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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118.7 200.6 244 it is the complementary color RGB 136.3 54.4 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118.7 200.6 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118.7 200.6 244 shade: RGB 123.7 200.6 239, RGB 140.7 218.6 255, RGB 157.7 236.6 255, RGB 174.7 254.6 255 and RGB 191.7 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118.7 200.6 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118.7 200.6 244 shade: RGB 118.7 200.6 244, RGB 101.7 182.6 225, RGB 84.7 164.6 206, RGB 67.7 146.6 187 and RGB 50.7 128.6 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118.7 200.6 244 shade: RGB 118 200 244, RGB 118 166 244, RGB 118 133 244, RGB 138 118 244 and RGB 172 118 244

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118.7 200.6 244 shade: RGB 118 200 244, RGB 118 166 244, RGB 118 133 244 and RGB 118 118 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118.7 200.6 244 shade matches the following richer shades: RGB 118 200 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118.7 200.6 244 shade: RGB 118 200 244, RGB 130 197 232, RGB 142 193 220, RGB 154 189 208 and RGB 166 186 196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118.7 200.6 244 shade: RGB 118 244 219, RGB 118 236 244, RGB 118 202 244, RGB 118 168 244 and RGB 118 135 244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118.7 200.6 244 shade: RGB 42 170 238, RGB 80 185 241, RGB 118 200 244, RGB 156 216 247 and RGB 195 231 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118.7 200.6 244 shade: RGB 118.7 200.6 244, RGB 185 118 244 and RGB 244 236 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118.7 200.6 244 shade: RGB 118.7 200.6 244, RGB 244 118 202 and RGB 202 244 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118.7 200.6 244 shade: RGB 118.7 200.6 244, RGB 185 118 244, RGB 244 160 118 and RGB 177 244 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118.7 200.6 244 shade: RGB 118.7 200.6 244, RGB 223 118 244, RGB 244 160 118 and RGB 139 244 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 18 / 0 / 4

HEX #76C8F4

RGB 118.7 200.6 244

HSL 200.78, 0.85%, 0.71%

LAB 77.29, -13.32, -29.1

 

Complementary color

CMYK 0 / 60 / 92 / 47

HEX #88360B

RGB 136.3 54.4 11

HSL 20.78, 0.85%, 0.29%

LAB 33.9, 32.94, 41.02

 

CMYK 48 / 16 / 0 / 6

HEX #7BC8EF

RGB 123.7 200.6 239

HSL 199.98, 0.78%, 0.71%

LAB 77.33, -13.62, -26.34

 

CMYK 45 / 14 / 0 / 0

HEX #8CDAFF

RGB 140.7 218.6 255

HSL 199.11, 1%, 0.78%

LAB 83.61, -14.68, -25.21

 

CMYK 38 / 7 / 0 / 0

HEX #9DECFF

RGB 157.7 236.6 255

HSL 191.35, 1%, 0.81%

LAB 89.3, -19.63, -16.52

 

CMYK 31 / 0 / 0 / 0

HEX #AEFEFF

RGB 174.7 254.6 255

HSL 180.3, 1%, 0.84%

LAB 94.98, -24.05, -7.96

 

CMYK 25 / 0 / 0 / 0

HEX #BFFFFF

RGB 191.7 255 255

HSL 180, 1%, 0.88%

LAB 95.96, -19.57, -6.42

 

CMYK 51 / 18 / 0 / 4

HEX #76C8F4

RGB 118.7 200.6 244

HSL 200.78, 0.85%, 0.71%

LAB 77.29, -13.32, -29.1

 

CMYK 55 / 19 / 0 / 12

HEX #65B6E1

RGB 101.7 182.6 225

HSL 200.63, 0.67%, 0.64%

LAB 70.83, -12.9, -28.81

 

CMYK 59 / 20 / 0 / 19

HEX #54A4CE

RGB 84.7 164.6 206

HSL 200.48, 0.55%, 0.57%

LAB 64.27, -12.36, -28.52

 

CMYK 64 / 22 / 0 / 27

HEX #4392BB

RGB 67.7 146.6 187

HSL 200.32, 0.47%, 0.5%

LAB 57.61, -11.66, -28.21

 

