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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 136 158 it is the complementary color RGB 137 119 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 136 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 136 158 shade: RGB 123 136 153, RGB 140 154 172, RGB 157 172 191, RGB 174 190 210 and RGB 191 208 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 136 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 136 158 shade: RGB 118 136 158, RGB 101 118 139, RGB 84 100 120, RGB 67 82 101 and RGB 50 64 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 136 158 shade: RGB 118 136 158, RGB 118 125 158, RGB 121 118 158, RGB 132 118 158 and RGB 143 118 158

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 136 158 shade: RGB 118 136 158, RGB 118 125 158 and RGB 118 118 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 136 158 shade matches the following richer shades: RGB 118 136 158, RGB 99 134 177, RGB 80 132 196, RGB 61 130 215 and RGB 42 128 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 136 158 shade: RGB 118 136 158, RGB 137 138 139, RGB 156 140 120, RGB 175 141 101 and RGB 194 143 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 136 158 shade: RGB 118 157 158, RGB 118 146 158, RGB 118 136 158, RGB 118 125 158 and RGB 121 118 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 136 158 shade: RGB 80 95 113, RGB 97 115 137, RGB 118 136 158, RGB 142 157 175 and RGB 166 178 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 136 158 shade: RGB 118 136 158, RGB 148 118 158 and RGB 152 158 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 136 158 shade: RGB 118 136 158, RGB 158 118 136 and RGB 136 158 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 136 158 shade: RGB 118 136 158, RGB 148 118 158, RGB 158 140 118 and RGB 128 158 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 136 158 shade: RGB 118 136 158, RGB 158 118 156, RGB 158 140 118 and RGB 118 158 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 14 / 0 / 38

HEX #76889E

RGB 118 136 158

HSL 213, 0.17%, 0.54%

LAB 56.02, -1.35, -13.85

 

Complementary color

CMYK 0 / 13 / 29 / 46

HEX #897761

RGB 137 119 97

HSL 33, 0.17%, 0.46%

LAB 51.12, 3.39, 14.68

 

CMYK 20 / 11 / 0 / 40

HEX #7B8899

RGB 123 136 153

HSL 214, 0.13%, 0.54%

LAB 56.21, -0.92, -10.65

 

CMYK 19 / 10 / 0 / 33

HEX #8C9AAC

RGB 140 154 172

HSL 213.75, 0.16%, 0.61%

LAB 63.07, -1.06, -11.06

 

CMYK 18 / 10 / 0 / 25

HEX #9DACBF

RGB 157 172 191

HSL 213.53, 0.21%, 0.68%

LAB 69.78, -1.19, -11.47

 

CMYK 17 / 10 / 0 / 18

HEX #AEBED2

RGB 174 190 210

HSL 213.33, 0.29%, 0.75%

LAB 76.36, -1.32, -11.89

 

CMYK 17 / 9 / 0 / 10

HEX #BFD0E5

RGB 191 208 229

HSL 213.16, 0.42%, 0.82%

LAB 82.83, -1.45, -12.3

 

CMYK 25 / 14 / 0 / 38

HEX #76889E

RGB 118 136 158

HSL 213, 0.17%, 0.54%

LAB 56.02, -1.35, -13.85

 

CMYK 27 / 15 / 0 / 45

HEX #65768B

RGB 101 118 139

HSL 213.16, 0.16%, 0.47%

LAB 48.99, -1.18, -13.52

 

CMYK 30 / 17 / 0 / 53

HEX #546478

RGB 84 100 120

HSL 213.33, 0.18%, 0.4%

LAB 41.78, -0.99, -13.2

 

CMYK 34 / 19 / 0 / 60

HEX #435265

RGB 67 82 101

HSL 213.53, 0.2%, 0.33%

LAB 34.33, -0.77, -12.91

 

CMYK 39 / 22 / 0 / 68

HEX #324052

RGB 50 64 82

HSL 213.75, 0.24%, 0.26%

LAB 26.6, -0.48, -12.66

 

CMYK 25 / 14 / 0 / 38

HEX #76889E

RGB 118 136 158

HSL 213, 0.17%, 0.54%

LAB 56.02, -1.35, -13.85

 

