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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117.9 110.2 204 it is the complementary color RGB 137.1 144.8 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117.9 110.2 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 117.9 110.2 204 shade: RGB 122.9 110.2 199, RGB 139.9 128.2 218, RGB 156.9 146.2 237, RGB 173.9 164.2 255 and RGB 190.9 182.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117.9 110.2 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 117.9 110.2 204 shade: RGB 117.9 110.2 204, RGB 100.9 92.2 185, RGB 83.9 74.2 166, RGB 66.9 56.2 147 and RGB 49.9 38.2 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 117.9 110.2 204 shade: RGB 119 112 205, RGB 144 112 205, RGB 169 112 205, RGB 194 112 205 and RGB 205 112 190

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 117.9 110.2 204 shade: RGB 119 112 205 and RGB 112 112 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 117.9 110.2 204 shade matches the following richer shades: RGB 119 112 205, RGB 106 96 220, RGB 93 80 236 and RGB 80 65 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 117.9 110.2 204 shade: RGB 119 112 205, RGB 132 127 189, RGB 145 143 173, RGB 159 159 158 and RGB 172 174 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 117.9 110.2 204 shade: RGB 112 155 205, RGB 112 130 205, RGB 118 112 205, RGB 143 112 205 and RGB 167 112 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 117.9 110.2 204 shade: RGB 70 61 173, RGB 90 81 194, RGB 119 112 205, RGB 148 142 215 and RGB 177 173 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 117.9 110.2 204 shade: RGB 117.9 110.2 204, RGB 205 112 180 and RGB 143 205 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 117.9 110.2 204 shade: RGB 117.9 110.2 204, RGB 205 118 112 and RGB 112 205 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 117.9 110.2 204 shade: RGB 117.9 110.2 204, RGB 205 112 180, RGB 198 205 112 and RGB 112 205 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 117.9 110.2 204 shade: RGB 117.9 110.2 204, RGB 205 112 152, RGB 198 205 112 and RGB 112 205 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 46 / 0 / 20

HEX #756ECC

RGB 117.9 110.2 204

HSL 244.93, 0.48%, 0.62%

LAB 51.15, 26.38, -47.83

 

Complementary color

CMYK 5 / 0 / 65 / 43

HEX #899033

RGB 137.1 144.8 51

HSL 64.93, 0.48%, 0.38%

LAB 57.8, -15.73, 47.15

 

CMYK 38 / 45 / 0 / 22

HEX #7A6EC7

RGB 122.9 110.2 199

HSL 248.58, 0.44%, 0.61%

LAB 51.29, 26.24, -44.73

 

CMYK 36 / 41 / 0 / 15

HEX #8B80DA

RGB 139.9 128.2 218

HSL 247.82, 0.55%, 0.68%

LAB 58.15, 25.29, -44.54

 

CMYK 34 / 38 / 0 / 7

HEX #9C92ED

RGB 156.9 146.2 237

HSL 247.07, 0.72%, 0.75%

LAB 64.88, 24.46, -44.41

 

CMYK 32 / 36 / 0 / 0

HEX #ADA4FF

RGB 173.9 164.2 255

HSL 246.41, 1%, 0.82%

LAB 71.44, 23.46, -43.84

 

CMYK 25 / 29 / 0 / 0

HEX #BEB6FF

RGB 190.9 182.2 255

HSL 247.17, 1%, 0.86%

LAB 77.17, 18.25, -34.82

 

CMYK 42 / 46 / 0 / 20

HEX #756ECC

RGB 117.9 110.2 204

HSL 244.93, 0.48%, 0.62%

LAB 51.15, 26.38, -47.83

 

CMYK 45 / 50 / 0 / 27

HEX #645CB9

RGB 100.9 92.2 185

HSL 245.63, 0.4%, 0.54%

LAB 44.17, 27.57, -48.11

 

CMYK 49 / 55 / 0 / 35

HEX #534AA6

RGB 83.9 74.2 166

HSL 246.34, 0.38%, 0.47%

LAB 37.04, 28.96, -48.42

 

CMYK 54 / 62 / 0 / 42

HEX #423893

RGB 66.9 56.2 147

HSL 247.07, 0.45%, 0.4%

LAB 29.77, 30.58, -48.74

 

