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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 186 162 it is the complementary color RGB 137 69 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 186 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 186 162 shade: RGB 123 186 157, RGB 140 204 176, RGB 157 222 195, RGB 174 240 214 and RGB 191 255 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 186 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 186 162 shade: RGB 118 186 162, RGB 101 168 143, RGB 84 150 124, RGB 67 132 105 and RGB 50 114 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 186 162 shade: RGB 119 186 162, RGB 119 186 144, RGB 119 186 126, RGB 130 186 119 and RGB 148 186 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 186 162 shade: RGB 119 186 162, RGB 119 186 181, RGB 119 174 186, RGB 119 155 186 and RGB 119 137 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 186 162 shade matches the following richer shades: RGB 119 186 162, RGB 102 203 167, RGB 86 219 172, RGB 69 236 177 and RGB 53 252 182

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 186 162 shade: RGB 119 186 162, RGB 135 170 158, RGB 152 153 153, RGB 168 137 148 and RGB 185 120 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 186 162 shade: RGB 119 186 126, RGB 119 186 144, RGB 119 186 161, RGB 119 186 179 and RGB 119 175 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 186 162 shade: RGB 74 148 122, RGB 91 172 144, RGB 119 186 162, RGB 146 200 181 and RGB 174 214 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 186 162 shade: RGB 118 186 162, RGB 119 130 186 and RGB 186 135 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 186 162 shade: RGB 118 186 162, RGB 161 119 186 and RGB 186 161 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 186 162 shade: RGB 118 186 162, RGB 119 130 186, RGB 186 119 144 and RGB 186 175 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 186 162 shade: RGB 118 186 162, RGB 128 119 186, RGB 186 119 144 and RGB 177 186 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 13 / 27

HEX #76BAA2

RGB 118 186 162

HSL 158.82, 0.33%, 0.6%

LAB 70.58, -26.98, 5.39

 

Complementary color

CMYK 0 / 50 / 32 / 46

HEX #89455D

RGB 137 69 93

HSL 338.82, 0.33%, 0.4%

LAB 38.49, 31.81, -0.85

 

CMYK 34 / 0 / 16 / 27

HEX #7BBA9D

RGB 123 186 157

HSL 152.38, 0.31%, 0.61%

LAB 70.71, -26.58, 8.34

 

CMYK 31 / 0 / 14 / 20

HEX #8CCCB0

RGB 140 204 176

HSL 153.75, 0.39%, 0.67%

LAB 77.22, -26.35, 7.49

 

CMYK 29 / 0 / 12 / 13

HEX #9DDEC3

RGB 157 222 195

HSL 155.08, 0.5%, 0.74%

LAB 83.63, -26.13, 6.69

 

CMYK 28 / 0 / 11 / 6

HEX #AEF0D6

RGB 174 240 214

HSL 156.36, 0.69%, 0.81%

LAB 89.94, -25.93, 5.93

 

CMYK 25 / 0 / 9 / 0

HEX #BFFFE9

RGB 191 255 233

HSL 159.38, 1%, 0.87%

LAB 95.36, -24.31, 4.05

 

CMYK 37 / 0 / 13 / 27

HEX #76BAA2

RGB 118 186 162

HSL 158.82, 0.33%, 0.6%

LAB 70.58, -26.98, 5.39

 

CMYK 40 / 0 / 15 / 34

HEX #65A88F

RGB 101 168 143

HSL 157.61, 0.28%, 0.53%

LAB 63.96, -27.2, 6.26

 

CMYK 44 / 0 / 17 / 41

HEX #54967C

RGB 84 150 124

HSL 156.36, 0.28%, 0.46%

LAB 57.22, -27.43, 7.2

 

CMYK 49 / 0 / 20 / 48

HEX #438469

RGB 67 132 105

HSL 155.08, 0.33%, 0.39%

LAB 50.35, -27.63, 8.24

 

CMYK 56 / 0 / 25 / 55

HEX #327256

RGB 50 114 86

HSL 153.75, 0.39%, 0.32%

LAB 43.34, -27.76, 9.4

 

CMYK 36 / 0 / 13 / 27

HEX #77BAA2

RGB 119 186 162

HSL 158.51, 0.33%, 0.6%

LAB 70.63, -26.69, 5.46

 

