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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 127 172 it is the complementary color RGB 137 128 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 127 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 127 172 shade: RGB 123 127 167, RGB 140 145 186, RGB 157 163 205, RGB 174 181 224 and RGB 191 199 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 127 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 127 172 shade: RGB 118 127 172, RGB 101 109 153, RGB 84 91 134, RGB 67 73 115 and RGB 50 55 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 127 172 shade: RGB 117 127 172, RGB 123 117 172, RGB 138 117 172, RGB 153 117 172 and RGB 167 117 172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 127 172 shade: RGB 117 127 172 and RGB 117 117 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 127 172 shade matches the following richer shades: RGB 117 127 172, RGB 100 115 190, RGB 82 103 208, RGB 64 91 225 and RGB 46 79 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 127 172 shade: RGB 117 127 172, RGB 135 138 155, RGB 153 150 137, RGB 171 162 119 and RGB 188 174 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 127 172 shade: RGB 117 156 172, RGB 117 141 172, RGB 117 127 172, RGB 123 117 172 and RGB 138 117 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 127 172 shade: RGB 78 86 130, RGB 93 103 155, RGB 117 127 172, RGB 143 151 188 and RGB 169 175 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 127 172 shade: RGB 118 127 172, RGB 172 117 170 and RGB 149 172 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 127 172 shade: RGB 118 127 172, RGB 172 117 127 and RGB 127 172 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 127 172 shade: RGB 118 127 172, RGB 172 117 170, RGB 172 163 117 and RGB 117 172 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 127 172 shade: RGB 118 127 172, RGB 172 117 154, RGB 172 163 117 and RGB 117 172 136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 26 / 0 / 33

HEX #767FAC

RGB 118 127 172

HSL 230, 0.25%, 0.57%

LAB 54.04, 7.45, -24.94

 

Complementary color

CMYK 0 / 7 / 39 / 46

HEX #898053

RGB 137 128 83

HSL 50, 0.25%, 0.43%

LAB 53.36, -3.6, 25.67

 

CMYK 26 / 24 / 0 / 35

HEX #7B7FA7

RGB 123 127 167

HSL 234.55, 0.2%, 0.57%

LAB 54.22, 7.71, -21.75

 

CMYK 25 / 22 / 0 / 27

HEX #8C91BA

RGB 140 145 186

HSL 233.48, 0.25%, 0.64%

LAB 61.11, 7.33, -21.92

 

CMYK 23 / 20 / 0 / 20

HEX #9DA3CD

RGB 157 163 205

HSL 232.5, 0.32%, 0.71%

LAB 67.85, 6.98, -22.13

 

CMYK 22 / 19 / 0 / 12

HEX #AEB5E0

RGB 174 181 224

HSL 231.6, 0.45%, 0.78%

LAB 74.46, 6.67, -22.35

 

CMYK 21 / 18 / 0 / 5

HEX #BFC7F3

RGB 191 199 243

HSL 230.77, 0.68%, 0.85%

LAB 80.96, 6.39, -22.59

 

CMYK 31 / 26 / 0 / 33

HEX #767FAC

RGB 118 127 172

HSL 230, 0.25%, 0.57%

LAB 54.04, 7.45, -24.94

 

CMYK 34 / 29 / 0 / 40

HEX #656D99

RGB 101 109 153

HSL 230.77, 0.2%, 0.5%

LAB 46.98, 7.94, -24.87

 

CMYK 37 / 32 / 0 / 47

HEX #545B86

RGB 84 91 134

HSL 231.6, 0.23%, 0.43%

LAB 39.73, 8.52, -24.86

 

CMYK 42 / 37 / 0 / 55

HEX #434973

RGB 67 73 115

HSL 232.5, 0.26%, 0.36%

LAB 32.25, 9.23, -24.92

 

CMYK 48 / 43 / 0 / 62

HEX #323760

RGB 50 55 96

HSL 233.48, 0.32%, 0.29%

LAB 24.5, 10.17, -25.08

 