CMYK 25 / 21 / 0 / 38

HEX #767D9E

RGB 118 125 158

HSL 229.5, 0.17%, 0.54%

LAB 52.94, 5.02, -18.53

 

CMYK 23 / 25 / 0 / 38

HEX #79769E

RGB 121 118 158

HSL 244.5, 0.17%, 0.54%

LAB 51.26, 10.13, -21.08

 

CMYK 16 / 25 / 0 / 38

HEX #84769E

RGB 132 118 158

HSL 261, 0.17%, 0.54%

LAB 52.21, 13.76, -19.54

 

CMYK 9 / 25 / 0 / 38

HEX #8F769E

RGB 143 118 158

HSL 277.5, 0.17%, 0.54%

LAB 53.24, 17.49, -17.87

 

CMYK 25 / 14 / 0 / 38

HEX #76889E

RGB 118 136 158

HSL 213, 0.17%, 0.54%

LAB 56.02, -1.35, -13.85

 

CMYK 25 / 21 / 0 / 38

HEX #767D9E

RGB 118 125 158

HSL 229.5, 0.17%, 0.54%

LAB 52.94, 5.02, -18.53

 

CMYK 25 / 25 / 0 / 38

HEX #76769E

RGB 118 118 158

HSL 240, 0.17%, 0.54%

LAB 51.01, 9.16, -21.48

 

CMYK 25 / 14 / 0 / 38

HEX #76889E

RGB 118 136 158

HSL 213, 0.17%, 0.54%

LAB 56.02, -1.35, -13.85

 

CMYK 44 / 24 / 0 / 31

HEX #6386B1

RGB 99 134 177

HSL 213.08, 0.33%, 0.54%

LAB 54.95, -0.65, -26.51

 

CMYK 59 / 33 / 0 / 23

HEX #5084C4

RGB 80 132 196

HSL 213.1, 0.5%, 0.54%

LAB 54.23, 2.04, -38.55

 

CMYK 72 / 40 / 0 / 16

HEX #3D82D7

RGB 61 130 215

HSL 213.12, 0.66%, 0.54%

LAB 53.88, 6.58, -49.91

 

CMYK 82 / 45 / 0 / 8

HEX #2A80EA

RGB 42 128 234

HSL 213.13, 0.82%, 0.54%

LAB 53.89, 12.68, -60.59

 

CMYK 25 / 14 / 0 / 38

HEX #76889E

RGB 118 136 158

HSL 213, 0.17%, 0.54%

LAB 56.02, -1.35, -13.85

 

CMYK 1 / 1 / 0 / 45

HEX #898A8B

RGB 137 138 139

HSL 210, 0.01%, 0.54%

LAB 57.42, -0.17, -0.67

 

CMYK 0 / 10 / 23 / 39

HEX #9C8C78

RGB 156 140 120

HSL 33.33, 0.15%, 0.54%

LAB 59.14, 2.67, 12.87

 

CMYK 0 / 19 / 42 / 31

HEX #AF8D65

RGB 175 141 101

HSL 32.43, 0.32%, 0.54%

LAB 60.87, 7.39, 26.19

 

CMYK 0 / 26 / 58 / 24

HEX #C28F52

RGB 194 143 82

HSL 32.68, 0.48%, 0.54%

LAB 63.11, 12.51, 39.63

 

CMYK 25 / 1 / 0 / 38

HEX #769D9E

RGB 118 157 158

HSL 181.5, 0.17%, 0.54%

LAB 62.03, -13, -4.87

 

CMYK 25 / 8 / 0 / 38

HEX #76929E

RGB 118 146 158

HSL 198, 0.17%, 0.54%

LAB 58.86, -6.99, -9.58

 

CMYK 25 / 14 / 0 / 38

HEX #76889E

RGB 118 136 158

HSL 213, 0.17%, 0.54%

LAB 56.02, -1.35, -13.85

 

CMYK 25 / 21 / 0 / 38

HEX #767D9E

RGB 118 125 158

HSL 229.5, 0.17%, 0.54%

LAB 52.94, 5.02, -18.53

 