CMYK 70 / 23 / 0 / 34

HEX #3280A8

RGB 50.7 128.6 168

HSL 200.15, 0.54%, 0.43%

LAB 50.83, -10.73, -27.88

 

CMYK 52 / 18 / 0 / 4

HEX #76C8F4

RGB 118 200 244

HSL 200.95, 0.85%, 0.71%

LAB 77.1, -13.16, -29.4

 

CMYK 52 / 32 / 0 / 4

HEX #76A6F4

RGB 118 166 244

HSL 217.14, 0.85%, 0.71%

LAB 67.77, 5.45, -43.88

 

CMYK 52 / 45 / 0 / 4

HEX #7685F4

RGB 118 133 244

HSL 232.86, 0.85%, 0.71%

LAB 59.12, 24.72, -57.57

 

CMYK 43 / 52 / 0 / 4

HEX #8A76F4

RGB 138 118 244

HSL 249.52, 0.85%, 0.71%

LAB 56.97, 37.92, -60.94

 

CMYK 30 / 52 / 0 / 4

HEX #AC76F4

RGB 172 118 244

HSL 265.71, 0.85%, 0.71%

LAB 60.12, 46.02, -55.71

 

CMYK 52 / 18 / 0 / 4

HEX #76C8F4

RGB 118 200 244

HSL 200.95, 0.85%, 0.71%

LAB 77.1, -13.16, -29.4

 

CMYK 52 / 32 / 0 / 4

HEX #76A6F4

RGB 118 166 244

HSL 217.14, 0.85%, 0.71%

LAB 67.77, 5.45, -43.88

 

CMYK 52 / 45 / 0 / 4

HEX #7685F4

RGB 118 133 244

HSL 232.86, 0.85%, 0.71%

LAB 59.12, 24.72, -57.57

 

CMYK 52 / 52 / 0 / 4

HEX #7676F4

RGB 118 118 244

HSL 240, 0.85%, 0.71%

LAB 55.42, 33.63, -63.51

 

CMYK 52 / 18 / 0 / 4

HEX #76C8F4

RGB 118 200 244

HSL 200.95, 0.85%, 0.71%

LAB 77.1, -13.16, -29.4

 

CMYK 52 / 18 / 0 / 4

HEX #76C8F4

RGB 118 200 244

HSL 200.95, 0.85%, 0.71%

LAB 77.1, -13.16, -29.4

 

CMYK 44 / 15 / 0 / 9

HEX #82C5E8

RGB 130 197 232

HSL 200.59, 0.69%, 0.71%

LAB 76.38, -12.16, -24

 

CMYK 35 / 12 / 0 / 14

HEX #8EC1DC

RGB 142 193 220

HSL 200.77, 0.53%, 0.71%

LAB 75.49, -10.08, -18.82

 

CMYK 26 / 9 / 0 / 18

HEX #9ABDD0

RGB 154 189 208

HSL 201.11, 0.36%, 0.71%

LAB 74.71, -7.43, -13.41

 

CMYK 15 / 5 / 0 / 23

HEX #A6BAC4

RGB 166 186 196

HSL 200, 0.2%, 0.71%

LAB 74.32, -4.75, -7.37

 

CMYK 52 / 0 / 10 / 4

HEX #76F4DB

RGB 118 244 219

HSL 168.1, 0.85%, 0.71%

LAB 88.77, -41.05, 1.32

 

CMYK 52 / 3 / 0 / 4

HEX #76ECF4

RGB 118 236 244

HSL 183.81, 0.85%, 0.71%

LAB 87.18, -31.15, -14.11

 

CMYK 52 / 17 / 0 / 4

HEX #76CAF4

RGB 118 202 244

HSL 200, 0.85%, 0.71%

LAB 77.65, -14.21, -28.55

 

CMYK 52 / 31 / 0 / 4

HEX #76A8F4

RGB 118 168 244

HSL 216.19, 0.85%, 0.71%

LAB 68.31, 4.32, -43.04

 

