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Color name
RGB 117 53 34

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 53 34 it is the complementary color RGB 138 202 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 53 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 117 53 34 shade: RGB 122 53 29, RGB 139 71 48, RGB 156 89 67, RGB 173 107 86 and RGB 190 125 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 53 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 117 53 34 shade: RGB 117 53 34, RGB 100 35 15, RGB 83 17 0, RGB 66 0 0 and RGB 49 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 117 53 34 shade: RGB 119 54 34 and RGB 119 34 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 117 53 34 shade: RGB 119 54 34, RGB 119 76 34, RGB 119 99 34, RGB 115 119 34 and RGB 93 119 34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 117 53 34 shade matches the following richer shades: RGB 119 54 34, RGB 131 47 22 and RGB 143 40 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 117 53 34 shade: RGB 119 54 34, RGB 106 60 47, RGB 94 67 59, RGB 81 74 72 and RGB 69 81 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 117 53 34 shade: RGB 119 34 61, RGB 119 34 39, RGB 119 53 34, RGB 119 75 34 and RGB 119 98 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 117 53 34 shade: RGB 55 25 16, RGB 87 39 25, RGB 119 54 34, RGB 151 68 44 and RGB 183 83 53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 117 53 34 shade: RGB 117 53 34, RGB 84 119 34 and RGB 34 50 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 117 53 34 shade: RGB 117 53 34, RGB 34 119 53 and RGB 53 34 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 117 53 34 shade: RGB 117 53 34, RGB 84 119 34, RGB 34 100 119 and RGB 69 34 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 117 53 34 shade: RGB 117 53 34, RGB 58 119 34, RGB 34 100 119 and RGB 95 34 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 71 / 54

HEX #753522

RGB 117 53 34

HSL 13.73, 0.55%, 0.3%

LAB 30.51, 26.58, 24.99

 

Complementary color

CMYK 38 / 9 / 0 / 13

HEX #8ACADD

RGB 138 202 221

HSL 193.73, 0.55%, 0.7%

LAB 77.8, -15.6, -15.9

 

CMYK 0 / 57 / 76 / 52

HEX #7A351D

RGB 122 53 29

HSL 15.48, 0.62%, 0.3%

LAB 31.28, 28.4, 29.04

 

CMYK 0 / 49 / 65 / 45

HEX #8B4730

RGB 139 71 48

HSL 15.16, 0.49%, 0.37%

LAB 38.21, 26.77, 26.66

 

CMYK 0 / 43 / 57 / 39

HEX #9C5943

RGB 156 89 67

HSL 14.83, 0.4%, 0.44%

LAB 45.11, 25.31, 24.6

 

CMYK 0 / 38 / 50 / 32

HEX #AD6B56

RGB 173 107 86

HSL 14.48, 0.35%, 0.51%

LAB 51.92, 24.03, 22.82

 

CMYK 0 / 34 / 45 / 25

HEX #BE7D69

RGB 190 125 105

HSL 14.12, 0.4%, 0.58%

LAB 58.63, 22.91, 21.27

 

CMYK 0 / 55 / 71 / 54

HEX #753522

RGB 117 53 34

HSL 13.73, 0.55%, 0.3%

LAB 30.51, 26.58, 24.99

 

CMYK 0 / 65 / 85 / 61

HEX #64230F

RGB 100 35 15

HSL 14.12, 0.74%, 0.23%

LAB 23.49, 28.23, 27.62

 

CMYK 0 / 80 / 100 / 67

HEX #531100

RGB 83 17 0

HSL 12.29, 1%, 0.16%

LAB 16.7, 29.54, 25.45

 

CMYK 0 / 100 / 100 / 74

HEX #420000

RGB 66 0 0

HSL 0, 1%, 0.13%

LAB 10.25, 30.37, 16.16

 