CMYK 23 / 25 / 0 / 38

HEX #79769E

RGB 121 118 158

HSL 244.5, 0.17%, 0.54%

LAB 51.26, 10.13, -21.08

 

CMYK 29 / 16 / 0 / 56

HEX #505F71

RGB 80 95 113

HSL 212.73, 0.17%, 0.38%

LAB 39.72, -1.16, -12.08

 

CMYK 29 / 16 / 0 / 46

HEX #617389

RGB 97 115 137

HSL 213, 0.17%, 0.46%

LAB 47.76, -1.23, -14.23

 

CMYK 25 / 14 / 0 / 38

HEX #76889E

RGB 118 136 158

HSL 213, 0.17%, 0.54%

LAB 56.02, -1.35, -13.85

 

CMYK 19 / 10 / 0 / 31

HEX #8E9DAF

RGB 142 157 175

HSL 212.73, 0.17%, 0.62%

LAB 64.13, -1.39, -11.14

 

CMYK 14 / 7 / 0 / 25

HEX #A6B2C0

RGB 166 178 192

HSL 212.31, 0.17%, 0.7%

LAB 72.06, -1.3, -8.55

 

CMYK 25 / 14 / 0 / 38

HEX #76889E

RGB 118 136 158

HSL 213, 0.17%, 0.54%

LAB 56.02, -1.35, -13.85

 

CMYK 6 / 25 / 0 / 38

HEX #94769E

RGB 148 118 158

HSL 285, 0.17%, 0.54%

LAB 53.73, 19.21, -17.08

 

CMYK 4 / 0 / 25 / 38

HEX #989E76

RGB 152 158 118

HSL 69, 0.17%, 0.54%

LAB 63.7, -9.1, 20.23

 

CMYK 25 / 14 / 0 / 38

HEX #76889E

RGB 118 136 158

HSL 213, 0.17%, 0.54%

LAB 56.02, -1.35, -13.85

 

CMYK 0 / 25 / 14 / 38

HEX #9E7688

RGB 158 118 136

HSL 333, 0.17%, 0.54%

LAB 54.03, 18.6, -3.69

 

CMYK 14 / 0 / 25 / 38

HEX #889E76

RGB 136 158 118

HSL 93, 0.17%, 0.54%

LAB 62.5, -15.27, 18.4

 

CMYK 25 / 14 / 0 / 38

HEX #76889E

RGB 118 136 158

HSL 213, 0.17%, 0.54%

LAB 56.02, -1.35, -13.85

 

CMYK 6 / 25 / 0 / 38

HEX #94769E

RGB 148 118 158

HSL 285, 0.17%, 0.54%

LAB 53.73, 19.21, -17.08

 

CMYK 0 / 11 / 25 / 38

HEX #9E8C76

RGB 158 140 118

HSL 33, 0.17%, 0.54%

LAB 59.28, 3.17, 14.23

 

CMYK 19 / 0 / 25 / 38

HEX #809E76

RGB 128 158 118

HSL 105, 0.17%, 0.54%

LAB 61.96, -18.25, 17.56

 

CMYK 25 / 14 / 0 / 38

HEX #76889E

RGB 118 136 158

HSL 213, 0.17%, 0.54%

LAB 56.02, -1.35, -13.85

 

CMYK 0 / 25 / 1 / 38

HEX #9E769C

RGB 158 118 156

HSL 303, 0.17%, 0.54%

LAB 54.69, 22.29, -14.37

 

CMYK 0 / 11 / 25 / 38

HEX #9E8C76

RGB 158 140 118

HSL 33, 0.17%, 0.54%

LAB 59.28, 3.17, 14.23

 

CMYK 25 / 0 / 24 / 38

HEX #769E78

RGB 118 158 120

HSL 123, 0.17%, 0.54%

LAB 61.36, -21.48, 15.53

 

Description

Color code: RGB 118 136 158 | qconv.com Color code: RGB 118 136 158 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 136 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 136 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 14 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 14% 0% 38% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

97% - Pigeon Ultra Glass, ...
Link: http://ooooola.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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