CMYK 36 / 0 / 23 / 27

HEX #77BA90

RGB 119 186 144

HSL 142.39, 0.33%, 0.6%

LAB 70.21, -30.42, 14.68

 

CMYK 36 / 0 / 32 / 27

HEX #77BA7E

RGB 119 186 126

HSL 126.27, 0.33%, 0.6%

LAB 69.86, -33.73, 23.89

 

CMYK 30 / 0 / 36 / 27

HEX #82BA77

RGB 130 186 119

HSL 110.15, 0.33%, 0.6%

LAB 70.31, -31.25, 28.31

 

CMYK 20 / 0 / 36 / 27

HEX #94BA77

RGB 148 186 119

HSL 94.03, 0.33%, 0.6%

LAB 71.38, -24.87, 29.91

 

CMYK 36 / 0 / 13 / 27

HEX #77BAA2

RGB 119 186 162

HSL 158.51, 0.33%, 0.6%

LAB 70.63, -26.69, 5.46

 

CMYK 36 / 0 / 3 / 27

HEX #77BAB5

RGB 119 186 181

HSL 175.52, 0.33%, 0.6%

LAB 71.13, -22.34, -4.21

 

CMYK 36 / 6 / 0 / 27

HEX #77AEBA

RGB 119 174 186

HSL 190.75, 0.33%, 0.6%

LAB 67.83, -14.92, -11.87

 

CMYK 36 / 17 / 0 / 27

HEX #779BBA

RGB 119 155 186

HSL 207.76, 0.33%, 0.6%

LAB 62.43, -4.62, -20.03

 

CMYK 36 / 26 / 0 / 27

HEX #7789BA

RGB 119 137 186

HSL 223.88, 0.33%, 0.6%

LAB 57.42, 5.65, -27.72

 

CMYK 36 / 0 / 13 / 27

HEX #77BAA2

RGB 119 186 162

HSL 158.51, 0.33%, 0.6%

LAB 70.63, -26.69, 5.46

 

CMYK 50 / 0 / 18 / 20

HEX #66CBA7

RGB 102 203 167

HSL 158.61, 0.49%, 0.6%

LAB 75.03, -38.1, 8.97

 

CMYK 61 / 0 / 21 / 14

HEX #56DBAC

RGB 86 219 172

HSL 158.8, 0.65%, 0.6%

LAB 79.4, -47.38, 12.44

 

CMYK 71 / 0 / 25 / 7

HEX #45ECB1

RGB 69 236 177

HSL 158.8, 0.81%, 0.6%

LAB 84.19, -55.96, 16.51

 

CMYK 79 / 0 / 28 / 1

HEX #35FCB6

RGB 53 252 182

HSL 158.89, 0.97%, 0.6%

LAB 88.81, -62.86, 20.33

 

CMYK 36 / 0 / 13 / 27

HEX #77BAA2

RGB 119 186 162

HSL 158.51, 0.33%, 0.6%

LAB 70.63, -26.69, 5.46

 

CMYK 21 / 0 / 7 / 33

HEX #87AA9E

RGB 135 170 158

HSL 159.43, 0.17%, 0.6%

LAB 66.8, -14.45, 2.25

 

CMYK 1 / 0 / 0 / 40

HEX #989999

RGB 152 153 153

HSL 180, 0%, 0.6%

LAB 63.14, -0.36, -0.13

 

CMYK 0 / 18 / 12 / 34

HEX #A88994

RGB 168 137 148

HSL 338.71, 0.15%, 0.6%

LAB 60.21, 13.61, -1.42

 

CMYK 0 / 35 / 23 / 27

HEX #B9788F

RGB 185 120 143

HSL 338.77, 0.32%, 0.6%

LAB 57.78, 28.66, -1.89

 

CMYK 36 / 0 / 32 / 27

HEX #77BA7E

RGB 119 186 126

HSL 126.27, 0.33%, 0.6%

LAB 69.86, -33.73, 23.89

 

CMYK 36 / 0 / 23 / 27

HEX #77BA90

RGB 119 186 144

HSL 142.39, 0.33%, 0.6%

LAB 70.21, -30.42, 14.68

 

CMYK 36 / 0 / 13 / 27

HEX #77BAA1

RGB 119 186 161

HSL 157.61, 0.33%, 0.6%

LAB 70.6, -26.91, 5.98

 