CMYK 0 / 100 / 100 / 81

HEX #310000

RGB 49 0 0

HSL 0, 1%, 0.1%

LAB 5.9, 24.15, 9.32

 

CMYK 0 / 55 / 71 / 53

HEX #773622

RGB 119 54 34

HSL 14.12, 0.56%, 0.3%

LAB 31.06, 26.87, 25.72

 

CMYK 0 / 71 / 71 / 53

HEX #772222

RGB 119 34 34

HSL 0, 0.56%, 0.3%

LAB 27.25, 36.92, 21.21

 

CMYK 0 / 55 / 71 / 53

HEX #773622

RGB 119 54 34

HSL 14.12, 0.56%, 0.3%

LAB 31.06, 26.87, 25.72

 

CMYK 0 / 36 / 71 / 53

HEX #774C22

RGB 119 76 34

HSL 29.65, 0.56%, 0.3%

LAB 36.38, 14, 31.71

 

CMYK 0 / 17 / 71 / 53

HEX #776322

RGB 119 99 34

HSL 45.88, 0.56%, 0.3%

LAB 42.7, 0.27, 38.46

 

CMYK 3 / 0 / 71 / 53

HEX #737722

RGB 115 119 34

HSL 62.82, 0.56%, 0.3%

LAB 48.2, -12.95, 43.93

 

CMYK 22 / 0 / 71 / 53

HEX #5D7722

RGB 93 119 34

HSL 78.35, 0.56%, 0.3%

LAB 46.49, -22.79, 41.65

 

CMYK 0 / 55 / 71 / 53

HEX #773622

RGB 119 54 34

HSL 14.12, 0.56%, 0.3%

LAB 31.06, 26.87, 25.72

 

CMYK 0 / 64 / 83 / 49

HEX #832F16

RGB 131 47 22

HSL 13.76, 0.71%, 0.3%

LAB 31.62, 34.84, 33.73

 

CMYK 0 / 72 / 93 / 44

HEX #8F280A

RGB 143 40 10

HSL 13.53, 0.87%, 0.3%

LAB 32.65, 42.09, 41.03

 

CMYK 0 / 55 / 71 / 53

HEX #773622

RGB 119 54 34

HSL 14.12, 0.56%, 0.3%

LAB 31.06, 26.87, 25.72

 

CMYK 0 / 43 / 56 / 58

HEX #6A3C2F

RGB 106 60 47

HSL 13.22, 0.39%, 0.3%

LAB 30.64, 18.74, 16.71

 

CMYK 0 / 29 / 37 / 63

HEX #5E433B

RGB 94 67 59

HSL 13.71, 0.23%, 0.3%

LAB 31.14, 10.45, 9.45

 

CMYK 0 / 9 / 11 / 68

HEX #514A48

RGB 81 74 72

HSL 13.33, 0.06%, 0.3%

LAB 32.07, 2.52, 2.24

 

CMYK 18 / 4 / 0 / 67

HEX #455154

RGB 69 81 84

HSL 192, 0.1%, 0.3%

LAB 33.54, -3.99, -3.36

 

CMYK 0 / 71 / 49 / 53

HEX #77223D

RGB 119 34 61

HSL 340.94, 0.56%, 0.3%

LAB 27.85, 39.06, 4.07

 

CMYK 0 / 71 / 67 / 53

HEX #772227

RGB 119 34 39

HSL 356.47, 0.56%, 0.3%

LAB 27.33, 37.22, 18.05

 

CMYK 0 / 55 / 71 / 53

HEX #773522

RGB 119 53 34

HSL 13.41, 0.56%, 0.3%

LAB 30.84, 27.42, 25.46

 

CMYK 0 / 37 / 71 / 53

HEX #774B22

RGB 119 75 34

HSL 28.94, 0.56%, 0.3%

LAB 36.12, 14.6, 31.43

 

CMYK 0 / 18 / 71 / 53

HEX #776222

RGB 119 98 34

HSL 45.18, 0.56%, 0.3%

LAB 42.42, 0.85, 38.16

 

