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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117.9 20.2 100 it is the complementary color RGB 137.1 234.8 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117.9 20.2 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 117.9 20.2 100 shade: RGB 122.9 20.2 95, RGB 139.9 38.2 114, RGB 156.9 56.2 133, RGB 173.9 74.2 152 and RGB 190.9 92.2 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117.9 20.2 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 117.9 20.2 100 shade: RGB 117.9 20.2 100, RGB 100.9 2.2 81, RGB 83.9 0 62, RGB 66.9 0 43 and RGB 49.9 0 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 117.9 20.2 100 shade: RGB 118 20 100, RGB 118 20 73, RGB 118 20 47, RGB 118 20 21 and RGB 118 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 117.9 20.2 100 shade: RGB 118 20 100, RGB 109 20 118, RGB 83 20 118, RGB 57 20 118 and RGB 30 20 118

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 117.9 20.2 100 shade matches the following richer shades: RGB 118 20 100 and RGB 129 9 107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 117.9 20.2 100 shade: RGB 118 20 100, RGB 107 31 93, RGB 95 42 86, RGB 84 53 79 and RGB 73 65 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 117.9 20.2 100 shade: RGB 82 20 118, RGB 108 20 118, RGB 118 20 101, RGB 118 20 75 and RGB 118 20 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 117.9 20.2 100 shade: RGB 47 8 40, RGB 82 14 70, RGB 118 20 100, RGB 153 26 130 and RGB 188 32 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 117.9 20.2 100 shade: RGB 117.9 20.2 100, RGB 118 56 20 and RGB 20 118 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 117.9 20.2 100 shade: RGB 117.9 20.2 100, RGB 101 118 20 and RGB 20 101 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 117.9 20.2 100 shade: RGB 117.9 20.2 100, RGB 118 56 20, RGB 20 118 36 and RGB 20 82 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 117.9 20.2 100 shade: RGB 117.9 20.2 100, RGB 118 85 20, RGB 20 118 36 and RGB 20 53 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 15 / 54

HEX #751464

RGB 117.9 20.2 100

HSL 310.99, 0.71%, 0.27%

LAB 27.5, 48.65, -22.33

 

Complementary color

CMYK 42 / 0 / 34 / 8

HEX #89EA9B

RGB 137.1 234.8 155

HSL 130.99, 0.71%, 0.73%

LAB 85.5, -45.23, 29.97

 

CMYK 0 / 84 / 23 / 52

HEX #7A145F

RGB 122.9 20.2 95

HSL 316.3, 0.72%, 0.28%

LAB 28.21, 49.13, -17.88

 

CMYK 0 / 73 / 19 / 45

HEX #8B2672

RGB 139.9 38.2 114

HSL 315.28, 0.57%, 0.35%

LAB 34.36, 50.33, -20.31

 

CMYK 0 / 64 / 15 / 38

HEX #9C3885

RGB 156.9 56.2 133

HSL 314.24, 0.47%, 0.42%

LAB 40.73, 50.57, -22.01

 

CMYK 0 / 57 / 13 / 32

HEX #AD4A98

RGB 173.9 74.2 152

HSL 313.18, 0.4%, 0.49%

LAB 47.21, 50.3, -23.27

 

CMYK 0 / 52 / 10 / 25

HEX #BE5CAB

RGB 190.9 92.2 171

HSL 312.1, 0.43%, 0.56%

LAB 53.7, 49.77, -24.25

 

CMYK 0 / 83 / 15 / 54

HEX #751464

RGB 117.9 20.2 100

HSL 310.99, 0.71%, 0.27%

LAB 27.5, 48.65, -22.33

 

CMYK 0 / 98 / 20 / 60

HEX #640251

RGB 100.9 2.2 81

HSL 312.1, 0.96%, 0.2%

LAB 21.59, 46.2, -19.23

 

CMYK 0 / 100 / 26 / 67

HEX #53003E

RGB 83.9 0 62

HSL 315.66, 1%, 0.16%

LAB 16.64, 40.41, -14.13

 

CMYK 0 / 100 / 36 / 74

HEX #42002B

RGB 66.9 0 43

HSL 321.43, 1%, 0.13%

LAB 11.72, 33.91, -8.32

 

