 168.4, RGB 120 149 217 and RGB 217 129 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 216.8 168.4 shade: RGB 118 216.8 168.4, RGB 168 120 217 and RGB 217 168 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 216.8 168.4 shade: RGB 118 216.8 168.4, RGB 120 149 217, RGB 217 120 168 and RGB 217 188 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 216.8 168.4 shade: RGB 118 216.8 168.4, RGB 120 120 217, RGB 217 120 168 and RGB 217 217 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 22 / 15

HEX #76D8A8

RGB 118 216.8 168.4

HSL 150.61, 0.56%, 0.66%

LAB 79.74, -40.04, 14.97

 

Complementary color

CMYK 0 / 72 / 37 / 46

HEX #892656

RGB 137 38.2 86.6

HSL 330.61, 0.56%, 0.34%

LAB 32.7, 45.85, -5.33

 

CMYK 43 / 0 / 25 / 15

HEX #7BD8A3

RGB 123 216.8 163.4

HSL 145.84, 0.55%, 0.67%

LAB 79.84, -39.72, 17.78

 

CMYK 40 / 0 / 22 / 8

HEX #8CEAB6

RGB 140 234.8 182.4

HSL 146.84, 0.7%, 0.73%

LAB 86.14, -39.48, 16.76

 

CMYK 38 / 0 / 20 / 1

HEX #9DFCC9

RGB 157 252.8 201.4

HSL 147.81, 0.96%, 0.8%

LAB 92.37, -39.24, 15.8

 

CMYK 32 / 0 / 14 / 0

HEX #AEFFDC

RGB 174 255 220.4

HSL 154.37, 1%, 0.84%

LAB 94.19, -31.76, 8.73

 

CMYK 25 / 0 / 6 / 0

HEX #BFFFEF

RGB 191 255 239.4

HSL 165.38, 1%, 0.87%

LAB 95.52, -23.03, 0.98

 

CMYK 46 / 0 / 22 / 15

HEX #76D8A8

RGB 118 216.8 168.4

HSL 150.61, 0.56%, 0.66%

LAB 79.74, -40.04, 14.97

 

CMYK 49 / 0 / 25 / 22

HEX #65C695

RGB 101 198.8 149.4

HSL 149.69, 0.47%, 0.59%

LAB 73.35, -40.23, 16.04

 

CMYK 54 / 0 / 28 / 29

HEX #54B482

RGB 84 180.8 130.4

HSL 148.76, 0.39%, 0.52%

LAB 66.88, -40.36, 17.21

 

CMYK 59 / 0 / 32 / 36

HEX #43A26F

RGB 67 162.8 111.4

HSL 147.81, 0.42%, 0.45%

LAB 60.31, -40.39, 18.48

 

CMYK 65 / 0 / 36 / 43

HEX #32905C

RGB 50 144.8 92.4

HSL 146.84, 0.49%, 0.38%

LAB 53.65, -40.25, 19.89

 

CMYK 45 / 0 / 22 / 15

HEX #78D9A9

RGB 120 217 169

HSL 150.31, 0.56%, 0.66%

LAB 79.89, -39.49, 14.88

 

CMYK 45 / 0 / 34 / 15

HEX #78D98F

RGB 120 217 143

HSL 134.23, 0.56%, 0.66%

LAB 79.39, -44.38, 27.79

 

CMYK 43 / 0 / 45 / 15

HEX #7BD978

RGB 123 217 120

HSL 118.14, 0.56%, 0.66%

LAB 79.15, -47.14, 39.18

 

CMYK 31 / 0 / 45 / 15

HEX #95D978

RGB 149 217 120

HSL 102.06, 0.56%, 0.66%

LAB 80.39, -38.91, 41

 

CMYK 19 / 0 / 45 / 15

HEX #AFD978

RGB 175 217 120

HSL 85.98, 0.56%, 0.66%

LAB 81.89, -29.71, 43.2

 

CMYK 45 / 0 / 22 / 15

HEX #78D9A9

RGB 120 217 169

HSL 150.31, 0.56%, 0.66%

LAB 79.89, -39.49, 14.88

 

CMYK 45 / 0 / 10 / 15

HEX #78D9C3

RGB 120 217 195

HSL 166.39, 0.56%, 0.66%

LAB 80.49, -33.85, 1.94

 

CMYK 45 / 2 / 0 / 15

HEX #78D4D9

RGB 120 212 217

HSL 183.09, 0.56%, 0.66%

LAB 79.66, -26.11, -11.03

 

CMYK 45 / 14 / 0 / 15

HEX #78BAD9

RGB 120 186 217

HSL 199.18, 0.56%, 0.66%

LAB 72.31, -12.85, -22.12

 

CMYK 45 / 26 / 0 / 15

HEX #78A0D9

RGB 120 160 217

HSL 215.26, 0.56%, 0.66%

LAB 65.08, 1.39, -33.24

 

CMYK 45 / 0 / 22 / 15

HEX #78D9A9

RGB 120 217 169

HSL 150.31, 0.56%, 0.66%

LAB 79.89, -39.49, 14.88

 

CMYK 54 / 0 / 26 / 9

HEX #6AE7AA

RGB 106 231 170

HSL 150.72, 0.72%, 0.66%

LAB 83.5, -48.74, 19.33

 

CMYK 62 / 0 / 31 / 4

HEX #5CF5AA

RGB 92 245 170

HSL 150.59, 0.88%, 0.66%

LAB 87.23, -57.24, 24.41

 

CMYK 45 / 0 / 22 / 15

HEX #78D9A9

RGB 120 217 169

HSL 150.31, 0.56%, 0.66%

LAB 79.89, -39.49, 14.88

 