CMYK 61 / 70 / 0 / 50

HEX #312680

RGB 49.9 38.2 128

HSL 247.82, 0.54%, 0.33%

LAB 22.42, 32.44, -48.97

 

CMYK 42 / 45 / 0 / 20

HEX #7770CD

RGB 119 112 205

HSL 244.52, 0.48%, 0.62%

LAB 51.74, 25.87, -47.45

 

CMYK 30 / 45 / 0 / 20

HEX #9070CD

RGB 144 112 205

HSL 260.65, 0.48%, 0.62%

LAB 53.95, 32.44, -43.82

 

CMYK 18 / 45 / 0 / 20

HEX #A970CD

RGB 169 112 205

HSL 276.77, 0.48%, 0.62%

LAB 56.52, 39.47, -39.6

 

CMYK 5 / 45 / 0 / 20

HEX #C270CD

RGB 194 112 205

HSL 292.9, 0.48%, 0.62%

LAB 59.4, 46.73, -34.87

 

CMYK 0 / 45 / 7 / 20

HEX #CD70BE

RGB 205 112 190

HSL 309.68, 0.48%, 0.62%

LAB 60.15, 47.31, -25.1

 

CMYK 42 / 45 / 0 / 20

HEX #7770CD

RGB 119 112 205

HSL 244.52, 0.48%, 0.62%

LAB 51.74, 25.87, -47.45

 

CMYK 45 / 45 / 0 / 20

HEX #7070CD

RGB 112 112 205

HSL 240, 0.48%, 0.62%

LAB 51.2, 24.15, -48.36

 

CMYK 42 / 45 / 0 / 20

HEX #7770CD

RGB 119 112 205

HSL 244.52, 0.48%, 0.62%

LAB 51.74, 25.87, -47.45

 

CMYK 52 / 56 / 0 / 14

HEX #6A60DC

RGB 106 96 220

HSL 244.84, 0.64%, 0.62%

LAB 47.75, 37, -62.46

 

CMYK 61 / 66 / 0 / 7

HEX #5D50EC

RGB 93 80 236

HSL 245, 0.8%, 0.62%

LAB 44.41, 49.04, -76.99

 

CMYK 68 / 74 / 0 / 1

HEX #5041FC

RGB 80 65 252

HSL 244.81, 0.97%, 0.62%

LAB 42.02, 60.44, -89.93

 

CMYK 42 / 45 / 0 / 20

HEX #7770CD

RGB 119 112 205

HSL 244.52, 0.48%, 0.62%

LAB 51.74, 25.87, -47.45

 

CMYK 30 / 33 / 0 / 26

HEX #847FBD

RGB 132 127 189

HSL 244.84, 0.32%, 0.62%

LAB 55.85, 16.1, -31.8

 

CMYK 16 / 17 / 0 / 32

HEX #918FAD

RGB 145 143 173

HSL 244, 0.15%, 0.62%

LAB 60.5, 7.03, -15.45

 

CMYK 0 / 0 / 1 / 38

HEX #9F9F9E

RGB 159 159 158

HSL 60, 0.01%, 0.62%

LAB 65.46, -0.19, 0.51

 

CMYK 1 / 0 / 18 / 32

HEX #ACAE8E

RGB 172 174 142

HSL 63.75, 0.16%, 0.62%

LAB 70.17, -6.25, 16.23

 

CMYK 45 / 24 / 0 / 20

HEX #709BCD

RGB 112 155 205

HSL 212.26, 0.48%, 0.62%

LAB 62.76, -1.23, -30.2

 

CMYK 45 / 37 / 0 / 20

HEX #7082CD

RGB 112 130 205

HSL 228.39, 0.48%, 0.62%

LAB 55.9, 13.32, -40.9

 

CMYK 42 / 45 / 0 / 20

HEX #7670CD

RGB 118 112 205

HSL 243.87, 0.48%, 0.62%

LAB 51.66, 25.62, -47.59

 

CMYK 30 / 45 / 0 / 20

HEX #8F70CD

RGB 143 112 205

HSL 260, 0.48%, 0.62%

LAB 53.85, 32.16, -43.98

 