CMYK 36 / 0 / 4 / 27

HEX #77BAB3

RGB 119 186 179

HSL 173.73, 0.33%, 0.6%

LAB 71.07, -22.82, -3.2

 

CMYK 36 / 6 / 0 / 27

HEX #77AFBA

RGB 119 175 186

HSL 189.85, 0.33%, 0.6%

LAB 68.11, -15.45, -11.44

 

CMYK 50 / 0 / 18 / 42

HEX #4A947A

RGB 74 148 122

HSL 158.92, 0.33%, 0.44%

LAB 56.13, -29.59, 6.72

 

CMYK 47 / 0 / 16 / 33

HEX #5BAC90

RGB 91 172 144

HSL 159.26, 0.33%, 0.52%

LAB 64.76, -31.62, 6.78

 

CMYK 36 / 0 / 13 / 27

HEX #77BAA2

RGB 119 186 162

HSL 158.51, 0.33%, 0.6%

LAB 70.63, -26.69, 5.46

 

CMYK 27 / 0 / 10 / 22

HEX #92C8B5

RGB 146 200 181

HSL 158.89, 0.33%, 0.68%

LAB 76.53, -21.51, 3.85

 

CMYK 19 / 0 / 7 / 16

HEX #AED6C8

RGB 174 214 200

HSL 159, 0.33%, 0.76%

LAB 82.52, -15.9, 2.56

 

CMYK 37 / 0 / 13 / 27

HEX #76BAA2

RGB 118 186 162

HSL 158.82, 0.33%, 0.6%

LAB 70.58, -26.98, 5.39

 

CMYK 36 / 30 / 0 / 27

HEX #7782BA

RGB 119 130 186

HSL 230.15, 0.33%, 0.6%

LAB 55.51, 9.75, -30.68

 

CMYK 0 / 27 / 36 / 27

HEX #BA8777

RGB 186 135 119

HSL 14.33, 0.33%, 0.6%

LAB 60.87, 17.38, 16.3

 

CMYK 37 / 0 / 13 / 27

HEX #76BAA2

RGB 118 186 162

HSL 158.82, 0.33%, 0.6%

LAB 70.58, -26.98, 5.39

 

CMYK 13 / 36 / 0 / 27

HEX #A177BA

RGB 161 119 186

HSL 277.61, 0.33%, 0.6%

LAB 56.4, 28.95, -29.01

 

CMYK 0 / 13 / 36 / 27

HEX #BAA177

RGB 186 161 119

HSL 37.61, 0.33%, 0.6%

LAB 67.47, 3.05, 25.27

 

CMYK 37 / 0 / 13 / 27

HEX #76BAA2

RGB 118 186 162

HSL 158.82, 0.33%, 0.6%

LAB 70.58, -26.98, 5.39

 

CMYK 36 / 30 / 0 / 27

HEX #7782BA

RGB 119 130 186

HSL 230.15, 0.33%, 0.6%

LAB 55.51, 9.75, -30.68

 

CMYK 0 / 36 / 23 / 27

HEX #BA7790

RGB 186 119 144

HSL 337.61, 0.33%, 0.6%

LAB 57.7, 29.73, -2.57

 

CMYK 0 / 6 / 36 / 27

HEX #BAAF77

RGB 186 175 119

HSL 50.15, 0.33%, 0.6%

LAB 71.17, -4.46, 30.16

 

CMYK 37 / 0 / 13 / 27

HEX #76BAA2

RGB 118 186 162

HSL 158.82, 0.33%, 0.6%

LAB 70.58, -26.98, 5.39

 

CMYK 31 / 36 / 0 / 27

HEX #8077BA

RGB 128 119 186

HSL 248.06, 0.33%, 0.6%

LAB 53.31, 18.87, -34.07

 

CMYK 0 / 36 / 23 / 27

HEX #BA7790

RGB 186 119 144

HSL 337.61, 0.33%, 0.6%

LAB 57.7, 29.73, -2.57

 

CMYK 5 / 0 / 36 / 27

HEX #B1BA77

RGB 177 186 119

HSL 68.06, 0.33%, 0.6%

LAB 73.41, -13.79, 32.95

 

Description

Color code: RGB 118 186 162 | qconv.com Color code: RGB 118 186 162 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 186 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 186 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 13 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 13% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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