CMYK 32 / 26 / 0 / 33

HEX #757FAC

RGB 117 127 172

HSL 229.09, 0.25%, 0.57%

LAB 53.96, 7.15, -25.06

 

CMYK 28 / 32 / 0 / 33

HEX #7B75AC

RGB 123 117 172

HSL 246.55, 0.25%, 0.57%

LAB 51.74, 14.91, -28.47

 

CMYK 20 / 32 / 0 / 33

HEX #8A75AC

RGB 138 117 172

HSL 262.91, 0.25%, 0.57%

LAB 53.06, 19.6, -26.31

 

CMYK 11 / 32 / 0 / 33

HEX #9975AC

RGB 153 117 172

HSL 279.27, 0.25%, 0.57%

LAB 54.53, 24.47, -23.93

 

CMYK 3 / 32 / 0 / 33

HEX #A775AC

RGB 167 117 172

HSL 294.55, 0.25%, 0.57%

LAB 56, 29.1, -21.53

 

CMYK 32 / 26 / 0 / 33

HEX #757FAC

RGB 117 127 172

HSL 229.09, 0.25%, 0.57%

LAB 53.96, 7.15, -25.06

 

CMYK 32 / 32 / 0 / 33

HEX #7575AC

RGB 117 117 172

HSL 240, 0.25%, 0.57%

LAB 51.25, 13.1, -29.27

 

CMYK 32 / 26 / 0 / 33

HEX #757FAC

RGB 117 127 172

HSL 229.09, 0.25%, 0.57%

LAB 53.96, 7.15, -25.06

 

CMYK 47 / 39 / 0 / 25

HEX #6473BE

RGB 100 115 190

HSL 230, 0.41%, 0.57%

LAB 50.32, 14.87, -41.21

 

CMYK 61 / 50 / 0 / 18

HEX #5267D0

RGB 82 103 208

HSL 230, 0.57%, 0.57%

LAB 47.04, 24.26, -56.85

 

CMYK 72 / 60 / 0 / 12

HEX #405BE1

RGB 64 91 225

HSL 229.94, 0.73%, 0.57%

LAB 44.24, 34.95, -71.11

 

CMYK 81 / 67 / 0 / 5

HEX #2E4FF3

RGB 46 79 243

HSL 229.95, 0.89%, 0.57%

LAB 42.22, 46.94, -84.62

 

CMYK 32 / 26 / 0 / 33

HEX #757FAC

RGB 117 127 172

HSL 229.09, 0.25%, 0.57%

LAB 53.96, 7.15, -25.06

 

CMYK 13 / 11 / 0 / 39

HEX #878A9B

RGB 135 138 155

HSL 231, 0.09%, 0.57%

LAB 57.75, 2.47, -9.4

 

CMYK 0 / 2 / 10 / 40

HEX #999689

RGB 153 150 137

HSL 48.75, 0.07%, 0.57%

LAB 61.99, -1.27, 7.24

 

CMYK 0 / 5 / 30 / 33

HEX #ABA277

RGB 171 162 119

HSL 49.62, 0.24%, 0.57%

LAB 66.39, -3.55, 23.59

 

CMYK 0 / 7 / 46 / 26

HEX #BCAE65

RGB 188 174 101

HSL 50.34, 0.39%, 0.57%

LAB 70.8, -5.09, 39.12

 

CMYK 32 / 9 / 0 / 33

HEX #759CAC

RGB 117 156 172

HSL 197.45, 0.25%, 0.57%

LAB 62.12, -9.36, -12.64

 

CMYK 32 / 18 / 0 / 33

HEX #758DAC

RGB 117 141 172

HSL 213.82, 0.25%, 0.57%

LAB 57.86, -0.97, -19.09

 

CMYK 32 / 26 / 0 / 33

HEX #757FAC

RGB 117 127 172

HSL 229.09, 0.25%, 0.57%

LAB 53.96, 7.15, -25.06

 

CMYK 28 / 32 / 0 / 33

HEX #7B75AC

RGB 123 117 172

HSL 246.55, 0.25%, 0.57%

LAB 51.74, 14.91, -28.47

 