CMYK 34 / 0 / 17 / 20

HEX #86CBA9

RGB 134 203 169

HSL 150.43, 0.4%, 0.66%

LAB 76.46, -29.08, 10.12

 

CMYK 22 / 0 / 11 / 26

HEX #94BDA9

RGB 148 189 169

HSL 150.73, 0.24%, 0.66%

LAB 73.26, -17.77, 5.64

 

CMYK 7 / 0 / 4 / 31

HEX #A2AFA8

RGB 162 175 168

HSL 147.69, 0.08%, 0.66%

LAB 70.29, -5.9, 2.02

 

CMYK 0 / 9 / 5 / 31

HEX #B0A1A8

RGB 176 161 168

HSL 332, 0.09%, 0.66%

LAB 67.69, 6.71, -1.65

 

CMYK 43 / 0 / 45 / 15

HEX #7BD978

RGB 123 217 120

HSL 118.14, 0.56%, 0.66%

LAB 79.15, -47.14, 39.18

 

CMYK 45 / 0 / 35 / 15

HEX #78D98E

RGB 120 217 142

HSL 133.61, 0.56%, 0.66%

LAB 79.37, -44.55, 28.29

 

CMYK 45 / 0 / 23 / 15

HEX #78D9A8

RGB 120 217 168

HSL 149.69, 0.56%, 0.66%

LAB 79.87, -39.7, 15.38

 

CMYK 45 / 0 / 11 / 15

HEX #78D9C2

RGB 120 217 194

HSL 165.77, 0.56%, 0.66%

LAB 80.47, -34.08, 2.44

 

CMYK 45 / 1 / 0 / 15

HEX #78D6D9

RGB 120 214 217

HSL 181.86, 0.56%, 0.66%

LAB 80.23, -27.08, -10.18

 

CMYK 72 / 0 / 35 / 22

HEX #38C680

RGB 56 198 128

HSL 150.42, 0.56%, 0.5%

LAB 71.41, -53.36, 24.55

 

CMYK 58 / 0 / 28 / 18

HEX #58D095

RGB 88 208 149

HSL 150.5, 0.56%, 0.58%

LAB 75.67, -47.29, 19.41

 

CMYK 45 / 0 / 22 / 15

HEX #78D9A9

RGB 120 217 169

HSL 150.31, 0.56%, 0.66%

LAB 79.89, -39.49, 14.88

 

CMYK 33 / 0 / 16 / 11

HEX #98E2BE

RGB 152 226 190

HSL 150.81, 0.56%, 0.74%

LAB 84.37, -30.53, 10.36

 

CMYK 22 / 0 / 11 / 8

HEX #B8EBD2

RGB 184 235 210

HSL 150.59, 0.56%, 0.82%

LAB 89.05, -21.24, 6.8

 

CMYK 46 / 0 / 22 / 15

HEX #76D8A8

RGB 118 216.8 168.4

HSL 150.61, 0.56%, 0.66%

LAB 79.74, -40.04, 14.97

 

CMYK 45 / 31 / 0 / 15

HEX #7895D9

RGB 120 149 217

HSL 222.06, 0.56%, 0.66%

LAB 62.08, 7.68, -37.91

 

CMYK 0 / 41 / 45 / 15

HEX #D98178

RGB 217 129 120

HSL 5.57, 0.56%, 0.66%

LAB 63.18, 32.93, 19.51

 

CMYK 46 / 0 / 22 / 15

HEX #76D8A8

RGB 118 216.8 168.4

HSL 150.61, 0.56%, 0.66%

LAB 79.74, -40.04, 14.97

 

CMYK 23 / 45 / 0 / 15

HEX #A878D9

RGB 168 120 217

HSL 269.69, 0.56%, 0.66%

LAB 58.76, 37.47, -42.85

 

CMYK 0 / 23 / 45 / 15

HEX #D9A878

RGB 217 168 120

HSL 29.69, 0.56%, 0.66%

LAB 72.3, 11.97, 31.67

 

CMYK 46 / 0 / 22 / 15

HEX #76D8A8

RGB 118 216.8 168.4

HSL 150.61, 0.56%, 0.66%

LAB 79.74, -40.04, 14.97

 

CMYK 45 / 31 / 0 / 15

HEX #7895D9

RGB 120 149 217

HSL 222.06, 0.56%, 0.66%

LAB 62.08, 7.68, -37.91

 

CMYK 0 / 45 / 23 / 15

HEX #D978A8

RGB 217 120 168

HSL 330.31, 0.56%, 0.66%

LAB 62.52, 43.6, -8.81

 

CMYK 0 / 13 / 45 / 15

HEX #D9BC78

RGB 217 188 120

HSL 42.06, 0.56%, 0.66%

LAB 77.33, 1.33, 38.13

 

CMYK 46 / 0 / 22 / 15

HEX #76D8A8

RGB 118 216.8 168.4

HSL 150.61, 0.56%, 0.66%

LAB 79.74, -40.04, 14.97

 

CMYK 45 / 45 / 0 / 15

HEX #7878D9

RGB 120 120 217

HSL 240, 0.56%, 0.66%

LAB 54.49, 24.81, -49.89

 

CMYK 0 / 45 / 23 / 15

HEX #D978A8

RGB 217 120 168

HSL 330.31, 0.56%, 0.66%

LAB 62.52, 43.6, -8.81

 

CMYK 0 / 0 / 45 / 15

HEX #D9D978

RGB 217 217 120

HSL 60, 0.56%, 0.66%

LAB 84.86, -13.54, 47.53

 

Description

Color code: RGB 118 216.8 168.4 | qconv.com Color code: RGB 118 216.8 168.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 216.8 green and 168.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 216.8 168.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 22 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 22% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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