CMYK 0 / 55 / 71 / 78

HEX #371910

RGB 55 25 16

HSL 13.85, 0.55%, 0.14%

LAB 12.89, 13.89, 12.47

 

CMYK 0 / 55 / 71 / 66

HEX #572719

RGB 87 39 25

HSL 13.55, 0.55%, 0.22%

LAB 22.12, 20.93, 19.43

 

CMYK 0 / 55 / 71 / 53

HEX #773622

RGB 119 54 34

HSL 14.12, 0.56%, 0.3%

LAB 31.06, 26.87, 25.72

 

CMYK 0 / 55 / 71 / 41

HEX #97442C

RGB 151 68 44

HSL 13.46, 0.55%, 0.38%

LAB 39.4, 33.09, 30.86

 

CMYK 0 / 55 / 71 / 28

HEX #B75335

RGB 183 83 53

HSL 13.85, 0.55%, 0.46%

LAB 47.64, 38.47, 36.56

 

CMYK 0 / 55 / 71 / 54

HEX #753522

RGB 117 53 34

HSL 13.73, 0.55%, 0.3%

LAB 30.51, 26.58, 24.99

 

CMYK 29 / 0 / 71 / 53

HEX #547722

RGB 84 119 34

HSL 84.71, 0.56%, 0.3%

LAB 45.9, -26.57, 40.85

 

CMYK 71 / 58 / 0 / 53

HEX #223277

RGB 34 50 119

HSL 228.71, 0.56%, 0.3%

LAB 23.52, 18.63, -41.52

 

CMYK 0 / 55 / 71 / 54

HEX #753522

RGB 117 53 34

HSL 13.73, 0.55%, 0.3%

LAB 30.51, 26.58, 24.99

 

CMYK 71 / 0 / 55 / 53

HEX #227735

RGB 34 119 53

HSL 133.41, 0.56%, 0.3%

LAB 43.93, -40.13, 28.89

 

CMYK 55 / 71 / 0 / 53

HEX #352277

RGB 53 34 119

HSL 253.41, 0.56%, 0.3%

LAB 20.95, 32.58, -45.63

 

CMYK 0 / 55 / 71 / 54

HEX #753522

RGB 117 53 34

HSL 13.73, 0.55%, 0.3%

LAB 30.51, 26.58, 24.99

 

CMYK 29 / 0 / 71 / 53

HEX #547722

RGB 84 119 34

HSL 84.71, 0.56%, 0.3%

LAB 45.9, -26.57, 40.85

 

CMYK 71 / 16 / 0 / 53

HEX #226477

RGB 34 100 119

HSL 193.41, 0.56%, 0.3%

LAB 39.22, -14.01, -16.72

 

CMYK 42 / 71 / 0 / 53

HEX #452277

RGB 69 34 119

HSL 264.71, 0.56%, 0.3%

LAB 22.8, 35.72, -42.55

 

CMYK 0 / 55 / 71 / 54

HEX #753522

RGB 117 53 34

HSL 13.73, 0.55%, 0.3%

LAB 30.51, 26.58, 24.99

 

CMYK 51 / 0 / 71 / 53

HEX #3A7722

RGB 58 119 34

HSL 103.06, 0.56%, 0.3%

LAB 44.53, -36.17, 39

 

CMYK 71 / 16 / 0 / 53

HEX #226477

RGB 34 100 119

HSL 193.41, 0.56%, 0.3%

LAB 39.22, -14.01, -16.72

 

CMYK 20 / 71 / 0 / 53

HEX #5F2277

RGB 95 34 119

HSL 283.06, 0.56%, 0.3%

LAB 26.47, 41.58, -36.43

 

Description

Color code: RGB 117 53 34 | qconv.com Color code: RGB 117 53 34 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 53 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 53 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 71 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 71% 54% C M Y K

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