CMYK 20 / 32 / 0 / 33

HEX #8A75AC

RGB 138 117 172

HSL 262.91, 0.25%, 0.57%

LAB 53.06, 19.6, -26.31

 

CMYK 40 / 34 / 0 / 49

HEX #4E5682

RGB 78 86 130

HSL 230.77, 0.25%, 0.41%

LAB 37.64, 8.7, -25.72

 

CMYK 40 / 34 / 0 / 39

HEX #5D679B

RGB 93 103 155

HSL 230.32, 0.25%, 0.49%

LAB 44.79, 9.84, -29.5

 

CMYK 32 / 26 / 0 / 33

HEX #757FAC

RGB 117 127 172

HSL 229.09, 0.25%, 0.57%

LAB 53.96, 7.15, -25.06

 

CMYK 24 / 20 / 0 / 26

HEX #8F97BC

RGB 143 151 188

HSL 229.33, 0.25%, 0.65%

LAB 63.01, 5.33, -20.12

 

CMYK 17 / 14 / 0 / 20

HEX #A9AFCB

RGB 169 175 203

HSL 229.41, 0.25%, 0.73%

LAB 71.83, 3.68, -14.91

 

CMYK 31 / 26 / 0 / 33

HEX #767FAC

RGB 118 127 172

HSL 230, 0.25%, 0.57%

LAB 54.04, 7.45, -24.94

 

CMYK 0 / 32 / 1 / 33

HEX #AC75AA

RGB 172 117 170

HSL 302.18, 0.25%, 0.57%

LAB 56.48, 30.38, -19.6

 

CMYK 13 / 0 / 32 / 33

HEX #95AC75

RGB 149 172 117

HSL 85.09, 0.25%, 0.57%

LAB 67.41, -17.75, 25.74

 

CMYK 31 / 26 / 0 / 33

HEX #767FAC

RGB 118 127 172

HSL 230, 0.25%, 0.57%

LAB 54.04, 7.45, -24.94

 

CMYK 0 / 32 / 26 / 33

HEX #AC757F

RGB 172 117 127

HSL 349.09, 0.25%, 0.57%

LAB 55.1, 23.06, 3.32

 

CMYK 26 / 0 / 32 / 33

HEX #7FAC75

RGB 127 172 117

HSL 109.09, 0.25%, 0.57%

LAB 65.98, -25.85, 23.57

 

CMYK 31 / 26 / 0 / 33

HEX #767FAC

RGB 118 127 172

HSL 230, 0.25%, 0.57%

LAB 54.04, 7.45, -24.94

 

CMYK 0 / 32 / 1 / 33

HEX #AC75AA

RGB 172 117 170

HSL 302.18, 0.25%, 0.57%

LAB 56.48, 30.38, -19.6

 

CMYK 0 / 5 / 32 / 33

HEX #ACA375

RGB 172 163 117

HSL 50.18, 0.25%, 0.57%

LAB 66.71, -3.95, 25.12

 

CMYK 32 / 0 / 31 / 33

HEX #75AC77

RGB 117 172 119

HSL 122.18, 0.25%, 0.57%

LAB 65.45, -28.94, 21.68

 

CMYK 31 / 26 / 0 / 33

HEX #767FAC

RGB 118 127 172

HSL 230, 0.25%, 0.57%

LAB 54.04, 7.45, -24.94

 

CMYK 0 / 32 / 10 / 33

HEX #AC759A

RGB 172 117 154

HSL 319.64, 0.25%, 0.57%

LAB 55.91, 27.44, -11.21

 

CMYK 0 / 5 / 32 / 33

HEX #ACA375

RGB 172 163 117

HSL 50.18, 0.25%, 0.57%

LAB 66.71, -3.95, 25.12

 

CMYK 32 / 0 / 21 / 33

HEX #75AC88

RGB 117 172 136

HSL 140.73, 0.25%, 0.57%

LAB 65.8, -25.81, 12.85

 

Description

Color code: RGB 118 127 172 | qconv.com Color code: RGB 118 127 172 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 127 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 127 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 26 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 26% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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