CMYK 0 / 100 / 52 / 80

HEX #310018

RGB 49.9 0 24

HSL 331.14, 1%, 0.1%

LAB 6.7, 26.89, -1.75

 

CMYK 0 / 83 / 15 / 54

HEX #761464

RGB 118 20 100

HSL 311.02, 0.71%, 0.27%

LAB 27.5, 48.73, -22.33

 

CMYK 0 / 83 / 38 / 54

HEX #761449

RGB 118 20 73

HSL 327.55, 0.71%, 0.27%

LAB 26.25, 45.13, -6.37

 

CMYK 0 / 83 / 60 / 54

HEX #76142F

RGB 118 20 47

HSL 343.47, 0.71%, 0.27%

LAB 25.43, 42.65, 10.14

 

CMYK 0 / 83 / 82 / 54

HEX #761415

RGB 118 20 21

HSL 359.39, 0.71%, 0.27%

LAB 24.97, 41.21, 26.81

 

CMYK 0 / 83 / 83 / 54

HEX #761414

RGB 118 20 20

HSL 0, 0.71%, 0.27%

LAB 24.96, 41.17, 27.41

 

CMYK 0 / 83 / 15 / 54

HEX #761464

RGB 118 20 100

HSL 311.02, 0.71%, 0.27%

LAB 27.5, 48.73, -22.33

 

CMYK 8 / 83 / 0 / 54

HEX #6D1476

RGB 109 20 118

HSL 294.49, 0.71%, 0.27%

LAB 26.9, 49.74, -34.97

 

CMYK 30 / 83 / 0 / 54

HEX #531476

RGB 83 20 118

HSL 278.57, 0.71%, 0.27%

LAB 22.47, 44.64, -42.35

 

CMYK 52 / 83 / 0 / 54

HEX #391476

RGB 57 20 118

HSL 262.65, 0.71%, 0.27%

LAB 18.71, 40.31, -48.66

 

CMYK 75 / 83 / 0 / 54

HEX #1E1476

RGB 30 20 118

HSL 246.12, 0.71%, 0.27%

LAB 15.92, 37.12, -53.34

 

CMYK 0 / 83 / 15 / 54

HEX #761464

RGB 118 20 100

HSL 311.02, 0.71%, 0.27%

LAB 27.5, 48.73, -22.33

 

CMYK 0 / 93 / 17 / 49

HEX #81096B

RGB 129 9 107

HSL 311, 0.87%, 0.27%

LAB 29.22, 54.55, -24.01

 

CMYK 0 / 83 / 15 / 54

HEX #761464

RGB 118 20 100

HSL 311.02, 0.71%, 0.27%

LAB 27.5, 48.73, -22.33

 

CMYK 0 / 71 / 13 / 58

HEX #6B1F5D

RGB 107 31 93

HSL 311.05, 0.55%, 0.27%

LAB 26.44, 40.93, -19.56

 

CMYK 0 / 56 / 9 / 63

HEX #5F2A56

RGB 95 42 86

HSL 310.19, 0.39%, 0.27%

LAB 26.04, 30.61, -15.73

 

CMYK 0 / 37 / 6 / 67

HEX #54354F

RGB 84 53 79

HSL 309.68, 0.23%, 0.27%

LAB 26.72, 18.64, -10.2

 

CMYK 0 / 11 / 1 / 71

HEX #494148

RGB 73 65 72

HSL 307.5, 0.06%, 0.27%

LAB 28.55, 4.91, -3

 

CMYK 31 / 83 / 0 / 54

HEX #521476

RGB 82 20 118

HSL 277.96, 0.71%, 0.27%

LAB 22.31, 44.45, -42.62

 

CMYK 8 / 83 / 0 / 54

HEX #6C1476

RGB 108 20 118

HSL 293.88, 0.71%, 0.27%

LAB 26.72, 49.54, -35.27

 

CMYK 0 / 83 / 14 / 54

HEX #761465

RGB 118 20 101

HSL 310.41, 0.71%, 0.27%

LAB 27.55, 48.88, -22.9

 

CMYK 0 / 83 / 36 / 54

HEX #76144B

RGB 118 20 75

HSL 326.33, 0.71%, 0.27%

LAB 26.33, 45.36, -7.59

 