CMYK 52 / 45 / 0 / 4

HEX #7687F4

RGB 118 135 244

HSL 231.9, 0.85%, 0.71%

LAB 59.63, 23.53, -56.77

 

CMYK 82 / 29 / 0 / 7

HEX #2AAAEE

RGB 42 170 238

HSL 200.82, 0.85%, 0.55%

LAB 66.07, -10.46, -43.45

 

CMYK 67 / 23 / 0 / 5

HEX #50B9F1

RGB 80 185 241

HSL 200.87, 0.85%, 0.63%

LAB 71.39, -13.13, -36.71

 

CMYK 52 / 18 / 0 / 4

HEX #76C8F4

RGB 118 200 244

HSL 200.95, 0.85%, 0.71%

LAB 77.1, -13.16, -29.4

 

CMYK 37 / 13 / 0 / 3

HEX #9CD8F7

RGB 156 216 247

HSL 200.44, 0.85%, 0.79%

LAB 83.39, -11.6, -21.24

 

CMYK 22 / 8 / 0 / 2

HEX #C3E7FA

RGB 195 231 250

HSL 200.73, 0.85%, 0.87%

LAB 89.7, -7.67, -13.1

 

CMYK 51 / 18 / 0 / 4

HEX #76C8F4

RGB 118.7 200.6 244

HSL 200.78, 0.85%, 0.71%

LAB 77.29, -13.32, -29.1

 

CMYK 24 / 52 / 0 / 4

HEX #B976F4

RGB 185 118 244

HSL 271.9, 0.85%, 0.71%

LAB 61.48, 49.3, -53.47

 

CMYK 0 / 3 / 52 / 4

HEX #F4EC76

RGB 244 236 118

HSL 56.19, 0.85%, 0.71%

LAB 91.92, -12.42, 57.45

 

CMYK 51 / 18 / 0 / 4

HEX #76C8F4

RGB 118.7 200.6 244

HSL 200.78, 0.85%, 0.71%

LAB 77.29, -13.32, -29.1

 

CMYK 0 / 52 / 17 / 4

HEX #F476CA

RGB 244 118 202

HSL 320, 0.85%, 0.71%

LAB 66.87, 58.08, -21.14

 

CMYK 17 / 0 / 52 / 4

HEX #CAF476

RGB 202 244 118

HSL 80, 0.85%, 0.71%

LAB 91.04, -32.5, 55.66

 

CMYK 51 / 18 / 0 / 4

HEX #76C8F4

RGB 118.7 200.6 244

HSL 200.78, 0.85%, 0.71%

LAB 77.29, -13.32, -29.1

 

CMYK 24 / 52 / 0 / 4

HEX #B976F4

RGB 185 118 244

HSL 271.9, 0.85%, 0.71%

LAB 61.48, 49.3, -53.47

 

CMYK 0 / 34 / 52 / 4

HEX #F4A076

RGB 244 160 118

HSL 20, 0.85%, 0.71%

LAB 73.34, 26.85, 34.65

 

CMYK 27 / 0 / 52 / 4

HEX #B1F476

RGB 177 244 118

HSL 91.9, 0.85%, 0.71%

LAB 89.56, -41.52, 53.54

 

CMYK 51 / 18 / 0 / 4

HEX #76C8F4

RGB 118.7 200.6 244

HSL 200.78, 0.85%, 0.71%

LAB 77.29, -13.32, -29.1

 

CMYK 9 / 52 / 0 / 4

HEX #DF76F4

RGB 223 118 244

HSL 290, 0.85%, 0.71%

LAB 65.89, 59.2, -46.22

 

CMYK 0 / 34 / 52 / 4

HEX #F4A076

RGB 244 160 118

HSL 20, 0.85%, 0.71%

LAB 73.34, 26.85, 34.65

 

CMYK 43 / 0 / 52 / 4

HEX #8BF476

RGB 139 244 118

HSL 110, 0.85%, 0.71%

LAB 87.73, -53.77, 50.9

 

Description

Color code: RGB 118.7 200.6 244 | qconv.com Color code: RGB 118.7 200.6 244 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118.7 red, 200.6 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118.7 200.6 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 18 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 18% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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