CMYK 19 / 45 / 0 / 20

HEX #A770CD

RGB 167 112 205

HSL 275.48, 0.48%, 0.62%

LAB 56.3, 38.9, -39.95

 

CMYK 60 / 65 / 0 / 32

HEX #463DAD

RGB 70 61 173

HSL 244.82, 0.48%, 0.46%

LAB 33.26, 36.67, -58.78

 

CMYK 54 / 58 / 0 / 24

HEX #5A51C2

RGB 90 81 194

HSL 244.78, 0.48%, 0.54%

LAB 41.14, 34.84, -58.26

 

CMYK 42 / 45 / 0 / 20

HEX #7770CD

RGB 119 112 205

HSL 244.52, 0.48%, 0.62%

LAB 51.74, 25.87, -47.45

 

CMYK 31 / 34 / 0 / 16

HEX #948ED7

RGB 148 142 215

HSL 244.93, 0.48%, 0.7%

LAB 62.12, 18.72, -36.58

 

CMYK 22 / 23 / 0 / 11

HEX #B1ADE2

RGB 177 173 226

HSL 244.53, 0.48%, 0.78%

LAB 72.71, 12.46, -26.09

 

CMYK 42 / 46 / 0 / 20

HEX #756ECC

RGB 117.9 110.2 204

HSL 244.93, 0.48%, 0.62%

LAB 51.15, 26.38, -47.83

 

CMYK 0 / 45 / 12 / 20

HEX #CD70B4

RGB 205 112 180

HSL 316.13, 0.48%, 0.62%

LAB 59.76, 45.64, -19.97

 

CMYK 30 / 0 / 45 / 20

HEX #8FCD70

RGB 143 205 112

HSL 100, 0.48%, 0.62%

LAB 76.48, -36.58, 39.98

 

CMYK 42 / 46 / 0 / 20

HEX #756ECC

RGB 117.9 110.2 204

HSL 244.93, 0.48%, 0.62%

LAB 51.15, 26.38, -47.83

 

CMYK 0 / 42 / 45 / 20

HEX #CD7670

RGB 205 118 112

HSL 3.87, 0.48%, 0.62%

LAB 59.07, 33.36, 18.19

 

CMYK 45 / 0 / 42 / 20

HEX #70CD76

RGB 112 205 118

HSL 123.87, 0.48%, 0.62%

LAB 75.09, -45.56, 34.89

 

CMYK 42 / 46 / 0 / 20

HEX #756ECC

RGB 117.9 110.2 204

HSL 244.93, 0.48%, 0.62%

LAB 51.15, 26.38, -47.83

 

CMYK 0 / 45 / 12 / 20

HEX #CD70B4

RGB 205 112 180

HSL 316.13, 0.48%, 0.62%

LAB 59.76, 45.64, -19.97

 

CMYK 3 / 0 / 45 / 20

HEX #C6CD70

RGB 198 205 112

HSL 64.52, 0.48%, 0.62%

LAB 80.09, -15.88, 45.25

 

CMYK 45 / 0 / 34 / 20

HEX #70CD88

RGB 112 205 136

HSL 135.48, 0.48%, 0.62%

LAB 75.38, -42.61, 25.99

 

CMYK 42 / 46 / 0 / 20

HEX #756ECC

RGB 117.9 110.2 204

HSL 244.93, 0.48%, 0.62%

LAB 51.15, 26.38, -47.83

 

CMYK 0 / 45 / 26 / 20

HEX #CD7098

RGB 205 112 152

HSL 334.19, 0.48%, 0.62%

LAB 58.82, 41.39, -5.28

 

CMYK 3 / 0 / 45 / 20

HEX #C6CD70

RGB 198 205 112

HSL 64.52, 0.48%, 0.62%

LAB 80.09, -15.88, 45.25

 

CMYK 45 / 0 / 20 / 20

HEX #70CDA4

RGB 112 205 164

HSL 153.55, 0.48%, 0.62%

LAB 75.94, -37.18, 11.92

 

Description

Color code: RGB 117.9 110.2 204 | qconv.com Color code: RGB 117.9 110.2 204 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117.9 red, 110.2 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117.9 110.2 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 46 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 46% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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