CMYK 0 / 83 / 58 / 54

HEX #761431

RGB 118 20 49

HSL 342.24, 0.71%, 0.27%

LAB 25.48, 42.8, 8.84

 

CMYK 0 / 83 / 15 / 82

HEX #2F0828

RGB 47 8 40

HSL 310.77, 0.71%, 0.11%

LAB 8.4, 24.07, -11.56

 

CMYK 0 / 83 / 15 / 68

HEX #520E46

RGB 82 14 70

HSL 310.59, 0.71%, 0.19%

LAB 18.14, 36.9, -17.39

 

CMYK 0 / 83 / 15 / 54

HEX #761464

RGB 118 20 100

HSL 311.02, 0.71%, 0.27%

LAB 27.5, 48.73, -22.33

 

CMYK 0 / 83 / 15 / 40

HEX #991A82

RGB 153 26 130

HSL 310.87, 0.71%, 0.35%

LAB 36.22, 59.56, -27.25

 

CMYK 0 / 83 / 15 / 26

HEX #BC20A0

RGB 188 32 160

HSL 310.77, 0.71%, 0.43%

LAB 44.61, 69.87, -31.93

 

CMYK 0 / 83 / 15 / 54

HEX #751464

RGB 117.9 20.2 100

HSL 310.99, 0.71%, 0.27%

LAB 27.5, 48.65, -22.33

 

CMYK 0 / 53 / 83 / 54

HEX #763814

RGB 118 56 20

HSL 22.04, 0.71%, 0.27%

LAB 31.19, 24.61, 33.56

 

CMYK 83 / 0 / 19 / 54

HEX #14765F

RGB 20 118 95

HSL 165.92, 0.71%, 0.27%

LAB 44.13, -32.73, 5.07

 

CMYK 0 / 83 / 15 / 54

HEX #751464

RGB 117.9 20.2 100

HSL 310.99, 0.71%, 0.27%

LAB 27.5, 48.65, -22.33

 

CMYK 14 / 0 / 83 / 54

HEX #657614

RGB 101 118 20

HSL 70.41, 0.71%, 0.27%

LAB 46.68, -19.52, 47.15

 

CMYK 83 / 14 / 0 / 54

HEX #146576

RGB 20 101 118

HSL 190.41, 0.71%, 0.27%

LAB 39.18, -16.8, -16.2

 

CMYK 0 / 83 / 15 / 54

HEX #751464

RGB 117.9 20.2 100

HSL 310.99, 0.71%, 0.27%

LAB 27.5, 48.65, -22.33

 

CMYK 0 / 53 / 83 / 54

HEX #763814

RGB 118 56 20

HSL 22.04, 0.71%, 0.27%

LAB 31.19, 24.61, 33.56

 

CMYK 83 / 0 / 69 / 54

HEX #147624

RGB 20 118 36

HSL 129.8, 0.71%, 0.27%

LAB 43.11, -44.36, 36.27

 

CMYK 83 / 31 / 0 / 54

HEX #145276

RGB 20 82 118

HSL 202.04, 0.71%, 0.27%

LAB 32.9, -5.52, -25.94

 

CMYK 0 / 83 / 15 / 54

HEX #751464

RGB 117.9 20.2 100

HSL 310.99, 0.71%, 0.27%

LAB 27.5, 48.65, -22.33

 

CMYK 0 / 28 / 83 / 54

HEX #765514

RGB 118 85 20

HSL 39.8, 0.71%, 0.27%

LAB 38.55, 7.39, 40.44

 

CMYK 83 / 0 / 69 / 54

HEX #147624

RGB 20 118 36

HSL 129.8, 0.71%, 0.27%

LAB 43.11, -44.36, 36.27

 

CMYK 83 / 55 / 0 / 54

HEX #143576

RGB 20 53 118

HSL 219.8, 0.71%, 0.27%

LAB 23.68, 14.18, -40.65

 

Description

Color code: RGB 117.9 20.2 100 | qconv.com Color code: RGB 117.9 20.2 100 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117.9 red, 20.2 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117.9 20.2 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 15 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 15% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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